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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 124 255 52 0.5 it is the complementary color RGBA 131 0 203 0.5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 124 255 52 0.5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGBA 124 255 52 0.5: RGBA 129 255 47 0.5, RGBA 146 255 66 0.5, RGBA 163 255 85 0.5, RGBA 180 255 104 0.5 and RGBA 197 255 123 0.5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 124 255 52 0.5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGBA 124 255 52 0.5: RGBA 124 255 52 0.5, RGBA 107 237 33 0.5, RGBA 90 219 14 0.5, RGBA 73 201 0 0.5 and RGBA 56 183 0 0.5

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 26 / 0 / 40 / 0

HEX #7CFF347F

RGBA 124 255 52 0.5

HSLA 98.72, 1%, 0.6%, 0.5

LABA 89.88, -67.59, 77.97, 0.5

 

Complementary color

CMYK 18 / 50 / 0 / 10

HEX #8300CB7F

RGBA 131 0 203 0.5

HSLA 278.72, 1%, 0.4%, 0.5

LABA 36.25, 72.88, -71.3, 0.5

 

CMYK 25 / 0 / 41 / 0

HEX #81FF2F7F

RGBA 129 255 47 0.5

HSLA 96.35, 1%, 0.59%, 0.5

LABA 90.04, -66.44, 79.43, 0.5

 

CMYK 21 / 0 / 37 / 0

HEX #92FF427F

RGBA 146 255 66 0.5

HSLA 94.6, 1%, 0.63%, 0.5

LABA 90.79, -60.49, 75.07, 0.5

 

CMYK 18 / 0 / 33 / 0

HEX #A3FF557F

RGBA 163 255 85 0.5

HSLA 92.47, 1%, 0.67%, 0.5

LABA 91.67, -53.83, 69.6, 0.5

 

CMYK 15 / 0 / 30 / 0

HEX #B4FF687F

RGBA 180 255 104 0.5

HSLA 89.8, 1%, 0.7%, 0.5

LABA 92.67, -46.57, 63.35, 0.5

 

CMYK 11 / 0 / 26 / 0

HEX #C5FF7B7F

RGBA 197 255 123 0.5

HSLA 86.36, 1%, 0.74%, 0.5

LABA 93.81, -38.83, 56.59, 0.5

 

CMYK 26 / 0 / 40 / 0

HEX #7CFF347F

RGBA 124 255 52 0.5

HSLA 98.72, 1%, 0.6%, 0.5

LABA 89.88, -67.59, 77.97, 0.5

 

CMYK 27 / 0 / 43 / 4

HEX #6BED217F

RGBA 107 237 33 0.5

HSLA 98.24, 0.85%, 0.53%, 0.5

LABA 83.86, -66.61, 76.76, 0.5

 

CMYK 29 / 0 / 47 / 7

HEX #5ADB0E7F

RGBA 90 219 14 0.5

HSLA 97.76, 0.88%, 0.46%, 0.5

LABA 77.8, -65.28, 74.41, 0.5

 

CMYK 32 / 0 / 50 / 11

HEX #49C9007F

RGBA 73 201 0 0.5

HSLA 98.21, 1%, 0.39%, 0.5

LABA 71.68, -63.53, 70.71, 0.5

 

CMYK 35 / 0 / 50 / 14

HEX #38B7007F

RGBA 56 183 0 0.5

HSLA 101.64, 1%, 0.36%, 0.5

LABA 65.52, -61.28, 65.64, 0.5

 

CMYK 26 / 0 / 40 / 0

HEX #7CFF347F

RGBA 124 255 52 0.5

HSLA 98.72, 1%, 0.6%, 0.5

LABA 89.88, -67.59, 77.97, 0.5

 

CMYK 32 / 0 / 40 / 0

HEX #5BFF327F

RGBA 91 255 50 0.5

HSLA 108, 1%, 0.6%, 0.5

LABA 88.91, -75.49, 77.23, 0.5

 

CMYK 39 / 0 / 40 / 0

HEX #39FF327F

RGBA 57 255 50 0.5

HSLA 117.95, 1%, 0.6%, 0.5

LABA 88.27, -81.01, 76.41, 0.5

 

CMYK 40 / 0 / 35 / 0

HEX #32FF4E7F

RGBA 50 255 78 0.5

HSLA 128.2, 1%, 0.6%, 0.5

LABA 88.33, -79.89, 67.68, 0.5

 

CMYK 40 / 0 / 28 / 0

HEX #32FF707F

RGBA 50 255 112 0.5

HSLA 138.15, 1%, 0.6%, 0.5

LABA 88.62, -76.27, 54.14, 0.5

 

