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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 196 175 197 0.68 it is the complementary color RGBA 59 80 58 0.68. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 196 175 197 0.68. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGBA 196 175 197 0.68: RGBA 201 175 192 0.68, RGBA 218 193 211 0.68, RGBA 235 211 230 0.68, RGBA 252 229 249 0.68 and RGBA 255 247 255 0.68

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 196 175 197 0.68. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGBA 196 175 197 0.68: RGBA 196 175 197 0.68, RGBA 179 157 178 0.68, RGBA 162 139 159 0.68, RGBA 145 121 140 0.68 and RGBA 128 103 121 0.68

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 8 / 0 / 15

HEX #C4AFC5AD

RGBA 196 175 197 0.68

HSLA 297.27, 0.16%, 0.73%, 0.68

LABA 73.82, 11.49, -8.41, 0.68

 

Complementary color

CMYK 18 / 0 / 19 / 47

HEX #3B503AAD

RGBA 59 80 58 0.68

HSLA 117.27, 0.16%, 0.27%, 0.68

LABA 31.74, -13.15, 10.4, 0.68

 

CMYK 0 / 9 / 3 / 14

HEX #C9AFC0AD

RGBA 201 175 192 0.68

HSLA 320.77, 0.19%, 0.74%, 0.68

LABA 74.12, 12.31, -5.19, 0.68

 

CMYK 0 / 8 / 2 / 10

HEX #DAC1D3AD

RGBA 218 193 211 0.68

HSLA 316.8, 0.25%, 0.81%, 0.68

LABA 80.6, 11.93, -5.76, 0.68

 

CMYK 0 / 7 / 1 / 5

HEX #EBD3E6AD

RGBA 235 211 230 0.68

HSLA 312.5, 0.38%, 0.87%, 0.68

LABA 86.98, 11.58, -6.3, 0.68

 

CMYK 0 / 6 / 1 / 1

HEX #FCE5F9AD

RGBA 252 229 249 0.68

HSLA 307.83, 0.79%, 0.94%, 0.68

LABA 93.26, 11.25, -6.83, 0.68

 

CMYK 0 / 2 / 0 / 0

HEX #FFF7FFAD

RGBA 255 247 255 0.68

HSLA 300, 1%, 0.98%, 0.68

LABA 98.03, 4.06, -2.89, 0.68

 

CMYK 0 / 8 / 0 / 15

HEX #C4AFC5AD

RGBA 196 175 197 0.68

HSLA 297.27, 0.16%, 0.73%, 0.68

LABA 73.82, 11.49, -8.41, 0.68

 

CMYK 0 / 8 / 0 / 20

HEX #B39DB2AD

RGBA 179 157 178 0.68

HSLA 302.73, 0.13%, 0.66%, 0.68

LABA 67.21, 11.87, -7.9, 0.68

 

CMYK 0 / 10 / 1 / 25

HEX #A28B9FAD

RGBA 162 139 159 0.68

HSLA 307.83, 0.11%, 0.59%, 0.68

LABA 60.47, 12.29, -7.38, 0.68

 

CMYK 0 / 11 / 2 / 29

HEX #91798CAD

RGBA 145 121 140 0.68

HSLA 312.5, 0.1%, 0.52%, 0.68

LABA 53.59, 12.75, -6.83, 0.68

 

CMYK 0 / 13 / 4 / 34

HEX #806779AD

RGBA 128 103 121 0.68

HSLA 316.8, 0.11%, 0.45%, 0.68

LABA 46.54, 13.27, -6.26, 0.68

 

CMYK 0 / 8 / 0 / 15

HEX #C4AFC5AD

RGBA 196 175 197 0.68

HSLA 297.27, 0.16%, 0.73%, 0.68

LABA 73.82, 11.49, -8.41, 0.68

 

CMYK 0 / 8 / 1 / 15

HEX #C5AFC2AD

RGBA 197 175 194 0.68

HSLA 308.18, 0.16%, 0.73%, 0.68

LABA 73.82, 11.27, -6.76, 0.68

 

CMYK 0 / 8 / 2 / 15

HEX #C5AFBEAD

RGBA 197 175 190 0.68

HSLA 319.09, 0.16%, 0.73%, 0.68

LABA 73.71, 10.54, -4.74, 0.68

 

CMYK 0 / 8 / 3 / 15

HEX #C5AFBBAD

RGBA 197 175 187 0.68

HSLA 327.27, 0.16%, 0.73%, 0.68

LABA 73.62, 10, -3.22, 0.68

 

CMYK 0 / 8 / 5 / 15

HEX #C5AFB7AD

RGBA 197 175 183 0.68

HSLA 338.18, 0.16%, 0.73%, 0.68

LABA 73.51, 9.29, -1.19, 0.68

 

