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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 155 178 140 0.75 it is the complementary color RGBA 100 77 115 0.75. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 155 178 140 0.75. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGBA 155 178 140 0.75 shade: RGBA 160 178 135 0.75, RGBA 177 196 154 0.75, RGBA 194 214 173 0.75, RGBA 211 232 192 0.75 and RGBA 228 250 211 0.75

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 155 178 140 0.75. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGBA 155 178 140 0.75 shade: RGBA 155 178 140 0.75, RGBA 138 160 121 0.75, RGBA 121 142 102 0.75, RGBA 104 124 83 0.75 and RGBA 87 106 64 0.75

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGBA 155 178 140 0.75 shade: RGB 154 177 139, RGB 164 177 139, RGB 175 177 139, RGB 177 170 139 and RGB 177 159 139

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGBA 155 178 140 0.75 shade: RGB 154 177 139, RGB 144 177 139, RGB 139 177 144, RGB 139 177 155 and RGB 139 177 165

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGBA 155 178 140 0.75 shade matches the following richer shades: RGB 154 177 139, RGB 151 193 123, RGB 147 209 107, RGB 144 225 92 and RGB 141 240 76

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGBA 155 178 140 0.75 shade: RGB 154 177 139, RGB 157 162 154, RGB 161 146 170, RGB 164 130 186 and RGB 167 115 201

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGBA 155 178 140 0.75 shade: RGB 175 177 139, RGB 165 177 139, RGB 154 177 139, RGB 144 177 139 and RGB 139 177 144

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGBA 155 178 140 0.75 shade: RGB 112 140 93, RGB 133 161 114, RGB 154 177 139, RGB 176 194 163 and RGB 197 210 188

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGBA 155 178 140 0.75 shade: RGB 155 178 140, RGB 139 177 170 and RGB 177 139 170

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGBA 155 178 140 0.75 shade: RGB 155 178 140, RGB 139 154 177 and RGB 177 139 154

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGBA 155 178 140 0.75 shade: RGB 155 178 140, RGB 139 177 170, RGB 162 139 177 and RGB 177 139 146

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGBA 155 178 140 0.75 shade: RGB 155 178 140, RGB 139 174 177, RGB 162 139 177 and RGB 177 143 139

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 10 / 0 / 16 / 23

HEX #9BB28CBF

RGBA 155 178 140 0.75

HSLA 96.32, 0.2%, 0.62%, 0.75

LABA 69.97, -15.02, 16.84, 0.75

 

Complementary color

CMYK 10 / 25 / 0 / 41

HEX #644D73BF

RGBA 100 77 115 0.75

HSLA 276.32, 0.2%, 0.38%, 0.75

LABA 36.47, 17.53, -18.12, 0.75

 

CMYK 8 / 0 / 18 / 23

HEX #A0B287BF

RGBA 160 178 135 0.75

HSLA 85.12, 0.22%, 0.61%, 0.75

LABA 70.22, -13.97, 19.96, 0.75

 

CMYK 7 / 0 / 16 / 17

HEX #B1C49ABF

RGBA 177 196 154 0.75

HSLA 87.14, 0.26%, 0.69%, 0.75

LABA 76.78, -13.98, 18.97, 0.75

 

CMYK 7 / 0 / 14 / 12

HEX #C2D6ADBF

RGBA 194 214 173 0.75

HSLA 89.27, 0.33%, 0.76%, 0.75

LABA 83.22, -13.98, 18.04, 0.75

 

CMYK 7 / 0 / 13 / 7

HEX #D3E8C0BF

RGBA 211 232 192 0.75

HSLA 91.5, 0.47%, 0.83%, 0.75

LABA 89.57, -13.98, 17.15, 0.75

 

CMYK 7 / 0 / 12 / 1

HEX #E4FAD3BF

RGBA 228 250 211 0.75

HSLA 93.85, 0.8%, 0.9%, 0.75

LABA 95.82, -13.98, 16.31, 0.75

 

CMYK 10 / 0 / 16 / 23

HEX #9BB28CBF

RGBA 155 178 140 0.75

HSLA 96.32, 0.2%, 0.62%, 0.75

LABA 69.97, -15.02, 16.84, 0.75

 

CMYK 10 / 0 / 18 / 28

HEX #8AA079BF

RGBA 138 160 121 0.75

HSLA 93.85, 0.17%, 0.55%, 0.75

LABA 63.28, -15.07, 17.83, 0.75

 

CMYK 11 / 0 / 21 / 33

HEX #798E66BF

RGBA 121 142 102 0.75

HSLA 91.5, 0.16%, 0.48%, 0.75

LABA 56.46, -15.13, 18.9, 0.75

 

