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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 111 60 140 .3 it is the complementary color RGBA 144 195 115 .3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 111 60 140 .3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGBA 111 60 140 .3: RGBA 116 60 135 .3, RGBA 133 78 154 .3, RGBA 150 96 173 .3, RGBA 167 114 192 .3 and RGBA 184 132 211 .3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 111 60 140 .3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGBA 111 60 140 .3: RGBA 111 60 140 .3, RGBA 94 42 121 .3, RGBA 77 24 102 .3, RGBA 60 6 83 .3 and RGBA 43 0 64 .3

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 6 / 17 / 0 / 14

HEX #6F3C8C4C

RGBA 111 60 140 .3

HSLA 278.25, 0.4%, 0.39%, .3

LABA 35.01, 37.1, -35.76, .3

 

Complementary color

CMYK 8 / 0 / 12 / 7

HEX #90C3734C

RGBA 144 195 115 .3

HSLA 98.25, 0.4%, 0.61%, .3

LABA 73.67, -31.2, 34.92, .3

 

CMYK 4 / 17 / 0 / 14

HEX #743C874C

RGBA 116 60 135 .3

HSLA 284.8, 0.38%, 0.38%, .3

LABA 35.39, 37.37, -32.05, .3

 

CMYK 4 / 15 / 0 / 12

HEX #854E9A4C

RGBA 133 78 154 .3

HSLA 283.42, 0.33%, 0.45%, .3

LABA 42.41, 36.57, -32.37, .3

 

CMYK 4 / 13 / 0 / 10

HEX #9660AD4C

RGBA 150 96 173 .3

HSLA 282.08, 0.32%, 0.53%, .3

LABA 49.33, 35.74, -32.6, .3

 

CMYK 4 / 12 / 0 / 7

HEX #A772C04C

RGBA 167 114 192 .3

HSLA 280.77, 0.38%, 0.6%, .3

LABA 56.14, 34.93, -32.8, .3

 

CMYK 4 / 11 / 0 / 5

HEX #B884D34C

RGBA 184 132 211 .3

HSLA 279.49, 0.47%, 0.67%, .3

LABA 62.84, 34.16, -32.98, .3

 

CMYK 6 / 17 / 0 / 14

HEX #6F3C8C4C

RGBA 111 60 140 .3

HSLA 278.25, 0.4%, 0.39%, .3

LABA 35.01, 37.1, -35.76, .3

 

CMYK 7 / 20 / 0 / 16

HEX #5E2A794C

RGBA 94 42 121 .3

HSLA 279.49, 0.48%, 0.32%, .3

LABA 27.89, 37.83, -35.43, .3

 

CMYK 7 / 23 / 0 / 18

HEX #4D18664C

RGBA 77 24 102 .3

HSLA 280.77, 0.62%, 0.25%, .3

LABA 20.79, 38.1, -34.75, .3

 

CMYK 8 / 28 / 0 / 20

HEX #3C06534C

RGBA 60 6 83 .3

HSLA 282.08, 0.87%, 0.17%, .3

LABA 13.92, 37.23, -33.33, .3

 

CMYK 10 / 30 / 0 / 22

HEX #2B00404C

RGBA 43 0 64 .3

HSLA 280.31, 1%, 0.13%, .3

LABA 7.98, 32.84, -29.88, .3

 

CMYK 6 / 17 / 0 / 14

HEX #6F3C8C4C

RGBA 111 60 140 .3

HSLA 278.25, 0.4%, 0.39%, .3

LABA 35.01, 37.1, -35.76, .3

 

CMYK 3 / 17 / 0 / 14

HEX #7B3B8B4C

RGBA 123 59 139 .3

HSLA 288, 0.4%, 0.39%, .3

LABA 36.37, 40.76, -32.89, .3

 

CMYK 1 / 17 / 0 / 14

HEX #883B8B4C

RGBA 136 59 139 .3

HSLA 297.75, 0.4%, 0.39%, .3

LABA 38.25, 44.41, -29.81, .3

 

CMYK 0 / 17 / 2 / 14

HEX #8B3B804C

RGBA 139 59 128 .3

HSLA 308.25, 0.4%, 0.39%, .3

LABA 38.16, 43.27, -23.16, .3

 

CMYK 0 / 17 / 5 / 14

HEX #8B3B734C

RGBA 139 59 115 .3

HSLA 318, 0.4%, 0.39%, .3

LABA 37.58, 41.08, -15.98, .3

 

