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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 116 147 142 0.75 it is the complementary color RGBA 139 108 113 0.75. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 116 147 142 0.75. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGBA 116 147 142 0.75 shade: RGBA 121 147 137 0.75, RGBA 138 165 156 0.75, RGBA 155 183 175 0.75, RGBA 172 201 194 0.75 and RGBA 189 219 213 0.75

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 116 147 142 0.75. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGBA 116 147 142 0.75 shade: RGBA 116 147 142 0.75, RGBA 99 129 123 0.75, RGBA 82 111 104 0.75, RGBA 65 93 85 0.75 and RGBA 48 75 66 0.75

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGBA 116 147 142 0.75 shade: RGB 117 149 143, RGB 117 149 135, RGB 117 149 126, RGB 117 149 118 and RGB 124 149 117

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGBA 116 147 142 0.75 shade: RGB 117 149 143, RGB 117 145 149, RGB 117 136 149, RGB 117 128 149 and RGB 117 119 149

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGBA 116 147 142 0.75 shade matches the following richer shades: RGB 117 149 143, RGB 97 168 157, RGB 77 188 170, RGB 57 208 184 and RGB 37 228 197

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGBA 116 147 142 0.75 shade: RGB 117 149 143, RGB 136 129 130, RGB 156 109 117, RGB 176 89 103 and RGB 196 69 90

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGBA 116 147 142 0.75 shade: RGB 117 149 126, RGB 117 149 135, RGB 117 149 143, RGB 117 145 149 and RGB 117 137 149

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGBA 116 147 142 0.75 shade: RGB 79 103 99, RGB 97 127 122, RGB 117 149 143, RGB 140 166 162 and RGB 163 184 181

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGBA 116 147 142 0.75 shade: RGB 116 147 142, RGB 118 117 149 and RGB 149 130 117

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGBA 116 147 142 0.75 shade: RGB 116 147 142, RGB 143 117 149 and RGB 149 143 117

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGBA 116 147 142 0.75 shade: RGB 116 147 142, RGB 118 117 149, RGB 149 117 122 and RGB 147 149 117

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGBA 116 147 142 0.75 shade: RGB 116 147 142, RGB 127 117 149, RGB 149 117 122 and RGB 138 149 117

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 16 / 0 / 3 / 32

HEX #74938EBF

RGBA 116 147 142 0.75

HSLA 170.32, 0.13%, 0.52%, 0.75

LABA 58.54, -11.9, -0.94, 0.75

 

Complementary color

CMYK 0 / 17 / 14 / 34

HEX #8B6C71BF

RGBA 139 108 113 0.75

HSLA 350.32, 0.13%, 0.48%, 0.75

LABA 48.77, 13.13, 1.94, 0.75

 

CMYK 13 / 0 / 5 / 32

HEX #799389BF

RGBA 121 147 137 0.75

HSLA 156.92, 0.11%, 0.53%, 0.75

LABA 58.73, -11.29, 2.24, 0.75

 

CMYK 12 / 0 / 4 / 26

HEX #8AA59CBF

RGBA 138 165 156 0.75

HSLA 160, 0.13%, 0.59%, 0.75

LABA 65.53, -11.21, 1.53, 0.75

 

CMYK 11 / 0 / 3 / 21

HEX #9BB7AFBF

RGBA 155 183 175 0.75

HSLA 162.86, 0.16%, 0.66%, 0.75

LABA 72.18, -11.14, 0.86, 0.75

 

CMYK 11 / 0 / 3 / 16

HEX #ACC9C2BF

RGBA 172 201 194 0.75

HSLA 165.52, 0.21%, 0.73%, 0.75

LABA 78.72, -11.1, 0.22, 0.75

 

CMYK 10 / 0 / 2 / 11

HEX #BDDBD5BF

RGBA 189 219 213 0.75

HSLA 168, 0.29%, 0.8%, 0.75

LABA 85.14, -11.06, -0.4, 0.75

 

CMYK 16 / 0 / 3 / 32

HEX #74938EBF

RGBA 116 147 142 0.75

HSLA 170.32, 0.13%, 0.52%, 0.75

LABA 58.54, -11.9, -0.94, 0.75

 

CMYK 17 / 0 / 3 / 37

HEX #63817BBF

RGBA 99 129 123 0.75

HSLA 168, 0.13%, 0.45%, 0.75

LABA 51.59, -12.02, -0.26, 0.75

 

CMYK 20 / 0 / 5 / 42

HEX #526F68BF

RGBA 82 111 104 0.75

HSLA 165.52, 0.15%, 0.38%, 0.75

LABA 44.46, -12.16, 0.46, 0.75

 

