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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 124 197 118 0.75 it is the complementary color RGBA 131 58 137 0.75. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 124 197 118 0.75. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGBA 124 197 118 0.75: RGBA 129 197 113 0.75, RGBA 146 215 132 0.75, RGBA 163 233 151 0.75, RGBA 180 251 170 0.75 and RGBA 197 255 189 0.75

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 124 197 118 0.75. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGBA 124 197 118 0.75: RGBA 124 197 118 0.75, RGBA 107 179 99 0.75, RGBA 90 161 80 0.75, RGBA 73 143 61 0.75 and RGBA 56 125 42 0.75

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 28 / 0 / 30 / 17

HEX #7CC576BF

RGBA 124 197 118 0.75

HSLA 115.44, 0.41%, 0.62%, 0.75

LABA 73.24, -38.45, 32.6, 0.75

 

Complementary color

CMYK 3 / 43 / 0 / 35

HEX #833A89BF

RGBA 131 58 137 0.75

HSLA 295.44, 0.41%, 0.38%, 0.75

LABA 37.22, 43.11, -30.25, 0.75

 

CMYK 26 / 0 / 32 / 17

HEX #81C571BF

RGBA 129 197 113 0.75

HSLA 108.57, 0.42%, 0.61%, 0.75

LABA 73.41, -37.55, 35.43, 0.75

 

CMYK 24 / 0 / 29 / 12

HEX #92D784BF

RGBA 146 215 132 0.75

HSLA 109.88, 0.51%, 0.68%, 0.75

LABA 79.83, -37.36, 34.24, 0.75

 

CMYK 23 / 0 / 26 / 6

HEX #A3E997BF

RGBA 163 233 151 0.75

HSLA 111.22, 0.65%, 0.75%, 0.75

LABA 86.16, -37.16, 33.09, 0.75

 

CMYK 21 / 0 / 24 / 1

HEX #B4FBAABF

RGBA 180 251 170 0.75

HSLA 112.59, 0.91%, 0.83%, 0.75

LABA 92.4, -36.95, 31.99, 0.75

 

CMYK 17 / 0 / 19 / 0

HEX #C5FFBDBF

RGBA 197 255 189 0.75

HSLA 112.73, 1%, 0.87%, 0.75

LABA 94.77, -30.31, 25.77, 0.75

 

CMYK 28 / 0 / 30 / 17

HEX #7CC576BF

RGBA 124 197 118 0.75

HSLA 115.44, 0.41%, 0.62%, 0.75

LABA 73.24, -38.45, 32.6, 0.75

 

CMYK 30 / 0 / 34 / 22

HEX #6BB363BF

RGBA 107 179 99 0.75

HSLA 114, 0.34%, 0.55%, 0.75

LABA 66.72, -38.64, 33.85, 0.75

 

CMYK 33 / 0 / 38 / 28

HEX #5AA150BF

RGBA 90 161 80 0.75

HSLA 112.59, 0.34%, 0.47%, 0.75

LABA 60.11, -38.76, 35.14, 0.75

 

CMYK 37 / 0 / 43 / 33

HEX #498F3DBF

RGBA 73 143 61 0.75

HSLA 111.22, 0.4%, 0.4%, 0.75

LABA 53.38, -38.75, 36.43, 0.75

 

CMYK 41 / 0 / 50 / 38

HEX #387D2ABF

RGBA 56 125 42 0.75

HSLA 109.88, 0.5%, 0.33%, 0.75

LABA 46.55, -38.51, 37.57, 0.75

 

CMYK 28 / 0 / 30 / 17

HEX #7CC576BF

RGBA 124 197 118 0.75

HSLA 115.44, 0.41%, 0.62%, 0.75

LABA 73.24, -38.45, 32.6, 0.75

 

CMYK 30 / 0 / 28 / 17

HEX #76C57CBF

RGBA 118 197 124 0.75

HSLA 124.56, 0.41%, 0.62%, 0.75

LABA 73.05, -39.38, 29.19, 0.75

 

CMYK 30 / 0 / 22 / 17

HEX #76C58ABF

RGBA 118 197 138 0.75

HSLA 135.19, 0.41%, 0.62%, 0.75

LABA 73.3, -36.98, 22.16, 0.75

 

CMYK 30 / 0 / 18 / 17

HEX #76C597BF

RGBA 118 197 151 0.75

HSLA 145.06, 0.41%, 0.62%, 0.75

LABA 73.56, -34.52, 15.58, 0.75

 

CMYK 30 / 0 / 13 / 17

HEX #76C5A4BF

RGBA 118 197 164 0.75

HSLA 154.94, 0.41%, 0.62%, 0.75

LABA 73.85, -31.85, 8.98, 0.75

 

