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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 104 122 150 0.94 it is the complementary color RGBA 151 133 105 0.94. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 104 122 150 0.94. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGBA 104 122 150 0.94: RGBA 109 122 145 0.94, RGBA 126 140 164 0.94, RGBA 143 158 183 0.94, RGBA 160 176 202 0.94 and RGBA 177 194 221 0.94

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 104 122 150 0.94. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGBA 104 122 150 0.94: RGBA 104 122 150 0.94, RGBA 87 104 131 0.94, RGBA 70 86 112 0.94, RGBA 53 68 93 0.94 and RGBA 36 50 74 0.94

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 29 / 18 / 0 / 39

HEX #687A96EF

RGBA 104 122 150 0.94

HSLA 216.52, 0.18%, 0.5%, 0.94

LABA 50.76, 0.28, -17.27, 0.94

 

Complementary color

CMYK 0 / 11 / 29 / 38

HEX #978569EF

RGBA 151 133 105 0.94

HSLA 36.52, 0.18%, 0.5%, 0.94

LABA 56.46, 2.38, 17.62, 0.94

 

CMYK 23 / 15 / 0 / 41

HEX #6D7A91EF

RGBA 109 122 145 0.94

HSLA 218.33, 0.14%, 0.5%, 0.94

LABA 50.94, 0.6, -14.05, 0.94

 

CMYK 22 / 14 / 0 / 34

HEX #7E8CA4EF

RGBA 126 140 164 0.94

HSLA 217.89, 0.17%, 0.57%, 0.94

LABA 57.92, 0.4, -14.37, 0.94

 

CMYK 21 / 13 / 0 / 27

HEX #8F9EB7EF

RGBA 143 158 183 0.94

HSLA 217.5, 0.22%, 0.64%, 0.94

LABA 64.73, 0.21, -14.71, 0.94

 

CMYK 20 / 12 / 0 / 20

HEX #A0B0CAEF

RGBA 160 176 202 0.94

HSLA 217.14, 0.28%, 0.71%, 0.94

LABA 71.41, 0.04, -15.05, 0.94

 

CMYK 19 / 11 / 0 / 13

HEX #B1C2DDEF

RGBA 177 194 221 0.94

HSLA 216.82, 0.39%, 0.78%, 0.94

LABA 77.96, -0.12, -15.41, 0.94

 

CMYK 29 / 18 / 0 / 39

HEX #687A96EF

RGBA 104 122 150 0.94

HSLA 216.52, 0.18%, 0.5%, 0.94

LABA 50.76, 0.28, -17.27, 0.94

 

CMYK 32 / 19 / 0 / 46

HEX #576883EF

RGBA 87 104 131 0.94

HSLA 216.82, 0.2%, 0.43%, 0.94

LABA 43.6, 0.56, -17.05, 0.94

 

CMYK 35 / 22 / 0 / 53

HEX #465670EF

RGBA 70 86 112 0.94

HSLA 217.14, 0.23%, 0.36%, 0.94

LABA 36.23, 0.89, -16.85, 0.94

 

CMYK 40 / 25 / 0 / 60

HEX #35445DEF

RGBA 53 68 93 0.94

HSLA 217.5, 0.27%, 0.29%, 0.94

LABA 28.59, 1.31, -16.72, 0.94

 

CMYK 48 / 30 / 0 / 67

HEX #24324AEF

RGBA 36 50 74 0.94

HSLA 217.89, 0.35%, 0.22%, 0.94

LABA 20.64, 1.9, -16.66, 0.94

 

CMYK 29 / 18 / 0 / 39

HEX #687A96EF

RGBA 104 122 150 0.94

HSLA 216.52, 0.18%, 0.5%, 0.94

LABA 50.76, 0.28, -17.27, 0.94

 

CMYK 29 / 22 / 0 / 39

HEX #687396EF

RGBA 104 115 150 0.94

HSLA 225.65, 0.18%, 0.5%, 0.94

LABA 48.77, 4.43, -20.33, 0.94

 

CMYK 29 / 27 / 0 / 39

HEX #686B96EF

RGBA 104 107 150 0.94

HSLA 236.09, 0.18%, 0.5%, 0.94

LABA 46.53, 9.26, -23.78, 0.94

 

CMYK 26 / 29 / 0 / 39

HEX #6D6896EF

RGBA 109 104 150 0.94

HSLA 246.52, 0.18%, 0.5%, 0.94

LABA 46.12, 12.65, -24.38, 0.94

 

CMYK 21 / 29 / 0 / 39

HEX #746896EF

RGBA 116 104 150 0.94

HSLA 255.65, 0.18%, 0.5%, 0.94

LABA 46.73, 14.91, -23.38, 0.94

 

