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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 0 31 14 .178 it is the complementary color RGBA 255 224 241 .178. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 0 31 14 .178. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGBA 0 31 14 .178: RGBA 5 31 9 .178, RGBA 22 49 28 .178, RGBA 39 67 47 .178, RGBA 56 85 66 .178 and RGBA 73 103 85 .178

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 0 31 14 .178. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGBA 0 31 14 .178: RGBA 0 31 14 .178, RGBA 0 13 0 .178

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 18 / 0 / 10 / 16

HEX #001F0E2D

RGBA 0 31 14 .178

HSLA 147.1, 1%, 0.06%, .178

LABA 9.09, -15.86, 7.36, .178

 

Complementary color

CMYK 0 / 2 / 1 / 0

HEX #FFE0F12D

RGBA 255 224 241 .178

HSLA 327.1, 1%, 0.94%, .178

LABA 92.1, 13.46, -4.35, .178

 

CMYK 15 / 0 / 13 / 16

HEX #051F092D

RGBA 5 31 9 .178

HSLA 129.23, 0.72%, 0.07%, .178

LABA 9.25, -15.24, 9.86, .178

 

CMYK 10 / 0 / 8 / 14

HEX #16311C2D

RGBA 22 49 28 .178

HSLA 133.33, 0.38%, 0.14%, .178

LABA 17.7, -16.07, 10.31, .178

 

CMYK 7 / 0 / 5 / 13

HEX #27432F2D

RGBA 39 67 47 .178

HSLA 137.14, 0.26%, 0.21%, .178

LABA 25.72, -15.76, 8.88, .178

 

CMYK 6 / 0 / 4 / 12

HEX #3855422D

RGBA 56 85 66 .178

HSLA 140.69, 0.21%, 0.28%, .178

LABA 33.42, -15.45, 7.69, .178

 

CMYK 5 / 0 / 3 / 11

HEX #4967552D

RGBA 73 103 85 .178

HSLA 144, 0.17%, 0.35%, .178

LABA 40.85, -15.17, 6.66, .178

 

CMYK 18 / 0 / 10 / 16

HEX #001F0E2D

RGBA 0 31 14 .178

HSLA 147.1, 1%, 0.06%, .178

LABA 9.09, -15.86, 7.36, .178

 

CMYK 18 / 0 / 18 / 17

HEX #000D002D

RGBA 0 13 0 .178

HSLA 120, 1%, 0.03%, .178

LABA 2.6, -5.31, 3.8, .178

 

CMYK 18 / 0 / 10 / 16

HEX #001F0E2D

RGBA 0 31 14 .178

HSLA 147.1, 1%, 0.06%, .178

LABA 9.09, -15.86, 7.36, .178

 

CMYK 18 / 0 / 7 / 16

HEX #001E122D

RGBA 0 30 18 .178

HSLA 156, 1%, 0.06%, .178

LABA 8.76, -14.26, 4.66, .178

 

CMYK 18 / 0 / 4 / 16

HEX #001E172D

RGBA 0 30 23 .178

HSLA 166, 1%, 0.06%, .178

LABA 8.91, -13.06, 1.5, .178

 

CMYK 18 / 0 / 1 / 16

HEX #001E1D2D

RGBA 0 30 29 .178

HSLA 178, 1%, 0.06%, .178

LABA 9.13, -11.27, -2.64, .178

 

CMYK 18 / 2 / 0 / 16

HEX #001B1E2D

RGBA 0 27 30 .178

HSLA 186, 1%, 0.06%, .178

LABA 7.93, -8.51, -5.2, .178

 

CMYK 18 / 0 / 10 / 16

HEX #001F0E2D

RGBA 0 31 14 .178

HSLA 147.1, 1%, 0.06%, .178

LABA 9.09, -15.86, 7.36, .178

 

CMYK 18 / 0 / 10 / 12

HEX #0052252D

RGBA 0 82 37 .178

HSLA 147.07, 1%, 0.16%, .178

LABA 29.83, -33.6, 20.24, .178

 

