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Color name
RGB 209 92 144

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 209 92 144 it is the complementary color RGB 46 163 111. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 209 92 144. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 209 92 144 shade: RGB 214 92 139, RGB 231 110 158, RGB 248 128 177, RGB 255 146 196 and RGB 255 164 215

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 209 92 144. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 209 92 144 shade: RGB 209 92 144, RGB 192 74 125, RGB 175 56 106, RGB 158 38 87 and RGB 141 20 68

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 209 92 144 shade: RGB 209 92 144, RGB 209 92 112 and RGB 209 92 92

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 209 92 144 shade: RGB 209 92 144, RGB 209 92 176, RGB 209 92 207, RGB 179 92 209 and RGB 148 92 209

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 209 92 144 shade matches the following richer shades: RGB 209 92 144, RGB 226 75 142 and RGB 243 58 140

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 209 92 144 shade: RGB 209 92 144, RGB 192 109 146, RGB 175 126 148, RGB 158 143 150 and RGB 141 160 151

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 209 92 144 shade: RGB 209 92 207, RGB 209 92 176, RGB 209 92 145, RGB 209 92 113 and RGB 209 102 92

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 209 92 144 shade: RGB 170 48 102, RGB 200 60 122, RGB 209 92 144, RGB 218 124 166 and RGB 227 156 188

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 209 92 144 shade: RGB 209 92 144, RGB 209 180 92 and RGB 92 191 209

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 209 92 144 shade: RGB 209 92 144, RGB 145 209 92 and RGB 92 145 209

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 209 92 144 shade: RGB 209 92 144, RGB 209 180 92, RGB 92 209 156 and RGB 92 121 209

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 209 92 144 shade: RGB 209 92 144, RGB 203 209 92, RGB 92 209 156 and RGB 98 92 209

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 56 / 31 / 18

HEX #D15C90

RGB 209 92 144

HSL 333.33, 0.56%, 0.59%

LAB 55.3, 51.58, -5.77

 

Complementary color

CMYK 72 / 0 / 32 / 36

HEX #2EA36F

RGB 46 163 111

HSL 153.33, 0.56%, 0.41%

LAB 59.82, -44.58, 17.94

 

CMYK 0 / 57 / 35 / 16

HEX #D65C8B

RGB 214 92 139

HSL 336.89, 0.6%, 0.6%

LAB 55.9, 52.57, -1.86

 

CMYK 0 / 52 / 32 / 9

HEX #E76E9E

RGB 231 110 158

HSL 336.2, 0.72%, 0.67%

LAB 62.18, 51.87, -3.38

 

CMYK 0 / 48 / 29 / 3

HEX #F880B1

RGB 248 128 177

HSL 335.5, 0.9%, 0.74%

LAB 68.44, 51.09, -4.68

 

CMYK 0 / 43 / 23 / 0

HEX #FF92C4

RGB 255 146 196

HSL 332.48, 1%, 0.79%

LAB 73.42, 47, -7.79

 

CMYK 0 / 36 / 16 / 0

HEX #FFA4D7

RGB 255 164 215

HSL 326.37, 1%, 0.82%

LAB 77.71, 40.59, -11.82

 

CMYK 0 / 56 / 31 / 18

HEX #D15C90

RGB 209 92 144

HSL 333.33, 0.56%, 0.59%

LAB 55.3, 51.58, -5.77

 

CMYK 0 / 61 / 35 / 25

HEX #C04A7D

RGB 192 74 125

HSL 334.07, 0.48%, 0.52%

LAB 48.99, 52.13, -4.1

 

CMYK 0 / 68 / 39 / 31

HEX #AF386A

RGB 175 56 106

HSL 334.79, 0.52%, 0.45%

LAB 42.74, 52.39, -2.02

 

CMYK 0 / 76 / 45 / 38

HEX #9E2657

RGB 158 38 87

HSL 335.5, 0.61%, 0.38%

LAB 36.64, 52.12, 0.67

 

CMYK 0 / 86 / 52 / 45

HEX #8D1444

RGB 141 20 68

HSL 336.2, 0.75%, 0.32%

LAB 30.83, 50.89, 4.25

 