CMYK 29 / 18 / 0 / 39

HEX #687A96EF

RGBA 104 122 150 0.94

HSLA 216.52, 0.18%, 0.5%, 0.94

LABA 50.76, 0.28, -17.27, 0.94

 

CMYK 29 / 18 / 0 / 20

HEX #8BA3C9EF

RGBA 139 163 201 0.94

HSLA 216.77, 0.36%, 0.67%, 0.94

LABA 66.44, 0.57, -22.17, 0.94

 

CMYK 29 / 18 / 0 / 1

HEX #AFCDFCEF

RGBA 175 205 252 0.94

HSLA 216.62, 0.93%, 0.84%, 0.94

LABA 81.73, 0.59, -26.31, 0.94

 

CMYK 29 / 18 / 0 / 76

HEX #212730EF

RGBA 33 39 48 0.94

HSLA 216, 0.19%, 0.16%, 0.94

LABA 15.42, -0.07, -6.77, 0.94

 

CMYK 28 / 17 / 0 / 58

HEX #455163EF

RGBA 69 81 99 0.94

HSLA 216, 0.18%, 0.33%, 0.94

LABA 34.09, -0.03, -12.01, 0.94

 

CMYK 29 / 18 / 0 / 39

HEX #687A96EF

RGBA 104 122 150 0.94

HSLA 216.52, 0.18%, 0.5%, 0.94

LABA 50.76, 0.28, -17.27, 0.94

 

CMYK 6 / 29 / 0 / 39

HEX #8D6896EF

RGBA 141 104 150 0.94

HSLA 288.26, 0.18%, 0.5%, 0.94

LABA 49.21, 23.29, -19.36, 0.94

 

CMYK 6 / 0 / 29 / 39

HEX #8D9668EF

RGBA 141 150 104 0.94

HSLA 71.74, 0.18%, 0.5%, 0.94

LABA 60.32, -11.22, 23.24, 0.94

 

CMYK 29 / 18 / 0 / 39

HEX #687A96EF

RGBA 104 122 150 0.94

HSLA 216.52, 0.18%, 0.5%, 0.94

LABA 50.76, 0.28, -17.27, 0.94

 

CMYK 0 / 29 / 18 / 39

HEX #96687AEF

RGBA 150 104 122 0.94

HSLA 336.52, 0.18%, 0.5%, 0.94

LABA 49.24, 21.26, -2.59, 0.94

 

CMYK 18 / 0 / 29 / 39

HEX #7A9668EF

RGBA 122 150 104 0.94

HSLA 96.52, 0.18%, 0.5%, 0.94

LABA 58.93, -18.64, 21.14, 0.94

 

CMYK 29 / 18 / 0 / 39

HEX #687A96EF

RGBA 104 122 150 0.94

HSLA 216.52, 0.18%, 0.5%, 0.94

LABA 50.76, 0.28, -17.27, 0.94

 

CMYK 6 / 29 / 0 / 39

HEX #8D6896EF

RGBA 141 104 150 0.94

HSLA 288.26, 0.18%, 0.5%, 0.94

LABA 49.21, 23.29, -19.36, 0.94

 

CMYK 0 / 11 / 29 / 39

HEX #968468EF

RGBA 150 132 104 0.94

HSLA 36.52, 0.18%, 0.5%, 0.94

LABA 56.07, 2.39, 17.64, 0.94

 

CMYK 23 / 0 / 29 / 39

HEX #719668EF

RGBA 113 150 104 0.94

HSLA 108.26, 0.18%, 0.5%, 0.94

LABA 58.34, -21.98, 20.25, 0.94

 

CMYK 29 / 18 / 0 / 39

HEX #687A96EF

RGBA 104 122 150 0.94

HSLA 216.52, 0.18%, 0.5%, 0.94

LABA 50.76, 0.28, -17.27, 0.94

 

CMYK 0 / 29 / 3 / 39

HEX #966891EF

RGBA 150 104 145 0.94

HSLA 306.52, 0.18%, 0.5%, 0.94

LABA 50.01, 25.4, -15.09, 0.94

 

CMYK 0 / 11 / 29 / 39

HEX #968468EF

RGBA 150 132 104 0.94

HSLA 36.52, 0.18%, 0.5%, 0.94

LABA 56.07, 2.39, 17.64, 0.94

 

CMYK 29 / 0 / 26 / 39

HEX #68966DEF

RGBA 104 150 109 0.94

HSLA 126.52, 0.18%, 0.5%, 0.94

LABA 57.9, -24.28, 16.77, 0.94

 

Description

Color code: RGBA 104 122 150 0.94 | qconv.com Color code: RGBA 104 122 150 0.94 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 104 red, 122 green and 150 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
104 122 150 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 29 cyan, 18 magenta, none yellow and 39 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
29% 18% 0% 39% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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