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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 187 198 178 0.75 it is the complementary color RGBA 68 57 77 0.75. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 187 198 178 0.75. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGBA 187 198 178 0.75 shade: RGBA 192 198 173 0.75, RGBA 209 216 192 0.75, RGBA 226 234 211 0.75, RGBA 243 252 230 0.75 and RGBA 255 255 249 0.75

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 187 198 178 0.75. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGBA 187 198 178 0.75 shade: RGBA 187 198 178 0.75, RGBA 170 180 159 0.75, RGBA 153 162 140 0.75, RGBA 136 144 121 0.75 and RGBA 119 126 102 0.75

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGBA 187 198 178 0.75 shade: RGB 188 199 179, RGB 193 199 179, RGB 198 199 179, RGB 199 193 179 and RGB 199 188 179

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGBA 187 198 178 0.75 shade: RGB 188 199 179, RGB 182 199 179, RGB 179 199 181, RGB 179 199 186 and RGB 179 199 191

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGBA 187 198 178 0.75 shade matches the following richer shades: RGB 188 199 179, RGB 187 209 168, RGB 186 220 157, RGB 184 231 147 and RGB 183 242 136

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGBA 187 198 178 0.75 shade: RGB 188 199 179, RGB 189 188 189, RGB 190 177 200, RGB 191 166 211 and RGB 192 156 222

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGBA 187 198 178 0.75 shade: RGB 198 199 179, RGB 193 199 179, RGB 188 199 179, RGB 182 199 179 and RGB 179 199 180

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGBA 187 198 178 0.75 shade: RGB 146 164 131, RGB 167 181 155, RGB 188 199 179, RGB 209 216 202 and RGB 230 234 226

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGBA 187 198 178 0.75 shade: RGB 187 198 178, RGB 179 199 194 and RGB 199 179 196

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGBA 187 198 178 0.75 shade: RGB 187 198 178, RGB 179 188 199 and RGB 199 179 188

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGBA 187 198 178 0.75 shade: RGB 187 198 178, RGB 179 199 194, RGB 190 179 199 and RGB 199 179 184

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGBA 187 198 178 0.75 shade: RGB 187 198 178, RGB 179 198 199, RGB 190 179 199 and RGB 199 180 179

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 4 / 0 / 8 / 17

HEX #BBC6B2BF

RGBA 187 198 178 0.75

HSLA 93, 0.15%, 0.74%, 0.75

LABA 78.56, -7.42, 8.73, 0.75

 

Complementary color

CMYK 9 / 19 / 0 / 52

HEX #44394DBF

RGBA 68 57 77 0.75

HSLA 273, 0.15%, 0.26%, 0.75

LABA 25.84, 9.32, -10.41, 0.75

 

CMYK 2 / 0 / 9 / 17

HEX #C0C6ADBF

RGBA 192 198 173 0.75

HSLA 74.4, 0.18%, 0.73%, 0.75

LABA 78.82, -6.48, 11.83, 0.75

 

CMYK 2 / 0 / 8 / 11

HEX #D1D8C0BF

RGBA 209 216 192 0.75

HSLA 77.5, 0.24%, 0.8%, 0.75

LABA 85.24, -6.58, 11.02, 0.75

 

CMYK 3 / 0 / 7 / 6

HEX #E2EAD3BF

RGBA 226 234 211 0.75

HSLA 80.87, 0.35%, 0.87%, 0.75

LABA 91.56, -6.67, 10.25, 0.75

 

CMYK 3 / 0 / 7 / 1

HEX #F3FCE6BF

RGBA 243 252 230 0.75

HSLA 84.55, 0.79%, 0.95%, 0.75

LABA 97.79, -6.76, 9.51, 0.75

 

CMYK 0 / 0 / 2 / 0

HEX #FFFFF9BF

RGBA 255 255 249 0.75

HSLA 60, 1%, 0.99%, 0.75

LABA 99.85, -1.03, 2.85, 0.75

 

CMYK 4 / 0 / 8 / 17

HEX #BBC6B2BF

RGBA 187 198 178 0.75

HSLA 93, 0.15%, 0.74%, 0.75

LABA 78.56, -7.42, 8.73, 0.75

 

CMYK 4 / 0 / 9 / 22

HEX #AAB49FBF

RGBA 170 180 159 0.75

HSLA 88.57, 0.12%, 0.66%, 0.75

LABA 72.02, -7.36, 9.52, 0.75

 

CMYK 4 / 0 / 10 / 27

HEX #99A28CBF

RGBA 153 162 140 0.75

HSLA 84.55, 0.11%, 0.59%, 0.75

LABA 65.36, -7.3, 10.36, 0.75

 