CMYK 28 / 0 / 30 / 17

HEX #7CC576BF

RGBA 124 197 118 0.75

HSLA 115.44, 0.41%, 0.62%, 0.75

LABA 73.24, -38.45, 32.6, 0.75

 

CMYK 28 / 0 / 30 / 2

HEX #9CF895BF

RGBA 156 248 149 0.75

HSLA 115.76, 0.88%, 0.78%, 0.75

LABA 90.03, -46.26, 39.1, 0.75

 

CMYK 27 / 0 / 31 / 62

HEX #1C2C1ABF

RGBA 28 44 26 0.75

HSLA 113.33, 0.26%, 0.14%, 0.75

LABA 16.12, -11.21, 9.61, 0.75

 

CMYK 28 / 0 / 30 / 47

HEX #3C5F39BF

RGBA 60 95 57 0.75

HSLA 115.26, 0.25%, 0.3%, 0.75

LABA 36.82, -21.18, 17.86, 0.75

 

CMYK 28 / 0 / 30 / 32

HEX #5C9257BF

RGBA 92 146 87 0.75

HSLA 114.92, 0.25%, 0.46%, 0.75

LABA 55.61, -30.21, 25.76, 0.75

 

CMYK 28 / 0 / 30 / 17

HEX #7CC576BF

RGBA 124 197 118 0.75

HSLA 115.44, 0.41%, 0.62%, 0.75

LABA 73.24, -38.45, 32.6, 0.75

 

CMYK 30 / 3 / 0 / 17

HEX #76BCC5BF

RGBA 118 188 197 0.75

HSLA 186.84, 0.41%, 0.62%, 0.75

LABA 72.13, -19.67, -11.49, 0.75

 

CMYK 0 / 30 / 16 / 17

HEX #C5769CBF

RGBA 197 118 156 0.75

HSLA 331.14, 0.41%, 0.62%, 0.75

LABA 59.18, 36.03, -7.16, 0.75

 

CMYK 28 / 0 / 30 / 17

HEX #7CC576BF

RGBA 124 197 118 0.75

HSLA 115.44, 0.41%, 0.62%, 0.75

LABA 73.24, -38.45, 32.6, 0.75

 

CMYK 30 / 28 / 0 / 17

HEX #767CC5BF

RGBA 118 124 197 0.75

HSLA 235.44, 0.41%, 0.62%, 0.75

LABA 54.34, 16.12, -38.79, 0.75

 

CMYK 0 / 30 / 28 / 17

HEX #C5767CBF

RGBA 197 118 124 0.75

HSLA 355.44, 0.41%, 0.62%, 0.75

LABA 58.3, 31.65, 10.05, 0.75

 

CMYK 28 / 0 / 30 / 17

HEX #7CC576BF

RGBA 124 197 118 0.75

HSLA 115.44, 0.41%, 0.62%, 0.75

LABA 73.24, -38.45, 32.6, 0.75

 

CMYK 30 / 3 / 0 / 17

HEX #76BCC5BF

RGBA 118 188 197 0.75

HSLA 186.84, 0.41%, 0.62%, 0.75

LABA 72.13, -19.67, -11.49, 0.75

 

CMYK 2 / 30 / 0 / 17

HEX #BF76C5BF

RGBA 191 118 197 0.75

HSLA 295.44, 0.41%, 0.62%, 0.75

LABA 59.95, 41.12, -29.52, 0.75

 

CMYK 0 / 27 / 30 / 17

HEX #C57F76BF

RGBA 197 127 118 0.75

HSLA 6.84, 0.41%, 0.62%, 0.75

LABA 60.21, 26.05, 16.16, 0.75

 

CMYK 28 / 0 / 30 / 17

HEX #7CC576BF

RGBA 124 197 118 0.75

HSLA 115.44, 0.41%, 0.62%, 0.75

LABA 73.24, -38.45, 32.6, 0.75

 

CMYK 30 / 13 / 0 / 17

HEX #76A4C5BF

RGBA 118 164 197 0.75

HSLA 205.06, 0.41%, 0.62%, 0.75

LABA 65.31, -6.93, -21.8, 0.75

 

CMYK 2 / 30 / 0 / 17

HEX #BF76C5BF

RGBA 191 118 197 0.75

HSLA 295.44, 0.41%, 0.62%, 0.75

LABA 59.95, 41.12, -29.52, 0.75

 

CMYK 0 / 18 / 30 / 17

HEX #C59776BF

RGBA 197 151 118 0.75

HSLA 25.06, 0.41%, 0.62%, 0.75

LABA 65.99, 12.86, 24.03, 0.75

 

Description

Color code: RGBA 124 197 118 0.75 | qconv.com Color code: RGBA 124 197 118 0.75 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 124 red, 197 green and 118 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
124 197 118 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 28 cyan, none magenta, 30 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
28% 0% 30% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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