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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 194 113 236 0.75 it is the complementary color RGBA 61 142 19 0.75. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 194 113 236 0.75. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGBA 194 113 236 0.75 shade: RGBA 199 113 231 0.75, RGBA 216 131 250 0.75, RGBA 233 149 255 0.75, RGBA 250 167 255 0.75 and RGBA 255 185 255 0.75

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 194 113 236 0.75. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGBA 194 113 236 0.75 shade: RGBA 194 113 236 0.75, RGBA 177 95 217 0.75, RGBA 160 77 198 0.75, RGBA 143 59 179 0.75 and RGBA 126 41 160 0.75

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGBA 194 113 236 0.75 shade: RGB 193 111 235, RGB 227 111 235, RGB 235 111 211, RGB 235 111 177 and RGB 235 111 144

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGBA 194 113 236 0.75 shade: RGB 193 111 235, RGB 160 111 235, RGB 126 111 235 and RGB 111 111 235

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGBA 194 113 236 0.75 shade matches the following richer shades: RGB 193 111 235 and RGB 197 98 249

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGBA 194 113 236 0.75 shade: RGB 193 111 235, RGB 189 125 222, RGB 185 138 209, RGB 181 151 196 and RGB 176 164 183

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGBA 194 113 236 0.75 shade: RGB 126 111 235, RGB 159 111 235, RGB 192 111 235, RGB 225 111 235 and RGB 235 111 213

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGBA 194 113 236 0.75 shade: RGB 162 39 226, RGB 177 75 230, RGB 193 111 235, RGB 209 148 240 and RGB 224 184 245

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGBA 194 113 236 0.75 shade: RGB 194 113 236, RGB 235 111 130 and RGB 111 235 142

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGBA 194 113 236 0.75 shade: RGB 194 113 236, RGB 235 192 111 and RGB 111 235 192

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGBA 194 113 236 0.75 shade: RGB 194 113 236, RGB 235 111 130, RGB 155 235 111 and RGB 111 235 217

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGBA 194 113 236 0.75 shade: RGB 194 113 236, RGB 235 130 111, RGB 155 235 111 and RGB 111 217 235

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 13 / 39 / 0 / 6

HEX #C271ECBF

RGBA 194 113 236 0.75

HSLA 279.51, 0.76%, 0.68%, 0.75

LABA 61.08, 52.48, -49.62, 0.75

 

Complementary color

CMYK 43 / 0 / 65 / 33

HEX #3D8E13BF

RGBA 61 142 19 0.75

HSLA 99.51, 0.76%, 0.32%, 0.75

LABA 52.27, -45.44, 51.59, 0.75

 

CMYK 10 / 38 / 0 / 7

HEX #C771E7BF

RGBA 199 113 231 0.75

HSLA 283.73, 0.71%, 0.67%, 0.75

LABA 61.41, 52.76, -46.26, 0.75

 

CMYK 10 / 36 / 0 / 1

HEX #D883FABF

RGBA 216 131 250 0.75

HSLA 282.86, 0.92%, 0.75%, 0.75

LABA 67.82, 52.01, -46.52, 0.75

 

CMYK 6 / 31 / 0 / 0

HEX #E995FFBF

RGBA 233 149 255 0.75

HSLA 287.55, 1%, 0.79%, 0.75

LABA 73.57, 48.49, -40.11, 0.75

 

CMYK 1 / 26 / 0 / 0

HEX #FAA7FFBF

RGBA 250 167 255 0.75

HSLA 296.59, 1%, 0.83%, 0.75

LABA 79.15, 44.19, -31.33, 0.75

 

CMYK 0 / 21 / 0 / 0

HEX #FFB9FFBF

RGBA 255 185 255 0.75

HSLA 300, 1%, 0.86%, 0.75

LABA 83.54, 36.35, -24.57, 0.75

 

CMYK 13 / 39 / 0 / 6

HEX #C271ECBF

RGBA 194 113 236 0.75

HSLA 279.51, 0.76%, 0.68%, 0.75

LABA 61.08, 52.48, -49.62, 0.75

 

CMYK 14 / 42 / 0 / 11

HEX #B15FD9BF

RGBA 177 95 217 0.75

HSLA 280.33, 0.62%, 0.61%, 0.75

LABA 54.6, 53.22, -49.37, 0.75

 

