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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 142 160 152 0.75 it is the complementary color RGBA 113 95 103 0.75. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 142 160 152 0.75. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGBA 142 160 152 0.75 shade: RGBA 147 160 147 0.75, RGBA 164 178 166 0.75, RGBA 181 196 185 0.75, RGBA 198 214 204 0.75 and RGBA 215 232 223 0.75

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 142 160 152 0.75. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGBA 142 160 152 0.75 shade: RGBA 142 160 152 0.75, RGBA 125 142 133 0.75, RGBA 108 124 114 0.75, RGBA 91 106 95 0.75 and RGBA 74 88 76 0.75

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGBA 142 160 152 0.75 shade: RGB 141 160 151, RGB 141 160 146, RGB 141 160 141, RGB 146 160 141 and RGB 151 160 141

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGBA 142 160 152 0.75 shade: RGB 141 160 151, RGB 141 160 157, RGB 141 158 160, RGB 141 153 160 and RGB 141 148 160

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGBA 142 160 152 0.75 shade matches the following richer shades: RGB 141 160 151, RGB 124 177 153, RGB 107 194 155, RGB 90 211 157 and RGB 73 228 159

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGBA 142 160 152 0.75 shade: RGB 141 160 151, RGB 158 143 150, RGB 175 126 148, RGB 192 109 146 and RGB 209 92 144

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGBA 142 160 152 0.75 shade: RGB 141 160 141, RGB 141 160 146, RGB 141 160 151, RGB 141 160 156 and RGB 141 158 160

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGBA 142 160 152 0.75 shade: RGB 99 119 110, RGB 119 141 131, RGB 141 160 151, RGB 164 179 172 and RGB 186 197 192

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGBA 142 160 152 0.75 shade: RGB 142 160 152, RGB 141 146 160 and RGB 160 144 141

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGBA 142 160 152 0.75 shade: RGB 142 160 152, RGB 151 141 160 and RGB 160 151 141

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGBA 142 160 152 0.75 shade: RGB 142 160 152, RGB 141 146 160, RGB 160 141 150 and RGB 160 155 141

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGBA 142 160 152 0.75 shade: RGB 142 160 152, RGB 142 141 160, RGB 160 141 150 and RGB 159 160 141

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 8 / 0 / 4 / 28

HEX #8EA098BF

RGBA 142 160 152 0.75

HSLA 153.33, 0.09%, 0.59%, 0.75

LABA 64.29, -7.95, 2.01, 0.75

 

Complementary color

CMYK 0 / 12 / 7 / 42

HEX #715F67BF

RGBA 113 95 103 0.75

HSLA 333.33, 0.09%, 0.41%, 0.75

LABA 42.27, 8.75, -1.85, 0.75

 

CMYK 6 / 0 / 6 / 28

HEX #93A093BF

RGBA 147 160 147 0.75

HSLA 120, 0.06%, 0.6%, 0.75

LABA 64.52, -7.15, 5.19, 0.75

 

CMYK 6 / 0 / 5 / 23

HEX #A4B2A6BF

RGBA 164 178 166 0.75

HSLA 128.57, 0.08%, 0.67%, 0.75

LABA 71.21, -7.18, 4.46, 0.75

 

CMYK 6 / 0 / 4 / 17

HEX #B5C4B9BF

RGBA 181 196 185 0.75

HSLA 136, 0.11%, 0.74%, 0.75

LABA 77.76, -7.21, 3.75, 0.75

 

CMYK 6 / 0 / 4 / 12

HEX #C6D6CCBF

RGBA 198 214 204 0.75

HSLA 142.5, 0.16%, 0.81%, 0.75

LABA 84.2, -7.24, 3.08, 0.75

 

CMYK 5 / 0 / 3 / 7

HEX #D7E8DFBF

RGBA 215 232 223 0.75

HSLA 148.24, 0.27%, 0.88%, 0.75

LABA 90.55, -7.29, 2.43, 0.75

 

CMYK 8 / 0 / 4 / 28

HEX #8EA098BF

RGBA 142 160 152 0.75

HSLA 153.33, 0.09%, 0.59%, 0.75

LABA 64.29, -7.95, 2.01, 0.75

 

CMYK 9 / 0 / 5 / 33

HEX #7D8E85BF

RGBA 125 142 133 0.75

HSLA 148.24, 0.07%, 0.52%, 0.75

LABA 57.46, -7.97, 2.72, 0.75

 

CMYK 10 / 0 / 6 / 39

HEX #6C7C72BF

RGBA 108 124 114 0.75

HSLA 142.5, 0.07%, 0.45%, 0.75

LABA 50.47, -8, 3.47, 0.75

 

