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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 133 165 136 0.75 it is the complementary color RGBA 122 90 119 0.75. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 133 165 136 0.75. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGBA 133 165 136 0.75 shade: RGBA 138 165 131 0.75, RGBA 155 183 150 0.75, RGBA 172 201 169 0.75, RGBA 189 219 188 0.75 and RGBA 206 237 207 0.75

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 133 165 136 0.75. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGBA 133 165 136 0.75 shade: RGBA 133 165 136 0.75, RGBA 116 147 117 0.75, RGBA 99 129 98 0.75, RGBA 82 111 79 0.75 and RGBA 65 93 60 0.75

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGBA 133 165 136 0.75 shade: RGB 132 164 135, RGB 137 164 132, RGB 146 164 132, RGB 155 164 132 and RGB 163 164 132

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGBA 133 165 136 0.75 shade: RGB 132 164 135, RGB 132 164 144, RGB 132 164 152, RGB 132 164 161 and RGB 132 158 164

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGBA 133 165 136 0.75 shade matches the following richer shades: RGB 132 164 135, RGB 115 181 121, RGB 97 199 107, RGB 80 216 93 and RGB 63 233 79

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGBA 133 165 136 0.75 shade: RGB 132 164 135, RGB 149 147 149, RGB 166 129 163, RGB 184 112 177 and RGB 201 95 191

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGBA 133 165 136 0.75 shade: RGB 146 164 132, RGB 138 164 132, RGB 132 164 135, RGB 132 164 143 and RGB 132 164 152

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGBA 133 165 136 0.75 shade: RGB 91 123 94, RGB 108 146 112, RGB 132 164 135, RGB 156 182 158 and RGB 179 199 181

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGBA 133 165 136 0.75 shade: RGB 133 165 136, RGB 132 155 164 and RGB 164 132 142

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGBA 133 165 136 0.75 shade: RGB 133 165 136, RGB 135 132 164 and RGB 164 135 132

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGBA 133 165 136 0.75 shade: RGB 133 165 136, RGB 132 155 164, RGB 164 132 161 and RGB 164 141 132

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGBA 133 165 136 0.75 shade: RGB 133 165 136, RGB 132 145 164, RGB 164 132 161 and RGB 164 151 132

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 15 / 0 / 13 / 26

HEX #85A588BF

RGBA 133 165 136 0.75

HSLA 125.63, 0.15%, 0.58%, 0.75

LABA 64.7, -16.87, 11.45, 0.75

 

Complementary color

CMYK 0 / 20 / 2 / 39

HEX #7A5A77BF

RGBA 122 90 119 0.75

HSLA 305.63, 0.15%, 0.42%, 0.75

LABA 42.43, 18.41, -11.27, 0.75

 

CMYK 12 / 0 / 15 / 26

HEX #8AA583BF

RGBA 138 165 131 0.75

HSLA 107.65, 0.16%, 0.58%, 0.75

LABA 64.92, -15.99, 14.58, 0.75

 

CMYK 11 / 0 / 14 / 21

HEX #9BB796BF

RGBA 155 183 150 0.75

HSLA 110.91, 0.19%, 0.65%, 0.75

LABA 71.58, -15.89, 13.65, 0.75

 

CMYK 11 / 0 / 12 / 16

HEX #ACC9A9BF

RGBA 172 201 169 0.75

HSLA 114.38, 0.23%, 0.73%, 0.75

LABA 78.12, -15.8, 12.78, 0.75

 

CMYK 10 / 0 / 11 / 11

HEX #BDDBBCBF

RGBA 189 219 188 0.75

HSLA 118.06, 0.3%, 0.8%, 0.75

LABA 84.54, -15.72, 11.95, 0.75

 

CMYK 10 / 0 / 9 / 5

HEX #CEEDCFBF

RGBA 206 237 207 0.75

HSLA 121.94, 0.46%, 0.87%, 0.75

LABA 90.87, -15.65, 11.16, 0.75

 

CMYK 15 / 0 / 13 / 26

HEX #85A588BF

RGBA 133 165 136 0.75

HSLA 125.63, 0.15%, 0.58%, 0.75

LABA 64.7, -16.87, 11.45, 0.75

 

CMYK 16 / 0 / 15 / 32

HEX #749375BF

RGBA 116 147 117 0.75

HSLA 121.94, 0.13%, 0.52%, 0.75

LABA 57.91, -17.04, 12.38, 0.75

 

CMYK 17 / 0 / 18 / 37

HEX #638162BF

RGBA 99 129 98 0.75

HSLA 118.06, 0.14%, 0.45%, 0.75

LABA 50.96, -17.23, 13.39, 0.75

 

