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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 174 165 178 0.78 it is the complementary color RGBA 81 90 77 0.78. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 174 165 178 0.78. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGBA 174 165 178 0.78: RGBA 179 165 173 0.78, RGBA 196 183 192 0.78, RGBA 213 201 211 0.78, RGBA 230 219 230 0.78 and RGBA 247 237 249 0.78

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 174 165 178 0.78. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGBA 174 165 178 0.78: RGBA 174 165 178 0.78, RGBA 157 147 159 0.78, RGBA 140 129 140 0.78, RGBA 123 111 121 0.78 and RGBA 106 93 102 0.78

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 2 / 6 / 0 / 24

HEX #AEA5B2C6

RGBA 174 165 178 0.78

HSLA 281.54, 0.08%, 0.67%, 0.78

LABA 68.84, 5.68, -5.53, 0.78

 

Complementary color

CMYK 8 / 0 / 11 / 50

HEX #515A4DC6

RGBA 81 90 77 0.78

HSLA 101.54, 0.08%, 0.33%, 0.78

LABA 37.11, -6.3, 6.32, 0.78

 

CMYK 0 / 6 / 3 / 23

HEX #B3A5ADC6

RGBA 179 165 173 0.78

HSLA 325.71, 0.08%, 0.67%, 0.78

LABA 69.12, 6.51, -2.3, 0.78

 

CMYK 0 / 5 / 2 / 18

HEX #C4B7C0C6

RGBA 196 183 192 0.78

HSLA 318.46, 0.1%, 0.74%, 0.78

LABA 75.7, 6.22, -2.9, 0.78

 

CMYK 0 / 4 / 1 / 13

HEX #D5C9D3C6

RGBA 213 201 211 0.78

HSLA 310, 0.13%, 0.81%, 0.78

LABA 82.18, 5.95, -3.48, 0.78

 

CMYK 0 / 4 / 0 / 8

HEX #E6DBE6C6

RGBA 230 219 230 0.78

HSLA 300, 0.18%, 0.88%, 0.78

LABA 88.54, 5.7, -4.04, 0.78

 

CMYK 1 / 4 / 0 / 2

HEX #F7EDF9C6

RGBA 247 237 249 0.78

HSLA 290, 0.5%, 0.95%, 0.78

LABA 94.82, 5.46, -4.59, 0.78

 

CMYK 2 / 6 / 0 / 24

HEX #AEA5B2C6

RGBA 174 165 178 0.78

HSLA 281.54, 0.08%, 0.67%, 0.78

LABA 68.84, 5.68, -5.53, 0.78

 

CMYK 1 / 6 / 0 / 29

HEX #9D939FC6

RGBA 157 147 159 0.78

HSLA 290, 0.06%, 0.6%, 0.78

LABA 62.12, 5.97, -4.99, 0.78

 

CMYK 0 / 6 / 0 / 35

HEX #8C818CC6

RGBA 140 129 140 0.78

HSLA 300, 0.05%, 0.53%, 0.78

LABA 55.25, 6.27, -4.42, 0.78

 

CMYK 0 / 8 / 1 / 40

HEX #7B6F79C6

RGBA 123 111 121 0.78

HSLA 310, 0.05%, 0.46%, 0.78

LABA 48.21, 6.62, -3.83, 0.78

 

CMYK 0 / 10 / 3 / 46

HEX #6A5D66C6

RGBA 106 93 102 0.78

HSLA 318.46, 0.07%, 0.39%, 0.78

LABA 40.98, 7, -3.21, 0.78

 

CMYK 2 / 6 / 0 / 24

HEX #AEA5B2C6

RGBA 174 165 178 0.78

HSLA 281.54, 0.08%, 0.67%, 0.78

LABA 68.84, 5.68, -5.53, 0.78

 

CMYK 1 / 6 / 0 / 24

HEX #AFA4B1C6

RGBA 175 164 177 0.78

HSLA 290.77, 0.08%, 0.67%, 0.78

LABA 68.63, 6.39, -5.27, 0.78

 

CMYK 0 / 6 / 0 / 24

HEX #B1A4B1C6

RGBA 177 164 177 0.78

HSLA 300, 0.08%, 0.67%, 0.78

LABA 68.8, 7.1, -5, 0.78

 

CMYK 0 / 6 / 1 / 24

HEX #B1A4AFC6

RGBA 177 164 175 0.78

HSLA 309.23, 0.08%, 0.67%, 0.78

LABA 68.75, 6.72, -3.98, 0.78

 

CMYK 0 / 6 / 2 / 24

HEX #B1A4ACC6

RGBA 177 164 172 0.78

HSLA 323.08, 0.08%, 0.67%, 0.78

LABA 68.66, 6.16, -2.44, 0.78

 