CMYK 11 / 0 / 8 / 44

HEX #5B6A5FBF

RGBA 91 106 95 0.75

HSLA 136, 0.08%, 0.39%, 0.75

LABA 43.3, -8.05, 4.27, 0.75

 

CMYK 12 / 0 / 10 / 49

HEX #4A584CBF

RGBA 74 88 76 0.75

HSLA 128.57, 0.09%, 0.32%, 0.75

LABA 35.9, -8.13, 5.15, 0.75

 

CMYK 12 / 0 / 6 / 37

HEX #8DA097

RGB 141 160 151

HSL 151.58, 0.09%, 0.59%

LAB 64.19, -8.5, 2.42

 

CMYK 12 / 0 / 9 / 37

HEX #8DA092

RGB 141 160 146

HSL 135.79, 0.09%, 0.59%

LAB 64.06, -9.49, 5.03

 

CMYK 12 / 0 / 12 / 37

HEX #8DA08D

RGB 141 160 141

HSL 120, 0.09%, 0.59%

LAB 63.94, -10.44, 7.65

 

CMYK 9 / 0 / 12 / 37

HEX #92A08D

RGB 146 160 141

HSL 104.21, 0.09%, 0.59%

LAB 64.3, -8.63, 8.22

 

CMYK 6 / 0 / 12 / 37

HEX #97A08D

RGB 151 160 141

HSL 88.42, 0.09%, 0.59%

LAB 64.68, -6.79, 8.81

 

CMYK 12 / 0 / 6 / 37

HEX #8DA097

RGB 141 160 151

HSL 151.58, 0.09%, 0.59%

LAB 64.19, -8.5, 2.42

 

CMYK 12 / 0 / 2 / 37

HEX #8DA09D

RGB 141 160 157

HSL 170.53, 0.09%, 0.59%

LAB 64.35, -7.28, -0.71

 

CMYK 12 / 1 / 0 / 37

HEX #8D9EA0

RGB 141 158 160

HSL 186.32, 0.09%, 0.59%

LAB 63.88, -5.56, -3.09

 

CMYK 12 / 4 / 0 / 37

HEX #8D99A0

RGB 141 153 160

HSL 202.11, 0.09%, 0.59%

LAB 62.49, -2.81, -5.14

 

CMYK 12 / 7 / 0 / 37

HEX #8D94A0

RGB 141 148 160

HSL 217.89, 0.09%, 0.59%

LAB 61.12, -0.02, -7.18

 

CMYK 12 / 0 / 6 / 37

HEX #8DA097

RGB 141 160 151

HSL 151.58, 0.09%, 0.59%

LAB 64.19, -8.5, 2.42

 

CMYK 30 / 0 / 14 / 31

HEX #7CB199

RGB 124 177 153

HSL 152.83, 0.25%, 0.59%

LAB 68.04, -22.64, 6.72

 

CMYK 45 / 0 / 20 / 24

HEX #6BC29B

RGB 107 194 155

HSL 153.1, 0.42%, 0.59%

LAB 72.28, -35.34, 11.56

 

CMYK 57 / 0 / 26 / 17

HEX #5AD39D

RGB 90 211 157

HSL 153.22, 0.58%, 0.59%

LAB 76.8, -46.46, 16.75

 

CMYK 68 / 0 / 30 / 11

HEX #49E49F

RGB 73 228 159

HSL 153.29, 0.74%, 0.59%

LAB 81.51, -56.07, 22.16

 

CMYK 12 / 0 / 6 / 37

HEX #8DA097

RGB 141 160 151

HSL 151.58, 0.09%, 0.59%

LAB 64.19, -8.5, 2.42

 

CMYK 0 / 9 / 5 / 38

HEX #9E8F96

RGB 158 143 150

HSL 332, 0.07%, 0.59%

LAB 60.88, 6.86, -1.68

 

CMYK 0 / 28 / 15 / 31

HEX #AF7E94

RGB 175 126 148

HSL 333.06, 0.23%, 0.59%

LAB 58.2, 22.42, -4.29

 

CMYK 0 / 43 / 24 / 25

HEX #C06D92

RGB 192 109 146

HSL 333.25, 0.4%, 0.59%

LAB 56.31, 37.6, -5.71

 

CMYK 0 / 56 / 31 / 18

HEX #D15C90

RGB 209 92 144

HSL 333.33, 0.56%, 0.59%

LAB 55.3, 51.58, -5.77

 

CMYK 12 / 0 / 12 / 37

HEX #8DA08D

RGB 141 160 141

HSL 120, 0.09%, 0.59%

LAB 63.94, -10.44, 7.65

 

CMYK 12 / 0 / 9 / 37

HEX #8DA092

RGB 141 160 146

HSL 135.79, 0.09%, 0.59%

LAB 64.06, -9.49, 5.03

 

