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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 1 / 0 / 21 / 31 it is the complementary color CMYK 30 / 32 / 0 / 55. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 1 / 0 / 21 / 31. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 1 / 0 / 21 / 31: CMYK 0 / 2 / 25 / 30, CMYK 0 / 1 / 22 / 23, CMYK 0 / 0 / 19 / 16, CMYK 0 / 0 / 17 / 10 and CMYK 0 / 0 / 15 / 3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 1 / 0 / 21 / 31. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 1 / 0 / 21 / 31: CMYK 1 / 0 / 21 / 31, CMYK 1 / 0 / 24 / 38, CMYK 0 / 0 / 28 / 45, CMYK 0 / 1 / 33 / 52 and CMYK 0 / 2 / 41 / 58

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 1 / 0 / 21 / 31

HEX #AEB08B

RGB 174 176 139

HSL 63.24, 0.19%, 0.62%

LAB 70.81, -7.01, 18.77

 

Complementary color

CMYK 30 / 32 / 0 / 55

HEX #514F74

RGB 81 79 116

HSL 243.24, 0.19%, 0.38%

LAB 35.21, 10.03, -20.85

 

CMYK 0 / 2 / 25 / 30

HEX #B3B086

RGB 179 176 134

HSL 56, 0.23%, 0.61%

LAB 71.12, -5.81, 21.96

 

CMYK 0 / 1 / 22 / 23

HEX #C4C299

RGB 196 194 153

HSL 57.21, 0.27%, 0.68%

LAB 77.65, -6.03, 20.93

 

CMYK 0 / 0 / 19 / 16

HEX #D5D4AC

RGB 213 212 172

HSL 58.54, 0.33%, 0.75%

LAB 84.08, -6.22, 19.97

 

CMYK 0 / 0 / 17 / 10

HEX #E6E6BF

RGB 230 230 191

HSL 60, 0.44%, 0.83%

LAB 90.4, -6.39, 19.05

 

CMYK 0 / 0 / 15 / 3

HEX #F7F8D2

RGB 247 248 210

HSL 61.58, 0.73%, 0.9%

LAB 96.64, -6.54, 18.18

 

CMYK 1 / 0 / 21 / 31

HEX #AEB08B

RGB 174 176 139

HSL 63.24, 0.19%, 0.62%

LAB 70.81, -7.01, 18.77

 

CMYK 1 / 0 / 24 / 38

HEX #9D9E78

RGB 157 158 120

HSL 61.58, 0.16%, 0.55%

LAB 64.14, -6.83, 19.8

 

CMYK 0 / 0 / 28 / 45

HEX #8C8C65

RGB 140 140 101

HSL 60, 0.16%, 0.47%

LAB 57.34, -6.62, 20.9

 

CMYK 0 / 1 / 33 / 52

HEX #7B7A52

RGB 123 122 82

HSL 58.54, 0.2%, 0.4%

LAB 50.38, -6.35, 22.09

 

CMYK 0 / 2 / 41 / 58

HEX #6A683F

RGB 106 104 63

HSL 57.21, 0.25%, 0.33%

LAB 43.25, -6, 23.38

 

CMYK 1 / 0 / 21 / 31

HEX #AEB08B

RGB 174 176 139

HSL 63.24, 0.19%, 0.62%

LAB 70.81, -7.01, 18.77

 

CMYK 5 / 0 / 21 / 31

HEX #A8B08B

RGB 168 176 139

HSL 72.97, 0.19%, 0.62%

LAB 70.34, -9.29, 18.05

 

CMYK 8 / 0 / 21 / 31

HEX #A2B08B

RGB 162 176 139

HSL 82.7, 0.19%, 0.62%

LAB 69.89, -11.55, 17.35

 

CMYK 11 / 0 / 21 / 31

HEX #9CB08B

RGB 156 176 139

HSL 92.43, 0.19%, 0.62%

LAB 69.46, -13.78, 16.68

 

CMYK 15 / 0 / 21 / 31

HEX #96B08B

RGB 150 176 139

HSL 102.16, 0.19%, 0.62%

LAB 69.04, -15.97, 16.04

 

