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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 180 192 90 it is the complementary color RGB 75 63 165. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 180 192 90. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 180 192 90: RGB 185 192 85, RGB 202 210 104, RGB 219 228 123, RGB 236 246 142 and RGB 253 255 161

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 180 192 90. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 180 192 90: RGB 180 192 90, RGB 163 174 71, RGB 146 156 52, RGB 129 138 33 and RGB 112 120 14

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 6 / 0 / 53 / 25

HEX #B4C05A

RGB 180 192 90

HSL 67.06, 0.45%, 0.55%

LAB 74.91, -18.69, 49.3

 

Complementary color

CMYK 55 / 62 / 0 / 35

HEX #4B3FA5

RGB 75 63 165

HSL 247.06, 0.45%, 0.45%

LAB 33.49, 33.75, -53.59

 

CMYK 4 / 0 / 56 / 25

HEX #B9C055

RGB 185 192 85

HSL 63.93, 0.46%, 0.54%

LAB 75.25, -17.06, 52.1

 

CMYK 4 / 0 / 50 / 18

HEX #CAD268

RGB 202 210 104

HSL 64.53, 0.54%, 0.62%

LAB 81.65, -17.53, 51.03

 

CMYK 4 / 0 / 46 / 11

HEX #DBE47B

RGB 219 228 123

HSL 65.14, 0.66%, 0.69%

LAB 87.96, -17.91, 49.91

 

CMYK 4 / 0 / 42 / 4

HEX #ECF68E

RGB 236 246 142

HSL 65.77, 0.85%, 0.76%

LAB 94.18, -18.23, 48.77

 

CMYK 1 / 0 / 37 / 0

HEX #FDFFA1

RGB 253 255 161

HSL 61.28, 1%, 0.82%

LAB 98.02, -14.14, 44.7

 

CMYK 6 / 0 / 53 / 25

HEX #B4C05A

RGB 180 192 90

HSL 67.06, 0.45%, 0.55%

LAB 74.91, -18.69, 49.3

 

CMYK 6 / 0 / 59 / 32

HEX #A3AE47

RGB 163 174 71

HSL 66.41, 0.42%, 0.48%

LAB 68.4, -18.22, 50.32

 

CMYK 6 / 0 / 67 / 39

HEX #929C34

RGB 146 156 52

HSL 65.77, 0.5%, 0.41%

LAB 61.77, -17.61, 51.09

 

CMYK 7 / 0 / 76 / 46

HEX #818A21

RGB 129 138 33

HSL 65.14, 0.61%, 0.34%

LAB 55.02, -16.81, 51.32

 

CMYK 7 / 0 / 88 / 53

HEX #70780E

RGB 112 120 14

HSL 64.53, 0.79%, 0.26%

LAB 48.15, -15.76, 50.4

 

CMYK 6 / 0 / 53 / 25

HEX #B4C05A

RGB 180 192 90

HSL 67.06, 0.45%, 0.55%

LAB 74.91, -18.69, 49.3

 

CMYK 15 / 0 / 54 / 25

HEX #A2BF58

RGB 162 191 88

HSL 76.89, 0.45%, 0.55%

LAB 73.32, -25.61, 48.05

 

CMYK 24 / 0 / 54 / 25

HEX #91BF58

RGB 145 191 88

HSL 86.8, 0.45%, 0.55%

LAB 72.22, -32.17, 46.49

 

CMYK 33 / 0 / 54 / 25

HEX #80BF58

RGB 128 191 88

HSL 96.7, 0.45%, 0.55%

LAB 71.25, -38.34, 45.11

 

CMYK 42 / 0 / 54 / 25

HEX #6EBF58

RGB 110 191 88

HSL 107.18, 0.45%, 0.55%

LAB 70.37, -44.33, 43.85

 

CMYK 6 / 0 / 53 / 25

HEX #B4C05A

RGB 180 192 90

HSL 67.06, 0.45%, 0.55%

LAB 74.91, -18.69, 49.3

 