CMYK 26 / 0 / 40 / 0

HEX #7CFF347F

RGBA 124 255 52 0.5

HSLA 98.72, 1%, 0.6%, 0.5

LABA 89.88, -67.59, 77.97, 0.5

 

CMYK 25 / 0 / 40 / 40

HEX #19330A7F

RGBA 25 51 10 0.5

HSLA 98.05, 0.67%, 0.12%, 0.5

LABA 18.35, -18.86, 21.6, 0.5

 

CMYK 25 / 0 / 40 / 30

HEX #3266157F

RGBA 50 102 21 0.5

HSLA 98.52, 0.66%, 0.24%, 0.5

LABA 38.26, -32.59, 37.8, 0.5

 

CMYK 26 / 0 / 40 / 20

HEX #4A991F7F

RGBA 74 153 31 0.5

HSLA 98.85, 0.66%, 0.36%, 0.5

LABA 56.42, -45.24, 52.16, 0.5

 

CMYK 26 / 0 / 40 / 10

HEX #63CC2A7F

RGBA 99 204 42 0.5

HSLA 98.89, 0.66%, 0.48%, 0.5

LABA 73.55, -56.67, 65.26, 0.5

 

CMYK 26 / 0 / 40 / 0

HEX #7CFF347F

RGBA 124 255 52 0.5

HSLA 98.72, 1%, 0.6%, 0.5

LABA 89.88, -67.59, 77.97, 0.5

 

CMYK 40 / 0 / 7 / 0

HEX #32FFDD7F

RGBA 50 255 221 0.5

HSLA 170.05, 1%, 0.6%, 0.5

LABA 90.51, -55.14, 2.64, 0.5

 

CMYK 0 / 40 / 9 / 0

HEX #FF32CF7F

RGBA 255 50 207 0.5

HSLA 314.05, 1%, 0.6%, 0.5

LABA 59.93, 85.91, -34.51, 0.5

 

CMYK 26 / 0 / 40 / 0

HEX #7CFF347F

RGBA 124 255 52 0.5

HSLA 98.72, 1%, 0.6%, 0.5

LABA 89.88, -67.59, 77.97, 0.5

 

CMYK 40 / 25 / 0 / 0

HEX #327DFF7F

RGBA 50 125 255 0.5

HSLA 218.05, 1%, 0.6%, 0.5

LABA 54.62, 23.05, -71.05, 0.5

 

CMYK 0 / 40 / 25 / 0

HEX #FF327D7F

RGBA 255 50 125 0.5

HSLA 338.05, 1%, 0.6%, 0.5

LABA 57.1, 77.73, 9.02, 0.5

 

CMYK 26 / 0 / 40 / 0

HEX #7CFF347F

RGBA 124 255 52 0.5

HSLA 98.72, 1%, 0.6%, 0.5

LABA 89.88, -67.59, 77.97, 0.5

 

CMYK 40 / 0 / 7 / 0

HEX #32FFDD7F

RGBA 50 255 221 0.5

HSLA 170.05, 1%, 0.6%, 0.5

LABA 90.51, -55.14, 2.64, 0.5

 

CMYK 15 / 40 / 0 / 0

HEX #B432FF7F

RGBA 180 50 255 0.5

HSLA 278.05, 1%, 0.6%, 0.5

LABA 50.93, 79.91, -76.6, 0.5

 

CMYK 0 / 40 / 33 / 0

HEX #FF32557F

RGBA 255 50 85 0.5

HSLA 349.76, 1%, 0.6%, 0.5

LABA 56.28, 75.28, 31.64, 0.5

 

CMYK 26 / 0 / 40 / 0

HEX #7CFF347F

RGBA 124 255 52 0.5

HSLA 98.72, 1%, 0.6%, 0.5

LABA 89.88, -67.59, 77.97, 0.5

 

CMYK 40 / 5 / 0 / 0

HEX #32E3FF7F

RGBA 50 227 255 0.5

HSLA 188.2, 1%, 0.6%, 0.5

LABA 83.36, -33.34, -25.83, 0.5

 

CMYK 15 / 40 / 0 / 0

HEX #B432FF7F

RGBA 180 50 255 0.5

HSLA 278.05, 1%, 0.6%, 0.5

LABA 50.93, 79.91, -76.6, 0.5

 

CMYK 0 / 35 / 40 / 0

HEX #FF4E327F

RGBA 255 78 50 0.5

HSLA 8.2, 1%, 0.6%, 0.5

LABA 58.92, 65.44, 53.62, 0.5

 

Description

Color code: RGBA 124 255 52 0.5 | qconv.com Color code: RGBA 124 255 52 0.5 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 124 red, 255 green and 52 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
124 255 52 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 26 cyan, none magenta, 40 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
26% 0% 40% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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