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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 123 165 95 0.65 it is the complementary color RGBA 132 90 160 0.65. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 123 165 95 0.65. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGBA 123 165 95 0.65: RGBA 128 165 90 0.65, RGBA 145 183 109 0.65, RGBA 162 201 128 0.65, RGBA 179 219 147 0.65 and RGBA 196 237 166 0.65

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 123 165 95 0.65. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGBA 123 165 95 0.65: RGBA 123 165 95 0.65, RGBA 106 147 76 0.65, RGBA 89 129 57 0.65, RGBA 72 111 38 0.65 and RGBA 55 93 19 0.65

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 17 / 0 / 28 / 23

HEX #7BA55FA5

RGBA 123 165 95 0.65

HSLA 96, 0.28%, 0.51%, 0.65

LABA 63.3, -27.15, 31.75, 0.65

 

Complementary color

CMYK 11 / 28 / 0 / 24

HEX #845AA0A5

RGBA 132 90 160 0.65

HSLA 276, 0.28%, 0.49%, 0.65

LABA 45.3, 30.77, -31.42, 0.65

 

CMYK 15 / 0 / 30 / 23

HEX #80A55AA5

RGBA 128 165 90 0.65

HSLA 89.6, 0.29%, 0.5%, 0.65

LABA 63.54, -25.92, 34.72, 0.65

 

CMYK 13 / 0 / 26 / 18

HEX #91B76DA5

RGBA 145 183 109 0.65

HSLA 90.81, 0.34%, 0.57%, 0.65

LABA 70.17, -25.88, 33.52, 0.65

 

CMYK 13 / 0 / 24 / 14

HEX #A2C980A5

RGBA 162 201 128 0.65

HSLA 92.05, 0.4%, 0.65%, 0.65

LABA 76.69, -25.81, 32.35, 0.65

 

CMYK 12 / 0 / 21 / 9

HEX #B3DB93A5

RGBA 179 219 147 0.65

HSLA 93.33, 0.5%, 0.72%, 0.65

LABA 83.1, -25.73, 31.24, 0.65

 

CMYK 11 / 0 / 19 / 5

HEX #C4EDA6A5

RGBA 196 237 166 0.65

HSLA 94.65, 0.66%, 0.79%, 0.65

LABA 89.42, -25.64, 30.17, 0.65

 

CMYK 17 / 0 / 28 / 23

HEX #7BA55FA5

RGBA 123 165 95 0.65

HSLA 96, 0.28%, 0.51%, 0.65

LABA 63.3, -27.15, 31.75, 0.65

 

CMYK 18 / 0 / 31 / 28

HEX #6A934CA5

RGBA 106 147 76 0.65

HSLA 94.65, 0.32%, 0.44%, 0.65

LABA 56.54, -27.24, 32.99, 0.65

 

CMYK 20 / 0 / 36 / 32

HEX #598139A5

RGBA 89 129 57 0.65

HSLA 93.33, 0.39%, 0.36%, 0.65

LABA 49.64, -27.26, 34.22, 0.65

 

CMYK 23 / 0 / 43 / 37

HEX #486F26A5

RGBA 72 111 38 0.65

HSLA 92.05, 0.49%, 0.29%, 0.65

LABA 42.59, -27.16, 35.31, 0.65

 

CMYK 27 / 0 / 52 / 41

HEX #375D13A5

RGBA 55 93 19 0.65

HSLA 90.81, 0.66%, 0.22%, 0.65

LABA 35.38, -26.8, 35.83, 0.65

 

CMYK 17 / 0 / 28 / 23

HEX #7BA55FA5

RGBA 123 165 95 0.65

HSLA 96, 0.28%, 0.51%, 0.65

LABA 63.3, -27.15, 31.75, 0.65

 

CMYK 21 / 0 / 28 / 23

HEX #6FA55FA5

RGBA 111 165 95 0.65

HSLA 106.29, 0.28%, 0.51%, 0.65

LABA 62.61, -31.47, 30.72, 0.65

 

CMYK 26 / 0 / 28 / 23

HEX #63A55FA5

RGBA 99 165 95 0.65

HSLA 116.57, 0.28%, 0.51%, 0.65

LABA 61.99, -35.5, 29.8, 0.65

 

CMYK 28 / 0 / 25 / 23

HEX #5FA566A5

RGBA 95 165 102 0.65

HSLA 126, 0.28%, 0.51%, 0.65

LABA 61.91, -35.63, 25.94, 0.65

 

CMYK 28 / 0 / 20 / 23

HEX #5FA571A5

RGBA 95 165 113 0.65

HSLA 135.43, 0.28%, 0.51%, 0.65

LABA 62.11, -33.68, 20.23, 0.65

 

