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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 119 75 250 0.9 it is the complementary color RGBA 136 180 5 0.9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 119 75 250 0.9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGBA 119 75 250 0.9: RGBA 124 75 245 0.9, RGBA 141 93 255 0.9, RGBA 158 111 255 0.9, RGBA 175 129 255 0.9 and RGBA 192 147 255 0.9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 119 75 250 0.9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGBA 119 75 250 0.9: RGBA 119 75 250 0.9, RGBA 102 57 231 0.9, RGBA 85 39 212 0.9, RGBA 68 21 193 0.9 and RGBA 51 3 174 0.9

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 47 / 63 / 0 / 2

HEX #774BFAE5

RGBA 119 75 250 0.9

HSLA 255.09, 0.95%, 0.64%, 0.9

LABA 46.79, 59.59, -80.87, 0.9

 

Complementary color

CMYK 22 / 0 / 88 / 26

HEX #88B405E5

RGBA 136 180 5 0.9

HSLA 75.09, 0.95%, 0.36%, 0.9

LABA 67.94, -35.15, 68.36, 0.9

 

CMYK 44 / 62 / 0 / 4

HEX #7C4BF5E5

RGBA 124 75 245 0.9

HSLA 257.29, 0.89%, 0.63%, 0.9

LABA 46.86, 59.01, -77.94, 0.9

 

CMYK 40 / 57 / 0 / 0

HEX #8D5DFFE5

RGBA 141 93 255 0.9

HSLA 257.78, 1%, 0.68%, 0.9

LABA 52.63, 55.41, -74.02, 0.9

 

CMYK 34 / 51 / 0 / 0

HEX #9E6FFFE5

RGBA 158 111 255 0.9

HSLA 259.58, 1%, 0.72%, 0.9

LABA 57.9, 49.27, -65.42, 0.9

 

CMYK 28 / 44 / 0 / 0

HEX #AF81FFE5

RGBA 175 129 255 0.9

HSLA 261.9, 1%, 0.75%, 0.9

LABA 63.37, 43.44, -56.58, 0.9

 

CMYK 22 / 38 / 0 / 0

HEX #C093FFE5

RGBA 192 147 255 0.9

HSLA 265, 1%, 0.79%, 0.9

LABA 68.96, 38, -47.62, 0.9

 

CMYK 47 / 63 / 0 / 2

HEX #774BFAE5

RGBA 119 75 250 0.9

HSLA 255.09, 0.95%, 0.64%, 0.9

LABA 46.79, 59.59, -80.87, 0.9

 

CMYK 50 / 68 / 0 / 8

HEX #6639E7E5

RGBA 102 57 231 0.9

HSLA 255.52, 0.78%, 0.56%, 0.9

LABA 40.44, 60.73, -80.64, 0.9

 

CMYK 54 / 73 / 0 / 15

HEX #5527D4E5

RGBA 85 39 212 0.9

HSLA 255.95, 0.69%, 0.49%, 0.9

LABA 34.26, 61.45, -79.99, 0.9

 

CMYK 58 / 80 / 0 / 22

HEX #4415C1E5

RGBA 68 21 193 0.9

HSLA 256.4, 0.8%, 0.42%, 0.9

LABA 28.42, 61.28, -78.62, 0.9

 

CMYK 64 / 88 / 0 / 29

HEX #3303AEE5

RGBA 51 3 174 0.9

HSLA 256.84, 0.97%, 0.35%, 0.9

LABA 23.08, 59.75, -76.22, 0.9

 

CMYK 47 / 63 / 0 / 2

HEX #774BFAE5

RGBA 119 75 250 0.9

HSLA 255.09, 0.95%, 0.64%, 0.9

LABA 46.79, 59.59, -80.87, 0.9

 

CMYK 37 / 63 / 0 / 2

HEX #944BFAE5

RGBA 148 75 250 0.9

HSLA 265.03, 0.95%, 0.64%, 0.9

LABA 49.77, 64.27, -75.86, 0.9

 

CMYK 26 / 63 / 0 / 2

HEX #B14BFAE5

RGBA 177 75 250 0.9

HSLA 274.97, 0.95%, 0.64%, 0.9

LABA 53.26, 69.51, -70.05, 0.9

 

CMYK 16 / 63 / 0 / 2

HEX #CE4BFAE5

RGBA 206 75 250 0.9

HSLA 284.91, 0.95%, 0.64%, 0.9

LABA 57.13, 75.13, -63.6, 0.9

 

CMYK 5 / 63 / 0 / 2

HEX #EB4BFAE5

RGBA 235 75 250 0.9

HSLA 294.86, 0.95%, 0.64%, 0.9

LABA 61.3, 80.99, -56.69, 0.9

 

CMYK 47 / 63 / 0 / 2

HEX #774BFAE5

RGBA 119 75 250 0.9

HSLA 255.09, 0.95%, 0.64%, 0.9

LABA 46.79, 59.59, -80.87, 0.9

 

