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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 46 / 92 / 35 it is the complementary color CMYK 63 / 32 / 0 / 5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 46 / 92 / 35. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 0 / 46 / 92 / 35: CMYK 0 / 47 / 95 / 33, CMYK 0 / 43 / 86 / 26, CMYK 0 / 39 / 78 / 20, CMYK 0 / 35 / 71 / 13 and CMYK 0 / 32 / 65 / 6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 46 / 92 / 35. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 0 / 46 / 92 / 35: CMYK 0 / 46 / 92 / 35, CMYK 0 / 52 / 100 / 42, CMYK 0 / 59 / 100 / 48, CMYK 0 / 69 / 100 / 55 and CMYK 0 / 82 / 100 / 62

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 46 / 92 / 35

HEX #A65A0D

RGB 166 90 13

HSL 30.2, 0.85%, 0.35%

LAB 46.24, 26.38, 51.73

 

Complementary color

CMYK 63 / 32 / 0 / 5

HEX #59A5F2

RGB 89 165 242

HSL 210.2, 0.85%, 0.65%

LAB 66.09, -0.31, -45.51

 

CMYK 0 / 47 / 95 / 33

HEX #AB5A08

RGB 171 90 8

HSL 30.18, 0.91%, 0.35%

LAB 46.96, 28.45, 53.78

 

CMYK 0 / 43 / 86 / 26

HEX #BC6C1B

RGB 188 108 27

HSL 30.19, 0.75%, 0.42%

LAB 53.49, 26.3, 54.45

 

CMYK 0 / 39 / 78 / 20

HEX #CD7E2E

RGB 205 126 46

HSL 30.19, 0.63%, 0.49%

LAB 59.98, 24.4, 53.8

 

CMYK 0 / 35 / 71 / 13

HEX #DE9041

RGB 222 144 65

HSL 30.19, 0.7%, 0.56%

LAB 66.41, 22.73, 52.58

 

CMYK 0 / 32 / 65 / 6

HEX #EFA254

RGB 239 162 84

HSL 30.19, 0.83%, 0.63%

LAB 72.78, 21.27, 51.17

 

CMYK 0 / 46 / 92 / 35

HEX #A65A0D

RGB 166 90 13

HSL 30.2, 0.85%, 0.35%

LAB 46.24, 26.38, 51.73

 

CMYK 0 / 52 / 100 / 42

HEX #954800

RGB 149 72 0

HSL 28.99, 1%, 0.29%

LAB 39.62, 28.71, 49.58

 

CMYK 0 / 59 / 100 / 48

HEX #843600

RGB 132 54 0

HSL 24.55, 1%, 0.26%

LAB 33.01, 31.17, 44.26

 

CMYK 0 / 69 / 100 / 55

HEX #732400

RGB 115 36 0

HSL 18.78, 1%, 0.23%

LAB 26.47, 33.31, 37.89

 

CMYK 0 / 82 / 100 / 62

HEX #621200

RGB 98 18 0

HSL 11.02, 1%, 0.19%

LAB 20.16, 34.59, 30.36

 

CMYK 0 / 46 / 92 / 35

HEX #A65A0D

RGB 166 90 13

HSL 30.2, 0.85%, 0.35%

LAB 46.24, 26.38, 51.73

 

CMYK 0 / 31 / 92 / 35

HEX #A5720D

RGB 165 114 13

HSL 39.87, 0.85%, 0.35%

LAB 51.91, 12.45, 55.92

 

CMYK 0 / 16 / 92 / 35

HEX #A58B0D

RGB 165 139 13

HSL 49.74, 0.85%, 0.35%

LAB 58.5, -1.53, 60.95

 

CMYK 0 / 0 / 92 / 35

HEX #A5A50D

RGB 165 165 13

HSL 60, 0.85%, 0.35%

LAB 65.7, -15.38, 66.51

 

CMYK 16 / 0 / 92 / 35

HEX #8BA50D

RGB 139 165 13

HSL 70.26, 0.85%, 0.35%

LAB 63.7, -26.72, 64.08

 