CMYK 0 / 56 / 31 / 18

HEX #D15C90

RGB 209 92 144

HSL 333.33, 0.56%, 0.59%

LAB 55.3, 51.58, -5.77

 

CMYK 0 / 56 / 46 / 18

HEX #D15C70

RGB 209 92 112

HSL 349.74, 0.56%, 0.59%

LAB 54.43, 48.02, 11.85

 

CMYK 0 / 56 / 56 / 18

HEX #D15C5C

RGB 209 92 92

HSL 0, 0.56%, 0.59%

LAB 54.01, 46.27, 23.04

 

CMYK 0 / 56 / 31 / 18

HEX #D15C90

RGB 209 92 144

HSL 333.33, 0.56%, 0.59%

LAB 55.3, 51.58, -5.77

 

CMYK 0 / 56 / 16 / 18

HEX #D15CB0

RGB 209 92 176

HSL 316.92, 0.56%, 0.59%

LAB 56.43, 56.01, -22.73

 

CMYK 0 / 56 / 1 / 18

HEX #D15CCF

RGB 209 92 207

HSL 301.03, 0.56%, 0.59%

LAB 57.77, 61.01, -38.42

 

CMYK 14 / 56 / 0 / 18

HEX #B35CD1

RGB 179 92 209

HSL 284.62, 0.56%, 0.59%

LAB 53.86, 53.57, -45.99

 

CMYK 29 / 56 / 0 / 18

HEX #945CD1

RGB 148 92 209

HSL 268.72, 0.56%, 0.59%

LAB 50.16, 45.72, -52.1

 

CMYK 0 / 56 / 31 / 18

HEX #D15C90

RGB 209 92 144

HSL 333.33, 0.56%, 0.59%

LAB 55.3, 51.58, -5.77

 

CMYK 0 / 67 / 37 / 11

HEX #E24B8E

RGB 226 75 142

HSL 333.38, 0.72%, 0.59%

LAB 55.23, 63.76, -4.4

 

CMYK 0 / 76 / 42 / 5

HEX #F33A8C

RGB 243 58 140

HSL 333.41, 0.89%, 0.59%

LAB 56.06, 73.85, -1.66

 

CMYK 0 / 56 / 31 / 18

HEX #D15C90

RGB 209 92 144

HSL 333.33, 0.56%, 0.59%

LAB 55.3, 51.58, -5.77

 

CMYK 0 / 43 / 24 / 25

HEX #C06D92

RGB 192 109 146

HSL 333.25, 0.4%, 0.59%

LAB 56.31, 37.6, -5.71

 

CMYK 0 / 28 / 15 / 31

HEX #AF7E94

RGB 175 126 148

HSL 333.06, 0.23%, 0.59%

LAB 58.2, 22.42, -4.29

 

CMYK 0 / 9 / 5 / 38

HEX #9E8F96

RGB 158 143 150

HSL 332, 0.07%, 0.59%

LAB 60.88, 6.86, -1.68

 

CMYK 12 / 0 / 6 / 37

HEX #8DA097

RGB 141 160 151

HSL 151.58, 0.09%, 0.59%

LAB 64.19, -8.5, 2.42

 

CMYK 0 / 56 / 1 / 18

HEX #D15CCF

RGB 209 92 207

HSL 301.03, 0.56%, 0.59%

LAB 57.77, 61.01, -38.42

 

CMYK 0 / 56 / 16 / 18

HEX #D15CB0

RGB 209 92 176

HSL 316.92, 0.56%, 0.59%

LAB 56.43, 56.01, -22.73

 

CMYK 0 / 56 / 31 / 18

HEX #D15C91

RGB 209 92 145

HSL 332.82, 0.56%, 0.59%

LAB 55.33, 51.7, -6.31

 

CMYK 0 / 56 / 46 / 18

HEX #D15C71

RGB 209 92 113

HSL 349.23, 0.56%, 0.59%

LAB 54.45, 48.12, 11.29

 