CMYK 12 / 0 / 6 / 37

HEX #8DA097

RGB 141 160 151

HSL 151.58, 0.09%, 0.59%

LAB 64.19, -8.5, 2.42

 

CMYK 12 / 0 / 2 / 37

HEX #8DA09C

RGB 141 160 156

HSL 167.37, 0.09%, 0.59%

LAB 64.33, -7.49, -0.19

 

CMYK 12 / 1 / 0 / 37

HEX #8D9EA0

RGB 141 158 160

HSL 186.32, 0.09%, 0.59%

LAB 63.88, -5.56, -3.09

 

CMYK 17 / 0 / 8 / 53

HEX #63776E

RGB 99 119 110

HSL 153, 0.09%, 0.43%

LAB 48.22, -9.32, 2.49

 

CMYK 16 / 0 / 7 / 45

HEX #778D83

RGB 119 141 131

HSL 152.73, 0.09%, 0.51%

LAB 56.69, -9.97, 2.7

 

CMYK 12 / 0 / 6 / 37

HEX #8DA097

RGB 141 160 151

HSL 151.58, 0.09%, 0.59%

LAB 64.19, -8.5, 2.42

 

CMYK 8 / 0 / 4 / 30

HEX #A4B3AC

RGB 164 179 172

HSL 152, 0.09%, 0.67%

LAB 71.63, -6.56, 1.78

 

CMYK 6 / 0 / 3 / 23

HEX #BAC5C0

RGB 186 197 192

HSL 152.73, 0.09%, 0.75%

LAB 78.57, -4.71, 1.19

 

CMYK 11 / 0 / 5 / 37

HEX #8EA098

RGB 142 160 152

HSL 153.33, 0.09%, 0.59%

LAB 64.29, -7.95, 2.01

 

CMYK 12 / 9 / 0 / 37

HEX #8D92A0

RGB 141 146 160

HSL 224.21, 0.09%, 0.59%

LAB 60.57, 1.1, -7.99

NCS® S4010-R70B

CMYK 0 / 10 / 12 / 37

HEX #A0908D

RGB 160 144 141

HSL 9.47, 0.09%, 0.59%

LAB 61.08, 5.42, 3.75

NCS® S4010-R70B

CMYK 11 / 0 / 5 / 37

HEX #8EA098

RGB 142 160 152

HSL 153.33, 0.09%, 0.59%

LAB 64.29, -7.95, 2.01

 

CMYK 6 / 12 / 0 / 37

HEX #978DA0

RGB 151 141 160

HSL 271.58, 0.09%, 0.59%

LAB 60.04, 7.42, -8.7

 

CMYK 0 / 6 / 12 / 37

HEX #A0978D

RGB 160 151 141

HSL 31.58, 0.09%, 0.59%

LAB 62.95, 1.52, 6.44

 

CMYK 11 / 0 / 5 / 37

HEX #8EA098

RGB 142 160 152

HSL 153.33, 0.09%, 0.59%

LAB 64.29, -7.95, 2.01

 

CMYK 12 / 9 / 0 / 37

HEX #8D92A0

RGB 141 146 160

HSL 224.21, 0.09%, 0.59%

LAB 60.57, 1.1, -7.99

NCS® S4010-R70B

CMYK 0 / 12 / 6 / 37

HEX #A08D96

RGB 160 141 150

HSL 331.58, 0.09%, 0.59%

LAB 60.54, 8.73, -2.17

NCS® S4010-R70B

CMYK 0 / 3 / 12 / 37

HEX #A09B8D

RGB 160 155 141

HSL 44.21, 0.09%, 0.59%

LAB 64.03, -0.69, 7.98

NCS® S4010-R70B

CMYK 11 / 0 / 5 / 37

HEX #8EA098

RGB 142 160 152

HSL 153.33, 0.09%, 0.59%

LAB 64.29, -7.95, 2.01

 

CMYK 11 / 12 / 0 / 37

HEX #8E8DA0

RGB 142 141 160

HSL 243.16, 0.09%, 0.59%

LAB 59.29, 4.28, -9.9

 

CMYK 0 / 12 / 6 / 37

HEX #A08D96

RGB 160 141 150

HSL 331.58, 0.09%, 0.59%

LAB 60.54, 8.73, -2.17

 

CMYK 1 / 0 / 12 / 37

HEX #9FA08D

RGB 159 160 141

HSL 63.16, 0.09%, 0.59%

LAB 65.31, -3.8, 9.79

 

Description

Color code: RGBA 142 160 152 0.75 | qconv.com Color code: RGBA 142 160 152 0.75 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 142 red, 160 green and 152 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
142 160 152 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 8 cyan, none magenta, 4 yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
8% 0% 4% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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