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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A2ED5E it is the complementary color #5D12A1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A2ED5E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A2ED5E shade: #A7ED59, #B8FF6C, #C9FF7F, #DAFF92 and #EBFFA5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A2ED5E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A2ED5E shade: #A2ED5E, #91DB4B, #80C938, #6FB725 and #5EA512

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A2ED5E shade: #A2ED5E, #C8ED5E, #EDEB5E, #EDC45E and #ED9E5E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A2ED5E shade: #A2ED5E, #7BED5E, #5EED67, #5EED8D and #5EEDB4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A2ED5E shade matches the following richer shades: #A2ED5E and #A1FB4F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A2ED5E shade: #A2ED5E, #A2DE6C, #A3D07B, #A4C189 and #A5B398

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A2ED5E shade: #EDEA5E, #C9ED5E, #A3ED5E, #7DED5E and #5EED65

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A2ED5E shade: #77E018, #8CE939, #A2ED5E, #B7F183 and #CDF5A8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A2ED5E shade: #A2ED5E, #5EEDC4 and #ED5EDC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A2ED5E shade: #A2ED5E, #5EA3ED and #ED5EA3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A2ED5E shade: #A2ED5E, #5EEDC4, #A85EED and #ED5E86

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A2ED5E shade: #A2ED5E, #5EEAED, #A85EED and #ED605E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 32 / 0 / 60 / 7

HEX #A2ED5E

RGB 162 237 94

HSL 91.47, 0.8%, 0.65%

LAB 86.53, -45.99, 60.44

 

Complementary color

CMYK 42 / 89 / 0 / 37

HEX #5D12A1

RGB 93 18 161

HSL 271.47, 0.8%, 0.35%

LAB 27.66, 56.66, -60.62

 

CMYK 30 / 0 / 62 / 7

HEX #A7ED59

RGB 167 237 89

HSL 88.38, 0.8%, 0.64%

LAB 86.75, -44.67, 62.84

 

CMYK 28 / 0 / 58 / 0

HEX #B8FF6C

RGB 184 255 108

HSL 88.98, 1%, 0.71%

LAB 92.92, -44.83, 62

 

CMYK 21 / 0 / 50 / 0

HEX #C9FF7F

RGB 201 255 127

HSL 85.31, 1%, 0.75%

LAB 94.09, -37, 55.16

 

CMYK 15 / 0 / 43 / 0

HEX #DAFF92

RGB 218 255 146

HSL 80.37, 1%, 0.79%

LAB 95.37, -28.81, 48.07

 

CMYK 8 / 0 / 35 / 0

HEX #EBFFA5

RGB 235 255 165

HSL 73.33, 1%, 0.82%

LAB 96.78, -20.39, 40.88

 

CMYK 32 / 0 / 60 / 7

HEX #A2ED5E

RGB 162 237 94

HSL 91.47, 0.8%, 0.65%

LAB 86.53, -45.99, 60.44

 

CMYK 34 / 0 / 66 / 14

HEX #91DB4B

RGB 145 219 75

HSL 90.83, 0.67%, 0.58%

LAB 80.29, -45.79, 61.18

 

CMYK 36 / 0 / 72 / 21

HEX #80C938

RGB 128 201 56

HSL 90.21, 0.57%, 0.5%

LAB 73.96, -45.45, 61.58

 

CMYK 39 / 0 / 80 / 28

HEX #6FB725

RGB 111 183 37

HSL 89.59, 0.66%, 0.43%

LAB 67.56, -44.93, 61.33

 

CMYK 43 / 0 / 89 / 35

HEX #5EA512

RGB 94 165 18

HSL 88.98, 0.8%, 0.36%

LAB 61.07, -44.13, 59.97

 

CMYK 32 / 0 / 60 / 7

HEX #A2ED5E

RGB 162 237 94

HSL 91.47, 0.8%, 0.65%

LAB 86.53, -45.99, 60.44

 

CMYK 16 / 0 / 60 / 7

HEX #C8ED5E

RGB 200 237 94

HSL 75.52, 0.8%, 0.65%

LAB 88.76, -32.07, 63.53

 