CMYK 2 / 6 / 0 / 24

HEX #AEA5B2C6

RGBA 174 165 178 0.78

HSLA 281.54, 0.08%, 0.67%, 0.78

LABA 68.84, 5.68, -5.53, 0.78

 

CMYK 2 / 6 / 0 / 8

HEX #E0D4E5C6

RGBA 224 212 229 0.78

HSLA 282.35, 0.25%, 0.86%, 0.78

LABA 86.3, 7.17, -6.87, 0.78

 

CMYK 3 / 6 / 0 / 70

HEX #181719C6

RGBA 24 23 25 0.78

HSLA 270, 0.04%, 0.09%, 0.78

LABA 7.92, 1.01, -1.24, 0.78

 

CMYK 2 / 6 / 0 / 55

HEX #4A464CC6

RGBA 74 70 76 0.78

HSLA 280, 0.04%, 0.29%, 0.78

LABA 30.3, 2.99, -3, 0.78

 

CMYK 2 / 6 / 0 / 39

HEX #7C767FC6

RGBA 124 118 127 0.78

HSLA 280, 0.04%, 0.48%, 0.78

LABA 50.42, 4.1, -4.11, 0.78

 

CMYK 2 / 6 / 0 / 24

HEX #AEA5B2C6

RGBA 174 165 178 0.78

HSLA 281.54, 0.08%, 0.67%, 0.78

LABA 68.84, 5.68, -5.53, 0.78

 

CMYK 0 / 6 / 5 / 24

HEX #B1A4A5C6

RGBA 177 164 165 0.78

HSLA 355.38, 0.08%, 0.67%, 0.78

LABA 68.47, 4.88, 1.17, 0.78

 

CMYK 6 / 0 / 4 / 24

HEX #A4B1A7C6

RGBA 164 177 167 0.78

HSLA 133.85, 0.08%, 0.67%, 0.78

LABA 70.96, -6.45, 3.55, 0.78

 

CMYK 2 / 6 / 0 / 24

HEX #AEA5B2C6

RGBA 174 165 178 0.78

HSLA 281.54, 0.08%, 0.67%, 0.78

LABA 68.84, 5.68, -5.53, 0.78

 

CMYK 0 / 2 / 6 / 24

HEX #B1ADA4C6

RGBA 177 173 164 0.78

HSLA 41.54, 0.08%, 0.67%, 0.78

LABA 70.81, -0.2, 5.12, 0.78

 

CMYK 6 / 0 / 2 / 24

HEX #A4B1ADC6

RGBA 164 177 173 0.78

HSLA 161.54, 0.08%, 0.67%, 0.78

LABA 71.11, -5.3, 0.48, 0.78

 

CMYK 2 / 6 / 0 / 24

HEX #AEA5B2C6

RGBA 174 165 178 0.78

HSLA 281.54, 0.08%, 0.67%, 0.78

LABA 68.84, 5.68, -5.53, 0.78

 

CMYK 0 / 6 / 5 / 24

HEX #B1A4A5C6

RGBA 177 164 165 0.78

HSLA 355.38, 0.08%, 0.67%, 0.78

LABA 68.47, 4.88, 1.17, 0.78

 

CMYK 4 / 0 / 6 / 24

HEX #A8B1A4C6

RGBA 168 177 164 0.78

HSLA 101.54, 0.08%, 0.67%, 0.78

LABA 71.18, -5.59, 5.56, 0.78

 

CMYK 6 / 0 / 0 / 24

HEX #A4B1B0C6

RGBA 164 177 176 0.78

HSLA 175.38, 0.08%, 0.67%, 0.78

LABA 71.19, -4.71, -1.05, 0.78

 

CMYK 2 / 6 / 0 / 24

HEX #AEA5B2C6

RGBA 174 165 178 0.78

HSLA 281.54, 0.08%, 0.67%, 0.78

LABA 68.84, 5.68, -5.53, 0.78

 

CMYK 0 / 5 / 6 / 24

HEX #B1A6A4C6

RGBA 177 166 164 0.78

HSLA 9.23, 0.08%, 0.67%, 0.78

LABA 68.97, 3.61, 2.45, 0.78

 

CMYK 4 / 0 / 6 / 24

HEX #A8B1A4C6

RGBA 168 177 164 0.78

HSLA 101.54, 0.08%, 0.67%, 0.78

LABA 71.18, -5.59, 5.56, 0.78

 

CMYK 6 / 1 / 0 / 24

HEX #A4AFB1C6

RGBA 164 175 177 0.78

HSLA 189.23, 0.08%, 0.67%, 0.78

LABA 70.68, -3.44, -2.36, 0.78

 

Description

Color code: RGBA 174 165 178 0.78 | qconv.com Color code: RGBA 174 165 178 0.78 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 174 red, 165 green and 178 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
174 165 178 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 2 cyan, 6 magenta, none yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
2% 6% 0% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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