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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 181 41 196 0.5 it is the complementary color RGBA 74 214 59 0.5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 181 41 196 0.5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGBA 181 41 196 0.5: RGBA 186 41 191 0.5, RGBA 203 59 210 0.5, RGBA 220 77 229 0.5, RGBA 237 95 248 0.5 and RGBA 254 113 255 0.5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 181 41 196 0.5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGBA 181 41 196 0.5: RGBA 181 41 196 0.5, RGBA 164 23 177 0.5, RGBA 147 5 158 0.5, RGBA 130 0 139 0.5 and RGBA 113 0 120 0.5

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 4 / 40 / 0 / 12

HEX #B529C47F

RGBA 181 41 196 0.5

HSLA 294.19, 0.65%, 0.46%, 0.5

LABA 46.17, 71.75, -50.75, 0.5

 

Complementary color

CMYK 33 / 0 / 36 / 8

HEX #4AD63B7F

RGBA 74 214 59 0.5

HSLA 114.19, 0.65%, 0.54%, 0.5

LABA 75.99, -65.15, 61.9, 0.5

 

CMYK 1 / 39 / 0 / 13

HEX #BA29BF7F

RGBA 186 41 191 0.5

HSLA 298, 0.65%, 0.45%, 0.5

LABA 46.69, 71.88, -46.96, 0.5

 

CMYK 2 / 36 / 0 / 9

HEX #CB3BD27F

RGBA 203 59 210 0.5

HSLA 297.22, 0.63%, 0.53%, 0.5

LABA 52.37, 73.07, -48.71, 0.5

 

CMYK 2 / 33 / 0 / 5

HEX #DC4DE57F

RGBA 220 77 229 0.5

HSLA 296.45, 0.75%, 0.6%, 0.5

LABA 58.21, 73.59, -50.04, 0.5

 

CMYK 2 / 31 / 0 / 1

HEX #ED5FF87F

RGBA 237 95 248 0.5

HSLA 295.69, 0.92%, 0.67%, 0.5

LABA 64.13, 73.66, -51.07, 0.5

 

CMYK 0 / 28 / 0 / 0

HEX #FE71FF7F

RGBA 254 113 255 0.5

HSLA 299.58, 1%, 0.72%, 0.5

LABA 69.54, 71.41, -46.23, 0.5

 

CMYK 4 / 40 / 0 / 12

HEX #B529C47F

RGBA 181 41 196 0.5

HSLA 294.19, 0.65%, 0.46%, 0.5

LABA 46.17, 71.75, -50.75, 0.5

 

CMYK 4 / 44 / 0 / 15

HEX #A417B17F

RGBA 164 23 177 0.5

HSLA 294.94, 0.77%, 0.39%, 0.5

LABA 40.7, 69.64, -48.52, 0.5

 

CMYK 3 / 48 / 0 / 19

HEX #93059E7F

RGBA 147 5 158 0.5

HSLA 295.69, 0.94%, 0.32%, 0.5

LABA 35.56, 66.27, -45.56, 0.5

 

CMYK 3 / 50 / 0 / 23

HEX #82008B7F

RGBA 130 0 139 0.5

HSLA 296.12, 1%, 0.27%, 0.5

LABA 30.9, 61.05, -41.56, 0.5

 

CMYK 3 / 50 / 0 / 26

HEX #7100787F

RGBA 113 0 120 0.5

HSLA 296.5, 1%, 0.24%, 0.5

LABA 26.35, 55.06, -37.09, 0.5

 

CMYK 4 / 40 / 0 / 12

HEX #B529C47F

RGBA 181 41 196 0.5

HSLA 294.19, 0.65%, 0.46%, 0.5

LABA 46.17, 71.75, -50.75, 0.5

 

CMYK 0 / 39 / 3 / 12

HEX #C129B77F

RGBA 193 41 183 0.5

HSLA 303.95, 0.65%, 0.46%, 0.5

LABA 47.42, 72.04, -41.05, 0.5

 

CMYK 0 / 39 / 9 / 12

HEX #C1299D7F

RGBA 193 41 157 0.5

HSLA 314.21, 0.65%, 0.46%, 0.5

LABA 46.12, 68.35, -27.7, 0.5

 

CMYK 0 / 39 / 16 / 12

HEX #C129847F

RGBA 193 41 132 0.5

HSLA 324.08, 0.65%, 0.46%, 0.5

LABA 45.07, 65.26, -14.21, 0.5

 

CMYK 0 / 39 / 22 / 12

HEX #C1296B7F

RGBA 193 41 107 0.5

HSLA 333.95, 0.65%, 0.46%, 0.5

LABA 44.21, 62.69, -0.09, 0.5

 

