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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BD7DDE it is the complementary color #428221. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BD7DDE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BD7DDE shade: #C27DD9, #D38FEC, #E4A1FF, #F5B3FF and #FFC5FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BD7DDE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BD7DDE shade: #BD7DDE, #AC6BCB, #9B59B8, #8A47A5 and #793592

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BD7DDE shade: #BD7CDE, #D77CDE, #DE7CCB, #DE7CB0 and #DE7C96

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BD7DDE shade: #BD7CDE, #A37CDE, #887CDE and #7C7CDE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BD7DDE shade matches the following richer shades: #BD7CDE, #C16FEC and #C562F9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BD7DDE shade: #BD7CDE, #B98AD1, #B597C4, #B0A4B7 and #ACB1AA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BD7DDE shade: #887CDE, #A27CDE, #BC7CDE, #D67CDE and #DE7CCC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BD7DDE shade: #9C3ACE, #AC5BD6, #BD7CDE, #CE9DE7 and #DEBEEF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BD7DDE shade: #BD7DDE, #DE7C8B and #7CDE95

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BD7DDE shade: #BD7DDE, #DEBC7C and #7CDEBC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BD7DDE shade: #BD7DDE, #DE7C8B, #9FDE7C and #7CDED0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BD7DDE shade: #BD7DDE, #DE8B7C, #9FDE7C and #7CD0DE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 15 / 44 / 0 / 13

HEX #BD7DDE

RGB 189 125 222

HSL 279.59, 0.6%, 0.68%

LAB 62.3, 41.82, -39.92

 

Complementary color

CMYK 49 / 0 / 75 / 49

HEX #428221

RGB 66 130 33

HSL 99.59, 0.6%, 0.32%

LAB 48.55, -38.3, 43.66

 

CMYK 11 / 42 / 0 / 15

HEX #C27DD9

RGB 194 125 217

HSL 285, 0.55%, 0.67%

LAB 62.63, 42.23, -36.58

 

CMYK 11 / 39 / 0 / 7

HEX #D38FEC

RGB 211 143 236

HSL 283.87, 0.71%, 0.74%

LAB 69.15, 41.47, -36.81

 

CMYK 11 / 37 / 0 / 0

HEX #E4A1FF

RGB 228 161 255

HSL 282.77, 1%, 0.82%

LAB 75.58, 40.73, -37.03

 

CMYK 4 / 30 / 0 / 0

HEX #F5B3FF

RGB 245 179 255

HSL 292.11, 1%, 0.85%

LAB 81.22, 36.37, -28.19

 

CMYK 0 / 23 / 0 / 0

HEX #FFC5FF

RGB 255 197 255

HSL 300, 1%, 0.89%

LAB 86.21, 30.05, -20.51

 

CMYK 15 / 44 / 0 / 13

HEX #BD7DDE

RGB 189 125 222

HSL 279.59, 0.6%, 0.68%

LAB 62.3, 41.82, -39.92

 

CMYK 15 / 47 / 0 / 20

HEX #AC6BCB

RGB 172 107 203

HSL 280.63, 0.48%, 0.61%

LAB 55.68, 42.62, -39.75

 

CMYK 16 / 52 / 0 / 28

HEX #9B59B8

RGB 155 89 184

HSL 281.68, 0.4%, 0.54%

LAB 48.98, 43.43, -39.53

 

CMYK 16 / 57 / 0 / 35

HEX #8A47A5

RGB 138 71 165

HSL 282.77, 0.4%, 0.46%

LAB 42.19, 44.19, -39.24

 

CMYK 17 / 64 / 0 / 43

HEX #793592

RGB 121 53 146

HSL 283.87, 0.47%, 0.39%

LAB 35.37, 44.78, -38.78

 

CMYK 15 / 44 / 0 / 13

HEX #BD7CDE

RGB 189 124 222

HSL 279.8, 0.6%, 0.68%

LAB 62.09, 42.36, -40.26

 

CMYK 3 / 44 / 0 / 13

HEX #D77CDE

RGB 215 124 222

HSL 295.71, 0.6%, 0.68%

LAB 65.07, 49.88, -35.38

 