CMYK 12 / 0 / 25 / 39

HEX #687C53BF

RGBA 104 124 83 0.75

HSLA 89.27, 0.2%, 0.41%, 0.75

LABA 49.48, -15.19, 20.05, 0.75

 

CMYK 13 / 0 / 30 / 44

HEX #576A40BF

RGBA 87 106 64 0.75

HSLA 87.14, 0.25%, 0.33%, 0.75

LABA 42.31, -15.24, 21.29, 0.75

 

CMYK 13 / 0 / 21 / 31

HEX #9AB18B

RGB 154 177 139

HSL 96.32, 0.2%, 0.62%

LAB 69.6, -15.03, 16.86

 

CMYK 7 / 0 / 21 / 31

HEX #A4B18B

RGB 164 177 139

HSL 80.53, 0.2%, 0.62%

LAB 70.32, -11.32, 17.96

 

CMYK 1 / 0 / 21 / 31

HEX #AFB18B

RGB 175 177 139

HSL 63.16, 0.2%, 0.62%

LAB 71.16, -7.15, 19.26

 

CMYK 0 / 4 / 21 / 31

HEX #B1AA8B

RGB 177 170 139

HSL 48.95, 0.2%, 0.62%

LAB 69.44, -2.65, 16.91

 

CMYK 0 / 10 / 21 / 31

HEX #B19F8B

RGB 177 159 139

HSL 31.58, 0.2%, 0.62%

LAB 66.53, 3.32, 12.84

 

CMYK 13 / 0 / 21 / 31

HEX #9AB18B

RGB 154 177 139

HSL 96.32, 0.2%, 0.62%

LAB 69.6, -15.03, 16.86

 

CMYK 19 / 0 / 21 / 31

HEX #90B18B

RGB 144 177 139

HSL 112.11, 0.2%, 0.62%

LAB 68.92, -18.63, 15.82

 

CMYK 21 / 0 / 19 / 31

HEX #8BB190

RGB 139 177 144

HSL 127.89, 0.2%, 0.62%

LAB 68.71, -19.48, 12.74

 

CMYK 21 / 0 / 12 / 31

HEX #8BB19B

RGB 139 177 155

HSL 145.26, 0.2%, 0.62%

LAB 68.97, -17.37, 7.06

 

CMYK 21 / 0 / 7 / 31

HEX #8BB1A5

RGB 139 177 165

HSL 161.05, 0.2%, 0.62%

LAB 69.22, -15.33, 1.92

 

CMYK 13 / 0 / 21 / 31

HEX #9AB18B

RGB 154 177 139

HSL 96.32, 0.2%, 0.62%

LAB 69.6, -15.03, 16.86

 

CMYK 22 / 0 / 36 / 24

HEX #97C17B

RGB 151 193 123

HSL 96, 0.36%, 0.62%

LAB 73.64, -26.62, 30.83

 

CMYK 30 / 0 / 49 / 18

HEX #93D16B

RGB 147 209 107

HSL 96.47, 0.53%, 0.62%

LAB 77.8, -37.61, 44.11

 

CMYK 36 / 0 / 59 / 12

HEX #90E15C

RGB 144 225 92

HSL 96.54, 0.69%, 0.62%

LAB 82.14, -47.2, 56.11

 

CMYK 41 / 0 / 68 / 6

HEX #8DF04C

RGB 141 240 76

HSL 96.22, 0.85%, 0.62%

LAB 86.26, -55.6, 67.01

 

CMYK 13 / 0 / 21 / 31

HEX #9AB18B

RGB 154 177 139

HSL 96.32, 0.2%, 0.62%

LAB 69.6, -15.03, 16.86

 

CMYK 3 / 0 / 5 / 36

HEX #9DA29A

RGB 157 162 154

HSL 97.5, 0.04%, 0.62%

LAB 66.01, -3.31, 3.53

 

CMYK 5 / 14 / 0 / 33

HEX #A192AA

RGB 161 146 170

HSL 277.5, 0.12%, 0.62%

LAB 62.54, 10.15, -10.55

 

CMYK 12 / 30 / 0 / 27

HEX #A482BA

RGB 164 130 186

HSL 276.43, 0.29%, 0.62%

LAB 59.35, 23.63, -24.44

 

CMYK 17 / 43 / 0 / 21

HEX #A773C9

RGB 167 115 201

HSL 276.28, 0.44%, 0.62%

LAB 56.78, 36.34, -36.93

 

CMYK 1 / 0 / 21 / 31

HEX #AFB18B

RGB 175 177 139

HSL 63.16, 0.2%, 0.62%

LAB 71.16, -7.15, 19.26

 

CMYK 7 / 0 / 21 / 31

HEX #A5B18B

RGB 165 177 139

HSL 78.95, 0.2%, 0.62%

LAB 70.39, -10.95, 18.08

 

