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Color name
RGBA 149 103 18 0.5

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 149 103 18 0.5 it is the complementary color RGBA 106 152 237 0.5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 149 103 18 0.5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGBA 149 103 18 0.5 shade: RGBA 154 103 13 0.5, RGBA 171 121 32 0.5, RGBA 188 139 51 0.5, RGBA 205 157 70 0.5 and RGBA 222 175 89 0.5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 149 103 18 0.5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGBA 149 103 18 0.5 shade: RGBA 149 103 18 0.5, RGBA 132 85 0 0.5, RGBA 115 67 0 0.5, RGBA 98 49 0 0.5 and RGBA 81 31 0 0.5

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGBA 149 103 18 0.5 shade: RGB 150 104 19, RGB 150 68 19, RGB 150 33 19 and RGB 150 19 19

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGBA 149 103 18 0.5 shade: RGB 150 104 19, RGB 150 139 19, RGB 125 150 19, RGB 90 150 19 and RGB 54 150 19

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGBA 149 103 18 0.5 shade matches the following richer shades: RGB 150 104 19 and RGB 163 108 5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGBA 149 103 18 0.5 shade: RGB 150 104 19, RGB 136 100 32, RGB 123 96 46, RGB 109 92 59 and RGB 95 87 73

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGBA 149 103 18 0.5 shade: RGB 150 32 19, RGB 150 67 19, RGB 150 102 19, RGB 150 137 19 and RGB 128 150 19

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGBA 149 103 18 0.5 shade: RGB 76 53 9, RGB 113 78 14, RGB 150 104 19, RGB 187 129 23 and RGB 223 155 28

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGBA 149 103 18 0.5 shade: RGB 149 103 18, RGB 40 150 19 and RGB 49 19 150

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGBA 149 103 18 0.5 shade: RGB 149 103 18, RGB 19 150 102 and RGB 102 19 150

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGBA 149 103 18 0.5 shade: RGB 149 103 18, RGB 40 150 19, RGB 19 67 150 and RGB 128 19 150

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGBA 149 103 18 0.5 shade: RGB 149 103 18, RGB 19 150 36, RGB 19 67 150 and RGB 150 19 132

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 15 / 44 / 21

HEX #9567127F

RGBA 149 103 18 0.5

HSLA 38.93, 0.78%, 0.33%, 0.5

LABA 47.15, 11.46, 50.04, 0.5

 

Complementary color

CMYK 28 / 18 / 0 / 4

HEX #6A98ED7F

RGBA 106 152 237 0.5

HSLA 218.93, 0.78%, 0.67%, 0.5

LABA 63.04, 8.8, -47.53, 0.5

 

CMYK 0 / 17 / 46 / 20

HEX #9A670D7F

RGBA 154 103 13 0.5

HSLA 38.3, 0.84%, 0.33%, 0.5

LABA 47.75, 13.66, 52.15, 0.5

 

CMYK 0 / 15 / 41 / 16

HEX #AB79207F

RGBA 171 121 32 0.5

HSLA 38.42, 0.68%, 0.4%, 0.5

LABA 54.49, 11.73, 52.7, 0.5

 

CMYK 0 / 13 / 36 / 13

HEX #BC8B337F

RGBA 188 139 51 0.5

HSLA 38.54, 0.57%, 0.47%, 0.5

LABA 61.13, 10.12, 52.12, 0.5

 

CMYK 0 / 12 / 33 / 10

HEX #CD9D467F

RGBA 205 157 70 0.5

HSLA 38.67, 0.57%, 0.54%, 0.5

LABA 67.68, 8.76, 51.07, 0.5

 

CMYK 0 / 11 / 30 / 6

HEX #DEAF597F

RGBA 222 175 89 0.5

HSLA 38.8, 0.67%, 0.61%, 0.5

LABA 74.13, 7.61, 49.83, 0.5

 

CMYK 0 / 15 / 44 / 21

HEX #9567127F

RGBA 149 103 18 0.5

HSLA 38.93, 0.78%, 0.33%, 0.5

LABA 47.15, 11.46, 50.04, 0.5

 

CMYK 0 / 18 / 50 / 24

HEX #8455007F

RGBA 132 85 0 0.5

HSLA 38.64, 1%, 0.26%, 0.5

LABA 40.25, 13.59, 48.74, 0.5

 

