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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 115 115 97 0.95 it is the complementary color RGBA 140 140 158 0.95. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 115 115 97 0.95. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGBA 115 115 97 0.95: RGBA 120 115 92 0.95, RGBA 137 133 111 0.95, RGBA 154 151 130 0.95, RGBA 171 169 149 0.95 and RGBA 188 187 168 0.95

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 115 115 97 0.95. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGBA 115 115 97 0.95: RGBA 115 115 97 0.95, RGBA 98 97 78 0.95, RGBA 81 79 59 0.95, RGBA 64 61 40 0.95 and RGBA 47 43 21 0.95

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 0 / 15 / 52

HEX #737361F2

RGBA 115 115 97 0.95

HSLA 60, 0.08%, 0.42%, 0.95

LABA 47.97, -3.39, 9.98, 0.95

 

Complementary color

CMYK 11 / 11 / 0 / 36

HEX #8C8C9EF2

RGBA 140 140 158 0.95

HSLA 240, 0.08%, 0.58%, 0.95

LABA 58.79, 3.72, -9.52, 0.95

 

CMYK 0 / 4 / 22 / 50

HEX #78735CF2

RGBA 120 115 92 0.95

HSLA 49.29, 0.13%, 0.42%, 0.95

LABA 48.29, -2.16, 13.45, 0.95

 

CMYK 0 / 3 / 18 / 44

HEX #89856FF2

RGBA 137 133 111 0.95

HSLA 50.77, 0.1%, 0.49%, 0.95

LABA 55.32, -2.42, 12.42, 0.95

 

CMYK 0 / 2 / 15 / 38

HEX #9A9782F2

RGBA 154 151 130 0.95

HSLA 52.5, 0.11%, 0.56%, 0.95

LABA 62.18, -2.63, 11.47, 0.95

 

CMYK 0 / 1 / 12 / 31

HEX #ABA995F2

RGBA 171 169 149 0.95

HSLA 54.55, 0.12%, 0.63%, 0.95

LABA 68.9, -2.82, 10.58, 0.95

 

CMYK 0 / 1 / 10 / 25

HEX #BCBBA8F2

RGBA 188 187 168 0.95

HSLA 57, 0.13%, 0.7%, 0.95

LABA 75.49, -2.99, 9.75, 0.95

 

CMYK 0 / 0 / 15 / 52

HEX #737361F2

RGBA 115 115 97 0.95

HSLA 60, 0.08%, 0.42%, 0.95

LABA 47.97, -3.39, 9.98, 0.95

 

CMYK 0 / 1 / 19 / 58

HEX #62614EF2

RGBA 98 97 78 0.95

HSLA 57, 0.11%, 0.35%, 0.95

LABA 40.73, -3.19, 11, 0.95

 

CMYK 0 / 2 / 26 / 65

HEX #514F3BF2

RGBA 81 79 59 0.95

HSLA 54.55, 0.16%, 0.27%, 0.95

LABA 33.26, -2.95, 12.14, 0.95

 

CMYK 0 / 4 / 36 / 71

HEX #403D28F2

RGBA 64 61 40 0.95

HSLA 52.5, 0.23%, 0.2%, 0.95

LABA 25.51, -2.61, 13.44, 0.95

 

CMYK 0 / 8 / 53 / 77

HEX #2F2B15F2

RGBA 47 43 21 0.95

HSLA 50.77, 0.38%, 0.13%, 0.95

LABA 17.4, -2.07, 14.93, 0.95

 

CMYK 0 / 0 / 15 / 52

HEX #737361F2

RGBA 115 115 97 0.95

HSLA 60, 0.08%, 0.42%, 0.95

LABA 47.97, -3.39, 9.98, 0.95

 

CMYK 2 / 0 / 14 / 52

HEX #707362F2

RGBA 112 115 98 0.95

HSLA 70.59, 0.08%, 0.42%, 0.95

LABA 47.74, -4.42, 9.03, 0.95

 

CMYK 5 / 0 / 14 / 52

HEX #6D7362F2

RGBA 109 115 98 0.95

HSLA 81.18, 0.08%, 0.42%, 0.95

LABA 47.49, -5.62, 8.64, 0.95

 

CMYK 7 / 0 / 14 / 52

HEX #6B7362F2

RGBA 107 115 98 0.95

HSLA 88.24, 0.08%, 0.42%, 0.95

LABA 47.33, -6.41, 8.39, 0.95

 

CMYK 9 / 0 / 14 / 52

HEX #687362F2

RGBA 104 115 98 0.95

HSLA 98.82, 0.08%, 0.42%, 0.95

LABA 47.09, -7.59, 8.02, 0.95

 

