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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 128 255 76 0.74 it is the complementary color RGBA 127 0 179 0.74. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 128 255 76 0.74. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGBA 128 255 76 0.74: RGBA 133 255 71 0.74, RGBA 150 255 90 0.74, RGBA 167 255 109 0.74, RGBA 184 255 128 0.74 and RGBA 201 255 147 0.74

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 128 255 76 0.74. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGBA 128 255 76 0.74: RGBA 128 255 76 0.74, RGBA 111 237 57 0.74, RGBA 94 219 38 0.74, RGBA 77 201 19 0.74 and RGBA 60 183 0 0.74

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 37 / 0 / 52 / 0

HEX #80FF4CBC

RGBA 128 255 76 0.74

HSLA 102.57, 1%, 0.65%, 0.74

LABA 90.15, -65.08, 70.86, 0.74

 

Complementary color

CMYK 21 / 74 / 0 / 22

HEX #7F00B3BC

RGBA 127 0 179 0.74

HSLA 282.57, 1%, 0.35%, 0.74

LABA 33.49, 67.77, -61.69, 0.74

 

CMYK 35 / 0 / 53 / 0

HEX #85FF47BC

RGBA 133 255 71 0.74

HSLA 99.78, 1%, 0.64%, 0.74

LABA 90.3, -64.03, 72.79, 0.74

 

CMYK 30 / 0 / 48 / 0

HEX #96FF5ABC

RGBA 150 255 90 0.74

HSLA 98.18, 1%, 0.68%, 0.74

LABA 91.12, -57.59, 66.92, 0.74

 

CMYK 26 / 0 / 42 / 0

HEX #A7FF6DBC

RGBA 167 255 109 0.74

HSLA 96.16, 1%, 0.71%, 0.74

LABA 92.06, -50.5, 60.35, 0.74

 

CMYK 21 / 0 / 37 / 0

HEX #B8FF80BC

RGBA 184 255 128 0.74

HSLA 93.54, 1%, 0.75%, 0.74

LABA 93.13, -42.86, 53.33, 0.74

 

CMYK 16 / 0 / 31 / 0

HEX #C9FF93BC

RGBA 201 255 147 0.74

HSLA 90, 1%, 0.79%, 0.74

LABA 94.33, -34.79, 46.06, 0.74

 

CMYK 37 / 0 / 52 / 0

HEX #80FF4CBC

RGBA 128 255 76 0.74

HSLA 102.57, 1%, 0.65%, 0.74

LABA 90.15, -65.08, 70.86, 0.74

 

CMYK 39 / 0 / 56 / 5

HEX #6FED39BC

RGBA 111 237 57 0.74

HSLA 102, 0.83%, 0.58%, 0.74

LABA 84.09, -64.46, 70.93, 0.74

 

CMYK 42 / 0 / 61 / 10

HEX #5EDB26BC

RGBA 94 219 38 0.74

HSLA 101.44, 0.72%, 0.5%, 0.74

LABA 77.98, -63.54, 70.32, 0.74

 

CMYK 46 / 0 / 67 / 16

HEX #4DC913BC

RGBA 77 201 19 0.74

HSLA 100.88, 0.83%, 0.43%, 0.74

LABA 71.82, -62.24, 68.63, 0.74

 

CMYK 50 / 0 / 74 / 21

HEX #3CB700BC

RGBA 60 183 0 0.74

HSLA 100.33, 1%, 0.36%, 0.74

LABA 65.61, -60.48, 65.76, 0.74

 

CMYK 37 / 0 / 52 / 0

HEX #80FF4CBC

RGBA 128 255 76 0.74

HSLA 102.57, 1%, 0.65%, 0.74

LABA 90.15, -65.08, 70.86, 0.74

 

CMYK 45 / 0 / 52 / 0

HEX #64FF4CBC

RGBA 100 255 76 0.74

HSLA 111.96, 1%, 0.65%, 0.74

LABA 89.28, -71.97, 69.68, 0.74

 

CMYK 52 / 0 / 50 / 0

HEX #4CFF52BC

RGBA 76 255 82 0.74

HSLA 122.01, 1%, 0.65%, 0.74

LABA 88.76, -76.05, 66.79, 0.74

 

CMYK 52 / 0 / 41 / 0

HEX #4CFF70BC

RGBA 76 255 112 0.74

HSLA 132.07, 1%, 0.65%, 0.74

LABA 89.03, -72.89, 54.72, 0.74

 

CMYK 52 / 0 / 33 / 0

HEX #4CFF8DBC

RGBA 76 255 141 0.74

HSLA 141.79, 1%, 0.65%, 0.74

LABA 89.38, -68.78, 41.66, 0.74

 

