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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 175 18 172 0.35 it is the complementary color RGBA 80 237 83 0.35. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 175 18 172 0.35. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGBA 175 18 172 0.35: RGBA 180 18 167 0.35, RGBA 197 36 186 0.35, RGBA 214 54 205 0.35, RGBA 231 72 224 0.35 and RGBA 248 90 243 0.35

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 175 18 172 0.35. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGBA 175 18 172 0.35: RGBA 175 18 172 0.35, RGBA 158 0 153 0.35, RGBA 141 0 134 0.35, RGBA 124 0 115 0.35 and RGBA 107 0 96 0.35

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 31 / 1 / 11

HEX #AF12AC59

RGBA 175 18 172 0.35

HSLA 301.15, 0.81%, 0.38%, 0.35

LABA 42.04, 71.65, -43.31, 0.35

 

Complementary color

CMYK 23 / 0 / 23 / 2

HEX #50ED5359

RGBA 80 237 83 0.35

HSLA 121.15, 0.81%, 0.62%, 0.35

LABA 83.39, -69.49, 60.64, 0.35

 

CMYK 0 / 32 / 3 / 10

HEX #B412A759

RGBA 180 18 167 0.35

HSLA 304.81, 0.82%, 0.39%, 0.35

LABA 42.65, 71.82, -39.3, 0.35

 

CMYK 0 / 29 / 2 / 8

HEX #C524BA59

RGBA 197 36 186 0.35

HSLA 304.1, 0.69%, 0.46%, 0.35

LABA 47.85, 74.49, -42.08, 0.35

 

CMYK 0 / 26 / 1 / 6

HEX #D636CD59

RGBA 214 54 205 0.35

HSLA 303.38, 0.66%, 0.53%, 0.35

LABA 53.32, 76.11, -44.23, 0.35

 

CMYK 0 / 24 / 1 / 3

HEX #E748E059

RGBA 231 72 224 0.35

HSLA 302.64, 0.77%, 0.59%, 0.35

LABA 58.98, 76.99, -45.9, 0.35

 

CMYK 0 / 22 / 1 / 1

HEX #F85AF359

RGBA 248 90 243 0.35

HSLA 301.9, 0.92%, 0.66%, 0.35

LABA 64.76, 77.34, -47.22, 0.35

 

CMYK 0 / 31 / 1 / 11

HEX #AF12AC59

RGBA 175 18 172 0.35

HSLA 301.15, 0.81%, 0.38%, 0.35

LABA 42.04, 71.65, -43.31, 0.35

 

CMYK 0 / 35 / 1 / 13

HEX #9E009959

RGBA 158 0 153 0.35

HSLA 301.9, 1%, 0.31%, 0.35

LABA 37.06, 67.96, -40.01, 0.35

 

CMYK 0 / 35 / 2 / 16

HEX #8D008659

RGBA 141 0 134 0.35

HSLA 302.98, 1%, 0.28%, 0.35

LABA 32.67, 62.15, -35.5, 0.35

 

CMYK 0 / 35 / 3 / 18

HEX #7C007359

RGBA 124 0 115 0.35

HSLA 304.35, 1%, 0.24%, 0.35

LABA 28.18, 56.22, -30.86, 0.35

 

CMYK 0 / 35 / 4 / 20

HEX #6B006059

RGBA 107 0 96 0.35

HSLA 306.17, 1%, 0.21%, 0.35

LABA 23.57, 50.13, -26.04, 0.35

 

CMYK 0 / 31 / 1 / 11

HEX #AF12AC59

RGBA 175 18 172 0.35

HSLA 301.15, 0.81%, 0.38%, 0.35

LABA 42.04, 71.65, -43.31, 0.35

 

CMYK 0 / 31 / 6 / 11

HEX #AF129259

RGBA 175 18 146 0.35

HSLA 311.08, 0.81%, 0.38%, 0.35

LABA 40.61, 67.95, -29.92, 0.35

 

CMYK 0 / 31 / 11 / 11

HEX #AF127859

RGBA 175 18 120 0.35

HSLA 321.02, 0.81%, 0.38%, 0.35

LABA 39.42, 64.77, -15.73, 0.35

 

CMYK 0 / 31 / 16 / 11

HEX #AF125E59

RGBA 175 18 94 0.35

HSLA 330.96, 0.81%, 0.38%, 0.35

LABA 38.47, 62.19, -0.73, 0.35

 

CMYK 0 / 31 / 21 / 11

HEX #AF124459

RGBA 175 18 68 0.35

HSLA 340.89, 0.81%, 0.38%, 0.35

LABA 37.78, 60.24, 14.98, 0.35

 