CMYK 1 / 0 / 21 / 31

HEX #AEB08B

RGB 174 176 139

HSL 63.24, 0.19%, 0.62%

LAB 70.81, -7.01, 18.77

 

CMYK 1 / 0 / 21 / 11

HEX #E0E3B3

RGB 224 227 179

HSL 63.75, 0.46%, 0.8%

LAB 88.94, -8.8, 23.17

 

CMYK 0 / 0 / 22 / 91

HEX #171712

RGB 23 23 18

HSL 60, 0.12%, 0.08%

LAB 7.58, -1.15, 3.14

 

CMYK 1 / 0 / 22 / 71

HEX #494A3A

RGB 73 74 58

HSL 63.75, 0.12%, 0.26%

LAB 30.92, -3.62, 9.44

 

CMYK 1 / 0 / 21 / 51

HEX #7C7D63

RGB 124 125 99

HSL 62.31, 0.12%, 0.44%

LAB 51.67, -5.1, 14.09

 

CMYK 1 / 0 / 21 / 31

HEX #AEB08B

RGB 174 176 139

HSL 63.24, 0.19%, 0.62%

LAB 70.81, -7.01, 18.77

 

CMYK 21 / 0 / 16 / 31

HEX #8BB094

RGB 139 176 148

HSL 134.59, 0.19%, 0.62%

LAB 68.52, -18.22, 10.27

 

CMYK 7 / 21 / 0 / 31

HEX #A38BB0

RGB 163 139 176

HSL 278.92, 0.19%, 0.62%

LAB 61.12, 16.04, -16.06

 

CMYK 1 / 0 / 21 / 31

HEX #AEB08B

RGB 174 176 139

HSL 63.24, 0.19%, 0.62%

LAB 70.81, -7.01, 18.77

 

CMYK 21 / 1 / 0 / 31

HEX #8BAEB0

RGB 139 174 176

HSL 183.24, 0.19%, 0.62%

LAB 68.68, -11.37, -4.95

 

CMYK 0 / 21 / 1 / 31

HEX #B08BAE

RGB 176 139 174

HSL 303.24, 0.19%, 0.62%

LAB 62.3, 20.13, -13.03

 

CMYK 1 / 0 / 21 / 31

HEX #AEB08B

RGB 174 176 139

HSL 63.24, 0.19%, 0.62%

LAB 70.81, -7.01, 18.77

 

CMYK 21 / 0 / 16 / 31

HEX #8BB094

RGB 139 176 148

HSL 134.59, 0.19%, 0.62%

LAB 68.52, -18.22, 10.27

 

CMYK 20 / 21 / 0 / 31

HEX #8D8BB0

RGB 141 139 176

HSL 243.24, 0.19%, 0.62%

LAB 59.22, 8.7, -19.13

 

CMYK 0 / 21 / 5 / 31

HEX #B08BA7

RGB 176 139 167

HSL 314.59, 0.19%, 0.62%

LAB 62.07, 18.81, -9.4

 

CMYK 1 / 0 / 21 / 31

HEX #AEB08B

RGB 174 176 139

HSL 63.24, 0.19%, 0.62%

LAB 70.81, -7.01, 18.77

 

CMYK 21 / 0 / 10 / 31

HEX #8BB09F

RGB 139 176 159

HSL 152.43, 0.19%, 0.62%

LAB 68.78, -16.05, 4.59

 

CMYK 20 / 21 / 0 / 31

HEX #8D8BB0

RGB 141 139 176

HSL 243.24, 0.19%, 0.62%

LAB 59.22, 8.7, -19.13

 

CMYK 0 / 21 / 11 / 31

HEX #B08B9C

RGB 176 139 156

HSL 332.43, 0.19%, 0.62%

LAB 61.74, 16.84, -3.64

 

Description

Color code: CMYK 1 / 0 / 21 / 31 | qconv.com Color code: CMYK 1 / 0 / 21 / 31 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 174 red, 176 green and 139 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
174 176 139 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 1 cyan, none magenta, 21 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
1% 0% 21% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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