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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 124 219 35 0.30 it is the complementary color RGBA 131 36 220 0.30. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 124 219 35 0.30. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGBA 124 219 35 0.30: RGBA 129 219 30 0.30, RGBA 146 237 49 0.30, RGBA 163 255 68 0.30, RGBA 180 255 87 0.30 and RGBA 197 255 106 0.30

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 124 219 35 0.30. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGBA 124 219 35 0.30: RGBA 124 219 35 0.30, RGBA 107 201 16 0.30, RGBA 90 183 0 0.30, RGBA 73 165 0 0.30 and RGBA 56 147 0 0.30

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 13 / 0 / 25 / 4

HEX #7CDB234C

RGBA 124 219 35 0.30

HSLA 90.98, 0.72%, 0.5%, 0.30

LABA 79.08, -55.08, 72.42, 0.30

 

Complementary color

CMYK 12 / 25 / 0 / 4

HEX #8324DC4C

RGBA 131 36 220 0.30

HSLA 270.98, 0.72%, 0.5%, 0.30

LABA 40.01, 69.76, -74.96, 0.30

 

CMYK 12 / 0 / 26 / 4

HEX #81DB1E4C

RGBA 129 219 30 0.30

HSLA 88.57, 0.76%, 0.49%, 0.30

LABA 79.28, -53.63, 73.74, 0.30

 

CMYK 12 / 0 / 24 / 2

HEX #92ED314C

RGBA 146 237 49 0.30

HSLA 89.04, 0.84%, 0.56%, 0.30

LABA 85.45, -54.38, 75.02, 0.30

 

CMYK 11 / 0 / 22 / 0

HEX #A3FF444C

RGBA 163 255 68 0.30

HSLA 89.52, 1%, 0.63%, 0.30

LABA 91.56, -54.93, 75.44, 0.30

 

CMYK 9 / 0 / 20 / 0

HEX #B4FF574C

RGBA 180 255 87 0.30

HSLA 86.79, 1%, 0.67%, 0.30

LABA 92.54, -47.91, 70.02, 0.30

 

CMYK 7 / 0 / 18 / 0

HEX #C5FF6A4C

RGBA 197 255 106 0.30

HSLA 83.36, 1%, 0.71%, 0.30

LABA 93.64, -40.38, 63.85, 0.30

 

CMYK 13 / 0 / 25 / 4

HEX #7CDB234C

RGBA 124 219 35 0.30

HSLA 90.98, 0.72%, 0.5%, 0.30

LABA 79.08, -55.08, 72.42, 0.30

 

CMYK 14 / 0 / 28 / 6

HEX #6BC9104C

RGBA 107 201 16 0.30

HSLA 90.49, 0.85%, 0.43%, 0.30

LABA 72.85, -54.11, 70.35, 0.30

 

CMYK 15 / 0 / 30 / 8

HEX #5AB7004C

RGBA 90 183 0 0.30

HSLA 90.49, 1%, 0.36%, 0.30

LABA 66.55, -52.83, 66.9, 0.30

 

CMYK 17 / 0 / 30 / 11

HEX #49A5004C

RGBA 73 165 0 0.30

HSLA 93.45, 1%, 0.32%, 0.30

LABA 60.18, -51.14, 61.62, 0.30

 

CMYK 19 / 0 / 30 / 13

HEX #3893004C

RGBA 56 147 0 0.30

HSLA 97.14, 1%, 0.29%, 0.30

LABA 53.72, -49.22, 56.28, 0.30

 

CMYK 13 / 0 / 25 / 4

HEX #7CDB234C

RGBA 124 219 35 0.30

HSLA 90.98, 0.72%, 0.5%, 0.30

LABA 79.08, -55.08, 72.42, 0.30

 

CMYK 17 / 0 / 25 / 4

HEX #60DB234C

RGBA 96 219 35 0.30

HSLA 100.11, 0.72%, 0.5%, 0.30

LABA 78.03, -63.16, 71.1, 0.30

 

CMYK 21 / 0 / 25 / 4

HEX #42DB234C

RGBA 66 219 35 0.30

HSLA 109.89, 0.72%, 0.5%, 0.30

LABA 77.25, -69.7, 70.1, 0.30

 

CMYK 25 / 0 / 25 / 4

HEX #23DB234C

RGBA 35 219 35 0.30

HSLA 120, 0.72%, 0.5%, 0.30

LABA 76.76, -73.91, 69.48, 0.30

 

CMYK 25 / 0 / 21 / 4

HEX #23DB424C

RGBA 35 219 66 0.30

HSLA 130.11, 0.72%, 0.5%, 0.30

LABA 76.93, -71.84, 60.11, 0.30

 