CMYK 6 / 0 / 53 / 5

HEX #E4F372

RGB 228 243 114

HSL 66.98, 0.84%, 0.7%

LAB 92.49, -22.46, 59.61

 

CMYK 5 / 0 / 54 / 85

HEX #252712

RGB 37 39 18

HSL 65.71, 0.37%, 0.11%

LAB 14.89, -5.06, 13.48

 

CMYK 7 / 0 / 53 / 65

HEX #545A2A

RGB 84 90 42

HSL 67.5, 0.36%, 0.26%

LAB 36.68, -10.42, 26.69

 

CMYK 6 / 0 / 53 / 45

HEX #848D42

RGB 132 141 66

HSL 67.2, 0.36%, 0.41%

LAB 56.44, -14.71, 38.42

 

CMYK 6 / 0 / 53 / 25

HEX #B4C05A

RGB 180 192 90

HSL 67.06, 0.45%, 0.55%

LAB 74.91, -18.69, 49.3

 

CMYK 54 / 0 / 37 / 25

HEX #58BF79

RGB 88 191 121

HSL 139.22, 0.45%, 0.55%

LAB 69.98, -45.57, 26.47

 

CMYK 15 / 54 / 0 / 25

HEX #A258BF

RGB 162 88 191

HSL 283.11, 0.45%, 0.55%

LAB 50, 47.37, -41.91

 

CMYK 6 / 0 / 53 / 25

HEX #B4C05A

RGB 180 192 90

HSL 67.06, 0.45%, 0.55%

LAB 74.91, -18.69, 49.3

 

CMYK 54 / 6 / 0 / 25

HEX #58B3BF

RGB 88 179 191

HSL 186.99, 0.45%, 0.55%

LAB 68.08, -23.68, -14.4

 

CMYK 0 / 54 / 6 / 25

HEX #BF58B3

RGB 191 88 179

HSL 306.99, 0.45%, 0.55%

LAB 53.29, 53.17, -29.53

 

CMYK 6 / 0 / 53 / 25

HEX #B4C05A

RGB 180 192 90

HSL 67.06, 0.45%, 0.55%

LAB 74.91, -18.69, 49.3

 

CMYK 54 / 0 / 37 / 25

HEX #58BF79

RGB 88 191 121

HSL 139.22, 0.45%, 0.55%

LAB 69.98, -45.57, 26.47

 

CMYK 48 / 54 / 0 / 25

HEX #6458BF

RGB 100 88 191

HSL 246.99, 0.45%, 0.55%

LAB 43.43, 31.74, -52.78

 

CMYK 0 / 54 / 17 / 25

HEX #BF589F

RGB 191 88 159

HSL 318.64, 0.45%, 0.55%

LAB 52.46, 49.94, -19.12

 

CMYK 6 / 0 / 53 / 25

HEX #B4C05A

RGB 180 192 90

HSL 67.06, 0.45%, 0.55%

LAB 74.91, -18.69, 49.3

 

CMYK 54 / 0 / 20 / 25

HEX #58BF98

RGB 88 191 152

HSL 157.28, 0.45%, 0.55%

LAB 70.6, -39.29, 10.7

 

CMYK 48 / 54 / 0 / 25

HEX #6458BF

RGB 100 88 191

HSL 246.99, 0.45%, 0.55%

LAB 43.43, 31.74, -52.78

 

CMYK 0 / 54 / 33 / 25

HEX #BF5880

RGB 191 88 128

HSL 336.7, 0.45%, 0.55%

LAB 51.4, 45.6, -2.36

 

Description

Color code: RGBA 180 192 90 1 | qconv.com Color code: RGBA 180 192 90 1 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 180 red, 192 green and 90 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
180 192 90 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 6 cyan, none magenta, 53 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
6% 0% 53% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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