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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 185 232 229 0.75 it is the complementary color RGBA 70 23 26 0.75. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 185 232 229 0.75. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGBA 185 232 229 0.75 shade: RGBA 190 232 224 0.75, RGBA 207 250 243 0.75, RGBA 224 255 255 0.75, RGBA 241 255 255 0.75 and RGBA 255 255 255 0.75

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 185 232 229 0.75. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGBA 185 232 229 0.75 shade: RGBA 185 232 229 0.75, RGBA 168 214 210 0.75, RGBA 151 196 191 0.75, RGBA 134 178 172 0.75 and RGBA 117 160 153 0.75

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGBA 185 232 229 0.75 shade: RGB 186 233 230, RGB 186 233 217, RGB 186 233 204, RGB 186 233 192 and RGB 192 233 186

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGBA 185 232 229 0.75 shade: RGB 186 233 230, RGB 186 223 233, RGB 186 210 233, RGB 186 198 233 and RGB 186 186 233

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGBA 185 232 229 0.75 shade matches the following richer shades: RGB 186 233 230, RGB 178 240 236, RGB 171 247 242 and RGB 163 255 249

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGBA 185 232 229 0.75 shade: RGB 186 233 230, RGB 193 225 223, RGB 201 218 217, RGB 208 210 210 and RGB 215 203 204

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGBA 185 232 229 0.75 shade: RGB 186 233 204, RGB 186 233 217, RGB 186 233 229, RGB 186 223 233 and RGB 186 211 233

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGBA 185 232 229 0.75 shade: RGB 123 212 207, RGB 155 222 218, RGB 186 233 230, RGB 217 243 241 and RGB 248 253 252

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGBA 185 232 229 0.75 shade: RGB 185 232 229, RGB 192 186 233 and RGB 233 211 186

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGBA 185 232 229 0.75 shade: RGB 185 232 229, RGB 229 186 233 and RGB 233 229 186

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGBA 185 232 229 0.75 shade: RGB 185 232 229, RGB 192 186 233, RGB 233 186 189 and RGB 226 233 186

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGBA 185 232 229 0.75 shade: RGB 185 232 229, RGB 206 186 233, RGB 233 186 189 and RGB 212 233 186

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 15 / 0 / 1 / 7

HEX #B9E8E5BF

RGBA 185 232 229 0.75

HSLA 176.17, 0.51%, 0.82%, 0.75

LABA 88.77, -15.64, -3.53, 0.75

 

Complementary color

CMYK 0 / 50 / 47 / 54

HEX #46171ABF

RGBA 70 23 26 0.75

HSLA 356.17, 0.51%, 0.18%, 0.75

LABA 15.43, 22.86, 9.66, 0.75

 

CMYK 14 / 0 / 3 / 7

HEX #BEE8E0BF

RGBA 190 232 224 0.75

HSLA 168.57, 0.48%, 0.83%, 0.75

LABA 88.94, -15.13, -0.63, 0.75

 

CMYK 13 / 0 / 2 / 1

HEX #CFFAF3BF

RGBA 207 250 243 0.75

HSLA 170.23, 0.81%, 0.9%, 0.75

LABA 95.21, -15.06, -1.23, 0.75

 

CMYK 9 / 0 / 0 / 0

HEX #E0FFFFBF

RGBA 224 255 255 0.75

HSLA 180, 1%, 0.94%, 0.75

LABA 97.87, -9.94, -3.38, 0.75

 

CMYK 4 / 0 / 0 / 0

HEX #F1FFFFBF

RGBA 241 255 255 0.75

HSLA 180, 1%, 0.97%, 0.75

LABA 99, -4.55, -1.59, 0.75

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFFBF

RGBA 255 255 255 0.75

HSLA 0, 0%, 1%, 0.75

LABA 100, 0.01, -0.01, 0.75

 

CMYK 15 / 0 / 1 / 7

HEX #B9E8E5BF

RGBA 185 232 229 0.75

HSLA 176.17, 0.51%, 0.82%, 0.75

LABA 88.77, -15.64, -3.53, 0.75

 

CMYK 16 / 0 / 1 / 12

HEX #A8D6D2BF

RGBA 168 214 210 0.75

HSLA 174.78, 0.36%, 0.75%, 0.75

LABA 82.42, -15.72, -2.95, 0.75

 

CMYK 17 / 0 / 2 / 17

HEX #97C4BFBF

RGBA 151 196 191 0.75

HSLA 173.33, 0.28%, 0.68%, 0.75

LABA 75.96, -15.82, -2.35, 0.75

 

