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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #758095 it is the complementary color #8A7F6A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #758095. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #758095 shade: #7A8090, #8B92A3, #9CA4B6, #ADB6C9 and #BEC8DC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #758095. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #758095 shade: #758095, #646E82, #535C6F, #424A5C and #313849

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #758095 shade: #758095, #757795, #7B7595, #837595 and #8C7595

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #758095 shade: #758095, #757795 and #757595

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #758095 shade matches the following richer shades: #758095, #6179A8, #4D73BC, #396DD0 and #2567E4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #758095 shade: #758095, #888681, #9C8C6D, #B09259 and #C49845

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #758095 shade: #759195, #758895, #758095, #757795 and #7B7595

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #758095 shade: #4F5867, #616B7F, #758095, #8C95A6 and #A3ABB8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #758095 shade: #758095, #907595 and #8D9575

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #758095 shade: #758095, #957580 and #809575

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #758095 shade: #758095, #907595, #958975 and #799575

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #758095 shade: #758095, #957590, #958975 and #759579

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 21 / 14 / 0 / 42

HEX #758095

RGB 117 128 149

HSL 219.38, 0.13%, 0.52%

LAB 53.37, 0.73, -12.64

 

Complementary color

CMYK 0 / 8 / 23 / 46

HEX #8A7F6A

RGB 138 127 106

HSL 39.38, 0.13%, 0.48%

LAB 53.62, 0.59, 12.94

 

CMYK 15 / 11 / 0 / 44

HEX #7A8090

RGB 122 128 144

HSL 223.64, 0.09%, 0.52%

LAB 53.59, 1.26, -9.37

 

CMYK 15 / 10 / 0 / 36

HEX #8B92A3

RGB 139 146 163

HSL 222.5, 0.12%, 0.59%

LAB 60.51, 1.07, -9.81

 

CMYK 14 / 10 / 0 / 29

HEX #9CA4B6

RGB 156 164 182

HSL 221.54, 0.15%, 0.66%

LAB 67.27, 0.9, -10.24

 

CMYK 14 / 9 / 0 / 21

HEX #ADB6C9

RGB 173 182 201

HSL 220.71, 0.21%, 0.73%

LAB 73.91, 0.74, -10.67

 

CMYK 14 / 9 / 0 / 14

HEX #BEC8DC

RGB 190 200 220

HSL 220, 0.3%, 0.8%

LAB 80.42, 0.58, -11.1

 

CMYK 21 / 14 / 0 / 42

HEX #758095

RGB 117 128 149

HSL 219.38, 0.13%, 0.52%

LAB 53.37, 0.73, -12.64

 

CMYK 23 / 15 / 0 / 49

HEX #646E82

RGB 100 110 130

HSL 220, 0.13%, 0.45%

LAB 46.28, 0.93, -12.29

 

CMYK 25 / 17 / 0 / 56

HEX #535C6F

RGB 83 92 111

HSL 220.71, 0.14%, 0.38%

LAB 38.97, 1.16, -11.97

 

CMYK 28 / 20 / 0 / 64

HEX #424A5C

RGB 66 74 92

HSL 221.54, 0.16%, 0.31%

LAB 31.41, 1.43, -11.67

 

CMYK 33 / 23 / 0 / 71

HEX #313849

RGB 49 56 73

HSL 222.5, 0.2%, 0.24%

LAB 23.55, 1.75, -11.41

 

CMYK 21 / 14 / 0 / 42

HEX #758095

RGB 117 128 149

HSL 219.38, 0.13%, 0.52%

LAB 53.37, 0.73, -12.64

 

CMYK 21 / 20 / 0 / 42

HEX #757795

RGB 117 119 149

HSL 236.25, 0.13%, 0.52%

LAB 50.86, 6, -16.46

 

CMYK 17 / 21 / 0 / 42

HEX #7B7595

RGB 123 117 149

HSL 251.25, 0.13%, 0.52%

LAB 50.81, 9.2, -16.48

 