CMYK 14 / 46 / 0 / 17

HEX #A04DC6BF

RGBA 160 77 198 0.75

HSLA 281.16, 0.51%, 0.54%, 0.75

LABA 48.08, 53.86, -49.03, 0.75

 

CMYK 15 / 50 / 0 / 22

HEX #8F3BB3BF

RGBA 143 59 179 0.75

HSLA 282, 0.5%, 0.47%, 0.75

LABA 41.57, 54.27, -48.5, 0.75

 

CMYK 16 / 56 / 0 / 28

HEX #7E29A0BF

RGBA 126 41 160 0.75

HSLA 282.86, 0.59%, 0.39%, 0.75

LABA 35.12, 54.23, -47.65, 0.75

 

CMYK 18 / 53 / 0 / 8

HEX #C16FEB

RGB 193 111 235

HSL 279.68, 0.76%, 0.68%

LAB 60.52, 53.03, -49.95

 

CMYK 3 / 53 / 0 / 8

HEX #E36FEB

RGB 227 111 235

HSL 296.13, 0.76%, 0.68%

LAB 64.72, 61.94, -43.04

 

CMYK 0 / 53 / 10 / 8

HEX #EB6FD3

RGB 235 111 211

HSL 311.61, 0.76%, 0.68%

LAB 64.75, 60.09, -29.53

 

CMYK 0 / 53 / 25 / 8

HEX #EB6FB1

RGB 235 111 177

HSL 328.06, 0.76%, 0.68%

LAB 63.51, 55.12, -12.2

 

CMYK 0 / 53 / 39 / 8

HEX #EB6F90

RGB 235 111 144

HSL 344.03, 0.76%, 0.68%

LAB 62.55, 51.08, 5.27

 

CMYK 18 / 53 / 0 / 8

HEX #C16FEB

RGB 193 111 235

HSL 279.68, 0.76%, 0.68%

LAB 60.52, 53.03, -49.95

 

CMYK 32 / 53 / 0 / 8

HEX #A06FEB

RGB 160 111 235

HSL 263.71, 0.76%, 0.68%

LAB 56.92, 44.68, -55.9

 

CMYK 46 / 53 / 0 / 8

HEX #7E6FEB

RGB 126 111 235

HSL 247.26, 0.76%, 0.68%

LAB 53.82, 36.77, -61.04

 

CMYK 53 / 53 / 0 / 8

HEX #6F6FEB

RGB 111 111 235

HSL 240, 0.76%, 0.68%

LAB 52.67, 33.64, -62.95

 

CMYK 18 / 53 / 0 / 8

HEX #C16FEB

RGB 193 111 235

HSL 279.68, 0.76%, 0.68%

LAB 60.52, 53.03, -49.95

 

CMYK 21 / 61 / 0 / 2

HEX #C562F9

RGB 197 98 249

HSL 279.34, 0.93%, 0.68%

LAB 59.38, 63.3, -59.5

 

CMYK 18 / 53 / 0 / 8

HEX #C16FEB

RGB 193 111 235

HSL 279.68, 0.76%, 0.68%

LAB 60.52, 53.03, -49.95

 

CMYK 15 / 44 / 0 / 13

HEX #BD7DDE

RGB 189 125 222

HSL 279.59, 0.6%, 0.68%

LAB 62.3, 41.82, -39.92

 

CMYK 11 / 34 / 0 / 18

HEX #B98AD1

RGB 185 138 209

HSL 279.72, 0.44%, 0.68%

LAB 64.24, 30.72, -29.69

 

CMYK 8 / 23 / 0 / 23

HEX #B597C4

RGB 181 151 196

HSL 280, 0.28%, 0.68%

LAB 66.48, 19.46, -19.04

 

CMYK 4 / 10 / 0 / 28

HEX #B0A4B7

RGB 176 164 183

HSL 277.89, 0.12%, 0.68%

LAB 68.9, 7.91, -8.21

 

CMYK 46 / 53 / 0 / 8

HEX #7E6FEB

RGB 126 111 235

HSL 247.26, 0.76%, 0.68%

LAB 53.82, 36.77, -61.04

 

CMYK 32 / 53 / 0 / 8

HEX #9F6FEB

RGB 159 111 235

HSL 263.23, 0.76%, 0.68%

LAB 56.82, 44.43, -56.06

 

CMYK 18 / 53 / 0 / 8

HEX #C06FEB

RGB 192 111 235

HSL 279.19, 0.76%, 0.68%

LAB 60.4, 52.77, -50.14

 

