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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 112 160 158 0.75 it is the complementary color RGBA 143 95 97 0.75. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 112 160 158 0.75. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGBA 112 160 158 0.75 shade: RGBA 117 160 153 0.75, RGBA 134 178 172 0.75, RGBA 151 196 191 0.75, RGBA 168 214 210 0.75 and RGBA 185 232 229 0.75

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 112 160 158 0.75. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGBA 112 160 158 0.75 shade: RGBA 112 160 158 0.75, RGBA 95 142 139 0.75, RGBA 78 124 120 0.75, RGBA 61 106 101 0.75 and RGBA 44 88 82 0.75

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGBA 112 160 158 0.75 shade: RGB 111 159 157, RGB 111 159 144, RGB 111 159 131, RGB 111 159 118 and RGB 117 159 111

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGBA 112 160 158 0.75 shade: RGB 111 159 157, RGB 111 148 159, RGB 111 135 159, RGB 111 122 159 and RGB 111 111 159

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGBA 112 160 158 0.75 shade matches the following richer shades: RGB 111 159 157, RGB 92 179 175, RGB 72 198 193, RGB 53 217 210 and RGB 34 237 228

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGBA 112 160 158 0.75 shade: RGB 111 159 157, RGB 131 140 139, RGB 150 120 122, RGB 169 101 104 and RGB 189 82 86

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGBA 112 160 158 0.75 shade: RGB 111 159 131, RGB 111 159 144, RGB 111 159 157, RGB 111 149 159 and RGB 111 136 159

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGBA 112 160 158 0.75 shade: RGB 75 113 111, RGB 92 137 136, RGB 111 159 157, RGB 136 176 174 and RGB 161 192 191

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGBA 112 160 158 0.75 shade: RGB 112 160 158, RGB 118 111 159 and RGB 159 138 111

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGBA 112 160 158 0.75 shade: RGB 112 160 158, RGB 157 111 159 and RGB 159 157 111

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGBA 112 160 158 0.75 shade: RGB 112 160 158, RGB 118 111 159, RGB 159 111 114 and RGB 152 159 111

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGBA 112 160 158 0.75 shade: RGB 112 160 158, RGB 133 111 159, RGB 159 111 114 and RGB 138 159 111

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 23 / 0 / 1 / 28

HEX #70A09EBF

RGBA 112 160 158 0.75

HSLA 177.5, 0.2%, 0.53%, 0.75

LABA 62.55, -16.43, -4.13, 0.75

 

Complementary color

CMYK 0 / 25 / 24 / 33

HEX #8F5F61BF

RGBA 143 95 97 0.75

HSLA 357.5, 0.2%, 0.47%, 0.75

LABA 45.48, 19.87, 6.87, 0.75

 

CMYK 20 / 0 / 3 / 28

HEX #75A099BF

RGBA 117 160 153 0.75

HSLA 170.23, 0.18%, 0.54%, 0.75

LABA 62.7, -16.07, -1.07, 0.75

 

CMYK 19 / 0 / 3 / 23

HEX #86B2ACBF

RGBA 134 178 172 0.75

HSLA 171.82, 0.22%, 0.61%, 0.75

LABA 69.39, -15.93, -1.73, 0.75

 

CMYK 17 / 0 / 2 / 17

HEX #97C4BFBF

RGBA 151 196 191 0.75

HSLA 173.33, 0.28%, 0.68%, 0.75

LABA 75.96, -15.82, -2.35, 0.75

 

CMYK 16 / 0 / 1 / 12

HEX #A8D6D2BF

RGBA 168 214 210 0.75

HSLA 174.78, 0.36%, 0.75%, 0.75

LABA 82.42, -15.72, -2.95, 0.75

 

CMYK 15 / 0 / 1 / 7

HEX #B9E8E5BF

RGBA 185 232 229 0.75

HSLA 176.17, 0.51%, 0.82%, 0.75

LABA 88.77, -15.64, -3.53, 0.75

 

CMYK 23 / 0 / 1 / 28

HEX #70A09EBF

RGBA 112 160 158 0.75

HSLA 177.5, 0.2%, 0.53%, 0.75

LABA 62.55, -16.43, -4.13, 0.75

 

CMYK 25 / 0 / 2 / 33

HEX #5F8E8BBF

RGBA 95 142 139 0.75

HSLA 176.17, 0.2%, 0.46%, 0.75

LABA 55.73, -16.55, -3.49, 0.75

 

CMYK 28 / 0 / 2 / 39

HEX #4E7C78BF

RGBA 78 124 120 0.75

HSLA 174.78, 0.23%, 0.4%, 0.75

LABA 48.75, -16.68, -2.81, 0.75

 

