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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 16 213 88 0.8 it is the complementary color RGBA 239 42 167 0.8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 16 213 88 0.8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGBA 16 213 88 0.8: RGBA 21 213 83 0.8, RGBA 38 231 102 0.8, RGBA 55 249 121 0.8, RGBA 72 255 140 0.8 and RGBA 89 255 159 0.8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 16 213 88 0.8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGBA 16 213 88 0.8: RGBA 16 213 88 0.8, RGBA 0 195 69 0.8, RGBA 0 177 50 0.8, RGBA 0 159 31 0.8 and RGBA 0 141 12 0.8

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 74 / 0 / 47 / 13

HEX #10D558CC

RGBA 16 213 88 0.8

HSLA 141.93, 0.86%, 0.45%, 0.8

LABA 75.08, -68.97, 48.88, 0.8

 

Complementary color

CMYK 0 / 66 / 24 / 5

HEX #EF2AA7CC

RGBA 239 42 167 0.8

HSLA 321.93, 0.86%, 0.55%, 0.8

LABA 54.86, 79.58, -19.46, 0.8

 

CMYK 72 / 0 / 49 / 13

HEX #15D553CC

RGBA 21 213 83 0.8

HSLA 139.38, 0.82%, 0.46%, 0.8

LABA 75.06, -69.32, 51.09, 0.8

 

CMYK 67 / 0 / 45 / 8

HEX #26E766CC

RGBA 38 231 102 0.8

HSLA 139.9, 0.8%, 0.53%, 0.8

LABA 81.03, -71.21, 49.59, 0.8

 

CMYK 62 / 0 / 41 / 2

HEX #37F979CC

RGBA 55 249 121 0.8

HSLA 140.41, 0.94%, 0.6%, 0.8

LABA 86.97, -72.6, 48.06, 0.8

 

CMYK 57 / 0 / 36 / 0

HEX #48FF8CCC

RGBA 72 255 140 0.8

HSLA 142.3, 1%, 0.64%, 0.8

LABA 89.3, -69.53, 42.01, 0.8

 

CMYK 52 / 0 / 30 / 0

HEX #59FF9FCC

RGBA 89 255 159 0.8

HSLA 145.3, 1%, 0.67%, 0.8

LABA 89.93, -63.63, 33.58, 0.8

 

CMYK 74 / 0 / 47 / 13

HEX #10D558CC

RGBA 16 213 88 0.8

HSLA 141.93, 0.86%, 0.45%, 0.8

LABA 75.08, -68.97, 48.88, 0.8

 

CMYK 80 / 0 / 52 / 19

HEX #00C345CC

RGBA 0 195 69 0.8

HSLA 141.23, 1%, 0.38%, 0.8

LABA 69.08, -66.45, 50.38, 0.8

 

CMYK 80 / 0 / 57 / 24

HEX #00B132CC

RGBA 0 177 50 0.8

HSLA 136.95, 1%, 0.35%, 0.8

LABA 63.07, -63.05, 51.63, 0.8

 

CMYK 80 / 0 / 64 / 30

HEX #009F1FCC

RGBA 0 159 31 0.8

HSLA 131.7, 1%, 0.31%, 0.8

LABA 56.97, -59.29, 52.18, 0.8

 

CMYK 80 / 0 / 73 / 36

HEX #008D0CCC

RGBA 0 141 12 0.8

HSLA 125.11, 1%, 0.28%, 0.8

LABA 50.78, -55.05, 51.39, 0.8

 

CMYK 74 / 0 / 47 / 13

HEX #10D558CC

RGBA 16 213 88 0.8

HSLA 141.93, 0.86%, 0.45%, 0.8

LABA 75.08, -68.97, 48.88, 0.8

 

CMYK 74 / 0 / 36 / 13

HEX #10D576CC

RGBA 16 213 118 0.8

HSLA 151.07, 0.86%, 0.45%, 0.8

LABA 75.46, -64.4, 34.95, 0.8

 

CMYK 74 / 0 / 24 / 13

HEX #10D596CC

RGBA 16 213 150 0.8

HSLA 160.81, 0.86%, 0.45%, 0.8

LABA 76.01, -58.01, 19.16, 0.8

 

CMYK 74 / 0 / 11 / 13

HEX #10D5B7CC

RGBA 16 213 183 0.8

HSLA 170.86, 0.86%, 0.45%, 0.8

LABA 76.75, -49.95, 2.64, 0.8

 

CMYK 74 / 1 / 0 / 13

HEX #10D2D5CC

RGBA 16 210 213 0.8

HSLA 180.91, 0.86%, 0.45%, 0.8

LABA 76.68, -40.19, -13.58, 0.8

 

