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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 13 165 151 0.75 it is the complementary color RGBA 242 90 104 0.75. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 13 165 151 0.75. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGBA 13 165 151 0.75 shade: RGBA 18 165 146 0.75, RGBA 35 183 165 0.75, RGBA 52 201 184 0.75, RGBA 69 219 203 0.75 and RGBA 86 237 222 0.75

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 13 165 151 0.75. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGBA 13 165 151 0.75 shade: RGBA 13 165 151 0.75, RGBA 0 147 132 0.75, RGBA 0 129 113 0.75, RGBA 0 111 94 0.75 and RGBA 0 93 75 0.75

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGBA 13 165 151 0.75 shade: RGB 13 165 151, RGB 13 165 110, RGB 13 165 69, RGB 13 165 28 and RGB 39 165 13

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGBA 13 165 151 0.75 shade: RGB 13 165 151, RGB 13 138 165, RGB 13 97 165, RGB 13 56 165 and RGB 13 15 165

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGBA 13 165 151 0.75 shade matches the following richer shades: RGB 13 165 151

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGBA 13 165 151 0.75 shade: RGB 13 165 151, RGB 28 151 139, RGB 42 136 128, RGB 57 122 116 and RGB 71 107 104

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGBA 13 165 151 0.75 shade: RGB 13 165 69, RGB 13 165 109, RGB 13 165 150, RGB 13 140 165 and RGB 13 99 165

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGBA 13 165 151 0.75 shade: RGB 7 89 81, RGB 10 127 116, RGB 13 165 151, RGB 16 203 186 and RGB 25 236 217

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGBA 13 165 151 0.75 shade: RGB 13 165 151, RGB 29 13 165 and RGB 165 89 13

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGBA 13 165 151 0.75 shade: RGB 13 165 151, RGB 150 13 165 and RGB 165 150 13

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGBA 13 165 151 0.75 shade: RGB 13 165 151, RGB 29 13 165, RGB 165 13 29 and RGB 150 165 13

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGBA 13 165 151 0.75 shade: RGB 13 165 151, RGB 74 13 165, RGB 165 13 29 and RGB 104 165 13

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 69 / 0 / 6 / 26

HEX #0DA597BF

RGBA 13 165 151 0.75

HSLA 174.47, 0.85%, 0.35%, 0.75

LABA 60.98, -38.42, -2.83, 0.75

 

Complementary color

CMYK 0 / 47 / 43 / 4

HEX #F25A68BF

RGBA 242 90 104 0.75

HSLA 354.47, 0.85%, 0.65%, 0.75

LABA 59.15, 59.24, 23.83, 0.75

 

CMYK 67 / 0 / 9 / 26

HEX #12A592BF

RGBA 18 165 146 0.75

HSLA 172.24, 0.8%, 0.36%, 0.75

LABA 60.88, -39.59, -0.16, 0.75

 

CMYK 61 / 0 / 7 / 21

HEX #23B7A5BF

RGBA 35 183 165 0.75

HSLA 172.7, 0.68%, 0.43%, 0.75

LABA 67.23, -40.91, -1.43, 0.75

 

CMYK 56 / 0 / 6 / 16

HEX #34C9B8BF

RGBA 52 201 184 0.75

HSLA 173.15, 0.59%, 0.5%, 0.75

LABA 73.52, -41.87, -2.57, 0.75

 

CMYK 51 / 0 / 5 / 11

HEX #45DBCBBF

RGBA 69 219 203 0.75

HSLA 173.6, 0.68%, 0.56%, 0.75

LABA 79.75, -42.56, -3.59, 0.75

 

CMYK 48 / 0 / 5 / 5

HEX #56EDDEBF

RGBA 86 237 222 0.75

HSLA 174.04, 0.81%, 0.63%, 0.75

LABA 85.92, -43.05, -4.53, 0.75

 

CMYK 69 / 0 / 6 / 26

HEX #0DA597BF

RGBA 13 165 151 0.75

HSLA 174.47, 0.85%, 0.35%, 0.75

LABA 60.98, -38.42, -2.83, 0.75

 

CMYK 75 / 0 / 8 / 32

HEX #009384BF

RGBA 0 147 132 0.75

HSLA 173.88, 1%, 0.29%, 0.75

LABA 54.59, -36.49, -1.43, 0.75

 

