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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 16 / 51 / 0 / 25 it is the complementary color CMYK 42 / 0 / 60 / 37. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 16 / 51 / 0 / 25. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 16 / 51 / 0 / 25: CMYK 11 / 49 / 0 / 27, CMYK 11 / 45 / 0 / 20, CMYK 11 / 42 / 0 / 12, CMYK 11 / 39 / 0 / 5 and CMYK 8 / 35 / 0 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 16 / 51 / 0 / 25. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 16 / 51 / 0 / 25: CMYK 16 / 51 / 0 / 25, CMYK 16 / 56 / 0 / 33, CMYK 17 / 62 / 0 / 40, CMYK 18 / 70 / 0 / 47 and CMYK 19 / 81 / 0 / 55

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 16 / 51 / 0 / 25

HEX #A15EBF

RGB 161 94 191

HSL 281.44, 0.43%, 0.56%

LAB 51.09, 43.94, -40.2

 

Complementary color

CMYK 42 / 0 / 60 / 37

HEX #5EA140

RGB 94 161 64

HSL 101.44, 0.43%, 0.44%

LAB 60.1, -39.39, 43.02

 

CMYK 11 / 49 / 0 / 27

HEX #A65EBA

RGB 166 94 186

HSL 286.96, 0.4%, 0.55%

LAB 51.45, 44.3, -36.71

 

CMYK 11 / 45 / 0 / 20

HEX #B770CD

RGB 183 112 205

HSL 285.81, 0.48%, 0.62%

LAB 58.1, 43.52, -37.01

 

CMYK 11 / 42 / 0 / 12

HEX #C882E0

RGB 200 130 224

HSL 284.68, 0.6%, 0.69%

LAB 64.66, 42.74, -37.26

 

CMYK 11 / 39 / 0 / 5

HEX #D994F3

RGB 217 148 243

HSL 283.58, 0.8%, 0.77%

LAB 71.15, 41.98, -37.48

 

CMYK 8 / 35 / 0 / 0

HEX #EAA6FF

RGB 234 166 255

HSL 285.84, 1%, 0.83%

LAB 77.27, 39.87, -34.36

 

CMYK 16 / 51 / 0 / 25

HEX #A15EBF

RGB 161 94 191

HSL 281.44, 0.43%, 0.56%

LAB 51.09, 43.94, -40.2

 

CMYK 16 / 56 / 0 / 33

HEX #904CAC

RGB 144 76 172

HSL 282.5, 0.39%, 0.49%

LAB 44.34, 44.71, -39.93

 

CMYK 17 / 62 / 0 / 40

HEX #7F3A99

RGB 127 58 153

HSL 283.58, 0.45%, 0.41%

LAB 37.55, 45.34, -39.52

 

CMYK 18 / 70 / 0 / 47

HEX #6E2886

RGB 110 40 134

HSL 284.68, 0.54%, 0.34%

LAB 30.77, 45.65, -38.84

 

CMYK 19 / 81 / 0 / 55

HEX #5D1673

RGB 93 22 115

HSL 285.81, 0.68%, 0.27%

LAB 24.13, 45.21, -37.67

 

CMYK 16 / 51 / 0 / 25

HEX #A15EBF

RGB 161 94 191

HSL 281.44, 0.43%, 0.56%

LAB 51.09, 43.94, -40.2

 

CMYK 8 / 51 / 0 / 25

HEX #B05EBF

RGB 176 94 191

HSL 290.72, 0.43%, 0.56%

LAB 52.95, 48.14, -37.15

 

CMYK 0 / 51 / 1 / 25

HEX #BF5EBD

RGB 191 94 189

HSL 301.24, 0.43%, 0.56%

LAB 54.82, 52.01, -32.92

 

CMYK 0 / 51 / 9 / 25

HEX #BF5EAD

RGB 191 94 173

HSL 311.13, 0.43%, 0.56%

LAB 54.13, 49.24, -24.74

 

CMYK 0 / 51 / 18 / 25

HEX #BF5E9D

RGB 191 94 157

HSL 321.03, 0.43%, 0.56%

LAB 53.51, 46.68, -16.36

 

