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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 179 24 230 0.2 it is the complementary color RGBA 76 231 25 0.2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 179 24 230 0.2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGBA 179 24 230 0.2: RGBA 184 24 225 0.2, RGBA 201 42 244 0.2, RGBA 218 60 255 0.2, RGBA 235 78 255 0.2 and RGBA 252 96 255 0.2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 179 24 230 0.2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGBA 179 24 230 0.2: RGBA 179 24 230 0.2, RGBA 162 6 211 0.2, RGBA 145 0 192 0.2, RGBA 128 0 173 0.2 and RGBA 111 0 154 0.2

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 4 / 18 / 0 / 2

HEX #B318E633

RGBA 179 24 230 0.2

HSLA 285.15, 0.81%, 0.5%, 0.2

LABA 46.91, 80.97, -69.1, 0.2

 

Complementary color

CMYK 13 / 0 / 18 / 2

HEX #4CE71933

RGBA 76 231 25 0.2

HSLA 105.15, 0.81%, 0.5%, 0.2

LABA 81.16, -71.93, 75.54, 0.2

 

CMYK 4 / 18 / 0 / 2

HEX #B818E133

RGBA 184 24 225 0.2

HSLA 287.76, 0.81%, 0.49%, 0.2

LABA 47.34, 80.82, -65.52, 0.2

 

CMYK 4 / 17 / 0 / 1

HEX #C92AF433

RGBA 201 42 244 0.2

HSLA 287.23, 0.9%, 0.56%, 0.2

LABA 52.51, 83.22, -67.74, 0.2

 

CMYK 3 / 15 / 0 / 0

HEX #DA3CFF33

RGBA 218 60 255 0.2

HSLA 288.62, 1%, 0.62%, 0.2

LABA 57.42, 83.29, -65.81, 0.2

 

CMYK 2 / 14 / 0 / 0

HEX #EB4EFF33

RGBA 235 78 255 0.2

HSLA 293.22, 1%, 0.65%, 0.2

LABA 61.94, 80.8, -58.44, 0.2

 

CMYK 0 / 12 / 0 / 0

HEX #FC60FF33

RGBA 252 96 255 0.2

HSLA 298.87, 1%, 0.69%, 0.2

LABA 66.73, 77.9, -50.67, 0.2

 

CMYK 4 / 18 / 0 / 2

HEX #B318E633

RGBA 179 24 230 0.2

HSLA 285.15, 0.81%, 0.5%, 0.2

LABA 46.91, 80.97, -69.1, 0.2

 

CMYK 5 / 19 / 0 / 3

HEX #A206D333

RGBA 162 6 211 0.2

HSLA 285.66, 0.94%, 0.43%, 0.2

LABA 42.02, 77.46, -66.3, 0.2

 

CMYK 5 / 20 / 0 / 5

HEX #9100C033

RGBA 145 0 192 0.2

HSLA 285.31, 1%, 0.38%, 0.2

LABA 37.53, 72.47, -62.68, 0.2

 

CMYK 5 / 20 / 0 / 6

HEX #8000AD33

RGBA 128 0 173 0.2

HSLA 284.39, 1%, 0.34%, 0.2

LABA 33.15, 66.76, -58.66, 0.2

 

CMYK 6 / 20 / 0 / 8

HEX #6F009A33

RGBA 111 0 154 0.2

HSLA 283.25, 1%, 0.3%, 0.2

LABA 28.68, 60.94, -54.58, 0.2

 

CMYK 4 / 18 / 0 / 2

HEX #B318E633

RGBA 179 24 230 0.2

HSLA 285.15, 0.81%, 0.5%, 0.2

LABA 46.91, 80.97, -69.1, 0.2

 

CMYK 1 / 18 / 0 / 2

HEX #D518E633

RGBA 213 24 230 0.2

HSLA 295.05, 0.81%, 0.5%, 0.2

LABA 52.41, 86.11, -59.93, 0.2

 

CMYK 0 / 18 / 1 / 2

HEX #E618D533

RGBA 230 24 213 0.2

HSLA 304.95, 0.81%, 0.5%, 0.2

LABA 54.32, 86.49, -47.05, 0.2

 

CMYK 0 / 18 / 4 / 2

HEX #E618B333

RGBA 230 24 179 0.2

HSLA 314.85, 0.81%, 0.5%, 0.2

LABA 52.65, 82.17, -30.03, 0.2

 

CMYK 0 / 18 / 7 / 2

HEX #E6189033

RGBA 230 24 144 0.2

HSLA 325.05, 0.81%, 0.5%, 0.2

LABA 51.26, 78.43, -11.44, 0.2

 