CMYK 75 / 0 / 9 / 37

HEX #008171BF

RGBA 0 129 113 0.75

HSLA 172.56, 1%, 0.25%, 0.75

LABA 48.12, -33.99, 0.16, 0.75

 

CMYK 75 / 0 / 11 / 42

HEX #006F5EBF

RGBA 0 111 94 0.75

HSLA 170.81, 1%, 0.22%, 0.75

LABA 41.5, -31.43, 1.84, 0.75

 

CMYK 75 / 0 / 15 / 48

HEX #005D4BBF

RGBA 0 93 75 0.75

HSLA 168.39, 1%, 0.18%, 0.75

LABA 34.67, -28.8, 3.63, 0.75

 

CMYK 92 / 0 / 8 / 35

HEX #0DA597

RGB 13 165 151

HSL 174.47, 0.85%, 0.35%

LAB 60.98, -38.42, -2.83

 

CMYK 92 / 0 / 33 / 35

HEX #0DA56E

RGB 13 165 110

HSL 158.29, 0.85%, 0.35%

LAB 60, -49.02, 18.66

 

CMYK 92 / 0 / 58 / 35

HEX #0DA545

RGB 13 165 69

HSL 142.11, 0.85%, 0.35%

LAB 59.37, -56.49, 39.26

 

CMYK 92 / 0 / 83 / 35

HEX #0DA51C

RGB 13 165 28

HSL 125.92, 0.85%, 0.35%

LAB 59.05, -60.49, 55.03

 

CMYK 76 / 0 / 92 / 35

HEX #27A50D

RGB 39 165 13

HSL 109.74, 0.85%, 0.35%

LAB 59.32, -58.31, 58.68

 

CMYK 92 / 0 / 8 / 35

HEX #0DA597

RGB 13 165 151

HSL 174.47, 0.85%, 0.35%

LAB 60.98, -38.42, -2.83

 

CMYK 92 / 16 / 0 / 35

HEX #0D8AA5

RGB 13 138 165

HSL 190.66, 0.85%, 0.35%

LAB 52.93, -20.76, -22.95

 

CMYK 92 / 41 / 0 / 35

HEX #0D61A5

RGB 13 97 165

HSL 206.84, 0.85%, 0.35%

LAB 40.17, 3.27, -42.97

 

CMYK 92 / 66 / 0 / 35

HEX #0D38A5

RGB 13 56 165

HSL 223.03, 0.85%, 0.35%

LAB 28.46, 30.82, -61.95

 

CMYK 92 / 91 / 0 / 35

HEX #0D0FA5

RGB 13 15 165

HSL 239.21, 0.85%, 0.35%

LAB 20.61, 53.05, -74.95

 

CMYK 92 / 0 / 8 / 35

HEX #0DA597

RGB 13 165 151

HSL 174.47, 0.85%, 0.35%

LAB 60.98, -38.42, -2.83

 

CMYK 92 / 0 / 8 / 35

HEX #0DA597

RGB 13 165 151

HSL 174.47, 0.85%, 0.35%

LAB 60.98, -38.42, -2.83

 

CMYK 81 / 0 / 8 / 41

HEX #1C978B

RGB 28 151 139

HSL 174.15, 0.69%, 0.35%

LAB 56.33, -34.52, -2.85

 

CMYK 69 / 0 / 6 / 47

HEX #2A8880

RGB 42 136 128

HSL 174.89, 0.53%, 0.35%

LAB 51.45, -28.86, -3.67

 

CMYK 53 / 0 / 5 / 52

HEX #397A74

RGB 57 122 116

HSL 174.46, 0.36%, 0.35%

LAB 47.04, -22.3, -3.07

 

CMYK 34 / 0 / 3 / 58

HEX #476B68

RGB 71 107 104

HSL 175, 0.2%, 0.35%

LAB 42.54, -13.54, -2.43

 

CMYK 92 / 0 / 58 / 35

HEX #0DA545

RGB 13 165 69

HSL 142.11, 0.85%, 0.35%

LAB 59.37, -56.49, 39.26

 

CMYK 92 / 0 / 34 / 35

HEX #0DA56D

RGB 13 165 109

HSL 157.89, 0.85%, 0.35%

LAB 59.98, -49.24, 19.18

 

CMYK 92 / 0 / 9 / 35

HEX #0DA596

RGB 13 165 150

HSL 174.08, 0.85%, 0.35%

LAB 60.96, -38.71, -2.31

 