CMYK 19 / 0 / 3 / 23

HEX #86B2ACBF

RGBA 134 178 172 0.75

HSLA 171.82, 0.22%, 0.61%, 0.75

LABA 69.39, -15.93, -1.73, 0.75

 

CMYK 20 / 0 / 3 / 28

HEX #75A099BF

RGBA 117 160 153 0.75

HSLA 170.23, 0.18%, 0.54%, 0.75

LABA 62.7, -16.07, -1.07, 0.75

 

CMYK 20 / 0 / 1 / 9

HEX #BAE9E6

RGB 186 233 230

HSL 176.17, 0.52%, 0.82%

LAB 89.13, -15.63, -3.53

 

CMYK 20 / 0 / 7 / 9

HEX #BAE9D9

RGB 186 233 217

HSL 159.57, 0.52%, 0.82%

LAB 88.79, -18.27, 2.79

 

CMYK 20 / 0 / 12 / 9

HEX #BAE9CC

RGB 186 233 204

HSL 142.98, 0.52%, 0.82%

LAB 88.48, -20.76, 9.15

 

CMYK 20 / 0 / 18 / 9

HEX #BAE9C0

RGB 186 233 192

HSL 127.66, 0.52%, 0.82%

LAB 88.22, -22.93, 15.03

 

CMYK 18 / 0 / 20 / 9

HEX #C0E9BA

RGB 192 233 186

HSL 112.34, 0.52%, 0.82%

LAB 88.46, -21.97, 18.54

 

CMYK 20 / 0 / 1 / 9

HEX #BAE9E6

RGB 186 233 230

HSL 176.17, 0.52%, 0.82%

LAB 89.13, -15.63, -3.53

 

CMYK 20 / 4 / 0 / 9

HEX #BADFE9

RGB 186 223 233

HSL 192.77, 0.52%, 0.82%

LAB 86.55, -9.94, -8.91

 

CMYK 20 / 10 / 0 / 9

HEX #BAD2E9

RGB 186 210 233

HSL 209.36, 0.52%, 0.82%

LAB 83.13, -3.19, -14.01

 

CMYK 20 / 15 / 0 / 9

HEX #BAC6E9

RGB 186 198 233

HSL 224.68, 0.52%, 0.82%

LAB 80.02, 3.18, -18.7

 

CMYK 20 / 20 / 0 / 9

HEX #BABAE9

RGB 186 186 233

HSL 240, 0.52%, 0.82%

LAB 76.94, 9.66, -23.36

 

CMYK 20 / 0 / 1 / 9

HEX #BAE9E6

RGB 186 233 230

HSL 176.17, 0.52%, 0.82%

LAB 89.13, -15.63, -3.53

 

CMYK 26 / 0 / 2 / 6

HEX #B2F0EC

RGB 178 240 236

HSL 176.13, 0.67%, 0.82%

LAB 90.71, -20.2, -4.39

 

CMYK 31 / 0 / 2 / 3

HEX #ABF7F2

RGB 171 247 242

HSL 176.05, 0.83%, 0.82%

LAB 92.39, -24.27, -5.07

 

CMYK 36 / 0 / 2 / 0

HEX #A3FFF9

RGB 163 255 249

HSL 176.09, 1%, 0.82%

LAB 94.37, -28.64, -5.82

 

CMYK 20 / 0 / 1 / 9

HEX #BAE9E6

RGB 186 233 230

HSL 176.17, 0.52%, 0.82%

LAB 89.13, -15.63, -3.53

 

CMYK 14 / 0 / 1 / 12

HEX #C1E1DF

RGB 193 225 223

HSL 176.25, 0.35%, 0.82%

LAB 87.25, -10.86, -2.56

 

CMYK 8 / 0 / 0 / 15

HEX #C9DAD9

RGB 201 218 217

HSL 176.47, 0.19%, 0.82%

LAB 85.79, -5.86, -1.47

 

CMYK 1 / 0 / 0 / 18

HEX #D0D2D2

RGB 208 210 210

HSL 180, 0.02%, 0.82%

LAB 84.05, -0.68, -0.25

 

CMYK 0 / 6 / 5 / 16

HEX #D7CBCC

RGB 215 203 204

HSL 355, 0.13%, 0.82%

LAB 82.66, 4.34, 0.99

 

CMYK 20 / 0 / 12 / 9

HEX #BAE9CC

RGB 186 233 204

HSL 142.98, 0.52%, 0.82%

LAB 88.48, -20.76, 9.15

 

CMYK 20 / 0 / 7 / 9

HEX #BAE9D9

RGB 186 233 217

HSL 159.57, 0.52%, 0.82%

LAB 88.79, -18.27, 2.79

 

