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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 173 118 215 0.672 it is the complementary color RGBA 82 137 40 0.672. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 173 118 215 0.672. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGBA 173 118 215 0.672: RGBA 178 118 210 0.672, RGBA 195 136 229 0.672, RGBA 212 154 248 0.672, RGBA 229 172 255 0.672 and RGBA 246 190 255 0.672

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 173 118 215 0.672. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGBA 173 118 215 0.672: RGBA 173 118 215 0.672, RGBA 156 100 196 0.672, RGBA 139 82 177 0.672, RGBA 122 64 158 0.672 and RGBA 105 46 139 0.672

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 13 / 30 / 0 / 11

HEX #AD76D7AB

RGBA 173 118 215 0.672

HSLA 274.02, 0.55%, 0.65%, 0.672

LABA 58.74, 39.53, -41.72, 0.672

 

Complementary color

CMYK 27 / 0 / 48 / 31

HEX #528928AB

RGBA 82 137 40 0.672

HSLA 94.02, 0.55%, 0.35%, 0.672

LABA 51.65, -35.27, 44.26, 0.672

 

CMYK 10 / 29 / 0 / 12

HEX #B276D2AB

RGBA 178 118 210 0.672

HSLA 279.13, 0.51%, 0.64%, 0.672

LABA 59.04, 39.87, -38.39, 0.672

 

CMYK 10 / 27 / 0 / 7

HEX #C388E5AB

RGBA 195 136 229 0.672

HSLA 278.06, 0.64%, 0.72%, 0.672

LABA 65.65, 39.08, -38.54, 0.672

 

CMYK 10 / 25 / 0 / 2

HEX #D49AF8AB

RGBA 212 154 248 0.672

HSLA 277.02, 0.87%, 0.79%, 0.672

LABA 72.15, 38.33, -38.68, 0.672

 

CMYK 7 / 22 / 0 / 0

HEX #E5ACFFAB

RGBA 229 172 255 0.672

HSLA 281.2, 1%, 0.84%, 0.672

LABA 78.1, 35.17, -33.12, 0.672

 

CMYK 2 / 17 / 0 / 0

HEX #F6BEFFAB

RGBA 246 190 255 0.672

HSLA 291.69, 1%, 0.87%, 0.672

LABA 83.78, 30.87, -24.28, 0.672

 

CMYK 13 / 30 / 0 / 11

HEX #AD76D7AB

RGBA 173 118 215 0.672

HSLA 274.02, 0.55%, 0.65%, 0.672

LABA 58.74, 39.53, -41.72, 0.672

 

CMYK 14 / 33 / 0 / 16

HEX #9C64C4AB

RGBA 156 100 196 0.672

HSLA 275, 0.45%, 0.58%, 0.672

LABA 52.03, 40.39, -41.64, 0.672

 

CMYK 14 / 36 / 0 / 21

HEX #8B52B1AB

RGBA 139 82 177 0.672

HSLA 276, 0.38%, 0.51%, 0.672

LABA 45.22, 41.26, -41.52, 0.672

 

CMYK 15 / 40 / 0 / 26

HEX #7A409EAB

RGBA 122 64 158 0.672

HSLA 277.02, 0.42%, 0.44%, 0.672

LABA 38.33, 42.08, -41.33, 0.672

 

CMYK 16 / 45 / 0 / 31

HEX #692E8BAB

RGBA 105 46 139 0.672

HSLA 278.06, 0.5%, 0.36%, 0.672

LABA 31.4, 42.74, -40.98, 0.672

 

CMYK 13 / 30 / 0 / 11

HEX #AD76D7AB

RGBA 173 118 215 0.672

HSLA 274.02, 0.55%, 0.65%, 0.672

LABA 58.74, 39.53, -41.72, 0.672

 

CMYK 8 / 31 / 0 / 11

HEX #BC74D6AB

RGBA 188 116 214 0.672

HSLA 284.08, 0.54%, 0.65%, 0.672

LABA 59.92, 44.68, -39.18, 0.672

 

CMYK 3 / 31 / 0 / 11

HEX #CD74D6AB

RGBA 205 116 214 0.672

HSLA 294.49, 0.54%, 0.65%, 0.672

LABA 61.93, 49.57, -35.89, 0.672

 

CMYK 0 / 31 / 2 / 11

HEX #D674D0AB

RGBA 214 116 208 0.672

HSLA 303.67, 0.54%, 0.65%, 0.672

LABA 62.79, 51.11, -31.1, 0.672

 

CMYK 0 / 31 / 7 / 11

HEX #D674BFAB

RGBA 214 116 191 0.672

HSLA 314.08, 0.54%, 0.65%, 0.672

LABA 62.12, 48.22, -22.53, 0.672

 

