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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 126 191 140 0.65 it is the complementary color RGBA 129 64 115 0.65. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 126 191 140 0.65. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGBA 126 191 140 0.65: RGBA 131 191 135 0.65, RGBA 148 209 154 0.65, RGBA 165 227 173 0.65, RGBA 182 245 192 0.65 and RGBA 199 255 211 0.65

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 126 191 140 0.65. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGBA 126 191 140 0.65: RGBA 126 191 140 0.65, RGBA 109 173 121 0.65, RGBA 92 155 102 0.65, RGBA 75 137 83 0.65 and RGBA 58 119 64 0.65

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 22 / 0 / 17 / 16

HEX #7EBF8CA5

RGBA 126 191 140 0.65

HSLA 132.92, 0.34%, 0.62%, 0.65

LABA 71.95, -31.39, 19.31, 0.65

 

Complementary color

CMYK 0 / 33 / 7 / 32

HEX #814073A5

RGBA 129 64 115 0.65

HSLA 312.92, 0.34%, 0.38%, 0.65

LABA 37.06, 35.22, -16.9, 0.65

 

CMYK 20 / 0 / 19 / 16

HEX #83BF87A5

RGBA 131 191 135 0.65

HSLA 124, 0.32%, 0.63%, 0.65

LABA 72.12, -30.67, 22.26, 0.65

 

CMYK 19 / 0 / 17 / 12

HEX #94D19AA5

RGBA 148 209 154 0.65

HSLA 125.9, 0.4%, 0.7%, 0.65

LABA 78.6, -30.42, 21.2, 0.65

 

CMYK 18 / 0 / 15 / 7

HEX #A5E3ADA5

RGBA 165 227 173 0.65

HSLA 127.74, 0.53%, 0.77%, 0.65

LABA 84.97, -30.18, 20.2, 0.65

 

CMYK 17 / 0 / 14 / 3

HEX #B6F5C0A5

RGBA 182 245 192 0.65

HSLA 129.52, 0.76%, 0.84%, 0.65

LABA 91.26, -29.96, 19.26, 0.65

 

CMYK 14 / 0 / 11 / 0

HEX #C7FFD3A5

RGBA 199 255 211 0.65

HSLA 132.86, 1%, 0.89%, 0.65

LABA 95.31, -25.98, 15.34, 0.65

 

CMYK 22 / 0 / 17 / 16

HEX #7EBF8CA5

RGBA 126 191 140 0.65

HSLA 132.92, 0.34%, 0.62%, 0.65

LABA 71.95, -31.39, 19.31, 0.65

 

CMYK 24 / 0 / 20 / 21

HEX #6DAD79A5

RGBA 109 173 121 0.65

HSLA 131.25, 0.28%, 0.55%, 0.65

LABA 65.37, -31.66, 20.41, 0.65

 

CMYK 26 / 0 / 22 / 25

HEX #5C9B66A5

RGBA 92 155 102 0.65

HSLA 129.52, 0.26%, 0.48%, 0.65

LABA 58.67, -31.93, 21.6, 0.65

 

CMYK 29 / 0 / 26 / 30

HEX #4B8953A5

RGBA 75 137 83 0.65

HSLA 127.74, 0.29%, 0.42%, 0.65

LABA 51.85, -32.17, 22.89, 0.65

 

CMYK 33 / 0 / 30 / 35

HEX #3A7740A5

RGBA 58 119 64 0.65

HSLA 125.9, 0.34%, 0.35%, 0.65

LABA 44.89, -32.33, 24.28, 0.65

 

CMYK 22 / 0 / 17 / 16

HEX #7EBF8CA5

RGBA 126 191 140 0.65

HSLA 132.92, 0.34%, 0.62%, 0.65

LABA 71.95, -31.39, 19.31, 0.65

 

CMYK 22 / 0 / 14 / 16

HEX #7DBF95A5

RGBA 125 191 149 0.65

HSLA 141.82, 0.34%, 0.62%, 0.65

LABA 72.09, -30.01, 14.65, 0.65

 

CMYK 22 / 0 / 11 / 16

HEX #7DBFA0A5

RGBA 125 191 160 0.65

HSLA 151.82, 0.34%, 0.62%, 0.65

LABA 72.34, -27.8, 9.04, 0.65

 

CMYK 22 / 0 / 7 / 16

HEX #7DBFABA5

RGBA 125 191 171 0.65

HSLA 161.82, 0.34%, 0.62%, 0.65

LABA 72.6, -25.45, 3.44, 0.65

 

CMYK 22 / 0 / 3 / 16

HEX #7DBFB6A5

RGBA 125 191 182 0.65

HSLA 171.82, 0.34%, 0.62%, 0.65

LABA 72.89, -22.96, -2.13, 0.65

 

