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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 34 / 97 / 36 it is the complementary color CMYK 63 / 41 / 0 / 2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 34 / 97 / 36. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 0 / 34 / 97 / 36: CMYK 0 / 36 / 100 / 34, CMYK 0 / 32 / 90 / 27, CMYK 0 / 29 / 81 / 21, CMYK 0 / 26 / 74 / 14 and CMYK 0 / 24 / 68 / 7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 34 / 97 / 36. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 0 / 34 / 97 / 36: CMYK 0 / 34 / 97 / 36, CMYK 0 / 38 / 100 / 43, CMYK 0 / 44 / 100 / 49, CMYK 0 / 52 / 100 / 56 and CMYK 0 / 62 / 100 / 63

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 34 / 97 / 36

HEX #A36C05

RGB 163 108 5

HSL 39.11, 0.94%, 0.33%

LAB 50.12, 14.81, 56.13

 

Complementary color

CMYK 63 / 41 / 0 / 2

HEX #5C93FA

RGB 92 147 250

HSL 219.11, 0.94%, 0.67%

LAB 61.69, 13.32, -56.85

 

CMYK 0 / 36 / 100 / 34

HEX #A86C00

RGB 168 108 0

HSL 38.57, 1%, 0.33%

LAB 50.75, 17.01, 57.91

 

CMYK 0 / 32 / 90 / 27

HEX #B97E13

RGB 185 126 19

HSL 38.67, 0.81%, 0.4%

LAB 57.35, 14.88, 59.75

 

CMYK 0 / 29 / 81 / 21

HEX #CA9026

RGB 202 144 38

HSL 38.78, 0.68%, 0.47%

LAB 63.87, 13.02, 60.33

 

CMYK 0 / 26 / 74 / 14

HEX #DBA239

RGB 219 162 57

HSL 38.89, 0.69%, 0.54%

LAB 70.31, 11.42, 59.91

 

CMYK 0 / 24 / 68 / 7

HEX #ECB44C

RGB 236 180 76

HSL 39, 0.81%, 0.61%

LAB 76.68, 10.04, 59.01

 

CMYK 0 / 34 / 97 / 36

HEX #A36C05

RGB 163 108 5

HSL 39.11, 0.94%, 0.33%

LAB 50.12, 14.81, 56.13

 

CMYK 0 / 38 / 100 / 43

HEX #925A00

RGB 146 90 0

HSL 36.99, 1%, 0.29%

LAB 43.39, 17.22, 51.71

 

CMYK 0 / 44 / 100 / 49

HEX #814800

RGB 129 72 0

HSL 33.49, 1%, 0.25%

LAB 36.56, 19.82, 46.16

 

CMYK 0 / 52 / 100 / 56

HEX #703600

RGB 112 54 0

HSL 28.93, 1%, 0.22%

LAB 29.62, 22.49, 40.31

 

CMYK 0 / 62 / 100 / 63

HEX #5F2400

RGB 95 36 0

HSL 22.74, 1%, 0.19%

LAB 22.64, 25.09, 32.86

 

CMYK 0 / 34 / 97 / 36

HEX #A36C05

RGB 163 108 5

HSL 39.11, 0.94%, 0.33%

LAB 50.12, 14.81, 56.13

 

CMYK 0 / 18 / 97 / 36

HEX #A38605

RGB 163 134 5

HSL 48.99, 0.94%, 0.33%

LAB 56.93, 0.18, 61

 

CMYK 0 / 2 / 97 / 36

HEX #A3A005

RGB 163 160 5

HSL 58.86, 0.94%, 0.33%

LAB 64.11, -13.8, 66.31

 

CMYK 15 / 0 / 97 / 36

HEX #8BA305

RGB 139 163 5

HSL 69.11, 0.94%, 0.33%

LAB 63.09, -25.88, 64.7

 

CMYK 31 / 0 / 97 / 36

HEX #71A305

RGB 113 163 5

HSL 78.99, 0.94%, 0.33%

LAB 61.41, -36.59, 62.67

 