CMYK 0 / 1 / 60 / 7

HEX #EDEB5E

RGB 237 235 94

HSL 59.16, 0.8%, 0.65%

LAB 90.88, -16.49, 66.61

 

CMYK 0 / 17 / 60 / 7

HEX #EDC45E

RGB 237 196 94

HSL 42.8, 0.8%, 0.65%

LAB 80.9, 3.19, 55.6

 

CMYK 0 / 33 / 60 / 7

HEX #ED9E5E

RGB 237 158 94

HSL 26.85, 0.8%, 0.65%

LAB 71.74, 23.22, 44.97

 

CMYK 32 / 0 / 60 / 7

HEX #A2ED5E

RGB 162 237 94

HSL 91.47, 0.8%, 0.65%

LAB 86.53, -45.99, 60.44

 

CMYK 48 / 0 / 60 / 7

HEX #7BED5E

RGB 123 237 94

HSL 107.83, 0.8%, 0.65%

LAB 84.79, -58.26, 58

 

CMYK 60 / 0 / 57 / 7

HEX #5EED67

RGB 94 237 103

HSL 123.78, 0.8%, 0.65%

LAB 83.93, -64.5, 52.83

 

CMYK 60 / 0 / 41 / 7

HEX #5EED8D

RGB 94 237 141

HSL 139.72, 0.8%, 0.65%

LAB 84.42, -59.05, 35.32

 

CMYK 60 / 0 / 24 / 7

HEX #5EEDB4

RGB 94 237 180

HSL 156.08, 0.8%, 0.65%

LAB 85.12, -51.62, 16.34

 

CMYK 32 / 0 / 60 / 7

HEX #A2ED5E

RGB 162 237 94

HSL 91.47, 0.8%, 0.65%

LAB 86.53, -45.99, 60.44

 

CMYK 36 / 0 / 69 / 2

HEX #A1FB4F

RGB 161 251 79

HSL 91.4, 0.96%, 0.65%

LAB 90.38, -53.3, 70.46

 

CMYK 32 / 0 / 60 / 7

HEX #A2ED5E

RGB 162 237 94

HSL 91.47, 0.8%, 0.65%

LAB 86.53, -45.99, 60.44

 

CMYK 27 / 0 / 51 / 13

HEX #A2DE6C

RGB 162 222 108

HSL 91.58, 0.63%, 0.65%

LAB 82.38, -38.07, 49.39

 

CMYK 22 / 0 / 41 / 18

HEX #A3D07B

RGB 163 208 123

HSL 91.76, 0.47%, 0.65%

LAB 78.65, -29.47, 37.46

 

CMYK 15 / 0 / 29 / 24

HEX #A4C189

RGB 164 193 137

HSL 91.07, 0.31%, 0.65%

LAB 74.72, -19.84, 25.06

 

CMYK 8 / 0 / 15 / 30

HEX #A5B398

RGB 165 179 152

HSL 91.11, 0.15%, 0.65%

LAB 71.22, -9.86, 12.15

 

CMYK 0 / 1 / 60 / 7

HEX #EDEA5E

RGB 237 234 94

HSL 58.74, 0.8%, 0.65%

LAB 90.62, -16, 66.33

 

CMYK 15 / 0 / 60 / 7

HEX #C9ED5E

RGB 201 237 94

HSL 75.1, 0.8%, 0.65%

LAB 88.83, -31.69, 63.62

 

CMYK 31 / 0 / 60 / 7

HEX #A3ED5E

RGB 163 237 94

HSL 91.05, 0.8%, 0.65%

LAB 86.58, -45.64, 60.51

 

CMYK 47 / 0 / 60 / 7

HEX #7DED5E

RGB 125 237 94

HSL 106.99, 0.8%, 0.65%

LAB 84.86, -57.69, 58.11

 

CMYK 60 / 0 / 57 / 7

HEX #5EED65

RGB 94 237 101

HSL 122.94, 0.8%, 0.65%

LAB 83.91, -64.73, 53.7

 