CMYK 13 / 30 / 0 / 11

HEX #AD76D7AB

RGBA 173 118 215 0.672

HSLA 274.02, 0.55%, 0.65%, 0.672

LABA 58.74, 39.53, -41.72, 0.672

 

CMYK 12 / 31 / 0 / 64

HEX #09060BAB

RGBA 9 6 11 0.672

HSLA 276, 0.29%, 0.03%, 0.672

LABA 1.92, 1.48, -1.63, 0.672

 

CMYK 13 / 30 / 0 / 51

HEX #32223EAB

RGBA 50 34 62 0.672

HSLA 274.29, 0.29%, 0.19%, 0.672

LABA 16.36, 14.16, -15.02, 0.672

 

CMYK 13 / 30 / 0 / 37

HEX #5B3E71AB

RGBA 91 62 113 0.672

HSLA 274.12, 0.29%, 0.34%, 0.672

LABA 31.49, 23.35, -24.69, 0.672

 

CMYK 13 / 30 / 0 / 24

HEX #845AA4AB

RGBA 132 90 164 0.672

HSLA 274.05, 0.29%, 0.5%, 0.672

LABA 45.49, 31.7, -33.48, 0.672

 

CMYK 13 / 30 / 0 / 11

HEX #AD76D7AB

RGBA 173 118 215 0.672

HSLA 274.02, 0.55%, 0.65%, 0.672

LABA 58.74, 39.53, -41.72, 0.672

 

CMYK 0 / 31 / 24 / 11

HEX #D6748BAB

RGBA 214 116 139 0.672

HSLA 345.92, 0.54%, 0.65%, 0.672

LABA 60.47, 40.77, 4.79, 0.672

 

CMYK 31 / 0 / 25 / 11

HEX #74D685AB

RGBA 116 214 133 0.672

HSLA 130.41, 0.54%, 0.65%, 0.672

LABA 78.17, -45.88, 31.29, 0.672

 

CMYK 13 / 30 / 0 / 11

HEX #AD76D7AB

RGBA 173 118 215 0.672

HSLA 274.02, 0.55%, 0.65%, 0.672

LABA 58.74, 39.53, -41.72, 0.672

 

CMYK 0 / 13 / 31 / 11

HEX #D6AC74AB

RGBA 214 172 116 0.672

HSLA 34.29, 0.54%, 0.65%, 0.672

LABA 72.93, 8.2, 34.54, 0.672

 

CMYK 31 / 0 / 13 / 11

HEX #74D6ACAB

RGBA 116 214 172 0.672

HSLA 154.29, 0.54%, 0.65%, 0.672

LABA 78.92, -38.55, 11.9, 0.672

 

CMYK 13 / 30 / 0 / 11

HEX #AD76D7AB

RGBA 173 118 215 0.672

HSLA 274.02, 0.55%, 0.65%, 0.672

LABA 58.74, 39.53, -41.72, 0.672

 

CMYK 0 / 31 / 24 / 11

HEX #D6748BAB

RGBA 214 116 139 0.672

HSLA 345.92, 0.54%, 0.65%, 0.672

LABA 60.47, 40.77, 4.79, 0.672

 

CMYK 17 / 0 / 31 / 11

HEX #9FD674AB

RGBA 159 214 116 0.672

HSLA 93.67, 0.54%, 0.65%, 0.672

LABA 80.02, -34.59, 42.63, 0.672

 

CMYK 31 / 0 / 7 / 11

HEX #74D6BFAB

RGBA 116 214 191 0.672

HSLA 165.92, 0.54%, 0.65%, 0.672

LABA 79.37, -34.34, 2.42, 0.672

 

CMYK 13 / 30 / 0 / 11

HEX #AD76D7AB

RGBA 173 118 215 0.672

HSLA 274.02, 0.55%, 0.65%, 0.672

LABA 58.74, 39.53, -41.72, 0.672

 

CMYK 0 / 29 / 31 / 11

HEX #D67B74AB

RGBA 214 123 116 0.672

HSLA 4.29, 0.54%, 0.65%, 0.672

LABA 61.41, 34.55, 19.3, 0.672

 

CMYK 17 / 0 / 31 / 11

HEX #9FD674AB

RGBA 159 214 116 0.672

HSLA 93.67, 0.54%, 0.65%, 0.672

LABA 80.02, -34.59, 42.63, 0.672

 

CMYK 31 / 2 / 0 / 11

HEX #74D0D6AB

RGBA 116 208 214 0.672

HSLA 183.67, 0.54%, 0.65%, 0.672

LABA 78.27, -25.83, -11.52, 0.672

 

Description

Color code: RGBA 173 118 215 0.672 | qconv.com Color code: RGBA 173 118 215 0.672 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 173 red, 118 green and 215 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
173 118 215 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 13 cyan, 30 magenta, none yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
13% 30% 0% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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