CMYK 23 / 0 / 6 / 48

HEX #415D55BF

RGBA 65 93 85 0.75

HSLA 162.86, 0.18%, 0.31%, 0.75

LABA 37.13, -12.34, 1.24, 0.75

 

CMYK 27 / 0 / 9 / 53

HEX #304B42BF

RGBA 48 75 66 0.75

HSLA 160, 0.22%, 0.24%, 0.75

LABA 29.55, -12.57, 2.11, 0.75

 

CMYK 21 / 0 / 4 / 42

HEX #75958F

RGB 117 149 143

HSL 168.75, 0.13%, 0.52%

LAB 59.21, -12.43, -0.51

 

CMYK 21 / 0 / 9 / 42

HEX #759587

RGB 117 149 135

HSL 153.75, 0.13%, 0.52%

LAB 59, -14.16, 3.73

 

CMYK 21 / 0 / 15 / 42

HEX #75957E

RGB 117 149 126

HSL 136.88, 0.13%, 0.52%

LAB 58.77, -16, 8.52

 

CMYK 21 / 0 / 21 / 42

HEX #759576

RGB 117 149 118

HSL 121.88, 0.13%, 0.52%

LAB 58.59, -17.54, 12.78

 

CMYK 17 / 0 / 21 / 42

HEX #7C9575

RGB 124 149 117

HSL 106.88, 0.13%, 0.52%

LAB 59.03, -15.17, 14.04

 

CMYK 21 / 0 / 4 / 42

HEX #75958F

RGB 117 149 143

HSL 168.75, 0.13%, 0.52%

LAB 59.21, -12.43, -0.51

 

CMYK 21 / 3 / 0 / 42

HEX #759195

RGB 117 145 149

HSL 187.5, 0.13%, 0.52%

LAB 58.23, -8.89, -5.38

 

CMYK 21 / 9 / 0 / 42

HEX #758895

RGB 117 136 149

HSL 204.38, 0.13%, 0.52%

LAB 55.64, -3.85, -9.23

 

CMYK 21 / 14 / 0 / 42

HEX #758095

RGB 117 128 149

HSL 219.38, 0.13%, 0.52%

LAB 53.37, 0.73, -12.64

 

CMYK 21 / 20 / 0 / 42

HEX #757795

RGB 117 119 149

HSL 236.25, 0.13%, 0.52%

LAB 50.86, 6, -16.46

 

CMYK 21 / 0 / 4 / 42

HEX #75958F

RGB 117 149 143

HSL 168.75, 0.13%, 0.52%

LAB 59.21, -12.43, -0.51

 

CMYK 42 / 0 / 7 / 34

HEX #61A89D

RGB 97 168 157

HSL 170.7, 0.29%, 0.52%

LAB 64.15, -25.02, -1.31

SW® 6760

CMYK 59 / 0 / 10 / 26

HEX #4DBCAA

RGB 77 188 170

HSL 170.27, 0.45%, 0.52%

LAB 69.79, -35.89, -0.34

SW® 6760

CMYK 73 / 0 / 12 / 18

HEX #39D0B8

RGB 57 208 184

HSL 170.46, 0.62%, 0.52%

LAB 75.73, -44.32, 0.67

SW® 6760

CMYK 84 / 0 / 14 / 11

HEX #25E4C5

RGB 37 228 197

HSL 170.26, 0.78%, 0.52%

LAB 81.79, -51.29, 2.52

SW® 6760

CMYK 21 / 0 / 4 / 42

HEX #75958F

RGB 117 149 143

HSL 168.75, 0.13%, 0.52%

LAB 59.21, -12.43, -0.51

 

CMYK 0 / 5 / 4 / 47

HEX #888182

RGB 136 129 130

HSL 351.43, 0.03%, 0.52%

LAB 54.6, 2.83, 0.4

 

CMYK 0 / 30 / 25 / 39

HEX #9C6D75

RGB 156 109 117

HSL 349.79, 0.19%, 0.52%

LAB 51.02, 19.9, 3.07

 

CMYK 0 / 49 / 41 / 31

HEX #B05967

RGB 176 89 103

HSL 350.34, 0.36%, 0.52%

LAB 48.7, 36.81, 8.45

 

CMYK 0 / 65 / 54 / 23

HEX #C4455A

RGB 196 69 90

HSL 350.08, 0.52%, 0.52%

LAB 47.92, 52.11, 15.68

 

CMYK 21 / 0 / 15 / 42

HEX #75957E

RGB 117 149 126

HSL 136.88, 0.13%, 0.52%

LAB 58.77, -16, 8.52

 