CMYK 0 / 0 / 15 / 52

HEX #737361F2

RGBA 115 115 97 0.95

HSLA 60, 0.08%, 0.42%, 0.95

LABA 47.97, -3.39, 9.98, 0.95

 

CMYK 0 / 0 / 15 / 33

HEX #A6A68CF2

RGBA 166 166 140 0.95

HSLA 60, 0.13%, 0.6%, 0.95

LABA 67.48, -4.56, 13.49, 0.95

 

CMYK 0 / 0 / 15 / 14

HEX #D9D9B7F2

RGBA 217 217 183 0.95

HSLA 60, 0.31%, 0.78%, 0.95

LABA 85.9, -5.67, 16.78, 0.95

 

CMYK 0 / 0 / 15 / 90

HEX #0D0D0BF2

RGBA 13 13 11 0.95

HSLA 60, 0.08%, 0.05%, 0.95

LABA 3.59, -0.31, 0.84, 0.95

 

CMYK 0 / 0 / 15 / 71

HEX #404036F2

RGBA 64 64 54 0.95

HSLA 60, 0.08%, 0.23%, 0.95

LABA 26.8, -2.09, 6.13, 0.95

 

CMYK 0 / 0 / 15 / 52

HEX #737361F2

RGBA 115 115 97 0.95

HSLA 60, 0.08%, 0.42%, 0.95

LABA 47.97, -3.39, 9.98, 0.95

 

CMYK 14 / 0 / 12 / 52

HEX #627365F2

RGBA 98 115 101 0.95

HSLA 130.59, 0.08%, 0.42%, 0.95

LABA 46.71, -9.31, 5.64, 0.95

 

CMYK 6 / 14 / 0 / 52

HEX #6C6273F2

RGBA 108 98 115 0.95

HSLA 275.29, 0.08%, 0.42%, 0.95

LABA 43.01, 7.48, -8.12, 0.95

 

CMYK 0 / 0 / 15 / 52

HEX #737361F2

RGBA 115 115 97 0.95

HSLA 60, 0.08%, 0.42%, 0.95

LABA 47.97, -3.39, 9.98, 0.95

 

CMYK 14 / 0 / 0 / 52

HEX #627373F2

RGBA 98 115 115 0.95

HSLA 180, 0.08%, 0.42%, 0.95

LABA 47.1, -6.29, -2.13, 0.95

 

CMYK 0 / 14 / 0 / 52

HEX #736273F2

RGBA 115 98 115 0.95

HSLA 300, 0.08%, 0.42%, 0.95

LABA 43.68, 10.12, -7.04, 0.95

 

CMYK 0 / 0 / 15 / 52

HEX #737361F2

RGBA 115 115 97 0.95

HSLA 60, 0.08%, 0.42%, 0.95

LABA 47.97, -3.39, 9.98, 0.95

 

CMYK 14 / 0 / 12 / 52

HEX #627365F2

RGBA 98 115 101 0.95

HSLA 130.59, 0.08%, 0.42%, 0.95

LABA 46.71, -9.31, 5.64, 0.95

 

CMYK 14 / 14 / 0 / 52

HEX #626273F2

RGBA 98 98 115 0.95

HSLA 240, 0.08%, 0.42%, 0.95

LABA 42.11, 3.8, -9.55, 0.95

 

CMYK 0 / 14 / 2 / 52

HEX #736270F2

RGBA 115 98 112 0.95

HSLA 310.59, 0.08%, 0.42%, 0.95

LABA 43.58, 9.51, -5.36, 0.95

 

CMYK 0 / 0 / 15 / 52

HEX #737361F2

RGBA 115 115 97 0.95

HSLA 60, 0.08%, 0.42%, 0.95

LABA 47.97, -3.39, 9.98, 0.95

 

CMYK 14 / 0 / 7 / 52

HEX #62736BF2

RGBA 98 115 107 0.95

HSLA 151.76, 0.08%, 0.42%, 0.95

LABA 46.87, -8.05, 2.3, 0.95

 

CMYK 14 / 14 / 0 / 52

HEX #626273F2

RGBA 98 98 115 0.95

HSLA 240, 0.08%, 0.42%, 0.95

LABA 42.11, 3.8, -9.55, 0.95

 

CMYK 0 / 14 / 7 / 52

HEX #73626BF2

RGBA 115 98 107 0.95

HSLA 328.24, 0.08%, 0.42%, 0.95

LABA 43.42, 8.51, -2.56, 0.95

 

Description

Color code: RGBA 115 115 97 0.95 | qconv.com Color code: RGBA 115 115 97 0.95 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 115 red, 115 green and 97 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
115 115 97 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, none magenta, 15 yellow and 52 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 0% 15% 52% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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