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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 151 164 177 .2 it is the complementary color RGBA 104 91 78 .2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 151 164 177 .2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGBA 151 164 177 .2: RGBA 156 164 172 .2, RGBA 173 182 191 .2, RGBA 190 200 210 .2, RGBA 207 218 229 .2 and RGBA 224 236 248 .2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 151 164 177 .2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGBA 151 164 177 .2: RGBA 151 164 177 .2, RGBA 134 146 158 .2, RGBA 117 128 139 .2, RGBA 100 110 120 .2 and RGBA 83 92 101 .2

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 3 / 1 / 0 / 6

HEX #97A4B133

RGBA 151 164 177 .2

HSLA 210, 0.14%, 0.64%, .2

LABA 66.75, -1.84, -8.27, .2

 

Complementary color

CMYK 0 / 3 / 5 / 12

HEX #685B4E33

RGBA 104 91 78 .2

HSLA 30, 0.14%, 0.36%, .2

LABA 39.54, 2.97, 9.43, .2

 

CMYK 2 / 1 / 0 / 7

HEX #9CA4AC33

RGBA 156 164 172 .2

HSLA 210, 0.09%, 0.64%, .2

LABA 66.97, -1.21, -5.12, .2

 

CMYK 2 / 1 / 0 / 5

HEX #ADB6BF33

RGBA 173 182 191 .2

HSLA 210, 0.12%, 0.71%, .2

LABA 73.61, -1.34, -5.65, .2

 

CMYK 2 / 1 / 0 / 4

HEX #BEC8D233

RGBA 190 200 210 .2

HSLA 210, 0.18%, 0.78%, .2

LABA 80.13, -1.45, -6.16, .2

 

CMYK 2 / 1 / 0 / 2

HEX #CFDAE533

RGBA 207 218 229 .2

HSLA 210, 0.3%, 0.85%, .2

LABA 86.54, -1.57, -6.67, .2

 

CMYK 2 / 1 / 0 / 1

HEX #E0ECF833

RGBA 224 236 248 .2

HSLA 210, 0.63%, 0.93%, .2

LABA 92.85, -1.69, -7.17, .2

NCS® S0510-R80B

CMYK 3 / 1 / 0 / 6

HEX #97A4B133

RGBA 151 164 177 .2

HSLA 210, 0.14%, 0.64%, .2

LABA 66.75, -1.84, -8.27, .2

 

CMYK 3 / 2 / 0 / 8

HEX #86929E33

RGBA 134 146 158 .2

HSLA 210, 0.11%, 0.57%, .2

LABA 59.97, -1.73, -7.8, .2

 

CMYK 3 / 2 / 0 / 9

HEX #75808B33

RGBA 117 128 139 .2

HSLA 210, 0.09%, 0.5%, .2

LABA 53.04, -1.62, -7.32, .2

 

CMYK 3 / 2 / 0 / 11

HEX #646E7833

RGBA 100 110 120 .2

HSLA 210, 0.09%, 0.43%, .2

LABA 45.93, -1.5, -6.83, .2

 

CMYK 4 / 2 / 0 / 12

HEX #535C6533

RGBA 83 92 101 .2

HSLA 210, 0.1%, 0.36%, .2

LABA 38.61, -1.37, -6.34, .2

 

CMYK 3 / 1 / 0 / 6

HEX #97A4B133

RGBA 151 164 177 .2

HSLA 210, 0.14%, 0.64%, .2

LABA 66.75, -1.84, -8.27, .2

 

CMYK 3 / 2 / 0 / 6

HEX #969EB033

RGBA 150 158 176 .2

HSLA 221.54, 0.14%, 0.64%, .2

LABA 65.02, 0.92, -10.31, .2

 

CMYK 3 / 3 / 0 / 6

HEX #969AB033

RGBA 150 154 176 .2

HSLA 230.77, 0.14%, 0.64%, .2

LABA 63.94, 3.15, -11.92, .2

 

CMYK 3 / 3 / 0 / 6

HEX #9696B033

RGBA 150 150 176 .2

HSLA 240, 0.14%, 0.64%, .2

LABA 62.87, 5.4, -13.53, .2

 

CMYK 3 / 3 / 0 / 6

HEX #9A96B033

RGBA 154 150 176 .2

HSLA 249.23, 0.14%, 0.64%, .2

LABA 63.19, 6.74, -13.02, .2

 