CMYK 92 / 15 / 0 / 35

HEX #0D8CA5

RGB 13 140 165

HSL 189.87, 0.85%, 0.35%

LAB 53.56, -21.81, -21.99

 

CMYK 92 / 40 / 0 / 35

HEX #0D63A5

RGB 13 99 165

HSL 206.05, 0.85%, 0.35%

LAB 40.78, 1.99, -42

 

CMYK 92 / 0 / 9 / 65

HEX #075951

RGB 7 89 81

HSL 174.15, 0.85%, 0.19%

LAB 33.53, -24.34, -1.78

 

CMYK 92 / 0 / 9 / 50

HEX #0A7F74

RGB 10 127 116

HSL 174.36, 0.85%, 0.27%

LAB 47.63, -31.59, -2.32

 

CMYK 92 / 0 / 8 / 35

HEX #0DA597

RGB 13 165 151

HSL 174.47, 0.85%, 0.35%

LAB 60.98, -38.42, -2.83

 

CMYK 92 / 0 / 8 / 20

HEX #10CBBA

RGB 16 203 186

HSL 174.55, 0.85%, 0.43%

LAB 73.78, -44.94, -3.32

 

CMYK 89 / 0 / 8 / 7

HEX #19ECD9

RGB 25 236 217

HSL 174.6, 0.85%, 0.51%

LAB 84.59, -49.98, -3.96

 

CMYK 92 / 0 / 8 / 35

HEX #0DA597

RGB 13 165 151

HSL 174.47, 0.85%, 0.35%

LAB 60.98, -38.42, -2.83

 

CMYK 82 / 92 / 0 / 35

HEX #1D0DA5

RGB 29 13 165

HSL 246.32, 0.85%, 0.35%

LAB 21.08, 54.09, -74.16

 

CMYK 0 / 46 / 92 / 35

HEX #A5590D

RGB 165 89 13

HSL 30, 0.85%, 0.35%

LAB 45.87, 26.5, 51.39

 

CMYK 92 / 0 / 8 / 35

HEX #0DA597

RGB 13 165 151

HSL 174.47, 0.85%, 0.35%

LAB 60.98, -38.42, -2.83

 

CMYK 9 / 92 / 0 / 35

HEX #960DA5

RGB 150 13 165

HSL 294.08, 0.85%, 0.35%

LAB 36.91, 66.91, -47.59

 

CMYK 0 / 9 / 92 / 35

HEX #A5960D

RGB 165 150 13

HSL 54.08, 0.85%, 0.35%

LAB 61.52, -7.5, 63.27

 

CMYK 92 / 0 / 8 / 35

HEX #0DA597

RGB 13 165 151

HSL 174.47, 0.85%, 0.35%

LAB 60.98, -38.42, -2.83

 

CMYK 82 / 92 / 0 / 35

HEX #1D0DA5

RGB 29 13 165

HSL 246.32, 0.85%, 0.35%

LAB 21.08, 54.09, -74.16

 

CMYK 0 / 92 / 82 / 35

HEX #A50D1D

RGB 165 13 29

HSL 353.68, 0.85%, 0.35%

LAB 34.75, 56.63, 35.25

 

CMYK 9 / 0 / 92 / 35

HEX #96A50D

RGB 150 165 13

HSL 65.92, 0.85%, 0.35%

LAB 64.5, -21.98, 65.06

 

CMYK 92 / 0 / 8 / 35

HEX #0DA597

RGB 13 165 151

HSL 174.47, 0.85%, 0.35%

LAB 60.98, -38.42, -2.83

 

CMYK 55 / 92 / 0 / 35

HEX #4A0DA5

RGB 74 13 165

HSL 264.08, 0.85%, 0.35%

LAB 25.14, 56.81, -67.3

 

CMYK 0 / 92 / 82 / 35

HEX #A50D1D

RGB 165 13 29

HSL 353.68, 0.85%, 0.35%

LAB 34.75, 56.63, 35.25

 

CMYK 37 / 0 / 92 / 35

HEX #68A50D

RGB 104 165 13

HSL 84.08, 0.85%, 0.35%

LAB 61.55, -40.72, 61.45

 

Description

Color code: RGBA 13 165 151 0.75 | qconv.com Color code: RGBA 13 165 151 0.75 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 13 red, 165 green and 151 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
13 165 151 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 69 cyan, none magenta, 6 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
69% 0% 6% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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