CMYK 0 / 31 / 1 / 11

HEX #AF12AC59

RGBA 175 18 172 0.35

HSLA 301.15, 0.81%, 0.38%, 0.35

LABA 42.04, 71.65, -43.31, 0.35

 

CMYK 0 / 31 / 1 / 4

HEX #E217DE59

RGBA 226 23 222 0.35

HSLA 301.18, 0.82%, 0.49%, 0.35

LABA 54.09, 87.19, -52.59, 0.35

 

CMYK 0 / 32 / 0 / 32

HEX #16021659

RGBA 22 2 22 0.35

HSLA 300, 0.83%, 0.05%, 0.35

LABA 2.46, 9.79, -7, 0.35

 

CMYK 0 / 31 / 0 / 25

HEX #49084859

RGBA 73 8 72 0.35

HSLA 300.92, 0.8%, 0.16%, 0.35

LABA 15.79, 36.96, -22.62, 0.35

 

CMYK 0 / 31 / 1 / 18

HEX #7C0D7A59

RGBA 124 13 122 0.35

HSLA 301.08, 0.81%, 0.27%, 0.35

LABA 29.36, 55.11, -33.43, 0.35

 

CMYK 0 / 31 / 1 / 11

HEX #AF12AC59

RGBA 175 18 172 0.35

HSLA 301.15, 0.81%, 0.38%, 0.35

LABA 42.04, 71.65, -43.31, 0.35

 

CMYK 0 / 25 / 31 / 11

HEX #AF341259

RGBA 175 52 18 0.35

HSLA 12.99, 0.81%, 0.38%, 0.35

LABA 40.6, 48.49, 46.52, 0.35

 

CMYK 31 / 0 / 12 / 11

HEX #12AF7359

RGBA 18 175 115 0.35

HSLA 157.07, 0.81%, 0.38%, 0.35

LABA 63.36, -51.42, 20.52, 0.35

 

CMYK 0 / 31 / 1 / 11

HEX #AF12AC59

RGBA 175 18 172 0.35

HSLA 301.15, 0.81%, 0.38%, 0.35

LABA 42.04, 71.65, -43.31, 0.35

 

CMYK 1 / 0 / 31 / 11

HEX #ACAF1259

RGBA 172 175 18 0.35

HSLA 61.15, 0.81%, 0.38%, 0.35

LABA 69.09, -17.32, 68.62, 0.35

 

CMYK 31 / 1 / 0 / 11

HEX #12ACAF59

RGBA 18 172 175 0.35

HSLA 181.15, 0.81%, 0.38%, 0.35

LABA 63.94, -34.17, -11.89, 0.35

 

CMYK 0 / 31 / 1 / 11

HEX #AF12AC59

RGBA 175 18 172 0.35

HSLA 301.15, 0.81%, 0.38%, 0.35

LABA 42.04, 71.65, -43.31, 0.35

 

CMYK 0 / 25 / 31 / 11

HEX #AF341259

RGBA 175 52 18 0.35

HSLA 12.99, 0.81%, 0.38%, 0.35

LABA 40.6, 48.49, 46.52, 0.35

 

CMYK 31 / 0 / 31 / 11

HEX #12AF1559

RGBA 18 175 21 0.35

HSLA 121.15, 0.81%, 0.38%, 0.35

LABA 62.37, -63.39, 59.73, 0.35

 

CMYK 31 / 7 / 0 / 11

HEX #128DAF59

RGBA 18 141 175 0.35

HSLA 192.99, 0.81%, 0.38%, 0.35

LABA 54.32, -18.57, -26.55, 0.35

 

CMYK 0 / 31 / 1 / 11

HEX #AF12AC59

RGBA 175 18 172 0.35

HSLA 301.15, 0.81%, 0.38%, 0.35

LABA 42.04, 71.65, -43.31, 0.35

 

CMYK 0 / 15 / 31 / 11

HEX #AF631259

RGBA 175 99 18 0.35

HSLA 30.96, 0.81%, 0.38%, 0.35

LABA 49.59, 25.42, 53.44, 0.35

 

CMYK 31 / 0 / 31 / 11

HEX #12AF1559

RGBA 18 175 21 0.35

HSLA 121.15, 0.81%, 0.38%, 0.35

LABA 62.37, -63.39, 59.73, 0.35

 

CMYK 31 / 16 / 0 / 11

HEX #125EAF59

RGBA 18 94 175 0.35

HSLA 210.96, 0.81%, 0.38%, 0.35

LABA 39.96, 9.54, -49.21, 0.35

 

Description

Color code: RGBA 175 18 172 0.35 | qconv.com Color code: RGBA 175 18 172 0.35 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 175 red, 18 green and 172 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
175 18 172 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 31 magenta, 1 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 31% 1% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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