CMYK 47 / 63 / 0 / 74

HEX #160E2EE5

RGBA 22 14 46 0.9

HSLA 255, 0.53%, 0.12%, 0.9

LABA 6.16, 13.35, -19.86, 0.9

 

CMYK 47 / 63 / 0 / 56

HEX #2E1D61E5

RGBA 46 29 97 0.9

HSLA 255, 0.54%, 0.25%, 0.9

LABA 17.1, 27.16, -37.64, 0.9

 

CMYK 47 / 63 / 0 / 38

HEX #462C94E5

RGBA 70 44 148 0.9

HSLA 255, 0.54%, 0.38%, 0.9

LABA 27.41, 38.83, -53.19, 0.9

 

CMYK 47 / 63 / 0 / 20

HEX #5F3CC7E5

RGBA 95 60 199 0.9

HSLA 255.11, 0.55%, 0.51%, 0.9

LABA 37.46, 49.3, -67.15, 0.9

 

CMYK 47 / 63 / 0 / 2

HEX #774BFAE5

RGBA 119 75 250 0.9

HSLA 255.09, 0.95%, 0.64%, 0.9

LABA 46.79, 59.59, -80.87, 0.9

 

CMYK 0 / 63 / 28 / 2

HEX #FA4BABE5

RGBA 250 75 171 0.9

HSLA 327.09, 0.95%, 0.64%, 0.9

LABA 60.16, 73.45, -13.58, 0.9

 

CMYK 53 / 0 / 63 / 2

HEX #66FA4BE5

RGBA 102 250 75 0.9

HSLA 110.74, 0.95%, 0.64%, 0.9

LABA 87.83, -69.93, 68.56, 0.9

 

CMYK 47 / 63 / 0 / 2

HEX #774BFAE5

RGBA 119 75 250 0.9

HSLA 255.09, 0.95%, 0.64%, 0.9

LABA 46.79, 59.59, -80.87, 0.9

 

CMYK 0 / 47 / 63 / 2

HEX #FA774BE5

RGBA 250 119 75 0.9

HSLA 15.09, 0.95%, 0.64%, 0.9

LABA 64.98, 47.14, 47.24, 0.9

 

CMYK 63 / 0 / 47 / 2

HEX #4BFA77E5

RGBA 75 250 119 0.9

HSLA 135.09, 0.95%, 0.64%, 0.9

LABA 87.58, -70.48, 49.81, 0.9

 

CMYK 47 / 63 / 0 / 2

HEX #774BFAE5

RGBA 119 75 250 0.9

HSLA 255.09, 0.95%, 0.64%, 0.9

LABA 46.79, 59.59, -80.87, 0.9

 

CMYK 0 / 63 / 28 / 2

HEX #FA4BABE5

RGBA 250 75 171 0.9

HSLA 327.09, 0.95%, 0.64%, 0.9

LABA 60.16, 73.45, -13.58, 0.9

 

CMYK 16 / 0 / 63 / 2

HEX #CEFA4BE5

RGBA 206 250 75 0.9

HSLA 75.09, 0.95%, 0.64%, 0.9

LABA 92.58, -36.92, 74.9, 0.9

 

CMYK 63 / 0 / 35 / 2

HEX #4BFA9AE5

RGBA 75 250 154 0.9

HSLA 147.09, 0.95%, 0.64%, 0.9

LABA 88.06, -64.96, 33.55, 0.9

 

CMYK 47 / 63 / 0 / 2

HEX #774BFAE5

RGBA 119 75 250 0.9

HSLA 255.09, 0.95%, 0.64%, 0.9

LABA 46.79, 59.59, -80.87, 0.9

 

CMYK 0 / 63 / 47 / 2

HEX #FA4B77E5

RGBA 250 75 119 0.9

HSLA 344.91, 0.95%, 0.64%, 0.9

LABA 58.68, 68.56, 14.67, 0.9

 

CMYK 16 / 0 / 63 / 2

HEX #CEFA4BE5

RGBA 206 250 75 0.9

HSLA 75.09, 0.95%, 0.64%, 0.9

LABA 92.58, -36.92, 74.9, 0.9

 

CMYK 63 / 0 / 16 / 2

HEX #4BFACEE5

RGBA 75 250 206 0.9

HSLA 164.91, 0.95%, 0.64%, 0.9

LABA 89.08, -54.11, 8.39, 0.9

 

Description

Color code: RGBA 119 75 250 0.9 | qconv.com Color code: RGBA 119 75 250 0.9 | qconv.com - big

With this color blue stands out from the other colors. The value that represents the blue hue is greater than the other two values. It is far different from the value for the red and green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 119 red, 75 green and 250 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
119 75 250 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 47 cyan, 63 magenta, none yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
47% 63% 0% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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