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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 122 48 124 0.65 it is the complementary color RGBA 133 207 131 0.65. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 122 48 124 0.65. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGBA 122 48 124 0.65: RGBA 127 48 119 0.65, RGBA 144 66 138 0.65, RGBA 161 84 157 0.65, RGBA 178 102 176 0.65 and RGBA 195 120 195 0.65

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 122 48 124 0.65. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGBA 122 48 124 0.65: RGBA 122 48 124 0.65, RGBA 105 30 105 0.65, RGBA 88 12 86 0.65, RGBA 71 0 67 0.65 and RGBA 54 0 48 0.65

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 1 / 40 / 0 / 33

HEX #7A307CA5

RGBA 122 48 124 0.65

HSLA 298.42, 0.44%, 0.34%, 0.65

LABA 33.36, 42.98, -28.36, 0.65

 

Complementary color

CMYK 23 / 0 / 24 / 12

HEX #85CF83A5

RGBA 133 207 131 0.65

HSLA 118.42, 0.44%, 0.66%, 0.65

LABA 76.83, -38.09, 30.69, 0.65

 

CMYK 0 / 40 / 4 / 33

HEX #7F3077A5

RGBA 127 48 119 0.65

HSLA 306.08, 0.45%, 0.34%, 0.65

LABA 33.89, 43.47, -24.34, 0.65

 

CMYK 0 / 35 / 3 / 28

HEX #90428AA5

RGBA 144 66 138 0.65

HSLA 304.62, 0.37%, 0.41%, 0.65

LABA 40.67, 43.06, -25.32, 0.65

 

CMYK 0 / 31 / 2 / 24

HEX #A1549DA5

RGBA 161 84 157 0.65

HSLA 303.12, 0.31%, 0.48%, 0.65

LABA 47.43, 42.41, -26.04, 0.65

 

CMYK 0 / 28 / 1 / 20

HEX #B266B0A5

RGBA 178 102 176 0.65

HSLA 301.58, 0.33%, 0.55%, 0.65

LABA 54.14, 41.67, -26.61, 0.65

 

CMYK 0 / 25 / 0 / 15

HEX #C378C3A5

RGBA 195 120 195 0.65

HSLA 300, 0.38%, 0.62%, 0.65

LABA 60.76, 40.91, -27.09, 0.65

 

CMYK 1 / 40 / 0 / 33

HEX #7A307CA5

RGBA 122 48 124 0.65

HSLA 298.42, 0.44%, 0.34%, 0.65

LABA 33.36, 42.98, -28.36, 0.65

 

CMYK 0 / 46 / 0 / 38

HEX #691E69A5

RGBA 105 30 105 0.65

HSLA 300, 0.56%, 0.26%, 0.65

LABA 26.6, 42.93, -27.15, 0.65

 

CMYK 0 / 56 / 1 / 43

HEX #580C56A5

RGBA 88 12 86 0.65

HSLA 301.58, 0.76%, 0.2%, 0.65

LABA 20.08, 41.73, -25.16, 0.65

 

CMYK 0 / 65 / 4 / 47

HEX #470043A5

RGBA 71 0 67 0.65

HSLA 303.38, 1%, 0.14%, 0.65

LABA 14.09, 38.41, -21.86, 0.65

 

CMYK 0 / 65 / 7 / 51

HEX #360030A5

RGBA 54 0 48 0.65

HSLA 306.67, 1%, 0.11%, 0.65

LABA 8.97, 31.65, -16.54, 0.65

 

CMYK 1 / 40 / 0 / 33

HEX #7A307CA5

RGBA 122 48 124 0.65

HSLA 298.42, 0.44%, 0.34%, 0.65

LABA 33.36, 42.98, -28.36, 0.65

 

CMYK 0 / 40 / 5 / 33

HEX #7C3072A5

RGBA 124 48 114 0.65

HSLA 307.89, 0.44%, 0.34%, 0.65

LABA 33.17, 41.71, -22.36, 0.65

 

CMYK 0 / 40 / 12 / 33

HEX #7C3065A5

RGBA 124 48 101 0.65

HSLA 318.16, 0.44%, 0.34%, 0.65

LABA 32.57, 39.52, -15.03, 0.65

 

CMYK 0 / 40 / 18 / 33

HEX #7C3059A5

RGBA 124 48 89 0.65

HSLA 327.63, 0.44%, 0.34%, 0.65

LABA 32.08, 37.69, -8.05, 0.65

 

CMYK 0 / 40 / 25 / 33

HEX #7C304CA5

RGBA 124 48 76 0.65

HSLA 337.89, 0.44%, 0.34%, 0.65

LABA 31.63, 35.94, -0.27, 0.65

 

