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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 11 / 0 / 20 / 36 it is the complementary color CMYK 11 / 26 / 0 / 51. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 11 / 0 / 20 / 36. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 11 / 0 / 20 / 36: CMYK 8 / 0 / 23 / 36, CMYK 8 / 0 / 20 / 29, CMYK 8 / 0 / 18 / 22, CMYK 7 / 0 / 16 / 15 and CMYK 7 / 0 / 14 / 8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 11 / 0 / 20 / 36. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 11 / 0 / 20 / 36: CMYK 11 / 0 / 20 / 36, CMYK 12 / 0 / 23 / 43, CMYK 13 / 0 / 27 / 50, CMYK 14 / 0 / 32 / 57 and CMYK 15 / 0 / 40 / 64

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 11 / 0 / 20 / 36

HEX #91A383

RGB 145 163 131

HSL 93.75, 0.15%, 0.58%

LAB 64.85, -12.37, 14.54

 

Complementary color

CMYK 11 / 26 / 0 / 51

HEX #6E5C7C

RGB 110 92 124

HSL 273.75, 0.15%, 0.42%

LAB 41.88, 13.9, -15.27

 

CMYK 8 / 0 / 23 / 36

HEX #96A37E

RGB 150 163 126

HSL 81.08, 0.17%, 0.57%

LAB 65.11, -11.3, 17.73

 

CMYK 8 / 0 / 20 / 29

HEX #A7B591

RGB 167 181 145

HSL 83.33, 0.2%, 0.64%

LAB 71.76, -11.34, 16.75

 

CMYK 8 / 0 / 18 / 22

HEX #B8C7A4

RGB 184 199 164

HSL 85.71, 0.24%, 0.71%

LAB 78.3, -11.37, 15.82

 

CMYK 7 / 0 / 16 / 15

HEX #C9D9B7

RGB 201 217 183

HSL 88.24, 0.31%, 0.78%

LAB 84.72, -11.4, 14.95

 

CMYK 7 / 0 / 14 / 8

HEX #DAEBCA

RGB 218 235 202

HSL 90.91, 0.45%, 0.86%

LAB 91.05, -11.42, 14.12

 

CMYK 11 / 0 / 20 / 36

HEX #91A383

RGB 145 163 131

HSL 93.75, 0.15%, 0.58%

LAB 64.85, -12.37, 14.54

 

CMYK 12 / 0 / 23 / 43

HEX #809170

RGB 128 145 112

HSL 90.91, 0.13%, 0.5%

LAB 58.05, -12.39, 15.53

 

CMYK 13 / 0 / 27 / 50

HEX #6F7F5D

RGB 111 127 93

HSL 88.24, 0.15%, 0.43%

LAB 51.09, -12.42, 16.59

 

CMYK 14 / 0 / 32 / 57

HEX #5E6D4A

RGB 94 109 74

HSL 85.71, 0.19%, 0.36%

LAB 43.96, -12.45, 17.74

 

CMYK 15 / 0 / 40 / 64

HEX #4D5B37

RGB 77 91 55

HSL 83.33, 0.25%, 0.29%

LAB 36.62, -12.45, 19.01

 

CMYK 11 / 0 / 20 / 36

HEX #91A383

RGB 145 163 131

HSL 93.75, 0.15%, 0.58%

LAB 64.85, -12.37, 14.54

 

CMYK 14 / 0 / 20 / 36

HEX #8CA383

RGB 140 163 131

HSL 103.13, 0.15%, 0.58%

LAB 64.49, -14.21, 13.99

 

CMYK 17 / 0 / 20 / 36

HEX #87A383

RGB 135 163 131

HSL 112.5, 0.15%, 0.58%

LAB 64.15, -16.03, 13.46

 

CMYK 20 / 0 / 18 / 36

HEX #83A385

RGB 131 163 133

HSL 123.75, 0.15%, 0.58%

LAB 63.93, -17.09, 12

 

CMYK 20 / 0 / 15 / 36

HEX #83A38A

RGB 131 163 138

HSL 133.13, 0.15%, 0.58%

LAB 64.04, -16.15, 9.38

 