CMYK 0 / 21 / 50 / 27

HEX #7343007F

RGBA 115 67 0 0.5

HSLA 34.96, 1%, 0.23%, 0.5

LABA 33.26, 16.21, 43.05, 0.5

 

CMYK 0 / 25 / 50 / 31

HEX #6231007F

RGBA 98 49 0 0.5

HSLA 30, 1%, 0.19%, 0.5

LABA 26.14, 18.94, 36.46, 0.5

 

CMYK 0 / 31 / 50 / 34

HEX #511F007F

RGBA 81 31 0 0.5

HSLA 22.96, 1%, 0.16%, 0.5

LABA 18.93, 21.67, 28.02, 0.5

 

CMYK 0 / 31 / 87 / 41

HEX #966813

RGB 150 104 19

HSL 38.93, 0.78%, 0.33%

LAB 47.54, 11.37, 50.11

 

CMYK 0 / 55 / 87 / 41

HEX #964413

RGB 150 68 19

HSL 22.44, 0.78%, 0.33%

LAB 39.01, 31.65, 43

 

CMYK 0 / 78 / 87 / 41

HEX #962113

RGB 150 33 19

HSL 6.41, 0.78%, 0.33%

LAB 33.18, 47.22, 38.06

 

CMYK 0 / 87 / 87 / 41

HEX #961313

RGB 150 19 19

HSL 0, 0.78%, 0.33%

LAB 31.8, 51.11, 36.88

 

CMYK 0 / 31 / 87 / 41

HEX #966813

RGB 150 104 19

HSL 38.93, 0.78%, 0.33%

LAB 47.54, 11.37, 50.11

 

CMYK 0 / 7 / 87 / 41

HEX #968B13

RGB 150 139 19

HSL 54.96, 0.78%, 0.33%

LAB 57.07, -8.31, 57.96

 

CMYK 17 / 0 / 87 / 41

HEX #7D9613

RGB 125 150 19

HSL 71.45, 0.78%, 0.33%

LAB 58.24, -25.22, 58.1

 

CMYK 40 / 0 / 87 / 41

HEX #5A9613

RGB 90 150 19

HSL 87.48, 0.78%, 0.33%

LAB 56.12, -39.23, 55.45

 

CMYK 64 / 0 / 87 / 41

HEX #369613

RGB 54 150 19

HSL 103.97, 0.78%, 0.33%

LAB 54.7, -50.18, 53.66

 

CMYK 0 / 31 / 87 / 41

HEX #966813

RGB 150 104 19

HSL 38.93, 0.78%, 0.33%

LAB 47.54, 11.37, 50.11

 

CMYK 0 / 34 / 97 / 36

HEX #A36C05

RGB 163 108 5

HSL 39.11, 0.94%, 0.33%

LAB 50.12, 14.81, 56.13

 

CMYK 0 / 31 / 87 / 41

HEX #966813

RGB 150 104 19

HSL 38.93, 0.78%, 0.33%

LAB 47.54, 11.37, 50.11

 

CMYK 0 / 26 / 76 / 47

HEX #886420

RGB 136 100 32

HSL 39.23, 0.62%, 0.33%

LAB 44.88, 7.63, 42.18

 

CMYK 0 / 22 / 63 / 52

HEX #7B602E

RGB 123 96 46

HSL 38.96, 0.46%, 0.33%

LAB 42.42, 4.77, 32.23

 

CMYK 0 / 16 / 46 / 57

HEX #6D5C3B

RGB 109 92 59

HSL 39.6, 0.3%, 0.33%

LAB 39.95, 1.93, 21.53

 

CMYK 0 / 8 / 23 / 63

HEX #5F5749

RGB 95 87 73

HSL 38.18, 0.13%, 0.33%

LAB 37.35, 0.68, 9.32

 

CMYK 0 / 79 / 87 / 41

HEX #962013

RGB 150 32 19

HSL 5.95, 0.78%, 0.33%

LAB 33.06, 47.55, 37.95

 

CMYK 0 / 55 / 87 / 41

HEX #964313

RGB 150 67 19

HSL 21.98, 0.78%, 0.33%

LAB 38.8, 32.18, 42.83

 

CMYK 0 / 32 / 87 / 41

HEX #966613

RGB 150 102 19

HSL 38.02, 0.78%, 0.33%

LAB 47.02, 12.53, 49.68

 