CMYK 47 / 0 / 89 / 12

HEX #77E018

RGB 119 224 24

HSL 91.5, 0.81%, 0.49%

LAB 80.35, -58.87, 75.55

 

CMYK 40 / 0 / 76 / 9

HEX #8CE939

RGB 140 233 57

HSL 91.7, 0.8%, 0.57%

LAB 84.04, -54.38, 71.28

 

CMYK 32 / 0 / 60 / 7

HEX #A2ED5E

RGB 162 237 94

HSL 91.47, 0.8%, 0.65%

LAB 86.53, -45.99, 60.44

 

CMYK 24 / 0 / 46 / 5

HEX #B7F183

RGB 183 241 131

HSL 91.64, 0.8%, 0.73%

LAB 89.21, -36.65, 47.1

 

CMYK 16 / 0 / 31 / 4

HEX #CDF5A8

RGB 205 245 168

HSL 91.17, 0.79%, 0.81%

LAB 92.18, -26.01, 32.96

 

CMYK 32 / 0 / 60 / 7

HEX #A2ED5E

RGB 162 237 94

HSL 91.47, 0.8%, 0.65%

LAB 86.53, -45.99, 60.44

 

CMYK 60 / 0 / 17 / 7

HEX #5EEDC4

RGB 94 237 196

HSL 162.8, 0.8%, 0.65%

LAB 85.47, -48.07, 8.49

 

CMYK 0 / 60 / 7 / 7

HEX #ED5EDC

RGB 237 94 220

HSL 307.13, 0.8%, 0.65%

LAB 62.66, 69.5, -37.81

 

CMYK 32 / 0 / 60 / 7

HEX #A2ED5E

RGB 162 237 94

HSL 91.47, 0.8%, 0.65%

LAB 86.53, -45.99, 60.44

 

CMYK 60 / 31 / 0 / 7

HEX #5EA3ED

RGB 94 163 237

HSL 211.05, 0.8%, 0.65%

LAB 65.51, 0.1, -43.68

 

CMYK 0 / 60 / 31 / 7

HEX #ED5EA3

RGB 237 94 163

HSL 331.05, 0.8%, 0.65%

LAB 60.48, 61.61, -8.69

 

CMYK 32 / 0 / 60 / 7

HEX #A2ED5E

RGB 162 237 94

HSL 91.47, 0.8%, 0.65%

LAB 86.53, -45.99, 60.44

 

CMYK 60 / 0 / 17 / 7

HEX #5EEDC4

RGB 94 237 196

HSL 162.8, 0.8%, 0.65%

LAB 85.47, -48.07, 8.49

 

CMYK 29 / 60 / 0 / 7

HEX #A85EED

RGB 168 94 237

HSL 271.05, 0.8%, 0.65%

LAB 54.5, 56.01, -60.85

 

CMYK 0 / 60 / 43 / 7

HEX #ED5E86

RGB 237 94 134

HSL 343.22, 0.8%, 0.65%

LAB 59.65, 58.47, 6.94

 

CMYK 32 / 0 / 60 / 7

HEX #A2ED5E

RGB 162 237 94

HSL 91.47, 0.8%, 0.65%

LAB 86.53, -45.99, 60.44

 

CMYK 60 / 1 / 0 / 7

HEX #5EEAED

RGB 94 234 237

HSL 181.26, 0.8%, 0.65%

LAB 85.68, -36.45, -12.76

 

CMYK 29 / 60 / 0 / 7

HEX #A85EED

RGB 168 94 237

HSL 271.05, 0.8%, 0.65%

LAB 54.5, 56.01, -60.85

 

CMYK 0 / 59 / 60 / 7

HEX #ED605E

RGB 237 96 94

HSL 0.84, 0.8%, 0.65%

LAB 59.14, 54.31, 29.41

 

Description

Color code: HEX #A2ED5E | qconv.com Color code: HEX #A2ED5E | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 162 red, 237 green and 94 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
162 237 94 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 32 cyan, none magenta, 60 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
32% 0% 60% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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