CMYK 4 / 0 / 12 / 33

HEX #889079BF

RGBA 136 144 121 0.75

HSLA 80.87, 0.09%, 0.52%, 0.75

LABA 58.57, -7.24, 11.25, 0.75

 

CMYK 4 / 0 / 14 / 38

HEX #777E66BF

RGBA 119 126 102 0.75

HSLA 77.5, 0.11%, 0.45%, 0.75

LABA 51.61, -7.17, 12.21, 0.75

 

CMYK 6 / 0 / 10 / 22

HEX #BCC7B3

RGB 188 199 179

HSL 93, 0.15%, 0.74%

LAB 78.92, -7.41, 8.72

 

CMYK 3 / 0 / 10 / 22

HEX #C1C7B3

RGB 193 199 179

HSL 78, 0.15%, 0.74%

LAB 79.29, -5.64, 9.3

 

CMYK 1 / 0 / 10 / 22

HEX #C6C7B3

RGB 198 199 179

HSL 63, 0.15%, 0.74%

LAB 79.67, -3.85, 9.89

 

CMYK 0 / 3 / 10 / 22

HEX #C7C1B3

RGB 199 193 179

HSL 42, 0.15%, 0.74%

LAB 78.19, -0.33, 7.78

 

CMYK 0 / 6 / 10 / 22

HEX #C7BCB3

RGB 199 188 179

HSL 27, 0.15%, 0.74%

LAB 76.9, 2.32, 5.93

 

CMYK 6 / 0 / 10 / 22

HEX #BCC7B3

RGB 188 199 179

HSL 93, 0.15%, 0.74%

LAB 78.92, -7.41, 8.72

 

CMYK 9 / 0 / 10 / 22

HEX #B6C7B3

RGB 182 199 179

HSL 111, 0.15%, 0.74%

LAB 78.49, -9.52, 8.04

 

CMYK 10 / 0 / 9 / 22

HEX #B3C7B5

RGB 179 199 181

HSL 126, 0.15%, 0.74%

LAB 78.33, -10.2, 6.7

 

CMYK 10 / 0 / 7 / 22

HEX #B3C7BA

RGB 179 199 186

HSL 141, 0.15%, 0.74%

LAB 78.45, -9.27, 4.19

 

CMYK 10 / 0 / 4 / 22

HEX #B3C7BF

RGB 179 199 191

HSL 156, 0.15%, 0.74%

LAB 78.57, -8.32, 1.68

 

CMYK 6 / 0 / 10 / 22

HEX #BCC7B3

RGB 188 199 179

HSL 93, 0.15%, 0.74%

LAB 78.92, -7.41, 8.72

 

CMYK 11 / 0 / 20 / 18

HEX #BBD1A8

RGB 187 209 168

HSL 92.2, 0.31%, 0.74%

LAB 81.29, -14.74, 17.91

 

CMYK 15 / 0 / 29 / 14

HEX #BADC9D

RGB 186 220 157

HSL 92.38, 0.47%, 0.74%

LAB 84, -22.27, 27.37

 

CMYK 20 / 0 / 36 / 9

HEX #B8E793

RGB 184 231 147

HSL 93.57, 0.64%, 0.74%

LAB 86.73, -29.67, 36.08

 

CMYK 24 / 0 / 44 / 5

HEX #B7F288

RGB 183 242 136

HSL 93.4, 0.8%, 0.74%

LAB 89.56, -36.51, 45.12

 

CMYK 6 / 0 / 10 / 22

HEX #BCC7B3

RGB 188 199 179

HSL 93, 0.15%, 0.74%

LAB 78.92, -7.41, 8.72

 

CMYK 0 / 1 / 0 / 26

HEX #BDBCBD

RGB 189 188 189

HSL 300, 0.01%, 0.74%

LAB 76.35, 0.54, -0.39

 

CMYK 5 / 12 / 0 / 22

HEX #BEB1C8

RGB 190 177 200

HSL 273.91, 0.17%, 0.74%

LAB 73.91, 8.92, -9.98

 

CMYK 9 / 21 / 0 / 17

HEX #BFA6D3

RGB 191 166 211

HSL 273.33, 0.34%, 0.74%

LAB 71.59, 17.51, -19.49

 

CMYK 14 / 30 / 0 / 13

HEX #C09CDE

RGB 192 156 222

HSL 272.73, 0.5%, 0.74%

LAB 69.65, 25.67, -28.49

 

CMYK 1 / 0 / 10 / 22

HEX #C6C7B3

RGB 198 199 179

HSL 63, 0.15%, 0.74%

LAB 79.67, -3.85, 9.89

 