CMYK 1 / 40 / 0 / 33

HEX #7A307CA5

RGBA 122 48 124 0.65

HSLA 298.42, 0.44%, 0.34%, 0.65

LABA 33.36, 42.98, -28.36, 0.65

 

CMYK 1 / 40 / 0 / 20

HEX #AC44AFA5

RGBA 172 68 175 0.65

HSLA 298.32, 0.44%, 0.48%, 0.65

LABA 46.97, 56.5, -37.28, 0.65

 

CMYK 1 / 40 / 0 / 7

HEX #DE57E2A5

RGBA 222 87 226 0.65

HSLA 298.27, 0.71%, 0.61%, 0.65

LABA 59.74, 69.64, -45.91, 0.65

 

CMYK 0 / 38 / 0 / 59

HEX #160916A5

RGBA 22 9 22 0.65

HSLA 300, 0.42%, 0.06%, 0.65

LABA 3.83, 6.98, -4.99, 0.65

 

CMYK 1 / 40 / 0 / 46

HEX #481C49A5

RGBA 72 28 73 0.65

HSLA 298.67, 0.45%, 0.2%, 0.65

LABA 18.75, 28.23, -18.63, 0.65

 

CMYK 1 / 40 / 0 / 33

HEX #7A307CA5

RGBA 122 48 124 0.65

HSLA 298.42, 0.44%, 0.34%, 0.65

LABA 33.36, 42.98, -28.36, 0.65

 

CMYK 0 / 33 / 40 / 33

HEX #7C3D30A5

RGBA 124 61 48 0.65

HSLA 10.26, 0.44%, 0.34%, 0.65

LABA 33.64, 26.06, 20.49, 0.65

 

CMYK 40 / 0 / 17 / 33

HEX #307C5BA5

RGBA 48 124 91 0.65

HSLA 153.95, 0.44%, 0.34%, 0.65

LABA 46.71, -31.81, 11.17, 0.65

 

CMYK 1 / 40 / 0 / 33

HEX #7A307CA5

RGBA 122 48 124 0.65

HSLA 298.42, 0.44%, 0.34%, 0.65

LABA 33.36, 42.98, -28.36, 0.65

 

CMYK 0 / 1 / 40 / 33

HEX #7C7A30A5

RGBA 124 122 48 0.65

HSLA 58.42, 0.44%, 0.34%, 0.65

LABA 50, -9.52, 39.78, 0.65

 

CMYK 40 / 0 / 1 / 33

HEX #307C7AA5

RGBA 48 124 122 0.65

HSLA 178.42, 0.44%, 0.34%, 0.65

LABA 47.56, -23.55, -5.89, 0.65

 

CMYK 1 / 40 / 0 / 33

HEX #7A307CA5

RGBA 122 48 124 0.65

HSLA 298.42, 0.44%, 0.34%, 0.65

LABA 33.36, 42.98, -28.36, 0.65

 

CMYK 0 / 33 / 40 / 33

HEX #7C3D30A5

RGBA 124 61 48 0.65

HSLA 10.26, 0.44%, 0.34%, 0.65

LABA 33.64, 26.06, 20.49, 0.65

 

CMYK 38 / 0 / 40 / 33

HEX #337C30A5

RGBA 51 124 48 0.65

HSLA 117.63, 0.44%, 0.34%, 0.65

LABA 46.09, -38.82, 34.13, 0.65

 

CMYK 40 / 6 / 0 / 33

HEX #30707CA5

RGBA 48 112 124 0.65

HSLA 189.47, 0.44%, 0.34%, 0.65

LABA 43.76, -16.52, -12.79, 0.65

 

CMYK 1 / 40 / 0 / 33

HEX #7A307CA5

RGBA 122 48 124 0.65

HSLA 298.42, 0.44%, 0.34%, 0.65

LABA 33.36, 42.98, -28.36, 0.65

 

CMYK 0 / 21 / 40 / 33

HEX #7C5430A5

RGBA 124 84 48 0.65

HSLA 28.42, 0.44%, 0.34%, 0.65

LABA 39.31, 12.55, 27.49, 0.65

 

CMYK 38 / 0 / 40 / 33

HEX #337C30A5

RGBA 51 124 48 0.65

HSLA 117.63, 0.44%, 0.34%, 0.65

LABA 46.09, -38.82, 34.13, 0.65

 

CMYK 40 / 18 / 0 / 33

HEX #30597CA5

RGBA 48 89 124 0.65

HSLA 207.63, 0.44%, 0.34%, 0.65

LABA 36.42, -2.97, -24.07, 0.65

 

Description

Color code: RGBA 122 48 124 0.65 | qconv.com Color code: RGBA 122 48 124 0.65 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 122 red, 48 green and 124 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
122 48 124 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 1 cyan, 40 magenta, none yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
1% 40% 0% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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