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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 151 72 189 0.75 it is the complementary color RGBA 104 183 66 0.75. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 151 72 189 0.75. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGBA 151 72 189 0.75 shade: RGBA 156 72 184 0.75, RGBA 173 90 203 0.75, RGBA 190 108 222 0.75, RGBA 207 126 241 0.75 and RGBA 224 144 255 0.75

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 151 72 189 0.75. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGBA 151 72 189 0.75 shade: RGBA 151 72 189 0.75, RGBA 134 54 170 0.75, RGBA 117 36 151 0.75, RGBA 100 18 132 0.75 and RGBA 83 0 113 0.75

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGBA 151 72 189 0.75 shade: RGB 151 71 189, RGB 182 71 189, RGB 189 71 164, RGB 189 71 132 and RGB 189 71 100

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGBA 151 72 189 0.75 shade: RGB 151 71 189, RGB 119 71 189, RGB 87 71 189 and RGB 71 71 189

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGBA 151 72 189 0.75 shade matches the following richer shades: RGB 151 71 189, RGB 158 51 209, RGB 165 31 229 and RGB 172 11 249

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGBA 151 72 189 0.75 shade: RGB 151 71 189, RGB 144 92 169, RGB 136 112 148, RGB 129 132 128 and RGB 122 152 108

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGBA 151 72 189 0.75 shade: RGB 87 71 189, RGB 118 71 189, RGB 150 71 189, RGB 181 71 189 and RGB 189 71 165

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGBA 151 72 189 0.75 shade: RGB 103 47 131, RGB 127 58 161, RGB 151 71 189, RGB 168 102 200 and RGB 185 132 211

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGBA 151 72 189 0.75 shade: RGB 151 72 189, RGB 189 71 87 and RGB 71 189 103

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGBA 151 72 189 0.75 shade: RGB 151 72 189, RGB 189 150 71 and RGB 71 189 150

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGBA 151 72 189 0.75 shade: RGB 151 72 189, RGB 189 71 87, RGB 110 189 71 and RGB 71 189 173

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGBA 151 72 189 0.75 shade: RGB 151 72 189, RGB 189 91 71, RGB 110 189 71 and RGB 71 169 189

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 15 / 46 / 0 / 19

HEX #9748BDBF

RGBA 151 72 189 0.75

HSLA 280.51, 0.47%, 0.51%, 0.75

LABA 45.48, 52.19, -48.03, 0.75

 

Complementary color

CMYK 32 / 0 / 48 / 21

HEX #68B742BF

RGBA 104 183 66 0.75

HSLA 100.51, 0.47%, 0.49%, 0.75

LABA 67.43, -45.23, 50.44, 0.75

 

CMYK 11 / 46 / 0 / 21

HEX #9C48B8BF

RGBA 156 72 184 0.75

HSLA 285, 0.44%, 0.5%, 0.75

LABA 45.86, 52.36, -44.47, 0.75

 

CMYK 11 / 42 / 0 / 15

HEX #AD5ACBBF

RGBA 173 90 203 0.75

HSLA 284.07, 0.52%, 0.57%, 0.75

LABA 52.41, 51.77, -44.91, 0.75

 

CMYK 11 / 39 / 0 / 10

HEX #BE6CDEBF

RGBA 190 108 222 0.75

HSLA 283.16, 0.63%, 0.65%, 0.75

LABA 58.92, 51.06, -45.23, 0.75

 

CMYK 11 / 36 / 0 / 4

HEX #CF7EF1BF

RGBA 207 126 241 0.75

HSLA 282.26, 0.8%, 0.72%, 0.75

LABA 65.39, 50.3, -45.48, 0.75

 

CMYK 9 / 33 / 0 / 0

HEX #E090FFBF

RGBA 224 144 255 0.75

HSLA 283.24, 1%, 0.78%, 0.75

LABA 71.56, 48.52, -43.31, 0.75

 

CMYK 15 / 46 / 0 / 19

HEX #9748BDBF

RGBA 151 72 189 0.75

HSLA 280.51, 0.47%, 0.51%, 0.75

LABA 45.48, 52.19, -48.03, 0.75

 

CMYK 16 / 51 / 0 / 25

HEX #8636AABF

RGBA 134 54 170 0.75

HSLA 281.38, 0.52%, 0.44%, 0.75

LABA 38.91, 52.58, -47.49, 0.75

 

CMYK 17 / 57 / 0 / 31

HEX #752497BF

RGBA 117 36 151 0.75

HSLA 282.26, 0.61%, 0.37%, 0.75

LABA 32.43, 52.46, -46.59, 0.75

 