CMYK 4 / 40 / 0 / 12

HEX #B529C47F

RGBA 181 41 196 0.5

HSLA 294.19, 0.65%, 0.46%, 0.5

LABA 46.17, 71.75, -50.75, 0.5

 

CMYK 4 / 39 / 0 / 2

HEX #E434F77F

RGBA 228 52 247 0.5

HSLA 294.15, 0.92%, 0.59%, 0.5

LABA 57.72, 85.91, -60.81, 0.5

 

CMYK 3 / 40 / 0 / 42

HEX #28092B7F

RGBA 40 9 43 0.5

HSLA 294.71, 0.65%, 0.1%, 0.5

LABA 7.42, 21.89, -15.47, 0.5

 

CMYK 4 / 39 / 0 / 32

HEX #57145E7F

RGBA 87 20 94 0.5

HSLA 294.32, 0.65%, 0.22%, 0.5

LABA 21.34, 40.35, -28.51, 0.5

 

CMYK 4 / 40 / 0 / 22

HEX #861E917F

RGBA 134 30 145 0.5

HSLA 294.26, 0.66%, 0.34%, 0.5

LABA 34.07, 56.81, -40.14, 0.5

 

CMYK 4 / 40 / 0 / 12

HEX #B529C47F

RGBA 181 41 196 0.5

HSLA 294.19, 0.65%, 0.46%, 0.5

LABA 46.17, 71.75, -50.75, 0.5

 

CMYK 0 / 35 / 39 / 12

HEX #C138297F

RGBA 193 56 41 0.5

HSLA 5.92, 0.65%, 0.46%, 0.5

LABA 44.7, 53.56, 40.41, 0.5

 

CMYK 39 / 0 / 20 / 12

HEX #29C1757F

RGBA 41 193 117 0.5

HSLA 150, 0.65%, 0.46%, 0.5

LABA 69.4, -55.63, 27.59, 0.5

 

CMYK 4 / 40 / 0 / 12

HEX #B529C47F

RGBA 181 41 196 0.5

HSLA 294.19, 0.65%, 0.46%, 0.5

LABA 46.17, 71.75, -50.75, 0.5

 

CMYK 0 / 4 / 39 / 12

HEX #C1B2297F

RGBA 193 178 41 0.5

HSLA 54.08, 0.65%, 0.46%, 0.5

LABA 71.78, -9.03, 66.06, 0.5

 

CMYK 39 / 0 / 4 / 12

HEX #29C1B27F

RGBA 41 193 178 0.5

HSLA 174.08, 0.65%, 0.46%, 0.5

LABA 70.75, -41.15, -3.4, 0.5

 

CMYK 4 / 40 / 0 / 12

HEX #B529C47F

RGBA 181 41 196 0.5

HSLA 294.19, 0.65%, 0.46%, 0.5

LABA 46.17, 71.75, -50.75, 0.5

 

CMYK 0 / 35 / 39 / 12

HEX #C138297F

RGBA 193 56 41 0.5

HSLA 5.92, 0.65%, 0.46%, 0.5

LABA 44.7, 53.56, 40.41, 0.5

 

CMYK 35 / 0 / 39 / 12

HEX #38C1297F

RGBA 56 193 41 0.5

HSLA 114.08, 0.65%, 0.46%, 0.5

LABA 68.85, -62.99, 60.69, 0.5

 

CMYK 39 / 4 / 0 / 12

HEX #29B2C17F

RGBA 41 178 193 0.5

HSLA 185.92, 0.65%, 0.46%, 0.5

LABA 66.64, -29.74, -17.79, 0.5

 

CMYK 4 / 40 / 0 / 12

HEX #B529C47F

RGBA 181 41 196 0.5

HSLA 294.19, 0.65%, 0.46%, 0.5

LABA 46.17, 71.75, -50.75, 0.5

 

CMYK 0 / 24 / 39 / 12

HEX #C166297F

RGBA 193 102 41 0.5

HSLA 24.08, 0.65%, 0.46%, 0.5

LABA 52.95, 32.07, 48.62, 0.5

 

CMYK 35 / 0 / 39 / 12

HEX #38C1297F

RGBA 56 193 41 0.5

HSLA 114.08, 0.65%, 0.46%, 0.5

LABA 68.85, -62.99, 60.69, 0.5

 

CMYK 39 / 16 / 0 / 12

HEX #2984C17F

RGBA 41 132 193 0.5

HSLA 204.08, 0.65%, 0.46%, 0.5

LABA 52.76, -5.08, -39.26, 0.5

 

Description

Color code: RGBA 181 41 196 0.5 | qconv.com Color code: RGBA 181 41 196 0.5 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 181 red, 41 green and 196 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
181 41 196 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 4 cyan, 40 magenta, none yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
4% 40% 0% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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