CMYK 18 / 0 / 10 / 9

HEX #00853C2D

RGBA 0 133 60 .178

HSLA 147.07, 1%, 0.26%, .178

LABA 48.39, -47.93, 30.55, .178

 

CMYK 18 / 0 / 10 / 5

HEX #00B8532D

RGBA 0 184 83 .178

HSLA 147.07, 1%, 0.36%, .178

LABA 65.68, -61.23, 40.03, .178

 

CMYK 18 / 0 / 10 / 1

HEX #00EB6A2D

RGBA 0 235 106 .178

HSLA 147.06, 1%, 0.46%, .178

LABA 82.09, -73.83, 48.97, .178

 

CMYK 18 / 0 / 10 / 16

HEX #001F0E2D

RGBA 0 31 14 .178

HSLA 147.1, 1%, 0.06%, .178

LABA 9.09, -15.86, 7.36, .178

 

CMYK 18 / 12 / 0 / 16

HEX #000A1E2D

RGBA 0 10 30 .178

HSLA 220, 1%, 0.06%, .178

LABA 2.81, 1.94, -12.93, .178

 

CMYK 0 / 17 / 18 / 16

HEX #1E01002D

RGBA 30 1 0 .178

HSLA 2, 1%, 0.06%, .178

LABA 2.69, 10.79, 4.23, .178

 

CMYK 18 / 0 / 10 / 16

HEX #001F0E2D

RGBA 0 31 14 .178

HSLA 147.1, 1%, 0.06%, .178

LABA 9.09, -15.86, 7.36, .178

 

CMYK 10 / 18 / 0 / 16

HEX #0D001E2D

RGBA 13 0 30 .178

HSLA 266, 1%, 0.06%, .178

LABA 1.62, 9.42, -14.64, .178

 

CMYK 0 / 10 / 18 / 16

HEX #1E0D002D

RGBA 30 13 0 .178

HSLA 26, 1%, 0.06%, .178

LABA 5.09, 5.87, 7.74, .178

 

CMYK 18 / 0 / 10 / 16

HEX #001F0E2D

RGBA 0 31 14 .178

HSLA 147.1, 1%, 0.06%, .178

LABA 9.09, -15.86, 7.36, .178

 

CMYK 18 / 12 / 0 / 16

HEX #000A1E2D

RGBA 0 10 30 .178

HSLA 220, 1%, 0.06%, .178

LABA 2.81, 1.94, -12.93, .178

 

CMYK 0 / 18 / 8 / 16

HEX #1E00102D

RGBA 30 0 16 .178

HSLA 328, 1%, 0.06%, .178

LABA 2.83, 13.56, -2.52, .178

 

CMYK 0 / 7 / 18 / 16

HEX #1E13002D

RGBA 30 19 0 .178

HSLA 38, 1%, 0.06%, .178

LABA 6.7, 2.59, 10.08, .178

 

CMYK 18 / 0 / 10 / 16

HEX #001F0E2D

RGBA 0 31 14 .178

HSLA 147.1, 1%, 0.06%, .178

LABA 9.09, -15.86, 7.36, .178

 

CMYK 18 / 17 / 0 / 16

HEX #00011E2D

RGBA 0 1 30 .178

HSLA 238, 1%, 0.06%, .178

LABA 1.04, 5.55, -15.58, .178

 

CMYK 0 / 18 / 8 / 16

HEX #1E00102D

RGBA 30 0 16 .178

HSLA 328, 1%, 0.06%, .178

LABA 2.83, 13.56, -2.52, .178

 

CMYK 0 / 1 / 18 / 16

HEX #1E1D002D

RGBA 30 29 0 .178

HSLA 58, 1%, 0.06%, .178

LABA 10.22, -4.38, 15.17, .178

 

Description

Color code: RGBA 0 31 14 .178 | qconv.com Color code: RGBA 0 31 14 .178 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, none red, 31 green and 14 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
0 31 14 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 18 cyan, none magenta, 10 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
18% 0% 10% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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