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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 117 29 205 0.2 it is the complementary color RGBA 138 226 50 0.2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 117 29 205 0.2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGBA 117 29 205 0.2: RGBA 122 29 200 0.2, RGBA 139 47 219 0.2, RGBA 156 65 238 0.2, RGBA 173 83 255 0.2 and RGBA 190 101 255 0.2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 117 29 205 0.2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGBA 117 29 205 0.2: RGBA 117 29 205 0.2, RGBA 100 11 186 0.2, RGBA 83 0 167 0.2, RGBA 66 0 148 0.2 and RGBA 49 0 129 0.2

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 9 / 17 / 0 / 4

HEX #751DCD33

RGBA 117 29 205 0.2

HSLA 270, 0.75%, 0.46%, 0.2

LABA 36.12, 66.66, -72.75, 0.2

 

Complementary color

CMYK 8 / 0 / 16 / 2

HEX #8AE23233

RGBA 138 226 50 0.2

HSLA 90, 0.75%, 0.54%, 0.2

LABA 81.85, -52.62, 71.28, 0.2

 

CMYK 8 / 17 / 0 / 4

HEX #7A1DC833

RGBA 122 29 200 0.2

HSLA 272.63, 0.75%, 0.45%, 0.2

LABA 36.34, 66.19, -69.44, 0.2

 

CMYK 7 / 16 / 0 / 3

HEX #8B2FDB33

RGBA 139 47 219 0.2

HSLA 272.09, 0.7%, 0.52%, 0.2

LABA 42.21, 67.09, -70.73, 0.2

 

CMYK 7 / 15 / 0 / 1

HEX #9C41EE33

RGBA 156 65 238 0.2

HSLA 271.56, 0.84%, 0.59%, 0.2

LABA 48.29, 67.2, -71.52, 0.2

 

CMYK 6 / 13 / 0 / 0

HEX #AD53FF33

RGBA 173 83 255 0.2

HSLA 271.4, 1%, 0.66%, 0.2

LABA 54.33, 66.39, -71.1, 0.2

 

CMYK 5 / 12 / 0 / 0

HEX #BE65FF33

RGBA 190 101 255 0.2

HSLA 274.68, 1%, 0.7%, 0.2

LABA 59.41, 61.56, -62.82, 0.2

 

CMYK 9 / 17 / 0 / 4

HEX #751DCD33

RGBA 117 29 205 0.2

HSLA 270, 0.75%, 0.46%, 0.2

LABA 36.12, 66.66, -72.75, 0.2

 

CMYK 9 / 19 / 0 / 5

HEX #640BBA33

RGBA 100 11 186 0.2

HSLA 270.51, 0.89%, 0.39%, 0.2

LABA 30.63, 64.57, -70.72, 0.2

 

CMYK 10 / 20 / 0 / 7

HEX #5300A733

RGBA 83 0 167 0.2

HSLA 269.82, 1%, 0.33%, 0.2

LABA 25.65, 60.71, -67.62, 0.2

 

CMYK 11 / 20 / 0 / 8

HEX #42009433

RGBA 66 0 148 0.2

HSLA 266.76, 1%, 0.29%, 0.2

LABA 21.19, 55.02, -63.44, 0.2

 

CMYK 12 / 20 / 0 / 10

HEX #31008133

RGBA 49 0 129 0.2

HSLA 262.79, 1%, 0.25%, 0.2

LABA 16.69, 49.26, -59.06, 0.2

 

CMYK 9 / 17 / 0 / 4

HEX #751DCD33

RGBA 117 29 205 0.2

HSLA 270, 0.75%, 0.46%, 0.2

LABA 36.12, 66.66, -72.75, 0.2

 

CMYK 6 / 17 / 0 / 4

HEX #921DCD33

RGBA 146 29 205 0.2

HSLA 279.89, 0.75%, 0.46%, 0.2

LABA 40.24, 70.56, -65.83, 0.2

 

CMYK 3 / 17 / 0 / 4

HEX #AF1DCD33

RGBA 175 29 205 0.2

HSLA 289.77, 0.75%, 0.46%, 0.2

LABA 44.8, 75.06, -58.22, 0.2

 

CMYK 0 / 17 / 0 / 4

HEX #CD1DCD33

RGBA 205 29 205 0.2

HSLA 300, 0.75%, 0.46%, 0.2

LABA 49.82, 80.19, -49.9, 0.2

 

CMYK 0 / 17 / 3 / 4

HEX #CD1DAF33

RGBA 205 29 175 0.2

HSLA 310.23, 0.75%, 0.46%, 0.2

LABA 48.2, 75.95, -34.98, 0.2

 

