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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 119 74 98 0.67 it is the complementary color RGBA 136 181 157 0.67. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 119 74 98 0.67. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGBA 119 74 98 0.67: RGBA 124 74 93 0.67, RGBA 141 92 112 0.67, RGBA 158 110 131 0.67, RGBA 175 128 150 0.67 and RGBA 192 146 169 0.67

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 119 74 98 0.67. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGBA 119 74 98 0.67: RGBA 119 74 98 0.67, RGBA 102 56 79 0.67, RGBA 85 38 60 0.67, RGBA 68 20 41 0.67 and RGBA 51 2 22 0.67

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 25 / 12 / 36

HEX #774A62AA

RGBA 119 74 98 0.67

HSLA 328, 0.23%, 0.38%, 0.67

LABA 37.3, 22.89, -6.03, 0.67

 

Complementary color

CMYK 17 / 0 / 9 / 19

HEX #88B59DAA

RGBA 136 181 157 0.67

HSLA 148, 0.23%, 0.62%, 0.67

LABA 69.98, -20.01, 7.39, 0.67

 

CMYK 0 / 27 / 17 / 34

HEX #7C4A5DAA

RGBA 124 74 93 0.67

HSLA 337.2, 0.25%, 0.39%, 0.67

LABA 37.79, 23.99, -2.09, 0.67

 

CMYK 0 / 23 / 14 / 30

HEX #8D5C70AA

RGBA 141 92 112 0.67

HSLA 335.51, 0.21%, 0.46%, 0.67

LABA 44.92, 23.12, -3.06, 0.67

 

CMYK 0 / 20 / 11 / 25

HEX #9E6E83AA

RGBA 158 110 131 0.67

HSLA 333.75, 0.2%, 0.53%, 0.67

LABA 51.9, 22.34, -3.89, 0.67

 

CMYK 0 / 18 / 10 / 21

HEX #AF8096AA

RGBA 175 128 150 0.67

HSLA 331.91, 0.23%, 0.59%, 0.67

LABA 58.75, 21.63, -4.64, 0.67

 

CMYK 0 / 16 / 8 / 17

HEX #C092A9AA

RGBA 192 146 169 0.67

HSLA 330, 0.27%, 0.66%, 0.67

LABA 65.46, 21, -5.32, 0.67

 

CMYK 0 / 25 / 12 / 36

HEX #774A62AA

RGBA 119 74 98 0.67

HSLA 328, 0.23%, 0.38%, 0.67

LABA 37.3, 22.89, -6.03, 0.67

 

CMYK 0 / 30 / 15 / 40

HEX #66384FAA

RGBA 102 56 79 0.67

HSLA 330, 0.29%, 0.31%, 0.67

LABA 29.96, 23.79, -5.09, 0.67

 

CMYK 0 / 37 / 20 / 45

HEX #55263CAA

RGBA 85 38 60 0.67

HSLA 331.91, 0.38%, 0.24%, 0.67

LABA 22.46, 24.72, -3.86, 0.67

 

CMYK 0 / 47 / 27 / 49

HEX #441429AA

RGBA 68 20 41 0.67

HSLA 333.75, 0.55%, 0.17%, 0.67

LABA 14.9, 25.44, -2.04, 0.67

 

CMYK 0 / 64 / 38 / 54

HEX #330216AA

RGBA 51 2 22 0.67

HSLA 335.51, 0.92%, 0.1%, 0.67

LABA 7.27, 25.98, 0.61, 0.67

 

CMYK 0 / 25 / 12 / 36

HEX #774A62AA

RGBA 119 74 98 0.67

HSLA 328, 0.23%, 0.38%, 0.67

LABA 37.3, 22.89, -6.03, 0.67

 

CMYK 0 / 25 / 16 / 36

HEX #774A5AAA

RGBA 119 74 90 0.67

HSLA 338.67, 0.23%, 0.38%, 0.67

LABA 37.04, 21.54, -1.4, 0.67

 

CMYK 0 / 25 / 20 / 36

HEX #774A53AA

RGBA 119 74 83 0.67

HSLA 348, 0.23%, 0.38%, 0.67

LABA 36.83, 20.45, 2.7, 0.67

 

CMYK 0 / 25 / 24 / 36

HEX #774A4CAA

RGBA 119 74 76 0.67

HSLA 357.33, 0.23%, 0.38%, 0.67

LABA 36.63, 19.43, 6.83, 0.67

 

CMYK 0 / 22 / 25 / 36

HEX #77504AAA

RGBA 119 80 74 0.67

HSLA 8, 0.23%, 0.38%, 0.67

LABA 38.12, 15.55, 10.17, 0.67

 