CMYK 32 / 0 / 4 / 44

HEX #3D6A65BF

RGBA 61 106 101 0.75

HSLA 173.33, 0.27%, 0.33%, 0.75

LABA 41.59, -16.8, -2.07, 0.75

 

CMYK 38 / 0 / 5 / 49

HEX #2C5852BF

RGBA 44 88 82 0.75

HSLA 171.82, 0.33%, 0.26%, 0.75

LABA 34.24, -16.9, -1.24, 0.75

 

CMYK 30 / 0 / 1 / 38

HEX #6F9F9D

RGB 111 159 157

HSL 177.5, 0.2%, 0.53%

LAB 62.18, -16.44, -4.13

 

CMYK 30 / 0 / 9 / 38

HEX #6F9F90

RGB 111 159 144

HSL 161.25, 0.2%, 0.53%

LAB 61.82, -19.44, 2.67

 

CMYK 30 / 0 / 18 / 38

HEX #6F9F83

RGB 111 159 131

HSL 145, 0.2%, 0.53%

LAB 61.49, -22.22, 9.51

 

CMYK 30 / 0 / 26 / 38

HEX #6F9F76

RGB 111 159 118

HSL 128.75, 0.2%, 0.53%

LAB 61.21, -24.75, 16.36

 

CMYK 26 / 0 / 30 / 38

HEX #759F6F

RGB 117 159 111

HSL 112.5, 0.2%, 0.53%

LAB 61.42, -23.92, 20.58

 

CMYK 30 / 0 / 1 / 38

HEX #6F9F9D

RGB 111 159 157

HSL 177.5, 0.2%, 0.53%

LAB 62.18, -16.44, -4.13

 

CMYK 30 / 7 / 0 / 38

HEX #6F949F

RGB 111 148 159

HSL 193.75, 0.2%, 0.53%

LAB 59.03, -10.03, -9.94

 

CMYK 30 / 15 / 0 / 38

HEX #6F879F

RGB 111 135 159

HSL 210, 0.2%, 0.53%

LAB 55.29, -2.73, -15.58

 

CMYK 30 / 23 / 0 / 38

HEX #6F7A9F

RGB 111 122 159

HSL 226.25, 0.2%, 0.53%

LAB 51.61, 4.83, -21.18

 

CMYK 30 / 30 / 0 / 38

HEX #6F6F9F

RGB 111 111 159

HSL 240, 0.2%, 0.53%

LAB 48.58, 11.41, -25.87

 

CMYK 30 / 0 / 1 / 38

HEX #6F9F9D

RGB 111 159 157

HSL 177.5, 0.2%, 0.53%

LAB 62.18, -16.44, -4.13

 

CMYK 49 / 0 / 2 / 30

HEX #5CB3AF

RGB 92 179 175

HSL 177.24, 0.36%, 0.53%

LAB 67.73, -27.15, -6.06

 

CMYK 64 / 0 / 3 / 22

HEX #48C6C1

RGB 72 198 193

HSL 177.62, 0.53%, 0.53%

LAB 73.3, -35.29, -7.74

 

CMYK 76 / 0 / 3 / 15

HEX #35D9D2

RGB 53 217 210

HSL 177.44, 0.68%, 0.53%

LAB 79.06, -41.69, -8.38

 

CMYK 86 / 0 / 4 / 7

HEX #22EDE4

RGB 34 237 228

HSL 177.34, 0.85%, 0.53%

LAB 85.26, -46.9, -8.75

 

CMYK 30 / 0 / 1 / 38

HEX #6F9F9D

RGB 111 159 157

HSL 177.5, 0.2%, 0.53%

LAB 62.18, -16.44, -4.13

 

CMYK 6 / 0 / 1 / 45

HEX #838C8B

RGB 131 140 139

HSL 173.33, 0.04%, 0.53%

LAB 57.51, -3.47, -0.6

 

CMYK 0 / 20 / 19 / 41

HEX #96787A

RGB 150 120 122

HSL 356, 0.13%, 0.53%

LAB 53.3, 12, 3.34

 

CMYK 0 / 40 / 38 / 34

HEX #A96568

RGB 169 101 104

HSL 357.35, 0.28%, 0.53%

LAB 50.38, 27.75, 10.08

 

CMYK 0 / 57 / 54 / 26

HEX #BD5256

RGB 189 82 86

HSL 357.76, 0.45%, 0.53%

LAB 48.92, 43.44, 19.25

 

CMYK 30 / 0 / 18 / 38

HEX #6F9F83

RGB 111 159 131

HSL 145, 0.2%, 0.53%

LAB 61.49, -22.22, 9.51

 