CMYK 20 / 0 / 22 / 42

HEX #526F4FBF

RGBA 82 111 79 0.75

HSLA 114.38, 0.17%, 0.37%, 0.75

LABA 43.84, -17.44, 14.5, 0.75

 

CMYK 23 / 0 / 27 / 48

HEX #415D3CBF

RGBA 65 93 60 0.75

HSLA 110.91, 0.22%, 0.3%, 0.75

LABA 36.52, -17.68, 15.72, 0.75

 

CMYK 20 / 0 / 18 / 36

HEX #84A487

RGB 132 164 135

HSL 125.63, 0.15%, 0.58%

LAB 64.33, -16.89, 11.46

 

CMYK 16 / 0 / 20 / 36

HEX #89A484

RGB 137 164 132

HSL 110.63, 0.15%, 0.58%

LAB 64.59, -15.65, 13.55

 

CMYK 11 / 0 / 20 / 36

HEX #92A484

RGB 146 164 132

HSL 93.75, 0.15%, 0.58%

LAB 65.22, -12.35, 14.52

 

CMYK 5 / 0 / 20 / 36

HEX #9BA484

RGB 155 164 132

HSL 76.88, 0.15%, 0.58%

LAB 65.89, -8.97, 15.56

 

CMYK 1 / 0 / 20 / 36

HEX #A3A484

RGB 163 164 132

HSL 61.88, 0.15%, 0.58%

LAB 66.52, -5.9, 16.53

 

CMYK 20 / 0 / 18 / 36

HEX #84A487

RGB 132 164 135

HSL 125.63, 0.15%, 0.58%

LAB 64.33, -16.89, 11.46

 

CMYK 20 / 0 / 12 / 36

HEX #84A490

RGB 132 164 144

HSL 142.5, 0.15%, 0.58%

LAB 64.54, -15.16, 6.75

 

CMYK 20 / 0 / 7 / 36

HEX #84A498

RGB 132 164 152

HSL 157.5, 0.15%, 0.58%

LAB 64.74, -13.53, 2.58

 

CMYK 20 / 0 / 2 / 36

HEX #84A4A1

RGB 132 164 161

HSL 174.38, 0.15%, 0.58%

LAB 64.99, -11.61, -2.1

 

CMYK 20 / 4 / 0 / 36

HEX #849EA4

RGB 132 158 164

HSL 191.25, 0.15%, 0.58%

LAB 63.38, -7.7, -6.15

 

CMYK 20 / 0 / 18 / 36

HEX #84A487

RGB 132 164 135

HSL 125.63, 0.15%, 0.58%

LAB 64.33, -16.89, 11.46

 

CMYK 36 / 0 / 33 / 29

HEX #73B579

RGB 115 181 121

HSL 125.45, 0.31%, 0.58%

LAB 68.07, -33.52, 24.12

 

CMYK 51 / 0 / 46 / 22

HEX #61C76B

RGB 97 199 107

HSL 125.88, 0.48%, 0.58%

LAB 72.53, -48.87, 37.06

 

CMYK 63 / 0 / 57 / 15

HEX #50D85D

RGB 80 216 93

HSL 125.74, 0.64%, 0.58%

LAB 77.05, -61.23, 49.16

 

CMYK 73 / 0 / 66 / 9

HEX #3FE94F

RGB 63 233 79

HSL 125.65, 0.79%, 0.58%

LAB 81.78, -71.48, 60.39

 

CMYK 20 / 0 / 18 / 36

HEX #84A487

RGB 132 164 135

HSL 125.63, 0.15%, 0.58%

LAB 64.33, -16.89, 11.46

 

CMYK 0 / 1 / 0 / 42

HEX #959395

RGB 149 147 149

HSL 300, 0.01%, 0.58%

LAB 61.16, 1.12, -0.8

 

CMYK 0 / 22 / 2 / 35

HEX #A681A3

RGB 166 129 163

HSL 304.86, 0.17%, 0.58%

LAB 58.46, 20.18, -12.63

 

CMYK 0 / 39 / 4 / 28

HEX #B870B1

RGB 184 112 177

HSL 305.83, 0.34%, 0.58%

LAB 57.03, 38.39, -22.67

 

CMYK 0 / 53 / 5 / 21

HEX #C95FBF

RGB 201 95 191

HSL 305.66, 0.5%, 0.58%

LAB 56.45, 54.71, -31.43

 

CMYK 11 / 0 / 20 / 36

HEX #92A484

RGB 146 164 132

HSL 93.75, 0.15%, 0.58%

LAB 65.22, -12.35, 14.52

 