CMYK 20 / 0 / 2 / 9

HEX #BAE9E5

RGB 186 233 229

HSL 174.89, 0.52%, 0.82%

LAB 89.1, -15.84, -3.05

 

CMYK 20 / 4 / 0 / 9

HEX #BADFE9

RGB 186 223 233

HSL 192.77, 0.52%, 0.82%

LAB 86.55, -9.94, -8.91

 

CMYK 20 / 9 / 0 / 9

HEX #BAD3E9

RGB 186 211 233

HSL 208.09, 0.52%, 0.82%

LAB 83.4, -3.72, -13.62

 

CMYK 42 / 0 / 2 / 17

HEX #7BD4CF

RGB 123 212 207

HSL 176.63, 0.51%, 0.66%

LAB 79.5, -27.88, -5.91

 

CMYK 30 / 0 / 2 / 13

HEX #9BDEDA

RGB 155 222 218

HSL 176.42, 0.5%, 0.74%

LAB 84.11, -21.79, -4.8

 

CMYK 20 / 0 / 1 / 9

HEX #BAE9E6

RGB 186 233 230

HSL 176.17, 0.52%, 0.82%

LAB 89.13, -15.63, -3.53

 

CMYK 11 / 0 / 1 / 5

HEX #D9F3F1

RGB 217 243 241

HSL 175.38, 0.52%, 0.9%

LAB 93.97, -8.83, -1.93

 

CMYK 2 / 0 / 0 / 1

HEX #F8FDFC

RGB 248 253 252

HSL 168, 0.56%, 0.98%

LAB 98.92, -1.81, -0.11

 

CMYK 20 / 0 / 1 / 9

HEX #B9E8E5

RGB 185 232 229

HSL 176.17, 0.51%, 0.82%

LAB 88.77, -15.64, -3.53

 

CMYK 18 / 20 / 0 / 9

HEX #C0BAE9

RGB 192 186 233

HSL 247.66, 0.52%, 0.82%

LAB 77.4, 11.52, -22.62

 

CMYK 0 / 9 / 20 / 9

HEX #E9D3BA

RGB 233 211 186

HSL 31.91, 0.52%, 0.82%

LAB 85.73, 3.72, 15.15

 

CMYK 20 / 0 / 1 / 9

HEX #B9E8E5

RGB 185 232 229

HSL 176.17, 0.51%, 0.82%

LAB 88.77, -15.64, -3.53

 

CMYK 2 / 20 / 0 / 9

HEX #E5BAE9

RGB 229 186 233

HSL 294.89, 0.52%, 0.82%

LAB 80.55, 23.41, -17.56

 

CMYK 0 / 2 / 20 / 9

HEX #E9E5BA

RGB 233 229 186

HSL 54.89, 0.52%, 0.82%

LAB 90.28, -5.52, 21.5

 

CMYK 20 / 0 / 1 / 9

HEX #B9E8E5

RGB 185 232 229

HSL 176.17, 0.51%, 0.82%

LAB 88.77, -15.64, -3.53

 

CMYK 18 / 20 / 0 / 9

HEX #C0BAE9

RGB 192 186 233

HSL 247.66, 0.52%, 0.82%

LAB 77.4, 11.52, -22.62

 

CMYK 0 / 20 / 19 / 9

HEX #E9BABD

RGB 233 186 189

HSL 356.17, 0.52%, 0.82%

LAB 79.68, 17.33, 4.92

 

CMYK 3 / 0 / 20 / 9

HEX #E2E9BA

RGB 226 233 186

HSL 68.94, 0.52%, 0.82%

LAB 90.78, -10.08, 22.11

 

CMYK 20 / 0 / 1 / 9

HEX #B9E8E5

RGB 185 232 229

HSL 176.17, 0.51%, 0.82%

LAB 88.77, -15.64, -3.53

 

CMYK 12 / 20 / 0 / 9

HEX #CEBAE9

RGB 206 186 233

HSL 265.53, 0.52%, 0.82%

LAB 78.53, 15.94, -20.8

 

CMYK 0 / 20 / 19 / 9

HEX #E9BABD

RGB 233 186 189

HSL 356.17, 0.52%, 0.82%

LAB 79.68, 17.33, 4.92

 

CMYK 9 / 0 / 20 / 9

HEX #D4E9BA

RGB 212 233 186

HSL 86.81, 0.52%, 0.82%

LAB 89.78, -15.07, 20.57

 

Description

Color code: RGBA 185 232 229 0.75 | qconv.com Color code: RGBA 185 232 229 0.75 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 185 red, 232 green and 229 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
185 232 229 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 15 cyan, none magenta, 1 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
15% 0% 1% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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