CMYK 22 / 0 / 17 / 16

HEX #7EBF8CA5

RGBA 126 191 140 0.65

HSLA 132.92, 0.34%, 0.62%, 0.65

LABA 71.95, -31.39, 19.31, 0.65

 

CMYK 22 / 0 / 17 / 3

HEX #A0F2B1A5

RGBA 160 242 177 0.65

HSLA 132.44, 0.76%, 0.79%, 0.65

LABA 88.99, -37.97, 23.65, 0.65

 

CMYK 22 / 0 / 17 / 55

HEX #19261CA5

RGBA 25 38 28 0.65

HSLA 133.85, 0.21%, 0.12%, 0.65

LABA 13.69, -8.29, 4.86, 0.65

 

CMYK 22 / 0 / 18 / 42

HEX #3B5941A5

RGBA 59 89 65 0.65

HSLA 132, 0.2%, 0.29%, 0.65

LABA 34.92, -16.79, 10.43, 0.65

 

CMYK 22 / 0 / 17 / 29

HEX #5C8C67A5

RGBA 92 140 103 0.65

HSLA 133.75, 0.21%, 0.45%, 0.65

LABA 54.04, -24.44, 14.72, 0.65

 

CMYK 22 / 0 / 17 / 16

HEX #7EBF8CA5

RGBA 126 191 140 0.65

HSLA 132.92, 0.34%, 0.62%, 0.65

LABA 71.95, -31.39, 19.31, 0.65

 

CMYK 22 / 9 / 0 / 16

HEX #7DA4BFA5

RGBA 125 164 191 0.65

HSLA 204.55, 0.34%, 0.62%, 0.65

LABA 65.49, -6.58, -18.14, 0.65

 

CMYK 0 / 22 / 18 / 16

HEX #BF7D8AA5

RGBA 191 125 138 0.65

HSLA 348.18, 0.34%, 0.62%, 0.65

LABA 59.51, 27.4, 3.6, 0.65

 

CMYK 22 / 0 / 17 / 16

HEX #7EBF8CA5

RGBA 126 191 140 0.65

HSLA 132.92, 0.34%, 0.62%, 0.65

LABA 71.95, -31.39, 19.31, 0.65

 

CMYK 18 / 22 / 0 / 16

HEX #8A7DBFA5

RGBA 138 125 191 0.65

HSLA 251.82, 0.34%, 0.62%, 0.65

LABA 55.92, 19.57, -32.79, 0.65

 

CMYK 0 / 18 / 22 / 16

HEX #BF8A7DA5

RGBA 191 138 125 0.65

HSLA 11.82, 0.34%, 0.62%, 0.65

LABA 62.28, 18.47, 14.95, 0.65

 

CMYK 22 / 0 / 17 / 16

HEX #7EBF8CA5

RGBA 126 191 140 0.65

HSLA 132.92, 0.34%, 0.62%, 0.65

LABA 71.95, -31.39, 19.31, 0.65

 

CMYK 22 / 9 / 0 / 16

HEX #7DA4BFA5

RGBA 125 164 191 0.65

HSLA 204.55, 0.34%, 0.62%, 0.65

LABA 65.49, -6.58, -18.14, 0.65

 

CMYK 0 / 22 / 5 / 16

HEX #BF7DB1A5

RGBA 191 125 177 0.65

HSLA 312.73, 0.34%, 0.62%, 0.65

LABA 60.71, 33.63, -16.98, 0.65

 

CMYK 0 / 14 / 22 / 16

HEX #BF977DA5

RGBA 191 151 125 0.65

HSLA 23.64, 0.34%, 0.62%, 0.65

LABA 65.51, 11.29, 19.4, 0.65

 

CMYK 22 / 0 / 17 / 16

HEX #7EBF8CA5

RGBA 126 191 140 0.65

HSLA 132.92, 0.34%, 0.62%, 0.65

LABA 71.95, -31.39, 19.31, 0.65

 

CMYK 22 / 16 / 0 / 16

HEX #7D90BFA5

RGBA 125 144 191 0.65

HSLA 222.73, 0.34%, 0.62%, 0.65

LABA 59.95, 4.67, -26.62, 0.65

 

CMYK 0 / 22 / 5 / 16

HEX #BF7DB1A5

RGBA 191 125 177 0.65

HSLA 312.73, 0.34%, 0.62%, 0.65

LABA 60.71, 33.63, -16.98, 0.65

 

CMYK 0 / 7 / 22 / 16

HEX #BFAB7DA5

RGBA 191 171 125 0.65

HSLA 41.82, 0.34%, 0.62%, 0.65

LABA 70.65, 0.41, 26.36, 0.65

 

Description

Color code: RGBA 126 191 140 0.65 | qconv.com Color code: RGBA 126 191 140 0.65 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 126 red, 191 green and 140 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
126 191 140 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 22 cyan, none magenta, 17 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
22% 0% 17% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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