CMYK 0 / 44 / 9 / 13

HEX #DE7CCB

RGB 222 124 203

HSL 311.63, 0.6%, 0.68%

LAB 65.17, 48.63, -24.55

 

CMYK 0 / 44 / 21 / 13

HEX #DE7CB0

RGB 222 124 176

HSL 328.16, 0.6%, 0.68%

LAB 64.23, 44.38, -10.74

 

CMYK 0 / 44 / 32 / 13

HEX #DE7C96

RGB 222 124 150

HSL 344.08, 0.6%, 0.68%

LAB 63.46, 40.83, 2.93

 

CMYK 15 / 44 / 0 / 13

HEX #BD7CDE

RGB 189 124 222

HSL 279.8, 0.6%, 0.68%

LAB 62.09, 42.36, -40.26

 

CMYK 27 / 44 / 0 / 13

HEX #A37CDE

RGB 163 124 222

HSL 263.88, 0.6%, 0.68%

LAB 59.41, 35.02, -44.66

 

CMYK 39 / 44 / 0 / 13

HEX #887CDE

RGB 136 124 222

HSL 247.35, 0.6%, 0.68%

LAB 57, 27.83, -48.63

 

CMYK 44 / 44 / 0 / 13

HEX #7C7CDE

RGB 124 124 222

HSL 240, 0.6%, 0.68%

LAB 56.06, 24.85, -50.18

 

CMYK 15 / 44 / 0 / 13

HEX #BD7CDE

RGB 189 124 222

HSL 279.8, 0.6%, 0.68%

LAB 62.09, 42.36, -40.26

 

CMYK 18 / 53 / 0 / 7

HEX #C16FEC

RGB 193 111 236

HSL 279.36, 0.77%, 0.68%

LAB 60.57, 53.24, -50.42

 

CMYK 21 / 61 / 0 / 2

HEX #C562F9

RGB 197 98 249

HSL 279.34, 0.93%, 0.68%

LAB 59.38, 63.3, -59.5

 

CMYK 15 / 44 / 0 / 13

HEX #BD7CDE

RGB 189 124 222

HSL 279.8, 0.6%, 0.68%

LAB 62.09, 42.36, -40.26

 

CMYK 11 / 34 / 0 / 18

HEX #B98AD1

RGB 185 138 209

HSL 279.72, 0.44%, 0.68%

LAB 64.24, 30.72, -29.69

 

CMYK 8 / 23 / 0 / 23

HEX #B597C4

RGB 181 151 196

HSL 280, 0.28%, 0.68%

LAB 66.48, 19.46, -19.04

 

CMYK 4 / 10 / 0 / 28

HEX #B0A4B7

RGB 176 164 183

HSL 277.89, 0.12%, 0.68%

LAB 68.9, 7.91, -8.21

 

CMYK 3 / 0 / 4 / 31

HEX #ACB1AA

RGB 172 177 170

HSL 102.86, 0.04%, 0.68%

LAB 71.63, -3.07, 2.96

 

CMYK 39 / 44 / 0 / 13

HEX #887CDE

RGB 136 124 222

HSL 247.35, 0.6%, 0.68%

LAB 57, 27.83, -48.63

 

CMYK 27 / 44 / 0 / 13

HEX #A27CDE

RGB 162 124 222

HSL 263.27, 0.6%, 0.68%

LAB 59.32, 34.74, -44.81

 

CMYK 15 / 44 / 0 / 13

HEX #BC7CDE

RGB 188 124 222

HSL 279.18, 0.6%, 0.68%

LAB 61.98, 42.07, -40.44

 

CMYK 4 / 44 / 0 / 13

HEX #D67CDE

RGB 214 124 222

HSL 295.1, 0.6%, 0.68%

LAB 64.95, 49.59, -35.58

 

CMYK 0 / 44 / 8 / 13

HEX #DE7CCC

RGB 222 124 204

HSL 311.02, 0.6%, 0.68%

LAB 65.2, 48.79, -25.05

 