CMYK 0 / 34 / 97 / 36

HEX #A36C05

RGB 163 108 5

HSL 39.11, 0.94%, 0.33%

LAB 50.12, 14.81, 56.13

 

CMYK 0 / 34 / 97 / 16

HEX #D68E07

RGB 214 142 7

HSL 39.13, 0.94%, 0.43%

LAB 64.69, 18.73, 68.84

 

CMYK 0 / 30 / 100 / 96

HEX #0A0700

RGB 10 7 0

HSL 42, 1%, 0.02%

LAB 1.96, -0.19, 2.93

 

CMYK 0 / 34 / 97 / 76

HEX #3D2802

RGB 61 40 2

HSL 38.64, 0.94%, 0.12%

LAB 17.98, 5.98, 25.27

 

CMYK 0 / 34 / 97 / 56

HEX #704A03

RGB 112 74 3

HSL 39.08, 0.95%, 0.23%

LAB 34.7, 10.6, 42.71

 

CMYK 0 / 34 / 97 / 36

HEX #A36C05

RGB 163 108 5

HSL 39.11, 0.94%, 0.33%

LAB 50.12, 14.81, 56.13

 

CMYK 83 / 0 / 97 / 36

HEX #1CA305

RGB 28 163 5

HSL 111.27, 0.94%, 0.33%

LAB 58.46, -59.42, 59.07

 

CMYK 73 / 97 / 0 / 36

HEX #2C05A3

RGB 44 5 163

HSL 254.81, 0.94%, 0.33%

LAB 21.16, 56.2, -72.77

 

CMYK 0 / 34 / 97 / 36

HEX #A36C05

RGB 163 108 5

HSL 39.11, 0.94%, 0.33%

LAB 50.12, 14.81, 56.13

 

CMYK 97 / 0 / 34 / 36

HEX #05A36B

RGB 5 163 107

HSL 158.73, 0.94%, 0.33%

LAB 59.24, -49.31, 19.26

 

CMYK 34 / 97 / 0 / 36

HEX #6B05A3

RGB 107 5 163

HSL 278.73, 0.94%, 0.33%

LAB 29.1, 61.39, -59.39

 

CMYK 0 / 34 / 97 / 36

HEX #A36C05

RGB 163 108 5

HSL 39.11, 0.94%, 0.33%

LAB 50.12, 14.81, 56.13

 

CMYK 83 / 0 / 97 / 36

HEX #1CA305

RGB 28 163 5

HSL 111.27, 0.94%, 0.33%

LAB 58.46, -59.42, 59.07

 

CMYK 97 / 63 / 0 / 36

HEX #053CA3

RGB 5 60 163

HSL 219.11, 0.94%, 0.33%

LAB 29.18, 26.99, -59.57

 

CMYK 15 / 97 / 0 / 36

HEX #8B05A3

RGB 139 5 163

HSL 290.89, 0.94%, 0.33%

LAB 34.48, 65.84, -50.39

 

CMYK 0 / 34 / 97 / 36

HEX #A36C05

RGB 163 108 5

HSL 39.11, 0.94%, 0.33%

LAB 50.12, 14.81, 56.13

 

CMYK 97 / 0 / 83 / 36

HEX #05A31C

RGB 5 163 28

HSL 128.73, 0.94%, 0.33%

LAB 58.33, -60.36, 54.35

 

CMYK 97 / 63 / 0 / 36

HEX #053CA3

RGB 5 60 163

HSL 219.11, 0.94%, 0.33%

LAB 29.18, 26.99, -59.57

 

CMYK 0 / 97 / 15 / 36

HEX #A3058B

RGB 163 5 139

HSL 309.11, 0.94%, 0.33%

LAB 37.41, 66.29, -30.82

 

Description

Color code: CMYK 0 / 34 / 97 / 36 | qconv.com Color code: CMYK 0 / 34 / 97 / 36 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 163 red, 108 green and 5 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
163 108 5 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 34 magenta, 97 yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 34% 97% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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