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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 107 107 255 0.18 it is the complementary color RGBA 148 148 0 0.18. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 107 107 255 0.18. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGBA 107 107 255 0.18: RGBA 112 107 250 0.18, RGBA 129 125 255 0.18, RGBA 146 143 255 0.18, RGBA 163 161 255 0.18 and RGBA 180 179 255 0.18

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 107 107 255 0.18. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGBA 107 107 255 0.18: RGBA 107 107 255 0.18, RGBA 90 89 236 0.18, RGBA 73 71 217 0.18, RGBA 56 53 198 0.18 and RGBA 39 35 179 0.18

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 10 / 10 / 0 / 0

HEX #6B6BFF2D

RGBA 107 107 255 0.18

HSLA 240, 1%, 0.71%, 0.18

LABA 52.8, 41.5, -73.88, 0.18

 

Complementary color

CMYK 0 / 0 / 18 / 8

HEX #9494002D

RGBA 148 148 0 0.18

HSLA 60, 1%, 0.29%, 0.18

LABA 59.41, -14.37, 62.98, 0.18

 

CMYK 10 / 10 / 0 / 0

HEX #706BFA2D

RGBA 112 107 250 0.18

HSLA 242.1, 0.93%, 0.7%, 0.18

LABA 52.8, 40.82, -71.09, 0.18

 

CMYK 9 / 9 / 0 / 0

HEX #817DFF2D

RGBA 129 125 255 0.18

HSLA 241.85, 1%, 0.75%, 0.18

LABA 58.56, 35.07, -64.5, 0.18

 

CMYK 8 / 8 / 0 / 0

HEX #928FFF2D

RGBA 146 143 255 0.18

HSLA 241.61, 1%, 0.78%, 0.18

LABA 64.14, 28.4, -55.5, 0.18

 

CMYK 6 / 7 / 0 / 0

HEX #A3A1FF2D

RGBA 163 161 255 0.18

HSLA 241.28, 1%, 0.82%, 0.18

LABA 69.82, 22.36, -46.44, 0.18

 

CMYK 5 / 5 / 0 / 0

HEX #B4B3FF2D

RGBA 180 179 255 0.18

HSLA 240.79, 1%, 0.85%, 0.18

LABA 75.55, 16.9, -37.4, 0.18

 

CMYK 10 / 10 / 0 / 0

HEX #6B6BFF2D

RGBA 107 107 255 0.18

HSLA 240, 1%, 0.71%, 0.18

LABA 52.8, 41.5, -73.88, 0.18

 

CMYK 11 / 11 / 0 / 1

HEX #5A59EC2D

RGBA 90 89 236 0.18

HSLA 240.41, 0.79%, 0.64%, 0.18

LABA 46.14, 43.4, -74.16, 0.18

 

CMYK 12 / 12 / 0 / 3

HEX #4947D92D

RGBA 73 71 217 0.18

HSLA 240.82, 0.66%, 0.56%, 0.18

LABA 39.47, 45.5, -74.34, 0.18

 

CMYK 13 / 13 / 0 / 4

HEX #3835C62D

RGBA 56 53 198 0.18

HSLA 241.24, 0.58%, 0.49%, 0.18

LABA 32.84, 47.73, -74.27, 0.18

 

CMYK 14 / 14 / 0 / 5

HEX #2723B32D

RGBA 39 35 179 0.18

HSLA 241.67, 0.67%, 0.42%, 0.18

LABA 26.41, 49.83, -73.71, 0.18

 

CMYK 10 / 10 / 0 / 0

HEX #6B6BFF2D

RGBA 107 107 255 0.18

HSLA 240, 1%, 0.71%, 0.18

LABA 52.8, 41.5, -73.88, 0.18

 

CMYK 9 / 10 / 0 / 0

HEX #836BFF2D

RGBA 131 107 255 0.18

HSLA 249.73, 1%, 0.71%, 0.18

LABA 54.62, 45.86, -70.85, 0.18

 

CMYK 7 / 10 / 0 / 0

HEX #9C6BFF2D

RGBA 156 107 255 0.18

HSLA 259.86, 1%, 0.71%, 0.18

LABA 56.88, 50.99, -67.07, 0.18

 

CMYK 5 / 10 / 0 / 0

HEX #B56BFF2D

RGBA 181 107 255 0.18

HSLA 270, 1%, 0.71%, 0.18

LABA 59.49, 56.55, -62.75, 0.18

 

CMYK 4 / 10 / 0 / 0

HEX #CD6BFF2D

RGBA 205 107 255 0.18

HSLA 279.73, 1%, 0.71%, 0.18

LABA 62.27, 62.15, -58.15, 0.18

 