CMYK 21 / 0 / 9 / 42

HEX #759587

RGB 117 149 135

HSL 153.75, 0.13%, 0.52%

LAB 59, -14.16, 3.73

 

CMYK 21 / 0 / 4 / 42

HEX #75958F

RGB 117 149 143

HSL 168.75, 0.13%, 0.52%

LAB 59.21, -12.43, -0.51

 

CMYK 21 / 3 / 0 / 42

HEX #759195

RGB 117 145 149

HSL 187.5, 0.13%, 0.52%

LAB 58.23, -8.89, -5.38

 

CMYK 21 / 8 / 0 / 42

HEX #758995

RGB 117 137 149

HSL 202.5, 0.13%, 0.52%

LAB 55.93, -4.42, -8.8

 

CMYK 23 / 0 / 4 / 60

HEX #4F6763

RGB 79 103 99

HSL 170, 0.13%, 0.36%

LAB 41.63, -9.83, -0.68

 

CMYK 24 / 0 / 4 / 50

HEX #617F7A

RGB 97 127 122

HSL 170, 0.13%, 0.44%

LAB 50.83, -11.81, -0.8

 

CMYK 21 / 0 / 4 / 42

HEX #75958F

RGB 117 149 143

HSL 168.75, 0.13%, 0.52%

LAB 59.21, -12.43, -0.51

 

CMYK 16 / 0 / 2 / 35

HEX #8CA6A2

RGB 140 166 162

HSL 170.77, 0.13%, 0.6%

LAB 66.1, -9.82, -0.96

 

CMYK 11 / 0 / 2 / 28

HEX #A3B8B5

RGB 163 184 181

HSL 171.43, 0.13%, 0.68%

LAB 73.16, -7.78, -0.93

 

CMYK 21 / 0 / 3 / 42

HEX #74938E

RGB 116 147 142

HSL 170.32, 0.13%, 0.52%

LAB 58.54, -11.9, -0.94

 

CMYK 21 / 21 / 0 / 42

HEX #767595

RGB 118 117 149

HSL 241.88, 0.13%, 0.52%

LAB 50.39, 7.52, -17.16

 

CMYK 0 / 13 / 21 / 42

HEX #958275

RGB 149 130 117

HSL 24.38, 0.13%, 0.52%

LAB 55.72, 5.05, 9.69

 

CMYK 21 / 0 / 3 / 42

HEX #74938E

RGB 116 147 142

HSL 170.32, 0.13%, 0.52%

LAB 58.54, -11.9, -0.94

 

CMYK 4 / 21 / 0 / 42

HEX #8F7595

RGB 143 117 149

HSL 288.75, 0.13%, 0.52%

LAB 52.66, 16.16, -13.51

 

CMYK 0 / 4 / 21 / 42

HEX #958F75

RGB 149 143 117

HSL 48.75, 0.13%, 0.52%

LAB 59.27, -2.26, 14.66

 

CMYK 21 / 0 / 3 / 42

HEX #74938E

RGB 116 147 142

HSL 170.32, 0.13%, 0.52%

LAB 58.54, -11.9, -0.94

 

CMYK 21 / 21 / 0 / 42

HEX #767595

RGB 118 117 149

HSL 241.88, 0.13%, 0.52%

LAB 50.39, 7.52, -17.16

 

CMYK 0 / 21 / 18 / 42

HEX #95757A

RGB 149 117 122

HSL 350.63, 0.13%, 0.52%

LAB 52.42, 13.34, 2.04

 

CMYK 1 / 0 / 21 / 42

HEX #939575

RGB 147 149 117

HSL 63.75, 0.13%, 0.52%

LAB 60.77, -6.35, 16.7

 

CMYK 21 / 0 / 3 / 42

HEX #74938E

RGB 116 147 142

HSL 170.32, 0.13%, 0.52%

LAB 58.54, -11.9, -0.94

 

CMYK 15 / 21 / 0 / 42

HEX #7F7595

RGB 127 117 149

HSL 258.75, 0.13%, 0.52%

LAB 51.16, 10.57, -15.92

 

CMYK 0 / 21 / 18 / 42

HEX #95757A

RGB 149 117 122

HSL 350.63, 0.13%, 0.52%

LAB 52.42, 13.34, 2.04

 

CMYK 7 / 0 / 21 / 42

HEX #8A9575

RGB 138 149 117

HSL 80.63, 0.13%, 0.52%

LAB 60.05, -9.87, 15.61

 

Description

Color code: RGBA 116 147 142 0.75 | qconv.com Color code: RGBA 116 147 142 0.75 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 116 red, 147 green and 142 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
116 147 142 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 16 cyan, none magenta, 3 yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
16% 0% 3% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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