CMYK 30 / 0 / 9 / 38

HEX #6F9F90

RGB 111 159 144

HSL 161.25, 0.2%, 0.53%

LAB 61.82, -19.44, 2.67

 

CMYK 30 / 0 / 1 / 38

HEX #6F9F9D

RGB 111 159 157

HSL 177.5, 0.2%, 0.53%

LAB 62.18, -16.44, -4.13

 

CMYK 30 / 6 / 0 / 38

HEX #6F959F

RGB 111 149 159

HSL 192.5, 0.2%, 0.53%

LAB 59.32, -10.57, -9.5

 

CMYK 30 / 14 / 0 / 38

HEX #6F889F

RGB 111 136 159

HSL 208.75, 0.2%, 0.53%

LAB 55.57, -3.3, -15.14

 

CMYK 34 / 0 / 2 / 56

HEX #4B716F

RGB 75 113 111

HSL 176.84, 0.2%, 0.37%

LAB 44.88, -13.85, -3.18

 

CMYK 33 / 0 / 1 / 46

HEX #5C8988

RGB 92 137 136

HSL 178.67, 0.2%, 0.45%

LAB 53.97, -15.5, -4.38

 

CMYK 30 / 0 / 1 / 38

HEX #6F9F9D

RGB 111 159 157

HSL 177.5, 0.2%, 0.53%

LAB 62.18, -16.44, -4.13

 

CMYK 23 / 0 / 1 / 31

HEX #88B0AE

RGB 136 176 174

HSL 177, 0.2%, 0.61%

LAB 69, -13.82, -3.39

 

CMYK 16 / 0 / 1 / 25

HEX #A1C0BF

RGB 161 192 191

HSL 178.06, 0.2%, 0.69%

LAB 75.47, -10.6, -2.99

 

CMYK 30 / 0 / 1 / 37

HEX #70A09E

RGB 112 160 158

HSL 177.5, 0.2%, 0.53%

LAB 62.55, -16.43, -4.13

 

CMYK 26 / 30 / 0 / 38

HEX #766F9F

RGB 118 111 159

HSL 248.75, 0.2%, 0.53%

LAB 49.16, 13.6, -24.92

 

CMYK 0 / 13 / 30 / 38

HEX #9F8A6F

RGB 159 138 111

HSL 33.75, 0.2%, 0.53%

LAB 58.69, 3.69, 17.39

 

CMYK 30 / 0 / 1 / 37

HEX #70A09E

RGB 112 160 158

HSL 177.5, 0.2%, 0.53%

LAB 62.55, -16.43, -4.13

 

CMYK 1 / 30 / 0 / 38

HEX #9D6F9F

RGB 157 111 159

HSL 297.5, 0.2%, 0.53%

LAB 52.99, 26.55, -18.7

 

CMYK 0 / 1 / 30 / 38

HEX #9F9D6F

RGB 159 157 111

HSL 57.5, 0.2%, 0.53%

LAB 63.86, -6.76, 24.39

 

CMYK 30 / 0 / 1 / 37

HEX #70A09E

RGB 112 160 158

HSL 177.5, 0.2%, 0.53%

LAB 62.55, -16.43, -4.13

 

CMYK 26 / 30 / 0 / 38

HEX #766F9F

RGB 118 111 159

HSL 248.75, 0.2%, 0.53%

LAB 49.16, 13.6, -24.92

 

CMYK 0 / 30 / 28 / 38

HEX #9F6F72

RGB 159 111 114

HSL 356.25, 0.2%, 0.53%

LAB 51.79, 19.49, 5.98

 

CMYK 4 / 0 / 30 / 38

HEX #989F6F

RGB 152 159 111

HSL 68.75, 0.2%, 0.53%

LAB 63.85, -10.64, 24.27

 

CMYK 30 / 0 / 1 / 37

HEX #70A09E

RGB 112 160 158

HSL 177.5, 0.2%, 0.53%

LAB 62.55, -16.43, -4.13

 

CMYK 16 / 30 / 0 / 38

HEX #856F9F

RGB 133 111 159

HSL 267.5, 0.2%, 0.53%

LAB 50.52, 18.47, -22.7

 

CMYK 0 / 30 / 28 / 38

HEX #9F6F72

RGB 159 111 114

HSL 356.25, 0.2%, 0.53%

LAB 51.79, 19.49, 5.98

 

CMYK 13 / 0 / 30 / 38

HEX #8A9F6F

RGB 138 159 111

HSL 86.25, 0.2%, 0.53%

LAB 62.8, -16.13, 22.68

 

Description

Color code: RGBA 112 160 158 0.75 | qconv.com Color code: RGBA 112 160 158 0.75 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 112 red, 160 green and 158 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
112 160 158 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 23 cyan, none magenta, 1 yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
23% 0% 1% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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