CMYK 13 / 0 / 21 / 31

HEX #9AB18B

RGB 154 177 139

HSL 96.32, 0.2%, 0.62%

LAB 69.6, -15.03, 16.86

 

CMYK 19 / 0 / 21 / 31

HEX #90B18B

RGB 144 177 139

HSL 112.11, 0.2%, 0.62%

LAB 68.92, -18.63, 15.82

 

CMYK 21 / 0 / 19 / 31

HEX #8BB190

RGB 139 177 144

HSL 127.89, 0.2%, 0.62%

LAB 68.71, -19.48, 12.74

 

CMYK 20 / 0 / 34 / 45

HEX #708C5D

RGB 112 140 93

HSL 95.74, 0.2%, 0.46%

LAB 55.06, -18.98, 21.96

 

CMYK 17 / 0 / 29 / 37

HEX #85A172

RGB 133 161 114

HSL 95.74, 0.2%, 0.54%

LAB 63.09, -18.6, 21.37

 

CMYK 13 / 0 / 21 / 31

HEX #9AB18B

RGB 154 177 139

HSL 96.32, 0.2%, 0.62%

LAB 69.6, -15.03, 16.86

 

CMYK 9 / 0 / 16 / 24

HEX #B0C2A3

RGB 176 194 163

HSL 94.84, 0.2%, 0.7%

LAB 76.35, -11.83, 13.54

 

CMYK 6 / 0 / 10 / 18

HEX #C5D2BC

RGB 197 210 188

HSL 95.45, 0.2%, 0.78%

LAB 82.7, -8.39, 9.4

 

CMYK 13 / 0 / 21 / 30

HEX #9BB28C

RGB 155 178 140

HSL 96.32, 0.2%, 0.62%

LAB 69.97, -15.02, 16.84

 

CMYK 21 / 0 / 4 / 31

HEX #8BB1AA

RGB 139 177 170

HSL 168.95, 0.2%, 0.62%

LAB 69.35, -14.27, -0.65

 

CMYK 0 / 21 / 4 / 31

HEX #B18BAA

RGB 177 139 170

HSL 311.05, 0.2%, 0.62%

LAB 62.27, 19.73, -10.8

 

CMYK 13 / 0 / 21 / 30

HEX #9BB28C

RGB 155 178 140

HSL 96.32, 0.2%, 0.62%

LAB 69.97, -15.02, 16.84

 

CMYK 21 / 13 / 0 / 31

HEX #8B9AB1

RGB 139 154 177

HSL 216.32, 0.2%, 0.62%

LAB 63.16, -0.23, -13.75

 

CMYK 0 / 21 / 13 / 31

HEX #B18B9A

RGB 177 139 154

HSL 336.32, 0.2%, 0.62%

LAB 61.78, 16.86, -2.43

 

CMYK 13 / 0 / 21 / 30

HEX #9BB28C

RGB 155 178 140

HSL 96.32, 0.2%, 0.62%

LAB 69.97, -15.02, 16.84

 

CMYK 21 / 0 / 4 / 31

HEX #8BB1AA

RGB 139 177 170

HSL 168.95, 0.2%, 0.62%

LAB 69.35, -14.27, -0.65

 

CMYK 8 / 21 / 0 / 31

HEX #A28BB1

RGB 162 139 177

HSL 276.32, 0.2%, 0.62%

LAB 61.06, 15.91, -16.73

 

CMYK 0 / 21 / 18 / 31

HEX #B18B92

RGB 177 139 146

HSL 348.95, 0.2%, 0.62%

LAB 61.56, 15.53, 1.8

 

CMYK 13 / 0 / 21 / 30

HEX #9BB28C

RGB 155 178 140

HSL 96.32, 0.2%, 0.62%

LAB 69.97, -15.02, 16.84

 

CMYK 21 / 2 / 0 / 31

HEX #8BAEB1

RGB 139 174 177

HSL 184.74, 0.2%, 0.62%

LAB 68.7, -11.15, -5.46

 

CMYK 8 / 21 / 0 / 31

HEX #A28BB1

RGB 162 139 177

HSL 276.32, 0.2%, 0.62%

LAB 61.06, 15.91, -16.73

 

CMYK 0 / 19 / 21 / 31

HEX #B18F8B

RGB 177 143 139

HSL 6.32, 0.2%, 0.62%

LAB 62.39, 12.18, 6.97

 

Description

Color code: RGBA 155 178 140 0.75 | qconv.com Color code: RGBA 155 178 140 0.75 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 155 red, 178 green and 140 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
155 178 140 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 10 cyan, none magenta, 16 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
10% 0% 16% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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