CMYK 12 / 21 / 0 / 42

HEX #837595

RGB 131 117 149

HSL 266.25, 0.13%, 0.52%

LAB 51.52, 11.95, -15.34

 

CMYK 6 / 21 / 0 / 42

HEX #8C7595

RGB 140 117 149

HSL 283.13, 0.13%, 0.52%

LAB 52.36, 15.1, -13.98

 

CMYK 21 / 14 / 0 / 42

HEX #758095

RGB 117 128 149

HSL 219.38, 0.13%, 0.52%

LAB 53.37, 0.73, -12.64

 

CMYK 21 / 20 / 0 / 42

HEX #757795

RGB 117 119 149

HSL 236.25, 0.13%, 0.52%

LAB 50.86, 6, -16.46

 

CMYK 21 / 21 / 0 / 42

HEX #757595

RGB 117 117 149

HSL 240, 0.13%, 0.52%

LAB 50.3, 7.19, -17.3

 

CMYK 21 / 14 / 0 / 42

HEX #758095

RGB 117 128 149

HSL 219.38, 0.13%, 0.52%

LAB 53.37, 0.73, -12.64

 

CMYK 42 / 28 / 0 / 34

HEX #6179A8

RGB 97 121 168

HSL 219.72, 0.29%, 0.52%

LAB 50.74, 3.84, -27.85

 

CMYK 59 / 39 / 0 / 26

HEX #4D73BC

RGB 77 115 188

HSL 219.46, 0.45%, 0.52%

LAB 48.85, 9.04, -42.48

 

CMYK 73 / 48 / 0 / 18

HEX #396DD0

RGB 57 109 208

HSL 219.34, 0.62%, 0.52%

LAB 47.44, 16.51, -56.25

 

CMYK 84 / 55 / 0 / 11

HEX #2567E4

RGB 37 103 228

HSL 219.27, 0.78%, 0.52%

LAB 46.57, 25.78, -69.06

 

CMYK 21 / 14 / 0 / 42

HEX #758095

RGB 117 128 149

HSL 219.38, 0.13%, 0.52%

LAB 53.37, 0.73, -12.64

 

CMYK 0 / 1 / 5 / 47

HEX #888681

RGB 136 134 129

HSL 42.86, 0.03%, 0.52%

LAB 55.96, -0.21, 2.94

 

CMYK 0 / 10 / 30 / 39

HEX #9C8C6D

RGB 156 140 109

HSL 39.57, 0.19%, 0.52%

LAB 58.91, 1.07, 18.77

 

CMYK 0 / 17 / 49 / 31

HEX #B09259

RGB 176 146 89

HSL 39.31, 0.36%, 0.52%

LAB 62.09, 3.78, 34.28

 

CMYK 0 / 22 / 65 / 23

HEX #C49845

RGB 196 152 69

HSL 39.21, 0.52%, 0.52%

LAB 65.45, 7.52, 48.82

 

CMYK 21 / 3 / 0 / 42

HEX #759195

RGB 117 145 149

HSL 187.5, 0.13%, 0.52%

LAB 58.23, -8.89, -5.38

 

CMYK 21 / 9 / 0 / 42

HEX #758895

RGB 117 136 149

HSL 204.38, 0.13%, 0.52%

LAB 55.64, -3.85, -9.23

 

CMYK 21 / 14 / 0 / 42

HEX #758095

RGB 117 128 149

HSL 219.38, 0.13%, 0.52%

LAB 53.37, 0.73, -12.64

 

CMYK 21 / 20 / 0 / 42

HEX #757795

RGB 117 119 149

HSL 236.25, 0.13%, 0.52%

LAB 50.86, 6, -16.46

 

CMYK 17 / 21 / 0 / 42

HEX #7B7595

RGB 123 117 149

HSL 251.25, 0.13%, 0.52%

LAB 50.81, 9.2, -16.48

 