CMYK 37 / 0 / 52 / 0

HEX #80FF4CBC

RGBA 128 255 76 0.74

HSLA 102.57, 1%, 0.65%, 0.74

LABA 90.15, -65.08, 70.86, 0.74

 

CMYK 36 / 0 / 52 / 59

HEX #1A330FBC

RGBA 26 51 15 0.74

HSLA 101.67, 0.55%, 0.13%, 0.74

LABA 18.46, -17.88, 19.4, 0.74

 

CMYK 37 / 0 / 52 / 44

HEX #33661EBC

RGBA 51 102 30 0.74

HSLA 102.5, 0.55%, 0.26%, 0.74

LABA 38.38, -31.49, 34.15, 0.74

 

CMYK 37 / 0 / 52 / 30

HEX #4D992EBC

RGBA 77 153 46 0.74

HSLA 102.62, 0.54%, 0.39%, 0.74

LABA 56.64, -43.24, 46.93, 0.74

 

CMYK 37 / 0 / 52 / 15

HEX #66CC3DBC

RGBA 102 204 61 0.74

HSLA 102.8, 0.58%, 0.52%, 0.74

LABA 73.77, -54.59, 59.18, 0.74

 

CMYK 37 / 0 / 52 / 0

HEX #80FF4CBC

RGBA 128 255 76 0.74

HSLA 102.57, 1%, 0.65%, 0.74

LABA 90.15, -65.08, 70.86, 0.74

 

CMYK 52 / 0 / 5 / 0

HEX #4CFFEDBC

RGBA 76 255 237 0.74

HSLA 173.97, 1%, 0.65%, 0.74

LABA 91.31, -48.37, -4.44, 0.74

 

CMYK 0 / 52 / 16 / 0

HEX #FF4CC9BC

RGBA 255 76 201 0.74

HSLA 318.1, 1%, 0.65%, 0.74

LABA 62.21, 77.95, -27.57, 0.74

 

CMYK 37 / 0 / 52 / 0

HEX #80FF4CBC

RGBA 128 255 76 0.74

HSLA 102.57, 1%, 0.65%, 0.74

LABA 90.15, -65.08, 70.86, 0.74

 

CMYK 52 / 36 / 0 / 0

HEX #4C82FFBC

RGBA 76 130 255 0.74

HSLA 221.9, 1%, 0.65%, 0.74

LABA 56.8, 22.85, -67.48, 0.74

 

CMYK 0 / 52 / 36 / 0

HEX #FF4C82BC

RGBA 255 76 130 0.74

HSLA 341.9, 1%, 0.65%, 0.74

LABA 59.93, 70.5, 10.08, 0.74

 

CMYK 37 / 0 / 52 / 0

HEX #80FF4CBC

RGBA 128 255 76 0.74

HSLA 102.57, 1%, 0.65%, 0.74

LABA 90.15, -65.08, 70.86, 0.74

 

CMYK 52 / 0 / 5 / 0

HEX #4CFFEDBC

RGBA 76 255 237 0.74

HSLA 173.97, 1%, 0.65%, 0.74

LABA 91.31, -48.37, -4.44, 0.74

 

CMYK 16 / 52 / 0 / 0

HEX #C94CFFBC

RGBA 201 76 255 0.74

HSLA 281.9, 1%, 0.65%, 0.74

LABA 56.89, 74.73, -66.8, 0.74

 

CMYK 0 / 52 / 47 / 0

HEX #FF4C5EBC

RGBA 255 76 94 0.74

HSLA 353.97, 1%, 0.65%, 0.74

LABA 59.19, 68.01, 30.09, 0.74

 

CMYK 37 / 0 / 52 / 0

HEX #80FF4CBC

RGBA 128 255 76 0.74

HSLA 102.57, 1%, 0.65%, 0.74

LABA 90.15, -65.08, 70.86, 0.74

 

CMYK 52 / 10 / 0 / 0

HEX #4CDBFFBC

RGBA 76 219 255 0.74

HSLA 192.07, 1%, 0.65%, 0.74

LABA 81.52, -26.76, -28.59, 0.74

 

CMYK 16 / 52 / 0 / 0

HEX #C94CFFBC

RGBA 201 76 255 0.74

HSLA 281.9, 1%, 0.65%, 0.74

LABA 56.89, 74.73, -66.8, 0.74

 

CMYK 0 / 41 / 52 / 0

HEX #FF704CBC

RGBA 255 112 76 0.74

HSLA 12.07, 1%, 0.65%, 0.74

LABA 64.46, 52.3, 46.34, 0.74

 

Description

Color code: RGBA 128 255 76 0.74 | qconv.com Color code: RGBA 128 255 76 0.74 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 128 red, 255 green and 76 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
128 255 76 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 37 cyan, none magenta, 52 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
37% 0% 52% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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