CMYK 0 / 9 / 87 / 41

HEX #968913

RGB 150 137 19

HSL 54.05, 0.78%, 0.33%

LAB 56.51, -7.22, 57.49

 

CMYK 15 / 0 / 87 / 41

HEX #809613

RGB 128 150 19

HSL 70.08, 0.78%, 0.33%

LAB 58.46, -23.92, 58.37

 

CMYK 0 / 30 / 88 / 70

HEX #4C3509

RGB 76 53 9

HSL 39.4, 0.79%, 0.17%

LAB 24.01, 5.76, 29.61

 

CMYK 0 / 31 / 88 / 56

HEX #714E0E

RGB 113 78 14

HSL 38.79, 0.78%, 0.25%

LAB 35.97, 8.97, 40.16

 

CMYK 0 / 31 / 87 / 41

HEX #966813

RGB 150 104 19

HSL 38.93, 0.78%, 0.33%

LAB 47.54, 11.37, 50.11

 

CMYK 0 / 31 / 88 / 27

HEX #BB8117

RGB 187 129 23

HSL 38.78, 0.78%, 0.41%

LAB 58.35, 14.2, 59.6

 

CMYK 0 / 30 / 87 / 13

HEX #DF9B1C

RGB 223 155 28

HSL 39.08, 0.78%, 0.49%

LAB 68.91, 15.95, 68.49

 

CMYK 0 / 31 / 88 / 42

HEX #956712

RGB 149 103 18

HSL 38.93, 0.78%, 0.33%

LAB 47.15, 11.46, 50.04

 

CMYK 73 / 0 / 87 / 41

HEX #289613

RGB 40 150 19

HSL 110.38, 0.78%, 0.33%

LAB 54.36, -53.13, 53.22

 

CMYK 67 / 87 / 0 / 41

HEX #311396

RGB 49 19 150

HSL 253.74, 0.78%, 0.33%

LAB 21.29, 48.92, -64.58

 

CMYK 0 / 31 / 88 / 42

HEX #956712

RGB 149 103 18

HSL 38.93, 0.78%, 0.33%

LAB 47.15, 11.46, 50.04

 

CMYK 87 / 0 / 32 / 41

HEX #139666

RGB 19 150 102

HSL 158.02, 0.78%, 0.33%

LAB 54.98, -44.6, 16.23

 

CMYK 32 / 87 / 0 / 41

HEX #661396

RGB 102 19 150

HSL 278.02, 0.78%, 0.33%

LAB 28.09, 55.2, -53.13

 

CMYK 0 / 31 / 88 / 42

HEX #956712

RGB 149 103 18

HSL 38.93, 0.78%, 0.33%

LAB 47.15, 11.46, 50.04

 

CMYK 73 / 0 / 87 / 41

HEX #289613

RGB 40 150 19

HSL 110.38, 0.78%, 0.33%

LAB 54.36, -53.13, 53.22

 

CMYK 87 / 55 / 0 / 41

HEX #134396

RGB 19 67 150

HSL 218.02, 0.78%, 0.33%

LAB 30.29, 17.57, -49.85

 

CMYK 15 / 87 / 0 / 41

HEX #801396

RGB 128 19 150

HSL 289.92, 0.78%, 0.33%

LAB 32.38, 59.47, -45.97

 

CMYK 0 / 31 / 88 / 42

HEX #956712

RGB 149 103 18

HSL 38.93, 0.78%, 0.33%

LAB 47.15, 11.46, 50.04

 

CMYK 87 / 0 / 76 / 41

HEX #139624

RGB 19 150 36

HSL 127.79, 0.78%, 0.33%

LAB 54.11, -54.95, 47.74

 

CMYK 87 / 55 / 0 / 41

HEX #134396

RGB 19 67 150

HSL 218.02, 0.78%, 0.33%

LAB 30.29, 17.57, -49.85

 

CMYK 0 / 87 / 12 / 41

HEX #961384

RGB 150 19 132

HSL 308.24, 0.78%, 0.33%

LAB 35.23, 60.74, -30.08

 

Description

Color code: RGBA 149 103 18 0.5 | qconv.com Color code: RGBA 149 103 18 0.5 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 149 red, 103 green and 18 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
149 103 18 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 15 magenta, 44 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 15% 44% 21% C M Y K

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Provide designers and agencies with accurate color values.

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