CMYK 16 / 0 / 20 / 36

HEX #8AA484

RGB 138 164 132

HSL 108.75, 0.15%, 0.58%

LAB 64.66, -15.29, 13.66

 

CMYK 20 / 0 / 18 / 36

HEX #84A487

RGB 132 164 135

HSL 125.63, 0.15%, 0.58%

LAB 64.33, -16.89, 11.46

 

CMYK 20 / 0 / 13 / 36

HEX #84A48F

RGB 132 164 143

HSL 140.63, 0.15%, 0.58%

LAB 64.52, -15.35, 7.28

 

CMYK 20 / 0 / 7 / 36

HEX #84A498

RGB 132 164 152

HSL 157.5, 0.15%, 0.58%

LAB 64.74, -13.53, 2.58

 

CMYK 26 / 0 / 24 / 52

HEX #5B7B5E

RGB 91 123 94

HSL 125.63, 0.15%, 0.42%

LAB 48.51, -17.71, 12.23

 

CMYK 26 / 0 / 23 / 43

HEX #6C9270

RGB 108 146 112

HSL 126.32, 0.15%, 0.5%

LAB 56.99, -20.3, 13.86

 

CMYK 20 / 0 / 18 / 36

HEX #84A487

RGB 132 164 135

HSL 125.63, 0.15%, 0.58%

LAB 64.33, -16.89, 11.46

 

CMYK 14 / 0 / 13 / 29

HEX #9CB69E

RGB 156 182 158

HSL 124.62, 0.15%, 0.66%

LAB 71.55, -13.58, 9.26

 

CMYK 10 / 0 / 9 / 22

HEX #B3C7B5

RGB 179 199 181

HSL 126, 0.15%, 0.74%

LAB 78.33, -10.2, 6.7

 

CMYK 19 / 0 / 18 / 35

HEX #85A588

RGB 133 165 136

HSL 125.63, 0.15%, 0.58%

LAB 64.7, -16.87, 11.45

 

CMYK 20 / 5 / 0 / 36

HEX #849BA4

RGB 132 155 164

HSL 196.88, 0.15%, 0.58%

LAB 62.53, -6.05, -7.41

 

CMYK 0 / 20 / 13 / 36

HEX #A4848E

RGB 164 132 142

HSL 341.25, 0.15%, 0.58%

LAB 58.37, 13.9, -0.72

 

CMYK 19 / 0 / 18 / 35

HEX #85A588

RGB 133 165 136

HSL 125.63, 0.15%, 0.58%

LAB 64.7, -16.87, 11.45

 

CMYK 18 / 20 / 0 / 36

HEX #8784A4

RGB 135 132 164

HSL 245.63, 0.15%, 0.58%

LAB 56.42, 7.96, -16.57

 

CMYK 0 / 18 / 20 / 36

HEX #A48784

RGB 164 135 132

HSL 5.62, 0.15%, 0.58%

LAB 58.87, 10.53, 5.75

 

CMYK 19 / 0 / 18 / 35

HEX #85A588

RGB 133 165 136

HSL 125.63, 0.15%, 0.58%

LAB 64.7, -16.87, 11.45

 

CMYK 20 / 5 / 0 / 36

HEX #849BA4

RGB 132 155 164

HSL 196.88, 0.15%, 0.58%

LAB 62.53, -6.05, -7.41

 

CMYK 0 / 20 / 2 / 36

HEX #A484A1

RGB 164 132 161

HSL 305.63, 0.15%, 0.58%

LAB 58.94, 17.37, -10.78

 

CMYK 0 / 14 / 20 / 36

HEX #A48D84

RGB 164 141 132

HSL 16.88, 0.15%, 0.58%

LAB 60.43, 7.15, 7.99

 

CMYK 19 / 0 / 18 / 35

HEX #85A588

RGB 133 165 136

HSL 125.63, 0.15%, 0.58%

LAB 64.7, -16.87, 11.45

 

CMYK 20 / 12 / 0 / 36

HEX #8491A4

RGB 132 145 164

HSL 215.63, 0.15%, 0.58%

LAB 59.74, -0.48, -11.58

 

CMYK 0 / 20 / 2 / 36

HEX #A484A1

RGB 164 132 161

HSL 305.63, 0.15%, 0.58%

LAB 58.94, 17.37, -10.78

 

CMYK 0 / 8 / 20 / 36

HEX #A49784

RGB 164 151 132

HSL 35.63, 0.15%, 0.58%

LAB 63.09, 1.57, 11.74

 

Description

Color code: RGBA 133 165 136 0.75 | qconv.com Color code: RGBA 133 165 136 0.75 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 133 red, 165 green and 136 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
133 165 136 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 15 cyan, none magenta, 13 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
15% 0% 13% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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