CMYK 17 / 0 / 28 / 23

HEX #7BA55FA5

RGBA 123 165 95 0.65

HSLA 96, 0.28%, 0.51%, 0.65

LABA 63.3, -27.15, 31.75, 0.65

 

CMYK 17 / 0 / 28 / 10

HEX #A1D87CA5

RGBA 161 216 124 0.65

HSLA 95.87, 0.54%, 0.67%, 0.65

LABA 80.82, -33.81, 39.7, 0.65

 

CMYK 16 / 0 / 27 / 62

HEX #090C07A5

RGBA 9 12 7 0.65

HSLA 96, 0.26%, 0.04%, 0.65

LABA 3.04, -1.52, 1.65, 0.65

 

CMYK 17 / 0 / 28 / 49

HEX #2F3F24A5

RGBA 47 63 36 0.65

HSLA 95.56, 0.27%, 0.19%, 0.65

LABA 24.6, -12.4, 14.52, 0.65

 

CMYK 17 / 0 / 27 / 36

HEX #557242A5

RGBA 85 114 66 0.65

HSLA 96.25, 0.27%, 0.35%, 0.65

LABA 44.74, -20.05, 23.26, 0.65

 

CMYK 17 / 0 / 28 / 23

HEX #7BA55FA5

RGBA 123 165 95 0.65

HSLA 96, 0.28%, 0.51%, 0.65

LABA 63.3, -27.15, 31.75, 0.65

 

CMYK 28 / 0 / 6 / 23

HEX #5FA597A5

RGBA 95 165 151 0.65

HSLA 168, 0.28%, 0.51%, 0.65

LABA 62.99, -25.51, 0.35, 0.65

 

CMYK 0 / 28 / 6 / 23

HEX #A55F97A5

RGBA 165 95 151 0.65

HSLA 312, 0.28%, 0.51%, 0.65

LABA 50, 36.71, -18.49, 0.65

 

CMYK 17 / 0 / 28 / 23

HEX #7BA55FA5

RGBA 123 165 95 0.65

HSLA 96, 0.28%, 0.51%, 0.65

LABA 63.3, -27.15, 31.75, 0.65

 

CMYK 28 / 17 / 0 / 23

HEX #5F7BA5A5

RGBA 95 123 165 0.65

HSLA 216, 0.28%, 0.51%, 0.65

LABA 51.05, 1.23, -25.63, 0.65

 

CMYK 0 / 28 / 17 / 23

HEX #A55F7BA5

RGBA 165 95 123 0.65

HSLA 336, 0.28%, 0.51%, 0.65

LABA 49.02, 32.13, -3.29, 0.65

 

CMYK 17 / 0 / 28 / 23

HEX #7BA55FA5

RGBA 123 165 95 0.65

HSLA 96, 0.28%, 0.51%, 0.65

LABA 63.3, -27.15, 31.75, 0.65

 

CMYK 28 / 0 / 6 / 23

HEX #5FA597A5

RGBA 95 165 151 0.65

HSLA 168, 0.28%, 0.51%, 0.65

LABA 62.99, -25.51, 0.35, 0.65

 

CMYK 11 / 28 / 0 / 23

HEX #895FA5A5

RGBA 137 95 165 0.65

HSLA 276, 0.28%, 0.51%, 0.65

LABA 47.26, 30.55, -31.26, 0.65

 

CMYK 0 / 28 / 22 / 23

HEX #A55F6DA5

RGBA 165 95 109 0.65

HSLA 348, 0.28%, 0.51%, 0.65

LABA 48.62, 30.17, 4.52, 0.65

 

CMYK 17 / 0 / 28 / 23

HEX #7BA55FA5

RGBA 123 165 95 0.65

HSLA 96, 0.28%, 0.51%, 0.65

LABA 63.3, -27.15, 31.75, 0.65

 

CMYK 28 / 3 / 0 / 23

HEX #5F9EA5A5

RGBA 95 158 165 0.65

HSLA 186, 0.28%, 0.51%, 0.65

LABA 61.31, -18.36, -10.02, 0.65

 

CMYK 11 / 28 / 0 / 23

HEX #895FA5A5

RGBA 137 95 165 0.65

HSLA 276, 0.28%, 0.51%, 0.65

LABA 47.26, 30.55, -31.26, 0.65

 

CMYK 0 / 25 / 28 / 23

HEX #A5665FA5

RGBA 165 102 95 0.65

HSLA 6, 0.28%, 0.51%, 0.65

LABA 49.89, 24.52, 14.65, 0.65

 

Description

Color code: RGBA 123 165 95 0.65 | qconv.com Color code: RGBA 123 165 95 0.65 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 123 red, 165 green and 95 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
123 165 95 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 17 cyan, none magenta, 28 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
17% 0% 28% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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