CMYK 9 / 17 / 0 / 4

HEX #751DCD33

RGBA 117 29 205 0.2

HSLA 270, 0.75%, 0.46%, 0.2

LABA 36.12, 66.66, -72.75, 0.2

 

CMYK 0 / 20 / 0 / 20

HEX #01000133

RGBA 1 0 1 0.2

HSLA 300, 1%, 0%, 0.2

LABA 0.08, 0.4, -0.29, 0.2

 

CMYK 8 / 17 / 0 / 16

HEX #1E073433

RGBA 30 7 52 0.2

HSLA 270.67, 0.76%, 0.12%, 0.2

LABA 6.11, 22.15, -24.33, 0.2

 

CMYK 9 / 17 / 0 / 12

HEX #3B0F6733

RGBA 59 15 103 0.2

HSLA 270, 0.75%, 0.23%, 0.2

LABA 16.75, 38.67, -42.1, 0.2

 

CMYK 9 / 17 / 0 / 8

HEX #58169A33

RGBA 88 22 154 0.2

HSLA 270, 0.75%, 0.35%, 0.2

LABA 26.68, 53.2, -57.98, 0.2

 

CMYK 9 / 17 / 0 / 4

HEX #751DCD33

RGBA 117 29 205 0.2

HSLA 270, 0.75%, 0.46%, 0.2

LABA 36.12, 66.66, -72.75, 0.2

 

CMYK 0 / 17 / 12 / 4

HEX #CD1D5233

RGBA 205 29 82 0.2

HSLA 341.93, 0.75%, 0.46%, 0.2

LABA 44.9, 66.77, 16.77, 0.2

 

CMYK 17 / 0 / 16 / 4

HEX #1DCD2E33

RGBA 29 205 46 0.2

HSLA 125.8, 0.75%, 0.46%, 0.2

LABA 72.31, -69.83, 62.33, 0.2

 

CMYK 9 / 17 / 0 / 4

HEX #751DCD33

RGBA 117 29 205 0.2

HSLA 270, 0.75%, 0.46%, 0.2

LABA 36.12, 66.66, -72.75, 0.2

 

CMYK 0 / 9 / 17 / 4

HEX #CD751D33

RGBA 205 117 29 0.2

HSLA 30, 0.75%, 0.46%, 0.2

LABA 57.84, 28.7, 58.33, 0.2

 

CMYK 17 / 0 / 9 / 4

HEX #1DCD7533

RGBA 29 205 117 0.2

HSLA 150, 0.75%, 0.46%, 0.2

LABA 73.03, -61.06, 32.34, 0.2

 

CMYK 9 / 17 / 0 / 4

HEX #751DCD33

RGBA 117 29 205 0.2

HSLA 270, 0.75%, 0.46%, 0.2

LABA 36.12, 66.66, -72.75, 0.2

 

CMYK 0 / 17 / 12 / 4

HEX #CD1D5233

RGBA 205 29 82 0.2

HSLA 341.93, 0.75%, 0.46%, 0.2

LABA 44.9, 66.77, 16.77, 0.2

 

CMYK 9 / 0 / 17 / 4

HEX #75CD1D33

RGBA 117 205 29 0.2

HSLA 90, 0.75%, 0.46%, 0.2

LABA 74.53, -52.11, 69.65, 0.2

 

CMYK 17 / 0 / 5 / 4

HEX #1DCD9833

RGBA 29 205 152 0.2

HSLA 161.93, 0.75%, 0.46%, 0.2

LABA 73.67, -53.79, 14.85, 0.2

 

CMYK 9 / 17 / 0 / 4

HEX #751DCD33

RGBA 117 29 205 0.2

HSLA 270, 0.75%, 0.46%, 0.2

LABA 36.12, 66.66, -72.75, 0.2

 

CMYK 0 / 17 / 17 / 4

HEX #CD1D1D33

RGBA 205 29 29 0.2

HSLA 0, 0.75%, 0.46%, 0.2

LABA 44.16, 64.61, 46.93, 0.2

 

CMYK 9 / 0 / 17 / 4

HEX #75CD1D33

RGBA 117 205 29 0.2

HSLA 90, 0.75%, 0.46%, 0.2

LABA 74.53, -52.11, 69.65, 0.2

 

CMYK 17 / 0 / 0 / 4

HEX #1DCDCD33

RGBA 29 205 205 0.2

HSLA 180, 0.75%, 0.46%, 0.2

LABA 75.03, -39.7, -11.73, 0.2

 

Description

Color code: RGBA 117 29 205 0.2 | qconv.com Color code: RGBA 117 29 205 0.2 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 117 red, 29 green and 205 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
117 29 205 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 9 cyan, 17 magenta, none yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
9% 17% 0% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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