CMYK 4 / 18 / 0 / 2

HEX #B318E633

RGBA 179 24 230 0.2

HSLA 285.15, 0.81%, 0.5%, 0.2

LABA 46.91, 80.97, -69.1, 0.2

 

CMYK 5 / 18 / 0 / 18

HEX #14031A33

RGBA 20 3 26 0.2

HSLA 284.35, 0.79%, 0.06%, 0.2

LABA 2.61, 9.56, -9.89, 0.2

 

CMYK 4 / 18 / 0 / 14

HEX #3C084D33

RGBA 60 8 77 0.2

HSLA 285.22, 0.81%, 0.17%, 0.2

LABA 13.65, 35.14, -29.64, 0.2

 

CMYK 4 / 18 / 0 / 10

HEX #640D8033

RGBA 100 13 128 0.2

HSLA 285.39, 0.82%, 0.28%, 0.2

LABA 25.43, 51.79, -43.78, 0.2

 

CMYK 4 / 18 / 0 / 6

HEX #8B13B333

RGBA 139 19 179 0.2

HSLA 285, 0.81%, 0.39%, 0.2

LABA 36.38, 66.65, -56.9, 0.2

 

CMYK 4 / 18 / 0 / 2

HEX #B318E633

RGBA 179 24 230 0.2

HSLA 285.15, 0.81%, 0.5%, 0.2

LABA 46.91, 80.97, -69.1, 0.2

 

CMYK 0 / 18 / 17 / 2

HEX #E6182233

RGBA 230 24 34 0.2

HSLA 357.09, 0.81%, 0.5%, 0.2

LABA 49, 72.14, 50.62, 0.2

 

CMYK 18 / 0 / 12 / 2

HEX #18E66033

RGBA 24 230 96 0.2

HSLA 140.97, 0.81%, 0.5%, 0.2

LABA 80.53, -72.72, 51.68, 0.2

 

CMYK 4 / 18 / 0 / 2

HEX #B318E633

RGBA 179 24 230 0.2

HSLA 285.15, 0.81%, 0.5%, 0.2

LABA 46.91, 80.97, -69.1, 0.2

 

CMYK 0 / 4 / 18 / 2

HEX #E6B31833

RGBA 230 179 24 0.2

HSLA 45.15, 0.81%, 0.5%, 0.2

LABA 75.53, 6.16, 74.86, 0.2

 

CMYK 18 / 0 / 4 / 2

HEX #18E6B333

RGBA 24 230 179 0.2

HSLA 165.15, 0.81%, 0.5%, 0.2

LABA 81.86, -57.36, 12.1, 0.2

 

CMYK 4 / 18 / 0 / 2

HEX #B318E633

RGBA 179 24 230 0.2

HSLA 285.15, 0.81%, 0.5%, 0.2

LABA 46.91, 80.97, -69.1, 0.2

 

CMYK 0 / 18 / 17 / 2

HEX #E6182233

RGBA 230 24 34 0.2

HSLA 357.09, 0.81%, 0.5%, 0.2

LABA 49, 72.14, 50.62, 0.2

 

CMYK 13 / 0 / 18 / 2

HEX #4BE61833

RGBA 75 230 24 0.2

HSLA 105.15, 0.81%, 0.5%, 0.2

LABA 80.83, -71.84, 75.41, 0.2

 

CMYK 18 / 0 / 1 / 2

HEX #18E6DC33

RGBA 24 230 220 0.2

HSLA 177.09, 0.81%, 0.5%, 0.2

LABA 82.89, -46.65, -8.05, 0.2

 

CMYK 4 / 18 / 0 / 2

HEX #B318E633

RGBA 179 24 230 0.2

HSLA 285.15, 0.81%, 0.5%, 0.2

LABA 46.91, 80.97, -69.1, 0.2

 

CMYK 0 / 13 / 18 / 2

HEX #E64B1833

RGBA 230 75 24 0.2

HSLA 14.85, 0.81%, 0.5%, 0.2

LABA 53.94, 57.97, 58.65, 0.2

 

CMYK 13 / 0 / 18 / 2

HEX #4BE61833

RGBA 75 230 24 0.2

HSLA 105.15, 0.81%, 0.5%, 0.2

LABA 80.83, -71.84, 75.41, 0.2

 

CMYK 18 / 4 / 0 / 2

HEX #18B3E633

RGBA 24 179 230 0.2

HSLA 194.85, 0.81%, 0.5%, 0.2

LABA 68.13, -19.27, -35.87, 0.2

 

Description

Color code: RGBA 179 24 230 0.2 | qconv.com Color code: RGBA 179 24 230 0.2 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 179 red, 24 green and 230 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
179 24 230 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 4 cyan, 18 magenta, none yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
4% 18% 0% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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