CMYK 18 / 65 / 0 / 36

HEX #641284BF

RGBA 100 18 132 0.75

HSLA 283.16, 0.76%, 0.29%, 0.75

LABA 26.18, 51.34, -45.08, 0.75

 

CMYK 20 / 75 / 0 / 42

HEX #530071BF

RGBA 83 0 113 0.75

HSLA 284.07, 1%, 0.22%, 0.75

LABA 20.17, 49.07, -42.88, 0.75

 

CMYK 20 / 62 / 0 / 26

HEX #9747BD

RGB 151 71 189

HSL 280.68, 0.47%, 0.51%

LAB 45.3, 52.67, -48.31

 

CMYK 4 / 62 / 0 / 26

HEX #B647BD

RGB 182 71 189

HSL 296.44, 0.47%, 0.51%

LAB 49.65, 60.21, -41.14

 

CMYK 0 / 62 / 13 / 26

HEX #BD47A4

RGB 189 71 164

HSL 312.71, 0.47%, 0.51%

LAB 49.5, 57.87, -26.65

 

CMYK 0 / 62 / 30 / 26

HEX #BD4784

RGB 189 71 132

HSL 328.98, 0.47%, 0.51%

LAB 48.25, 53.38, -9.47

 

CMYK 0 / 62 / 47 / 26

HEX #BD4764

RGB 189 71 100

HSL 345.25, 0.47%, 0.51%

LAB 47.29, 49.83, 8.55

 

CMYK 20 / 62 / 0 / 26

HEX #9747BD

RGB 151 71 189

HSL 280.68, 0.47%, 0.51%

LAB 45.3, 52.67, -48.31

 

CMYK 37 / 62 / 0 / 26

HEX #7747BD

RGB 119 71 189

HSL 264.41, 0.47%, 0.51%

LAB 41.38, 45.27, -54.83

 

CMYK 54 / 62 / 0 / 26

HEX #5747BD

RGB 87 71 189

HSL 248.14, 0.47%, 0.51%

LAB 38.21, 38.73, -60.11

 

CMYK 62 / 62 / 0 / 26

HEX #4747BD

RGB 71 71 189

HSL 240, 0.47%, 0.51%

LAB 36.97, 35.98, -62.19

 

CMYK 20 / 62 / 0 / 26

HEX #9747BD

RGB 151 71 189

HSL 280.68, 0.47%, 0.51%

LAB 45.3, 52.67, -48.31

 

CMYK 24 / 76 / 0 / 18

HEX #9E33D1

RGB 158 51 209

HSL 280.63, 0.63%, 0.51%

LAB 44.58, 66.74, -61.02

 

CMYK 28 / 86 / 0 / 10

HEX #A51FE5

RGB 165 31 229

HSL 280.61, 0.79%, 0.51%

LAB 45.13, 77.5, -71.52

 

CMYK 31 / 96 / 0 / 2

HEX #AC0BF9

RGB 172 11 249

HSL 280.59, 0.95%, 0.51%

LAB 46.78, 85.15, -80.07

 

CMYK 20 / 62 / 0 / 26

HEX #9747BD

RGB 151 71 189

HSL 280.68, 0.47%, 0.51%

LAB 45.3, 52.67, -48.31

 

CMYK 15 / 46 / 0 / 34

HEX #905CA9

RGB 144 92 169

HSL 280.52, 0.31%, 0.51%

LAB 47.56, 35.31, -33.09

 

CMYK 8 / 24 / 0 / 42

HEX #887094

RGB 136 112 148

HSL 280, 0.14%, 0.51%

LAB 50.64, 16.42, -16.04

 

CMYK 2 / 0 / 3 / 48

HEX #818480

RGB 129 132 128

HSL 105, 0.02%, 0.51%

LAB 54.79, -1.9, 1.76

 

CMYK 20 / 0 / 29 / 40

HEX #7A986C

RGB 122 152 108

HSL 100.91, 0.18%, 0.51%

LAB 59.6, -19.03, 19.82

 

CMYK 54 / 62 / 0 / 26

HEX #5747BD

RGB 87 71 189

HSL 248.14, 0.47%, 0.51%

LAB 38.21, 38.73, -60.11

 

CMYK 38 / 62 / 0 / 26

HEX #7647BD

RGB 118 71 189

HSL 263.9, 0.47%, 0.51%

LAB 41.27, 45.05, -55.02

 