CMYK 10 / 10 / 0 / 0

HEX #6B6BFF2D

RGBA 107 107 255 0.18

HSLA 240, 1%, 0.71%, 0.18

LABA 52.8, 41.5, -73.88, 0.18

 

CMYK 11 / 11 / 0 / 14

HEX #1515332D

RGBA 21 21 51 0.18

HSLA 240, 0.42%, 0.14%, 0.18

LABA 8.44, 10.28, -19.91, 0.18

 

CMYK 10 / 10 / 0 / 11

HEX #2B2B662D

RGBA 43 43 102 0.18

HSLA 240, 0.41%, 0.28%, 0.18

LABA 20.83, 18.83, -34.89, 0.18

 

CMYK 10 / 10 / 0 / 7

HEX #4040992D

RGBA 64 64 153 0.18

HSLA 240, 0.41%, 0.43%, 0.18

LABA 31.94, 27.02, -48.91, 0.18

 

CMYK 10 / 10 / 0 / 4

HEX #5656CC2D

RGBA 86 86 204 0.18

HSLA 240, 0.54%, 0.57%, 0.18

LABA 42.75, 34.23, -61.46, 0.18

 

CMYK 10 / 10 / 0 / 0

HEX #6B6BFF2D

RGBA 107 107 255 0.18

HSLA 240, 1%, 0.71%, 0.18

LABA 52.8, 41.5, -73.88, 0.18

 

CMYK 0 / 10 / 2 / 0

HEX #FF6BE12D

RGBA 255 107 225 0.18

HSLA 312.16, 1%, 0.71%, 0.18

LABA 67.44, 69.49, -32.97, 0.18

 

CMYK 6 / 0 / 10 / 0

HEX #A6FF6B2D

RGBA 166 255 107 0.18

HSLA 96.08, 1%, 0.71%, 0.18

LABA 91.99, -51.01, 61.12, 0.18

 

CMYK 10 / 10 / 0 / 0

HEX #6B6BFF2D

RGBA 107 107 255 0.18

HSLA 240, 1%, 0.71%, 0.18

LABA 52.8, 41.5, -73.88, 0.18

 

CMYK 0 / 10 / 10 / 0

HEX #FF6B6B2D

RGBA 255 107 107 0.18

HSLA 0, 1%, 0.71%, 0.18

LABA 64.03, 56.38, 28.92, 0.18

 

CMYK 10 / 0 / 10 / 0

HEX #6BFF6B2D

RGBA 107 255 107 0.18

HSLA 120, 1%, 0.71%, 0.18

LABA 89.72, -67.52, 57.92, 0.18

 

CMYK 10 / 10 / 0 / 0

HEX #6B6BFF2D

RGBA 107 107 255 0.18

HSLA 240, 1%, 0.71%, 0.18

LABA 52.8, 41.5, -73.88, 0.18

 

CMYK 0 / 10 / 2 / 0

HEX #FF6BE12D

RGBA 255 107 225 0.18

HSLA 312.16, 1%, 0.71%, 0.18

LABA 67.44, 69.49, -32.97, 0.18

 

CMYK 0 / 0 / 10 / 0

HEX #FFFF6B2D

RGBA 255 255 107 0.18

HSLA 60, 1%, 0.71%, 0.18

LABA 97.57, -18.11, 68.89, 0.18

 

CMYK 10 / 0 / 8 / 0

HEX #6BFF882D

RGBA 107 255 136 0.18

HSLA 131.76, 1%, 0.71%, 0.18

LABA 90.06, -63.81, 45.07, 0.18

 

CMYK 10 / 10 / 0 / 0

HEX #6B6BFF2D

RGBA 107 107 255 0.18

HSLA 240, 1%, 0.71%, 0.18

LABA 52.8, 41.5, -73.88, 0.18

 

CMYK 0 / 10 / 5 / 0

HEX #FF6BB52D

RGBA 255 107 181 0.18

HSLA 330, 1%, 0.71%, 0.18

LABA 65.84, 63.51, -10.7, 0.18

 

CMYK 0 / 0 / 10 / 0

HEX #FFFF6B2D

RGBA 255 255 107 0.18

HSLA 60, 1%, 0.71%, 0.18

LABA 97.57, -18.11, 68.89, 0.18

 

CMYK 10 / 0 / 5 / 0

HEX #6BFFB52D

RGBA 107 255 181 0.18

HSLA 150, 1%, 0.71%, 0.18

LABA 90.77, -56.15, 23.73, 0.18

 

Description

Color code: RGBA 107 107 255 0.18 | qconv.com Color code: RGBA 107 107 255 0.18 | qconv.com - big

With this color blue stands out from the other colors. The value that represents the blue hue is greater than the other two values. It is far different from the value for the red and green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 107 red, 107 green and 255 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
107 107 255 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 10 cyan, 10 magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
10% 10% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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