CMYK 23 / 15 / 0 / 60

HEX #4F5867

RGB 79 88 103

HSL 217.5, 0.13%, 0.36%

LAB 37.15, 0.15, -9.79

 

CMYK 24 / 16 / 0 / 50

HEX #616B7F

RGB 97 107 127

HSL 220, 0.13%, 0.44%

LAB 45.07, 0.96, -12.35

 

CMYK 21 / 14 / 0 / 42

HEX #758095

RGB 117 128 149

HSL 219.38, 0.13%, 0.52%

LAB 53.37, 0.73, -12.64

 

CMYK 16 / 10 / 0 / 35

HEX #8C95A6

RGB 140 149 166

HSL 219.23, 0.13%, 0.6%

LAB 61.5, 0.39, -10.01

 

CMYK 11 / 7 / 0 / 28

HEX #A3ABB8

RGB 163 171 184

HSL 217.14, 0.13%, 0.68%

LAB 69.73, -0.17, -7.63

 

CMYK 21 / 14 / 0 / 42

HEX #758095

RGB 117 128 149

HSL 219.38, 0.13%, 0.52%

LAB 53.37, 0.73, -12.64

 

CMYK 3 / 21 / 0 / 42

HEX #907595

RGB 144 117 149

HSL 290.63, 0.13%, 0.52%

LAB 52.75, 16.52, -13.35

 

CMYK 5 / 0 / 21 / 42

HEX #8D9575

RGB 141 149 117

HSL 75, 0.13%, 0.52%

LAB 60.29, -8.7, 15.97

 

CMYK 21 / 14 / 0 / 42

HEX #758095

RGB 117 128 149

HSL 219.38, 0.13%, 0.52%

LAB 53.37, 0.73, -12.64

 

CMYK 0 / 21 / 14 / 42

HEX #957580

RGB 149 117 128

HSL 339.38, 0.13%, 0.52%

LAB 52.59, 14.36, -1.23

 

CMYK 14 / 0 / 21 / 42

HEX #809575

RGB 128 149 117

HSL 99.38, 0.13%, 0.52%

LAB 59.31, -13.68, 14.47

 

CMYK 21 / 14 / 0 / 42

HEX #758095

RGB 117 128 149

HSL 219.38, 0.13%, 0.52%

LAB 53.37, 0.73, -12.64

 

CMYK 3 / 21 / 0 / 42

HEX #907595

RGB 144 117 149

HSL 290.63, 0.13%, 0.52%

LAB 52.75, 16.52, -13.35

 

CMYK 0 / 8 / 21 / 42

HEX #958975

RGB 149 137 117

HSL 37.5, 0.13%, 0.52%

LAB 57.62, 1.09, 12.36

 

CMYK 19 / 0 / 21 / 42

HEX #799575

RGB 121 149 117

HSL 112.5, 0.13%, 0.52%

LAB 58.83, -16.28, 13.72

 

CMYK 21 / 14 / 0 / 42

HEX #758095

RGB 117 128 149

HSL 219.38, 0.13%, 0.52%

LAB 53.37, 0.73, -12.64

 

CMYK 0 / 21 / 3 / 42

HEX #957590

RGB 149 117 144

HSL 309.38, 0.13%, 0.52%

LAB 53.09, 17.32, -9.87

 

CMYK 0 / 8 / 21 / 42

HEX #958975

RGB 149 137 117

HSL 37.5, 0.13%, 0.52%

LAB 57.62, 1.09, 12.36

 

CMYK 21 / 0 / 19 / 42

HEX #759579

RGB 117 149 121

HSL 127.5, 0.13%, 0.52%

LAB 58.66, -16.98, 11.18

 

Description

Color code: HEX #758095 | qconv.com Color code: HEX #758095 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 117 red, 128 green and 149 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
117 128 149 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 21 cyan, 14 magenta, none yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
21% 14% 0% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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