CMYK 3 / 0 / 10 / 22

HEX #C1C7B3

RGB 193 199 179

HSL 78, 0.15%, 0.74%

LAB 79.29, -5.64, 9.3

 

CMYK 6 / 0 / 10 / 22

HEX #BCC7B3

RGB 188 199 179

HSL 93, 0.15%, 0.74%

LAB 78.92, -7.41, 8.72

 

CMYK 9 / 0 / 10 / 22

HEX #B6C7B3

RGB 182 199 179

HSL 111, 0.15%, 0.74%

LAB 78.49, -9.52, 8.04

 

CMYK 10 / 0 / 10 / 22

HEX #B3C7B4

RGB 179 199 180

HSL 123, 0.15%, 0.74%

LAB 78.3, -10.38, 7.21

 

CMYK 11 / 0 / 20 / 36

HEX #92A483

RGB 146 164 131

HSL 92.73, 0.15%, 0.58%

LAB 65.2, -12.52, 15.05

 

CMYK 8 / 0 / 14 / 29

HEX #A7B59B

RGB 167 181 155

HSL 92.31, 0.15%, 0.66%

LAB 71.98, -9.67, 11.61

 

CMYK 6 / 0 / 10 / 22

HEX #BCC7B3

RGB 188 199 179

HSL 93, 0.15%, 0.74%

LAB 78.92, -7.41, 8.72

 

CMYK 3 / 0 / 6 / 15

HEX #D1D8CA

RGB 209 216 202

HSL 90, 0.15%, 0.82%

LAB 85.47, -4.88, 6.07

 

CMYK 2 / 0 / 3 / 8

HEX #E6EAE2

RGB 230 234 226

HSL 90, 0.16%, 0.9%

LAB 92.2, -2.75, 3.4

 

CMYK 6 / 0 / 10 / 22

HEX #BBC6B2

RGB 187 198 178

HSL 93, 0.15%, 0.74%

LAB 78.56, -7.42, 8.73

 

CMYK 10 / 0 / 3 / 22

HEX #B3C7C2

RGB 179 199 194

HSL 165, 0.15%, 0.74%

LAB 78.65, -7.74, 0.18

 

CMYK 0 / 10 / 2 / 22

HEX #C7B3C4

RGB 199 179 196

HSL 309, 0.15%, 0.74%

LAB 75.06, 10.16, -6.01

 

CMYK 6 / 0 / 10 / 22

HEX #BBC6B2

RGB 187 198 178

HSL 93, 0.15%, 0.74%

LAB 78.56, -7.42, 8.73

 

CMYK 10 / 6 / 0 / 22

HEX #B3BCC7

RGB 179 188 199

HSL 213, 0.15%, 0.74%

LAB 75.87, -0.93, -6.62

 

CMYK 0 / 10 / 6 / 22

HEX #C7B3BC

RGB 199 179 188

HSL 333, 0.15%, 0.74%

LAB 74.83, 8.71, -1.97

 

CMYK 6 / 0 / 10 / 22

HEX #BBC6B2

RGB 187 198 178

HSL 93, 0.15%, 0.74%

LAB 78.56, -7.42, 8.73

 

CMYK 10 / 0 / 3 / 22

HEX #B3C7C2

RGB 179 199 194

HSL 165, 0.15%, 0.74%

LAB 78.65, -7.74, 0.18

 

CMYK 5 / 10 / 0 / 22

HEX #BEB3C7

RGB 190 179 199

HSL 273, 0.15%, 0.74%

LAB 74.39, 7.64, -8.72

 

CMYK 0 / 10 / 8 / 22

HEX #C7B3B8

RGB 199 179 184

HSL 345, 0.15%, 0.74%

LAB 74.73, 8.01, 0.06

 

CMYK 6 / 0 / 10 / 22

HEX #BBC6B2

RGB 187 198 178

HSL 93, 0.15%, 0.74%

LAB 78.56, -7.42, 8.73

 

CMYK 10 / 1 / 0 / 22

HEX #B3C6C7

RGB 179 198 199

HSL 183, 0.15%, 0.74%

LAB 78.52, -6.23, -2.71

 

CMYK 5 / 10 / 0 / 22

HEX #BEB3C7

RGB 190 179 199

HSL 273, 0.15%, 0.74%

LAB 74.39, 7.64, -8.72

 

CMYK 0 / 10 / 10 / 22

HEX #C7B4B3

RGB 199 180 179

HSL 3, 0.15%, 0.74%

LAB 74.85, 6.61, 2.97

 

Description

Color code: RGBA 187 198 178 0.75 | qconv.com Color code: RGBA 187 198 178 0.75 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 187 red, 198 green and 178 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
187 198 178 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 4 cyan, none magenta, 8 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
4% 0% 8% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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