CMYK 21 / 62 / 0 / 26

HEX #9647BD

RGB 150 71 189

HSL 280.17, 0.47%, 0.51%

LAB 45.17, 52.43, -48.53

 

CMYK 4 / 62 / 0 / 26

HEX #B547BD

RGB 181 71 189

HSL 295.93, 0.47%, 0.51%

LAB 49.5, 59.96, -41.38

 

CMYK 0 / 62 / 13 / 26

HEX #BD47A5

RGB 189 71 165

HSL 312.2, 0.47%, 0.51%

LAB 49.55, 58.02, -27.18

 

CMYK 21 / 64 / 0 / 49

HEX #672F83

RGB 103 47 131

HSL 280, 0.47%, 0.35%

LAB 30.77, 39.87, -37.03

 

CMYK 21 / 64 / 0 / 37

HEX #7F3AA1

RGB 127 58 161

HSL 280.19, 0.47%, 0.43%

LAB 38.04, 47.1, -43.55

 

CMYK 20 / 62 / 0 / 26

HEX #9747BD

RGB 151 71 189

HSL 280.68, 0.47%, 0.51%

LAB 45.3, 52.67, -48.31

 

CMYK 16 / 49 / 0 / 22

HEX #A866C8

RGB 168 102 200

HSL 280.41, 0.47%, 0.59%

LAB 54.02, 43.54, -40.68

 

CMYK 12 / 37 / 0 / 17

HEX #B984D3

RGB 185 132 211

HSL 280.25, 0.47%, 0.67%

LAB 62.94, 34.47, -32.81

 

CMYK 20 / 62 / 0 / 26

HEX #9748BD

RGB 151 72 189

HSL 280.51, 0.47%, 0.51%

LAB 45.48, 52.19, -48.03

 

CMYK 0 / 62 / 54 / 26

HEX #BD4757

RGB 189 71 87

HSL 351.86, 0.47%, 0.51%

LAB 46.99, 48.67, 16.05

 

CMYK 62 / 0 / 46 / 26

HEX #47BD67

RGB 71 189 103

HSL 136.27, 0.47%, 0.51%

LAB 68.54, -51.74, 33.85

 

CMYK 20 / 62 / 0 / 26

HEX #9748BD

RGB 151 72 189

HSL 280.51, 0.47%, 0.51%

LAB 45.48, 52.19, -48.03

 

CMYK 0 / 21 / 62 / 26

HEX #BD9647

RGB 189 150 71

HSL 40.17, 0.47%, 0.51%

LAB 64.23, 5.71, 46.3

 

CMYK 62 / 0 / 21 / 26

HEX #47BD96

RGB 71 189 150

HSL 160.17, 0.47%, 0.51%

LAB 69.42, -42.39, 10.05

 

CMYK 20 / 62 / 0 / 26

HEX #9748BD

RGB 151 72 189

HSL 280.51, 0.47%, 0.51%

LAB 45.48, 52.19, -48.03

 

CMYK 0 / 62 / 54 / 26

HEX #BD4757

RGB 189 71 87

HSL 351.86, 0.47%, 0.51%

LAB 46.99, 48.67, 16.05

 

CMYK 42 / 0 / 62 / 26

HEX #6EBD47

RGB 110 189 71

HSL 100.17, 0.47%, 0.51%

LAB 69.59, -45.31, 50.74

 

CMYK 62 / 0 / 8 / 26

HEX #47BDAD

RGB 71 189 173

HSL 171.86, 0.47%, 0.51%

LAB 70, -36.67, -1.69

 

CMYK 20 / 62 / 0 / 26

HEX #9748BD

RGB 151 72 189

HSL 280.51, 0.47%, 0.51%

LAB 45.48, 52.19, -48.03

 

CMYK 0 / 52 / 62 / 26

HEX #BD5B47

RGB 189 91 71

HSL 10.17, 0.47%, 0.51%

LAB 50.4, 37.8, 29.96

 

CMYK 42 / 0 / 62 / 26

HEX #6EBD47

RGB 110 189 71

HSL 100.17, 0.47%, 0.51%

LAB 69.59, -45.31, 50.74

 

CMYK 62 / 11 / 0 / 26

HEX #47A9BD

RGB 71 169 189

HSL 190.17, 0.47%, 0.51%

LAB 64.48, -22.42, -18.79

 

Description

Color code: RGBA 151 72 189 0.75 | qconv.com Color code: RGBA 151 72 189 0.75 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 151 red, 72 green and 189 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
151 72 189 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 15 cyan, 46 magenta, none yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
15% 46% 0% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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