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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 157 173 76 0.55 it is the complementary color RGBA 98 82 179 0.55. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 157 173 76 0.55. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGBA 157 173 76 0.55: RGBA 162 173 71 0.55, RGBA 179 191 90 0.55, RGBA 196 209 109 0.55, RGBA 213 227 128 0.55 and RGBA 230 245 147 0.55

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 157 173 76 0.55. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGBA 157 173 76 0.55: RGBA 157 173 76 0.55, RGBA 140 155 57 0.55, RGBA 123 137 38 0.55, RGBA 106 119 19 0.55 and RGBA 89 101 0 0.55

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 5 / 0 / 31 / 18

HEX #9DAD4C8C

RGBA 157 173 76 0.55

HSLA 69.9, 0.39%, 0.49%, 0.55

LABA 67.71, -19.8, 47.12, 0.55

 

Complementary color

CMYK 25 / 30 / 0 / 16

HEX #6252B38C

RGBA 98 82 179 0.55

HSLA 249.9, 0.39%, 0.51%, 0.55

LABA 41.03, 31.33, -49.63, 0.55

 

CMYK 3 / 0 / 32 / 18

HEX #A2AD478C

RGBA 162 173 71 0.55

HSLA 66.47, 0.42%, 0.48%, 0.55

LABA 68.04, -18.13, 49.9, 0.55

 

CMYK 3 / 0 / 29 / 14

HEX #B3BF5A8C

RGBA 179 191 90 0.55

HSLA 67.13, 0.44%, 0.55%, 0.55

LABA 74.56, -18.59, 48.87, 0.55

 

CMYK 3 / 0 / 26 / 10

HEX #C4D16D8C

RGBA 196 209 109 0.55

HSLA 67.8, 0.52%, 0.62%, 0.55

LABA 80.98, -18.96, 47.76, 0.55

 

CMYK 3 / 0 / 24 / 6

HEX #D5E3808C

RGBA 213 227 128 0.55

HSLA 68.48, 0.64%, 0.7%, 0.55

LABA 87.31, -19.25, 46.61, 0.55

 

CMYK 3 / 0 / 22 / 2

HEX #E6F5938C

RGBA 230 245 147 0.55

HSLA 69.18, 0.83%, 0.77%, 0.55

LABA 93.55, -19.49, 45.47, 0.55

 

CMYK 5 / 0 / 31 / 18

HEX #9DAD4C8C

RGBA 157 173 76 0.55

HSLA 69.9, 0.39%, 0.49%, 0.55

LABA 67.71, -19.8, 47.12, 0.55

 

CMYK 5 / 0 / 35 / 22

HEX #8C9B398C

RGBA 140 155 57 0.55

HSLA 69.18, 0.46%, 0.42%, 0.55

LABA 61.06, -19.33, 48.05, 0.55

 

CMYK 6 / 0 / 40 / 25

HEX #7B89268C

RGBA 123 137 38 0.55

HSLA 68.48, 0.57%, 0.34%, 0.55

LABA 54.28, -18.69, 48.59, 0.55

 

CMYK 6 / 0 / 46 / 29

HEX #6A77138C

RGBA 106 119 19 0.55

HSLA 67.8, 0.72%, 0.27%, 0.55

LABA 47.37, -17.82, 48.22, 0.55

 

CMYK 7 / 0 / 55 / 33

HEX #5965008C

RGBA 89 101 0 0.55

HSLA 67.13, 1%, 0.2%, 0.55

LABA 40.3, -16.69, 46.65, 0.55

 

CMYK 5 / 0 / 31 / 18

HEX #9DAD4C8C

RGBA 157 173 76 0.55

HSLA 69.9, 0.39%, 0.49%, 0.55

LABA 67.71, -19.8, 47.12, 0.55

 

CMYK 10 / 0 / 31 / 18

HEX #8EAD4C8C

RGBA 142 173 76 0.55

HSLA 79.18, 0.39%, 0.49%, 0.55

LABA 66.64, -25.9, 45.61, 0.55

 

CMYK 15 / 0 / 31 / 18

HEX #7EAD4C8C

RGBA 126 173 76 0.55

HSLA 89.07, 0.39%, 0.49%, 0.55

LABA 65.63, -32.12, 44.18, 0.55

 

CMYK 20 / 0 / 31 / 18

HEX #6EAD4C8C

RGBA 110 173 76 0.55

HSLA 98.97, 0.39%, 0.49%, 0.55

LABA 64.74, -37.91, 42.92, 0.55

 

CMYK 25 / 0 / 31 / 18

HEX #5EAD4C8C

RGBA 94 173 76 0.55

HSLA 108.87, 0.39%, 0.49%, 0.55

LABA 63.99, -43.16, 41.85, 0.55

 