CMYK 4 / 53 / 0 / 8

HEX #E16FEB

RGB 225 111 235

HSL 295.16, 0.76%, 0.68%

LAB 64.46, 61.41, -43.46

 

CMYK 0 / 53 / 9 / 8

HEX #EB6FD5

RGB 235 111 213

HSL 310.65, 0.76%, 0.68%

LAB 64.83, 60.41, -30.53

 

CMYK 28 / 83 / 0 / 11

HEX #A227E2

RGB 162 39 226

HSL 279.47, 0.76%, 0.52%

LAB 45.11, 74.55, -69.86

 

CMYK 23 / 67 / 0 / 10

HEX #B14BE6

RGB 177 75 230

HSL 279.48, 0.76%, 0.6%

LAB 51.94, 65.29, -60.97

 

CMYK 18 / 53 / 0 / 8

HEX #C16FEB

RGB 193 111 235

HSL 279.68, 0.76%, 0.68%

LAB 60.52, 53.03, -49.95

 

CMYK 13 / 38 / 0 / 6

HEX #D194F0

RGB 209 148 240

HSL 279.78, 0.75%, 0.76%

LAB 70.19, 39.01, -37.39

 

CMYK 9 / 25 / 0 / 4

HEX #E0B8F5

RGB 224 184 245

HSL 279.34, 0.75%, 0.84%

LAB 80.02, 25.18, -24.84

 

CMYK 18 / 52 / 0 / 7

HEX #C271EC

RGB 194 113 236

HSL 279.51, 0.76%, 0.68%

LAB 61.08, 52.48, -49.62

 

CMYK 0 / 53 / 45 / 8

HEX #EB6F82

RGB 235 111 130

HSL 350.81, 0.76%, 0.68%

LAB 62.2, 49.63, 12.83

 

CMYK 53 / 0 / 40 / 8

HEX #6FEB8E

RGB 111 235 142

HSL 135, 0.76%, 0.68%

LAB 84.35, -54.32, 34.83

 

CMYK 18 / 52 / 0 / 7

HEX #C271EC

RGB 194 113 236

HSL 279.51, 0.76%, 0.68%

LAB 61.08, 52.48, -49.62

 

CMYK 0 / 18 / 53 / 8

HEX #EBC06F

RGB 235 192 111

HSL 39.19, 0.76%, 0.68%

LAB 79.9, 5.74, 46.25

 

CMYK 53 / 0 / 18 / 8

HEX #6FEBC0

RGB 111 235 192

HSL 159.19, 0.76%, 0.68%

LAB 85.3, -44.72, 10.41

 

CMYK 18 / 52 / 0 / 7

HEX #C271EC

RGB 194 113 236

HSL 279.51, 0.76%, 0.68%

LAB 61.08, 52.48, -49.62

 

CMYK 0 / 53 / 45 / 8

HEX #EB6F82

RGB 235 111 130

HSL 350.81, 0.76%, 0.68%

LAB 62.2, 49.63, 12.83

 

CMYK 34 / 0 / 53 / 8

HEX #9BEB6F

RGB 155 235 111

HSL 98.71, 0.76%, 0.68%

LAB 85.77, -45.84, 51.96

 

CMYK 53 / 0 / 8 / 8

HEX #6FEBD9

RGB 111 235 217

HSL 171.29, 0.76%, 0.68%

LAB 85.91, -38.92, -1.83

 

CMYK 18 / 52 / 0 / 7

HEX #C271EC

RGB 194 113 236

HSL 279.51, 0.76%, 0.68%

LAB 61.08, 52.48, -49.62

 

CMYK 0 / 45 / 53 / 8

HEX #EB826F

RGB 235 130 111

HSL 9.19, 0.76%, 0.68%

LAB 65.57, 38.41, 28.15

 

CMYK 34 / 0 / 53 / 8

HEX #9BEB6F

RGB 155 235 111

HSL 98.71, 0.76%, 0.68%

LAB 85.77, -45.84, 51.96

 

CMYK 53 / 8 / 0 / 8

HEX #6FD9EB

RGB 111 217 235

HSL 188.71, 0.76%, 0.68%

LAB 81.29, -25.77, -18.23

 

Description

Color code: RGBA 194 113 236 0.75 | qconv.com Color code: RGBA 194 113 236 0.75 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 194 red, 113 green and 236 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
194 113 236 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 13 cyan, 39 magenta, none yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
13% 39% 0% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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