CMYK 0 / 51 / 56 / 18

HEX #D1665C

RGB 209 102 92

HSL 5.13, 0.56%, 0.59%

LAB 55.92, 41.35, 25.55

 

CMYK 0 / 72 / 40 / 33

HEX #AA3066

RGB 170 48 102

HSL 333.44, 0.56%, 0.43%

LAB 40.6, 53.57, -2.76

 

CMYK 0 / 70 / 39 / 22

HEX #C83C7A

RGB 200 60 122

HSL 333.43, 0.56%, 0.51%

LAB 48.15, 59.88, -3.37

 

CMYK 0 / 56 / 31 / 18

HEX #D15C90

RGB 209 92 144

HSL 333.33, 0.56%, 0.59%

LAB 55.3, 51.58, -5.77

 

CMYK 0 / 43 / 24 / 15

HEX #DA7CA6

RGB 218 124 166

HSL 333.19, 0.56%, 0.67%

LAB 63.4, 41.59, -6.34

 

CMYK 0 / 31 / 17 / 11

HEX #E39CBC

RGB 227 156 188

HSL 332.96, 0.56%, 0.75%

LAB 72.05, 31.08, -5.75

 

CMYK 0 / 56 / 31 / 18

HEX #D15C90

RGB 209 92 144

HSL 333.33, 0.56%, 0.59%

LAB 55.3, 51.58, -5.77

 

CMYK 0 / 14 / 56 / 18

HEX #D1B45C

RGB 209 180 92

HSL 45.13, 0.56%, 0.59%

LAB 74.17, -0.28, 48.1

 

CMYK 56 / 9 / 0 / 18

HEX #5CBFD1

RGB 92 191 209

HSL 189.23, 0.56%, 0.59%

LAB 72.32, -23.85, -17.85

 

CMYK 0 / 56 / 31 / 18

HEX #D15C90

RGB 209 92 144

HSL 333.33, 0.56%, 0.59%

LAB 55.3, 51.58, -5.77

 

CMYK 31 / 0 / 56 / 18

HEX #91D15C

RGB 145 209 92

HSL 92.82, 0.56%, 0.59%

LAB 77.52, -39.95, 50.82

 

CMYK 56 / 31 / 0 / 18

HEX #5C91D1

RGB 92 145 209

HSL 212.82, 0.56%, 0.59%

LAB 59.09, 1.09, -38.22

 

CMYK 0 / 56 / 31 / 18

HEX #D15C90

RGB 209 92 144

HSL 333.33, 0.56%, 0.59%

LAB 55.3, 51.58, -5.77

 

CMYK 0 / 14 / 56 / 18

HEX #D1B45C

RGB 209 180 92

HSL 45.13, 0.56%, 0.59%

LAB 74.17, -0.28, 48.1

 

CMYK 56 / 0 / 25 / 18

HEX #5CD19C

RGB 92 209 156

HSL 152.82, 0.56%, 0.59%

LAB 76.24, -45.4, 16.5

 

CMYK 56 / 42 / 0 / 18

HEX #5C79D1

RGB 92 121 209

HSL 225.13, 0.56%, 0.59%

LAB 52.46, 15.41, -48.71

 

CMYK 0 / 56 / 31 / 18

HEX #D15C90

RGB 209 92 144

HSL 333.33, 0.56%, 0.59%

LAB 55.3, 51.58, -5.77

 

CMYK 3 / 0 / 56 / 18

HEX #CBD15C

RGB 203 209 92

HSL 63.08, 0.56%, 0.59%

LAB 81.33, -17.63, 56.2

 

CMYK 56 / 0 / 25 / 18

HEX #5CD19C

RGB 92 209 156

HSL 152.82, 0.56%, 0.59%

LAB 76.24, -45.4, 16.5

 

CMYK 53 / 56 / 0 / 18

HEX #625CD1

RGB 98 92 209

HSL 243.08, 0.56%, 0.59%

LAB 45.43, 34.43, -59.95

 

Description

Color code: RGB 209 92 144 | qconv.com Color code: RGB 209 92 144 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 209 red, 92 green and 144 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
209 92 144 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 56 magenta, 31 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 56% 31% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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