CMYK 11 / 0 / 20 / 36

HEX #91A383

RGB 145 163 131

HSL 93.75, 0.15%, 0.58%

LAB 64.85, -12.37, 14.54

 

CMYK 11 / 0 / 20 / 16

HEX #BED6AC

RGB 190 214 172

HSL 94.29, 0.34%, 0.76%

LAB 82.92, -15.56, 18.11

 

CMYK 10 / 0 / 20 / 96

HEX #090A08

RGB 9 10 8

HSL 90, 0.11%, 0.04%

LAB 2.64, -0.54, 0.66

 

CMYK 11 / 0 / 20 / 76

HEX #363D31

RGB 54 61 49

HSL 95, 0.11%, 0.22%

LAB 24.78, -5.63, 6.43

 

CMYK 11 / 0 / 20 / 56

HEX #64705A

RGB 100 112 90

HSL 92.73, 0.11%, 0.4%

LAB 45.68, -8.96, 10.74

 

CMYK 11 / 0 / 20 / 36

HEX #91A383

RGB 145 163 131

HSL 93.75, 0.15%, 0.58%

LAB 64.85, -12.37, 14.54

 

CMYK 20 / 0 / 5 / 36

HEX #83A39B

RGB 131 163 155

HSL 165, 0.15%, 0.58%

LAB 64.47, -12.7, 0.5

 

CMYK 0 / 20 / 2 / 36

HEX #A3839F

RGB 163 131 159

HSL 307.5, 0.15%, 0.58%

LAB 58.53, 17.2, -10.26

 

CMYK 11 / 0 / 20 / 36

HEX #91A383

RGB 145 163 131

HSL 93.75, 0.15%, 0.58%

LAB 64.85, -12.37, 14.54

 

CMYK 20 / 10 / 0 / 36

HEX #8392A3

RGB 131 146 163

HSL 211.88, 0.15%, 0.58%

LAB 59.91, -1.6, -10.76

 

CMYK 0 / 20 / 10 / 36

HEX #A38392

RGB 163 131 146

HSL 331.88, 0.15%, 0.58%

LAB 58.13, 14.79, -3.39

 

CMYK 11 / 0 / 20 / 36

HEX #91A383

RGB 145 163 131

HSL 93.75, 0.15%, 0.58%

LAB 64.85, -12.37, 14.54

 

CMYK 20 / 0 / 5 / 36

HEX #83A39B

RGB 131 163 155

HSL 165, 0.15%, 0.58%

LAB 64.47, -12.7, 0.5

 

CMYK 9 / 20 / 0 / 36

HEX #9583A3

RGB 149 131 163

HSL 273.75, 0.15%, 0.58%

LAB 57.33, 13.08, -14.49

 

CMYK 0 / 20 / 15 / 36

HEX #A3838B

RGB 163 131 139

HSL 345, 0.15%, 0.58%

LAB 57.93, 13.57, 0.35

 

CMYK 11 / 0 / 20 / 36

HEX #91A383

RGB 145 163 131

HSL 93.75, 0.15%, 0.58%

LAB 64.85, -12.37, 14.54

 

CMYK 20 / 1 / 0 / 36

HEX #83A2A3

RGB 131 162 163

HSL 181.88, 0.15%, 0.58%

LAB 64.41, -10.41, -4.07

 

CMYK 9 / 20 / 0 / 36

HEX #9583A3

RGB 149 131 163

HSL 273.75, 0.15%, 0.58%

LAB 57.33, 13.08, -14.49

 

CMYK 0 / 18 / 20 / 36

HEX #A38583

RGB 163 133 131

HSL 3.75, 0.15%, 0.58%

LAB 58.23, 11.11, 5.39

 

Description

Color code: CMYK 11 / 0 / 20 / 36 | qconv.com Color code: CMYK 11 / 0 / 20 / 36 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 145 red, 163 green and 131 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
145 163 131 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 11 cyan, none magenta, 20 yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
11% 0% 20% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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