CMYK 6 / 17 / 0 / 14

HEX #6F3C8C4C

RGBA 111 60 140 .3

HSLA 278.25, 0.4%, 0.39%, .3

LABA 35.01, 37.1, -35.76, .3

 

CMYK 6 / 17 / 0 / 8

HEX #9752BF4C

RGBA 151 82 191 .3

HSLA 277.98, 0.46%, 0.54%, .3

LABA 47.46, 47.59, -46.03, .3

 

CMYK 6 / 17 / 0 / 2

HEX #C068F24C

RGBA 192 104 242 .3

HSLA 278.26, 0.84%, 0.68%, .3

LABA 59.45, 57.77, -55.55, .3

 

CMYK 6 / 17 / 0 / 26

HEX #1E10264C

RGBA 30 16 38 .3

HSLA 278.18, 0.41%, 0.11%, .3

LABA 7.1, 12.49, -12.3, .3

 

CMYK 6 / 17 / 0 / 20

HEX #4726594C

RGBA 71 38 89 .3

HSLA 278.82, 0.4%, 0.25%, .3

LABA 21.75, 25.8, -24.69, .3

 

CMYK 6 / 17 / 0 / 14

HEX #6F3C8C4C

RGBA 111 60 140 .3

HSLA 278.25, 0.4%, 0.39%, .3

LABA 35.01, 37.1, -35.76, .3

 

CMYK 0 / 17 / 14 / 14

HEX #8B3B484C

RGBA 139 59 72 .3

HSLA 350.25, 0.4%, 0.39%, .3

LABA 36.15, 35.34, 9.11, .3

 

CMYK 17 / 0 / 13 / 14

HEX #3B8B4E4C

RGBA 59 139 78 .3

HSLA 134.25, 0.4%, 0.39%, .3

LABA 51.78, -38.47, 25.42, .3

 

CMYK 6 / 17 / 0 / 14

HEX #6F3C8C4C

RGBA 111 60 140 .3

HSLA 278.25, 0.4%, 0.39%, .3

LABA 35.01, 37.1, -35.76, .3

 

CMYK 0 / 6 / 17 / 14

HEX #8B6E3B4C

RGBA 139 110 59 .3

HSLA 38.25, 0.4%, 0.39%, .3

LABA 48.21, 5.04, 32.48, .3

 

CMYK 17 / 0 / 6 / 14

HEX #3B8B6E4C

RGBA 59 139 110 .3

HSLA 158.25, 0.4%, 0.39%, .3

LABA 52.42, -31.8, 8.24, .3

 

CMYK 6 / 17 / 0 / 14

HEX #6F3C8C4C

RGBA 111 60 140 .3

HSLA 278.25, 0.4%, 0.39%, .3

LABA 35.01, 37.1, -35.76, .3

 

CMYK 0 / 17 / 14 / 14

HEX #8B3B484C

RGBA 139 59 72 .3

HSLA 350.25, 0.4%, 0.39%, .3

LABA 36.15, 35.34, 9.11, .3

 

CMYK 11 / 0 / 17 / 14

HEX #588B3B4C

RGBA 88 139 59 .3

HSLA 98.25, 0.4%, 0.39%, .3

LABA 52.79, -32.16, 36.9, .3

 

CMYK 17 / 0 / 3 / 14

HEX #3B8B7D4C

RGBA 59 139 125 .3

HSLA 169.5, 0.4%, 0.39%, .3

LABA 52.81, -27.99, 0.13, .3

 

CMYK 6 / 17 / 0 / 14

HEX #6F3C8C4C

RGBA 111 60 140 .3

HSLA 278.25, 0.4%, 0.39%, .3

LABA 35.01, 37.1, -35.76, .3

 

CMYK 0 / 15 / 17 / 14

HEX #8B463B4C

RGBA 139 70 59 .3

HSLA 8.25, 0.4%, 0.39%, .3

LABA 38.17, 28.19, 19.99, .3

 

CMYK 11 / 0 / 17 / 14

HEX #588B3B4C

RGBA 88 139 59 .3

HSLA 98.25, 0.4%, 0.39%, .3

LABA 52.79, -32.16, 36.9, .3

 

CMYK 17 / 2 / 0 / 14

HEX #3B808B4C

RGBA 59 128 139 .3

HSLA 188.25, 0.4%, 0.39%, .3

LABA 49.78, -18.32, -12.55, .3

 

Description

Color code: RGBA 111 60 140 .3 | qconv.com Color code: RGBA 111 60 140 .3 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 111 red, 60 green and 140 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
111 60 140 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 6 cyan, 17 magenta, none yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
6% 17% 0% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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