CMYK 5 / 0 / 31 / 18

HEX #9DAD4C8C

RGBA 157 173 76 0.55

HSLA 69.9, 0.39%, 0.49%, 0.55

LABA 67.71, -19.8, 47.12, 0.55

 

CMYK 5 / 0 / 31 / 7

HEX #CBE0628C

RGBA 203 224 98 0.55

HSLA 70, 0.67%, 0.63%, 0.55

LABA 85.45, -24.47, 58.18, 0.55

 

CMYK 5 / 0 / 30 / 51

HEX #1214098C

RGBA 18 20 9 0.55

HSLA 70.91, 0.38%, 0.06%, 0.55

LABA 5.86, -2.77, 5.03, 0.55

 

CMYK 5 / 0 / 31 / 40

HEX #40471F8C

RGBA 64 71 31 0.55

HSLA 70.5, 0.39%, 0.2%, 0.55

LABA 28.63, -9.96, 22.87, 0.55

 

CMYK 5 / 0 / 31 / 29

HEX #6F7A368C

RGBA 111 122 54 0.55

HSLA 69.71, 0.39%, 0.35%, 0.55

LABA 48.96, -14.83, 35.34, 0.55

 

CMYK 5 / 0 / 31 / 18

HEX #9DAD4C8C

RGBA 157 173 76 0.55

HSLA 69.9, 0.39%, 0.49%, 0.55

LABA 67.71, -19.8, 47.12, 0.55

 

CMYK 31 / 0 / 20 / 18

HEX #4CAD6E8C

RGBA 76 173 110 0.55

HSLA 141.03, 0.39%, 0.49%, 0.55

LABA 63.79, -42.93, 24, 0.55

 

CMYK 8 / 31 / 0 / 18

HEX #954CAD8C

RGBA 149 76 173 0.55

HSLA 285.15, 0.39%, 0.49%, 0.55

LABA 45.05, 46.27, -39.36, 0.55

 

CMYK 5 / 0 / 31 / 18

HEX #9DAD4C8C

RGBA 157 173 76 0.55

HSLA 69.9, 0.39%, 0.49%, 0.55

LABA 67.71, -19.8, 47.12, 0.55

 

CMYK 31 / 4 / 0 / 18

HEX #4C9FAD8C

RGBA 76 159 173 0.55

HSLA 188.66, 0.39%, 0.49%, 0.55

LABA 61.09, -21.06, -14.94, 0.55

 

CMYK 0 / 31 / 4 / 18

HEX #AD4C9F8C

RGBA 173 76 159 0.55

HSLA 308.66, 0.39%, 0.49%, 0.55

LABA 47.7, 50.34, -26.69, 0.55

 

CMYK 5 / 0 / 31 / 18

HEX #9DAD4C8C

RGBA 157 173 76 0.55

HSLA 69.9, 0.39%, 0.49%, 0.55

LABA 67.71, -19.8, 47.12, 0.55

 

CMYK 31 / 0 / 20 / 18

HEX #4CAD6E8C

RGBA 76 173 110 0.55

HSLA 141.03, 0.39%, 0.49%, 0.55

LABA 63.79, -42.93, 24, 0.55

 

CMYK 26 / 31 / 0 / 18

HEX #5A4CAD8C

RGBA 90 76 173 0.55

HSLA 248.66, 0.39%, 0.49%, 0.55

LABA 38.48, 31.37, -50.23, 0.55

 

CMYK 0 / 31 / 11 / 18

HEX #AD4C8B8C

RGBA 173 76 139 0.55

HSLA 321.03, 0.39%, 0.49%, 0.55

LABA 46.87, 47.14, -16.02, 0.55

 

CMYK 5 / 0 / 31 / 18

HEX #9DAD4C8C

RGBA 157 173 76 0.55

HSLA 69.9, 0.39%, 0.49%, 0.55

LABA 67.71, -19.8, 47.12, 0.55

 

CMYK 31 / 0 / 11 / 18

HEX #4CAD8B8C

RGBA 76 173 139 0.55

HSLA 158.97, 0.39%, 0.49%, 0.55

LABA 64.39, -36.83, 8.96, 0.55

 

CMYK 26 / 31 / 0 / 18

HEX #5A4CAD8C

RGBA 90 76 173 0.55

HSLA 248.66, 0.39%, 0.49%, 0.55

LABA 38.48, 31.37, -50.23, 0.55

 

CMYK 0 / 31 / 20 / 18

HEX #AD4C6E8C

RGBA 173 76 110 0.55

HSLA 338.97, 0.39%, 0.49%, 0.55

LABA 45.88, 43.19, 0.08, 0.55

 

Description

Color code: RGBA 157 173 76 0.55 | qconv.com Color code: RGBA 157 173 76 0.55 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 157 red, 173 green and 76 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
157 173 76 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 5 cyan, none magenta, 31 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
5% 0% 31% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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