CMYK 16 / 51 / 0 / 25

HEX #A15EBF

RGB 161 94 191

HSL 281.44, 0.43%, 0.56%

LAB 51.09, 43.94, -40.2

 

CMYK 16 / 51 / 0 / 5

HEX #CC77F2

RGB 204 119 242

HSL 281.46, 0.83%, 0.71%

LAB 63.71, 53.29, -48.7

 

CMYK 16 / 50 / 0 / 85

HEX #201326

RGB 32 19 38

HSL 281.05, 0.33%, 0.11%

LAB 8.24, 11.23, -10.51

 

CMYK 16 / 51 / 0 / 65

HEX #4B2C59

RGB 75 44 89

HSL 281.33, 0.34%, 0.26%

LAB 23.73, 23.36, -21.52

 

CMYK 16 / 51 / 0 / 45

HEX #76458C

RGB 118 69 140

HSL 281.41, 0.34%, 0.41%

LAB 37.84, 34.05, -31.22

 

CMYK 16 / 51 / 0 / 25

HEX #A15EBF

RGB 161 94 191

HSL 281.44, 0.43%, 0.56%

LAB 51.09, 43.94, -40.2

 

CMYK 0 / 51 / 45 / 25

HEX #BF5E69

RGB 191 94 105

HSL 353.2, 0.43%, 0.56%

LAB 51.95, 39.95, 12.13

 

CMYK 51 / 0 / 37 / 25

HEX #5EBF79

RGB 94 191 121

HSL 136.7, 0.43%, 0.56%

LAB 70.19, -44.06, 26.79

 

CMYK 16 / 51 / 0 / 25

HEX #A15EBF

RGB 161 94 191

HSL 281.44, 0.43%, 0.56%

LAB 51.09, 43.94, -40.2

 

CMYK 0 / 16 / 51 / 25

HEX #BFA05E

RGB 191 160 94

HSL 40.82, 0.43%, 0.56%

LAB 67.3, 2.98, 38.44

 

CMYK 51 / 0 / 16 / 25

HEX #5EBFA0

RGB 94 191 160

HSL 160.82, 0.43%, 0.56%

LAB 70.99, -36.09, 6.94

 

CMYK 16 / 51 / 0 / 25

HEX #A15EBF

RGB 161 94 191

HSL 281.44, 0.43%, 0.56%

LAB 51.09, 43.94, -40.2

 

CMYK 0 / 51 / 45 / 25

HEX #BF5E69

RGB 191 94 105

HSL 353.2, 0.43%, 0.56%

LAB 51.95, 39.95, 12.13

 

CMYK 35 / 0 / 51 / 25

HEX #7DBF5E

RGB 125 191 94

HSL 100.82, 0.43%, 0.56%

LAB 71.17, -38.69, 42.08

 

CMYK 51 / 0 / 6 / 25

HEX #5EBFB3

RGB 94 191 179

HSL 172.58, 0.43%, 0.56%

LAB 71.48, -31.5, -2.71

 

CMYK 16 / 51 / 0 / 25

HEX #A15EBF

RGB 161 94 191

HSL 281.44, 0.43%, 0.56%

LAB 51.09, 43.94, -40.2

 

CMYK 0 / 41 / 51 / 25

HEX #BF705E

RGB 191 112 94

HSL 11.13, 0.43%, 0.56%

LAB 55.56, 29.33, 23.46

 

CMYK 35 / 0 / 51 / 25

HEX #7DBF5E

RGB 125 191 94

HSL 100.82, 0.43%, 0.56%

LAB 71.17, -38.69, 42.08

 

CMYK 51 / 9 / 0 / 25

HEX #5EADBF

RGB 94 173 191

HSL 191.13, 0.43%, 0.56%

LAB 66.54, -19.32, -16.7

 

Description

Color code: CMYK 16 / 51 / 0 / 25 | qconv.com Color code: CMYK 16 / 51 / 0 / 25 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 161 red, 94 green and 191 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
161 94 191 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 16 cyan, 51 magenta, none yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
16% 51% 0% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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