CMYK 3 / 1 / 0 / 6

HEX #97A4B133

RGBA 151 164 177 .2

HSLA 210, 0.14%, 0.64%, .2

LABA 66.75, -1.84, -8.27, .2

 

CMYK 3 / 1 / 0 / 2

HEX #C3D3E433

RGBA 195 211 228 .2

HSLA 210.91, 0.38%, 0.83%, .2

LABA 83.86, -1.97, -10.21, .2

 

CMYK 3 / 2 / 0 / 18

HEX #14161833

RGBA 20 22 24 .2

HSLA 210, 0.09%, 0.09%, .2

LABA 7.12, -0.38, -1.7, .2

 

CMYK 3 / 2 / 0 / 14

HEX #40454B33

RGBA 64 69 75 .2

HSLA 212.73, 0.08%, 0.27%, .2

LABA 29.04, -0.6, -4.31, .2

 

CMYK 3 / 1 / 0 / 10

HEX #6B757E33

RGBA 107 117 126 .2

HSLA 208.42, 0.08%, 0.46%, .2

LABA 48.7, -1.73, -6.22, .2

 

CMYK 3 / 1 / 0 / 6

HEX #97A4B133

RGBA 151 164 177 .2

HSLA 210, 0.14%, 0.64%, .2

LABA 66.75, -1.84, -8.27, .2

 

CMYK 1 / 3 / 0 / 6

HEX #A896B033

RGBA 168 150 176 .2

HSLA 281.54, 0.14%, 0.64%, .2

LABA 64.38, 11.54, -11.11, .2

 

CMYK 0 / 0 / 3 / 6

HEX #ADB09633

RGBA 173 176 150 .2

HSLA 66.92, 0.14%, 0.64%, .2

LABA 70.97, -5.66, 12.97, .2

 

CMYK 3 / 1 / 0 / 6

HEX #97A4B133

RGBA 151 164 177 .2

HSLA 210, 0.14%, 0.64%, .2

LABA 66.75, -1.84, -8.27, .2

 

CMYK 0 / 3 / 1 / 6

HEX #B096A333

RGBA 176 150 163 .2

HSLA 330, 0.14%, 0.64%, .2

LABA 64.71, 11.91, -3.22, .2

 

CMYK 1 / 0 / 3 / 6

HEX #A3B09633

RGBA 163 176 150 .2

HSLA 90, 0.14%, 0.64%, .2

LABA 70.2, -9.35, 11.79, .2

 

CMYK 3 / 1 / 0 / 6

HEX #97A4B133

RGBA 151 164 177 .2

HSLA 210, 0.14%, 0.64%, .2

LABA 66.75, -1.84, -8.27, .2

 

CMYK 1 / 3 / 0 / 6

HEX #A896B033

RGBA 168 150 176 .2

HSLA 281.54, 0.14%, 0.64%, .2

LABA 64.38, 11.54, -11.11, .2

 

CMYK 0 / 1 / 3 / 6

HEX #B0A39633

RGBA 176 163 150 .2

HSLA 30, 0.14%, 0.64%, .2

LABA 67.74, 2.49, 8.44, .2

 

CMYK 2 / 0 / 3 / 6

HEX #9EB09633

RGBA 158 176 150 .2

HSLA 101.54, 0.14%, 0.64%, .2

LABA 69.84, -11.17, 11.23, .2

 

CMYK 3 / 1 / 0 / 6

HEX #97A4B133

RGBA 151 164 177 .2

HSLA 210, 0.14%, 0.64%, .2

LABA 66.75, -1.84, -8.27, .2

 

CMYK 0 / 3 / 0 / 6

HEX #B096B033

RGBA 176 150 176 .2

HSLA 300, 0.14%, 0.64%, .2

LABA 65.1, 14.34, -9.95, .2

 

CMYK 0 / 1 / 3 / 6

HEX #B0A39633

RGBA 176 163 150 .2

HSLA 30, 0.14%, 0.64%, .2

LABA 67.74, 2.49, 8.44, .2

 

CMYK 3 / 0 / 3 / 6

HEX #96B09633

RGBA 150 176 150 .2

HSLA 120, 0.14%, 0.64%, .2

LABA 69.28, -14.03, 10.36, .2

 

Description

Color code: RGBA 151 164 177 .2 | qconv.com Color code: RGBA 151 164 177 .2 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 151 red, 164 green and 177 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
151 164 177 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 3 cyan, 1 magenta, none yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
3% 1% 0% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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