CMYK 74 / 0 / 47 / 13

HEX #10D558CC

RGBA 16 213 88 0.8

HSLA 141.93, 0.86%, 0.45%, 0.8

LABA 75.08, -68.97, 48.88, 0.8

 

CMYK 71 / 0 / 44 / 77

HEX #010904CC

RGBA 1 9 4 0.8

HSLA 142.5, 0.8%, 0.02%, 0.8

LABA 1.9, -2.79, 1.16, 0.8

 

CMYK 73 / 0 / 47 / 61

HEX #053C19CC

RGBA 5 60 25 0.8

HSLA 141.82, 0.85%, 0.13%, 0.8

LABA 21.34, -26.34, 16.8, 0.8

 

CMYK 74 / 0 / 47 / 45

HEX #086F2ECC

RGBA 8 111 46 0.8

HSLA 142.14, 0.87%, 0.23%, 0.8

LABA 40.6, -41.86, 28.46, 0.8

 

CMYK 74 / 0 / 47 / 29

HEX #0CA243CC

RGBA 12 162 67 0.8

HSLA 142, 0.86%, 0.34%, 0.8

LABA 58.34, -55.85, 39.01, 0.8

 

CMYK 74 / 0 / 47 / 13

HEX #10D558CC

RGBA 16 213 88 0.8

HSLA 141.93, 0.86%, 0.45%, 0.8

LABA 75.08, -68.97, 48.88, 0.8

 

CMYK 74 / 41 / 0 / 13

HEX #1068D5CC

RGBA 16 104 213 0.8

HSLA 213.2, 0.86%, 0.45%, 0.8

LABA 45.38, 18.1, -62.49, 0.8

 

CMYK 0 / 74 / 71 / 13

HEX #D51019CC

RGBA 213 16 25 0.8

HSLA 357.26, 0.86%, 0.45%, 0.8

LABA 45.06, 68.7, 50.24, 0.8

 

CMYK 74 / 0 / 47 / 13

HEX #10D558CC

RGBA 16 213 88 0.8

HSLA 141.93, 0.86%, 0.45%, 0.8

LABA 75.08, -68.97, 48.88, 0.8

 

CMYK 48 / 74 / 0 / 13

HEX #5510D5CC

RGBA 85 16 213 0.8

HSLA 261.02, 0.86%, 0.45%, 0.8

LABA 32.05, 68.64, -84.24, 0.8

 

CMYK 0 / 48 / 74 / 13

HEX #D55510CC

RGBA 213 85 16 0.8

HSLA 21.02, 0.86%, 0.45%, 0.8

LABA 52.6, 47.69, 58.82, 0.8

 

CMYK 74 / 0 / 47 / 13

HEX #10D558CC

RGBA 16 213 88 0.8

HSLA 141.93, 0.86%, 0.45%, 0.8

LABA 75.08, -68.97, 48.88, 0.8

 

CMYK 74 / 41 / 0 / 13

HEX #1068D5CC

RGBA 16 104 213 0.8

HSLA 213.2, 0.86%, 0.45%, 0.8

LABA 45.38, 18.1, -62.49, 0.8

 

CMYK 0 / 74 / 26 / 13

HEX #D51090CC

RGBA 213 16 144 0.8

HSLA 321.02, 0.86%, 0.45%, 0.8

LABA 47.66, 75.8, -17.2, 0.8

 

CMYK 0 / 33 / 74 / 13

HEX #D57C10CC

RGBA 213 124 16 0.8

HSLA 32.89, 0.86%, 0.45%, 0.8

LABA 60.43, 28.08, 64.3, 0.8

 

CMYK 74 / 0 / 47 / 13

HEX #10D558CC

RGBA 16 213 88 0.8

HSLA 141.93, 0.86%, 0.45%, 0.8

LABA 75.08, -68.97, 48.88, 0.8

 

CMYK 74 / 63 / 0 / 13

HEX #102DD5CC

RGBA 16 45 213 0.8

HSLA 231.17, 0.86%, 0.45%, 0.8

LABA 31.33, 54.69, -85.56, 0.8

 

CMYK 0 / 74 / 26 / 13

HEX #D51090CC

RGBA 213 16 144 0.8

HSLA 321.02, 0.86%, 0.45%, 0.8

LABA 47.66, 75.8, -17.2, 0.8

 

CMYK 0 / 11 / 74 / 13

HEX #D5B710CC

RGBA 213 183 16 0.8

HSLA 50.86, 0.86%, 0.45%, 0.8

LABA 74.86, -3.47, 74.95, 0.8

 

Description

Color code: RGBA 16 213 88 0.8 | qconv.com Color code: RGBA 16 213 88 0.8 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 16 red, 213 green and 88 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
16 213 88 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 74 cyan, none magenta, 47 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
74% 0% 47% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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