CMYK 0 / 8 / 0 / 15

HEX #C4AFC5AD

RGBA 196 175 197 0.68

HSLA 297.27, 0.16%, 0.73%, 0.68

LABA 73.82, 11.49, -8.41, 0.68

 

CMYK 0 / 8 / 0 / 2

HEX #F7DCF8AD

RGBA 247 220 248 0.68

HSLA 297.86, 0.67%, 0.92%, 0.68

LABA 90.66, 14.1, -10.22, 0.68

 

CMYK 0 / 8 / 0 / 56

HEX #2C272CAD

RGBA 44 39 44 0.68

HSLA 300, 0.06%, 0.16%, 0.68

LABA 16.35, 3.47, -2.44, 0.68

 

CMYK 0 / 8 / 0 / 43

HEX #5F545FAD

RGBA 95 84 95 0.68

HSLA 300, 0.06%, 0.35%, 0.68

LABA 37.11, 6.75, -4.72, 0.68

 

CMYK 0 / 7 / 0 / 29

HEX #918292AD

RGBA 145 130 146 0.68

HSLA 296.25, 0.07%, 0.54%, 0.68

LABA 56.15, 8.73, -6.51, 0.68

 

CMYK 0 / 8 / 0 / 15

HEX #C4AFC5AD

RGBA 196 175 197 0.68

HSLA 297.27, 0.16%, 0.73%, 0.68

LABA 73.82, 11.49, -8.41, 0.68

 

CMYK 0 / 7 / 8 / 15

HEX #C5B2AFAD

RGBA 197 178 175 0.68

HSLA 8.18, 0.16%, 0.73%, 0.68

LABA 74.07, 6.29, 3.99, 0.68

 

CMYK 8 / 0 / 3 / 15

HEX #AFC5BBAD

RGBA 175 197 187 0.68

HSLA 152.73, 0.16%, 0.73%, 0.68

LABA 77.66, -9.4, 2.47, 0.68

 

CMYK 0 / 8 / 0 / 15

HEX #C4AFC5AD

RGBA 196 175 197 0.68

HSLA 297.27, 0.16%, 0.73%, 0.68

LABA 73.82, 11.49, -8.41, 0.68

 

CMYK 0 / 0 / 8 / 15

HEX #C5C4AFAD

RGBA 197 196 175 0.68

HSLA 57.27, 0.16%, 0.73%, 0.68

LABA 78.72, -3.3, 10.67, 0.68

 

CMYK 8 / 0 / 0 / 15

HEX #AFC5C4AD

RGBA 175 197 196 0.68

HSLA 177.27, 0.16%, 0.73%, 0.68

LABA 77.89, -7.63, -2.04, 0.68

 

CMYK 0 / 8 / 0 / 15

HEX #C4AFC5AD

RGBA 196 175 197 0.68

HSLA 297.27, 0.16%, 0.73%, 0.68

LABA 73.82, 11.49, -8.41, 0.68

 

CMYK 0 / 7 / 8 / 15

HEX #C5B2AFAD

RGBA 197 178 175 0.68

HSLA 8.18, 0.16%, 0.73%, 0.68

LABA 74.07, 6.29, 3.99, 0.68

 

CMYK 7 / 0 / 8 / 15

HEX #B0C5AFAD

RGBA 176 197 175 0.68

HSLA 117.27, 0.16%, 0.73%, 0.68

LABA 77.43, -11.29, 8.63, 0.68

 

CMYK 8 / 1 / 0 / 15

HEX #AFC1C5AD

RGBA 175 193 197 0.68

HSLA 190.91, 0.16%, 0.73%, 0.68

LABA 76.85, -5.32, -4.11, 0.68

 

CMYK 0 / 8 / 0 / 15

HEX #C4AFC5AD

RGBA 196 175 197 0.68

HSLA 297.27, 0.16%, 0.73%, 0.68

LABA 73.82, 11.49, -8.41, 0.68

 

CMYK 0 / 4 / 8 / 15

HEX #C5B9AFAD

RGBA 197 185 175 0.68

HSLA 27.27, 0.16%, 0.73%, 0.68

LABA 75.86, 2.53, 6.58, 0.68

 

CMYK 7 / 0 / 8 / 15

HEX #B0C5AFAD

RGBA 176 197 175 0.68

HSLA 117.27, 0.16%, 0.73%, 0.68

LABA 77.43, -11.29, 8.63, 0.68

 

CMYK 8 / 3 / 0 / 15

HEX #AFBBC5AD

RGBA 175 187 197 0.68

HSLA 207.27, 0.16%, 0.73%, 0.68

LABA 75.26, -2.13, -6.47, 0.68

 

Description

Color code: RGBA 196 175 197 0.68 | qconv.com Color code: RGBA 196 175 197 0.68 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 196 red, 175 green and 197 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
196 175 197 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 8 magenta, none yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 8% 0% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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