CMYK 0 / 25 / 12 / 36

HEX #774A62AA

RGBA 119 74 98 0.67

HSLA 328, 0.23%, 0.38%, 0.67

LABA 37.3, 22.89, -6.03, 0.67

 

CMYK 0 / 25 / 12 / 22

HEX #AA6A8CAA

RGBA 170 106 140 0.67

HSLA 328.13, 0.27%, 0.54%, 0.67

LABA 52.67, 30.5, -7.9, 0.67

 

CMYK 0 / 25 / 12 / 9

HEX #DD89B6AA

RGBA 221 137 182 0.67

HSLA 327.86, 0.55%, 0.7%, 0.67

LABA 67.01, 38.18, -9.98, 0.67

 

CMYK 0 / 24 / 12 / 63

HEX #110B0EAA

RGBA 17 11 14 0.67

HSLA 330, 0.21%, 0.05%, 0.67

LABA 3.52, 2.43, -0.62, 0.67

 

CMYK 0 / 26 / 12 / 49

HEX #442A38AA

RGBA 68 42 56 0.67

HSLA 327.69, 0.24%, 0.22%, 0.67

LABA 20.71, 14.58, -3.99, 0.67

 

CMYK 0 / 25 / 12 / 36

HEX #774A62AA

RGBA 119 74 98 0.67

HSLA 328, 0.23%, 0.38%, 0.67

LABA 37.3, 22.89, -6.03, 0.67

 

CMYK 0 / 8 / 25 / 36

HEX #77684AAA

RGBA 119 104 74 0.67

HSLA 40, 0.23%, 0.38%, 0.67

LABA 44.68, 1.19, 19.1, 0.67

 

CMYK 25 / 2 / 0 / 36

HEX #4A7477AA

RGBA 74 116 119 0.67

HSLA 184, 0.23%, 0.38%, 0.67

LABA 46.01, -13.71, -6.29, 0.67

 

CMYK 0 / 25 / 12 / 36

HEX #774A62AA

RGBA 119 74 98 0.67

HSLA 328, 0.23%, 0.38%, 0.67

LABA 37.3, 22.89, -6.03, 0.67

 

CMYK 12 / 0 / 25 / 36

HEX #62774AAA

RGBA 98 119 74 0.67

HSLA 88, 0.23%, 0.38%, 0.67

LABA 47.35, -16.29, 22.28, 0.67

 

CMYK 25 / 12 / 0 / 36

HEX #4A6277AA

RGBA 74 98 119 0.67

HSLA 208, 0.23%, 0.38%, 0.67

LABA 40.45, -3.23, -14.68, 0.67

 

CMYK 0 / 25 / 12 / 36

HEX #774A62AA

RGBA 119 74 98 0.67

HSLA 328, 0.23%, 0.38%, 0.67

LABA 37.3, 22.89, -6.03, 0.67

 

CMYK 0 / 8 / 25 / 36

HEX #77684AAA

RGBA 119 104 74 0.67

HSLA 40, 0.23%, 0.38%, 0.67

LABA 44.68, 1.19, 19.1, 0.67

 

CMYK 25 / 0 / 14 / 36

HEX #4A775FAA

RGBA 74 119 95 0.67

HSLA 148, 0.23%, 0.38%, 0.67

LABA 46.28, -21.24, 8.37, 0.67

 

CMYK 25 / 17 / 0 / 36

HEX #4A5977AA

RGBA 74 89 119 0.67

HSLA 220, 0.23%, 0.38%, 0.67

LABA 37.72, 2.31, -18.86, 0.67

 

CMYK 0 / 25 / 12 / 36

HEX #774A62AA

RGBA 119 74 98 0.67

HSLA 328, 0.23%, 0.38%, 0.67

LABA 37.3, 22.89, -6.03, 0.67

 

CMYK 0 / 1 / 25 / 36

HEX #77754AAA

RGBA 119 117 74 0.67

HSLA 57.33, 0.23%, 0.38%, 0.67

LABA 48.43, -6.31, 24.02, 0.67

 

CMYK 25 / 0 / 14 / 36

HEX #4A775FAA

RGBA 74 119 95 0.67

HSLA 148, 0.23%, 0.38%, 0.67

LABA 46.28, -21.24, 8.37, 0.67

 

CMYK 25 / 24 / 0 / 36

HEX #4A4C77AA

RGBA 74 76 119 0.67

HSLA 237.33, 0.23%, 0.38%, 0.67

LABA 33.89, 10.61, -24.81, 0.67

 

Description

Color code: RGBA 119 74 98 0.67 | qconv.com Color code: RGBA 119 74 98 0.67 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 119 red, 74 green and 98 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
119 74 98 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 25 magenta, 12 yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 25% 12% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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