CMYK 0 / 46 / 92 / 35

HEX #A65A0D

RGB 166 90 13

HSL 30.2, 0.85%, 0.35%

LAB 46.24, 26.38, 51.73

 

CMYK 0 / 46 / 92 / 15

HEX #D97611

RGB 217 118 17

HSL 30.3, 0.85%, 0.46%

LAB 59.66, 32.92, 63.79

 

CMYK 0 / 46 / 92 / 95

HEX #0D0701

RGB 13 7 1

HSL 30, 0.86%, 0.03%

LAB 2.17, 0.8, 2.85

 

CMYK 0 / 45 / 92 / 75

HEX #402305

RGB 64 35 5

HSL 30.51, 0.86%, 0.14%

LAB 17, 11.11, 22.97

 

CMYK 0 / 46 / 92 / 55

HEX #733E09

RGB 115 62 9

HSL 30, 0.85%, 0.24%

LAB 32.06, 19.42, 38.79

 

CMYK 0 / 46 / 92 / 35

HEX #A65A0D

RGB 166 90 13

HSL 30.2, 0.85%, 0.35%

LAB 46.24, 26.38, 51.73

 

CMYK 65 / 0 / 92 / 35

HEX #3AA50D

RGB 58 165 13

HSL 102.24, 0.85%, 0.35%

LAB 59.74, -54.65, 59.21

 

CMYK 83 / 92 / 0 / 35

HEX #1C0DA5

RGB 28 13 165

HSL 245.92, 0.85%, 0.35%

LAB 21.02, 54.05, -74.25

 

CMYK 0 / 46 / 92 / 35

HEX #A65A0D

RGB 166 90 13

HSL 30.2, 0.85%, 0.35%

LAB 46.24, 26.38, 51.73

 

CMYK 92 / 0 / 46 / 35

HEX #0DA559

RGB 13 165 89

HSL 150, 0.85%, 0.35%

LAB 59.63, -53.28, 29.48

 

CMYK 46 / 92 / 0 / 35

HEX #590DA5

RGB 89 13 165

HSL 270, 0.85%, 0.35%

LAB 27.1, 58.31, -64

 

CMYK 0 / 46 / 92 / 35

HEX #A65A0D

RGB 166 90 13

HSL 30.2, 0.85%, 0.35%

LAB 46.24, 26.38, 51.73

 

CMYK 65 / 0 / 92 / 35

HEX #3AA50D

RGB 58 165 13

HSL 102.24, 0.85%, 0.35%

LAB 59.74, -54.65, 59.21

 

CMYK 92 / 46 / 0 / 35

HEX #0D59A5

RGB 13 89 165

HSL 210, 0.85%, 0.35%

LAB 37.75, 8.47, -46.85

 

CMYK 28 / 92 / 0 / 35

HEX #770DA5

RGB 119 13 165

HSL 281.84, 0.85%, 0.35%

LAB 31.64, 62.09, -56.38

 

CMYK 0 / 46 / 92 / 35

HEX #A65A0D

RGB 166 90 13

HSL 30.2, 0.85%, 0.35%

LAB 46.24, 26.38, 51.73

 

CMYK 92 / 0 / 92 / 35

HEX #0DA50D

RGB 13 165 13

HSL 120, 0.85%, 0.35%

LAB 59, -61.15, 58.29

 

CMYK 92 / 46 / 0 / 35

HEX #0D59A5

RGB 13 89 165

HSL 210, 0.85%, 0.35%

LAB 37.75, 8.47, -46.85

 

CMYK 0 / 92 / 0 / 35

HEX #A50DA5

RGB 165 13 165

HSL 300, 0.85%, 0.35%

LAB 39.59, 69.49, -43.14

 

Description

Color code: CMYK 0 / 46 / 92 / 35 | qconv.com Color code: CMYK 0 / 46 / 92 / 35 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 166 red, 90 green and 13 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
166 90 13 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 46 magenta, 92 yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 46% 92% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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