CMYK 24 / 72 / 0 / 19

HEX #9C3ACE

RGB 156 58 206

HSL 279.73, 0.6%, 0.52%

LAB 45.01, 63.1, -58.6

 

CMYK 20 / 57 / 0 / 16

HEX #AC5BD6

RGB 172 91 214

HSL 279.51, 0.6%, 0.6%

LAB 53.07, 53.33, -50.14

 

CMYK 15 / 44 / 0 / 13

HEX #BD7CDE

RGB 189 124 222

HSL 279.8, 0.6%, 0.68%

LAB 62.09, 42.36, -40.26

 

CMYK 11 / 32 / 0 / 9

HEX #CE9DE7

RGB 206 157 231

HSL 279.73, 0.61%, 0.76%

LAB 71.56, 31.36, -30.38

 

CMYK 7 / 21 / 0 / 6

HEX #DEBEEF

RGB 222 190 239

HSL 279.18, 0.6%, 0.84%

LAB 81.06, 20.13, -20.06

 

CMYK 15 / 44 / 0 / 13

HEX #BD7DDE

RGB 189 125 222

HSL 279.59, 0.6%, 0.68%

LAB 62.3, 41.82, -39.92

 

CMYK 0 / 44 / 37 / 13

HEX #DE7C8B

RGB 222 124 139

HSL 350.82, 0.6%, 0.68%

LAB 63.18, 39.5, 8.81

 

CMYK 44 / 0 / 33 / 13

HEX #7CDE95

RGB 124 222 149

HSL 135.31, 0.6%, 0.68%

LAB 81.13, -44.39, 27.06

 

CMYK 15 / 44 / 0 / 13

HEX #BD7DDE

RGB 189 125 222

HSL 279.59, 0.6%, 0.68%

LAB 62.3, 41.82, -39.92

 

CMYK 0 / 15 / 44 / 13

HEX #DEBC7C

RGB 222 188 124

HSL 39.18, 0.6%, 0.68%

LAB 77.85, 3.76, 36.84

 

CMYK 44 / 0 / 15 / 13

HEX #7CDEBC

RGB 124 222 188

HSL 159.18, 0.6%, 0.68%

LAB 81.92, -36.74, 7.74

 

CMYK 15 / 44 / 0 / 13

HEX #BD7DDE

RGB 189 125 222

HSL 279.59, 0.6%, 0.68%

LAB 62.3, 41.82, -39.92

 

CMYK 0 / 44 / 37 / 13

HEX #DE7C8B

RGB 222 124 139

HSL 350.82, 0.6%, 0.68%

LAB 63.18, 39.5, 8.81

 

CMYK 28 / 0 / 44 / 13

HEX #9FDE7C

RGB 159 222 124

HSL 98.57, 0.6%, 0.68%

LAB 82.42, -37.25, 41.7

 

CMYK 44 / 0 / 6 / 13

HEX #7CDED0

RGB 124 222 208

HSL 171.43, 0.6%, 0.68%

LAB 82.42, -32.19, -2.13

 

CMYK 15 / 44 / 0 / 13

HEX #BD7DDE

RGB 189 125 222

HSL 279.59, 0.6%, 0.68%

LAB 62.3, 41.82, -39.92

 

CMYK 0 / 37 / 44 / 13

HEX #DE8B7C

RGB 222 139 124

HSL 9.18, 0.6%, 0.68%

LAB 66.1, 29.95, 21.33

 

CMYK 28 / 0 / 44 / 13

HEX #9FDE7C

RGB 159 222 124

HSL 98.57, 0.6%, 0.68%

LAB 82.42, -37.25, 41.7

 

CMYK 44 / 6 / 0 / 13

HEX #7CD0DE

RGB 124 208 222

HSL 188.57, 0.6%, 0.68%

LAB 78.85, -21.9, -14.91

 

Description

Color code: HEX #BD7DDE | qconv.com Color code: HEX #BD7DDE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 189 red, 125 green and 222 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
189 125 222 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 15 cyan, 44 magenta, none yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
15% 44% 0% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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