CMYK 13 / 0 / 25 / 4

HEX #7CDB234C

RGBA 124 219 35 0.30

HSLA 90.98, 0.72%, 0.5%, 0.30

LABA 79.08, -55.08, 72.42, 0.30

 

CMYK 14 / 0 / 26 / 28

HEX #080F024C

RGBA 8 15 2 0.30

HSLA 92.31, 0.76%, 0.03%, 0.30

LABA 3.59, -3.93, 4.49, 0.30

 

CMYK 13 / 0 / 25 / 22

HEX #25420B4C

RGBA 37 66 11 0.30

HSLA 91.64, 0.71%, 0.15%, 0.30

LABA 24.68, -21.46, 28.22, 0.30

 

CMYK 13 / 0 / 25 / 16

HEX #4275134C

RGBA 66 117 19 0.30

HSLA 91.22, 0.72%, 0.27%, 0.30

LABA 44.13, -33.62, 44.33, 0.30

 

CMYK 13 / 0 / 25 / 10

HEX #5FA81B4C

RGBA 95 168 27 0.30

HSLA 91.06, 0.72%, 0.38%, 0.30

LABA 62.1, -44.69, 58.84, 0.30

 

CMYK 13 / 0 / 25 / 4

HEX #7CDB234C

RGBA 124 219 35 0.30

HSLA 90.98, 0.72%, 0.5%, 0.30

LABA 79.08, -55.08, 72.42, 0.30

 

CMYK 25 / 0 / 8 / 4

HEX #23DBA44C

RGBA 35 219 164 0.30

HSLA 162.07, 0.72%, 0.5%, 0.30

LABA 78.29, -55.96, 14.97, 0.30

 

CMYK 0 / 25 / 3 / 4

HEX #DB23C84C

RGBA 219 35 200 0.30

HSLA 306.2, 0.72%, 0.5%, 0.30

LABA 52.32, 80.95, -42.89, 0.30

 

CMYK 13 / 0 / 25 / 4

HEX #7CDB234C

RGBA 124 219 35 0.30

HSLA 90.98, 0.72%, 0.5%, 0.30

LABA 79.08, -55.08, 72.42, 0.30

 

CMYK 25 / 13 / 0 / 4

HEX #237FDB4C

RGBA 35 127 219 0.30

HSLA 210, 0.72%, 0.5%, 0.30

LABA 52.56, 7.06, -54.31, 0.30

 

CMYK 0 / 25 / 13 / 4

HEX #DB237F4C

RGBA 219 35 127 0.30

HSLA 330, 0.72%, 0.5%, 0.30

LABA 49.25, 72.47, -4.4, 0.30

 

CMYK 13 / 0 / 25 / 4

HEX #7CDB234C

RGBA 124 219 35 0.30

HSLA 90.98, 0.72%, 0.5%, 0.30

LABA 79.08, -55.08, 72.42, 0.30

 

CMYK 25 / 0 / 8 / 4

HEX #23DBA44C

RGBA 35 219 164 0.30

HSLA 162.07, 0.72%, 0.5%, 0.30

LABA 78.29, -55.96, 14.97, 0.30

 

CMYK 13 / 25 / 0 / 4

HEX #7F23DB4C

RGBA 127 35 219 0.30

HSLA 270, 0.72%, 0.5%, 0.30

LABA 39.29, 69.32, -75.58, 0.30

 

CMYK 0 / 25 / 18 / 4

HEX #DB235A4C

RGBA 219 35 90 0.30

HSLA 342.07, 0.72%, 0.5%, 0.30

LABA 48.26, 69.61, 16.85, 0.30

 

CMYK 13 / 0 / 25 / 4

HEX #7CDB234C

RGBA 124 219 35 0.30

HSLA 90.98, 0.72%, 0.5%, 0.30

LABA 79.08, -55.08, 72.42, 0.30

 

CMYK 25 / 0 / 0 / 4

HEX #23DBDB4C

RGBA 35 219 219 0.30

HSLA 180, 0.72%, 0.5%, 0.30

LABA 79.69, -41.52, -12.28, 0.30

 

CMYK 13 / 25 / 0 / 4

HEX #7F23DB4C

RGBA 127 35 219 0.30

HSLA 270, 0.72%, 0.5%, 0.30

LABA 39.29, 69.32, -75.58, 0.30

 

CMYK 0 / 25 / 25 / 4

HEX #DB23234C

RGBA 219 35 35 0.30

HSLA 0, 0.72%, 0.5%, 0.30

LABA 47.47, 67.28, 47.94, 0.30

 

Description

Color code: RGBA 124 219 35 0.30 | qconv.com Color code: RGBA 124 219 35 0.30 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 124 red, 219 green and 35 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
124 219 35 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 13 cyan, none magenta, 25 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
13% 0% 25% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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