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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 0 174 255 0.4 it is the complementary color RGBA 255 81 0 0.4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 0 174 255 0.4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGBA 0 174 255 0.4: RGBA 5 174 250 0.4, RGBA 22 192 255 0.4, RGBA 39 210 255 0.4, RGBA 56 228 255 0.4 and RGBA 73 246 255 0.4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 0 174 255 0.4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGBA 0 174 255 0.4: RGBA 0 174 255 0.4, RGBA 0 156 236 0.4, RGBA 0 138 217 0.4, RGBA 0 120 198 0.4 and RGBA 0 102 179 0.4

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 40 / 13 / 0 / 0

HEX #00AEFF66

RGBA 0 174 255 0.4

HSLA 199.06, 1%, 0.5%, 0.4

LABA 67.64, -8.46, -50.25, 0.4

 

Complementary color

CMYK 0 / 27 / 40 / 0

HEX #FF510066

RGBA 255 81 0 0.4

HSLA 19.06, 1%, 0.5%, 0.4

LABA 59.11, 63.58, 69.7, 0.4

 

CMYK 39 / 12 / 0 / 1

HEX #05AEFA66

RGBA 5 174 250 0.4

HSLA 198.61, 0.96%, 0.5%, 0.4

LABA 67.43, -10.15, -47.87, 0.4

 

CMYK 37 / 10 / 0 / 0

HEX #16C0FF66

RGBA 22 192 255 0.4

HSLA 196.22, 1%, 0.54%, 0.4

LABA 72.95, -17.57, -41.91, 0.4

 

CMYK 34 / 7 / 0 / 0

HEX #27D2FF66

RGBA 39 210 255 0.4

HSLA 192.5, 1%, 0.58%, 0.4

LABA 78.31, -25.88, -33.58, 0.4

 

CMYK 31 / 4 / 0 / 0

HEX #38E4FF66

RGBA 56 228 255 0.4

HSLA 188.14, 1%, 0.61%, 0.4

LABA 83.73, -33.3, -25.25, 0.4

 

CMYK 29 / 1 / 0 / 0

HEX #49F6FF66

RGBA 73 246 255 0.4

HSLA 182.97, 1%, 0.64%, 0.4

LABA 89.18, -39.88, -16.97, 0.4

 

CMYK 40 / 13 / 0 / 0

HEX #00AEFF66

RGBA 0 174 255 0.4

HSLA 199.06, 1%, 0.5%, 0.4

LABA 67.64, -8.46, -50.25, 0.4

 

CMYK 40 / 14 / 0 / 3

HEX #009CEC66

RGBA 0 156 236 0.4

HSLA 200.34, 1%, 0.46%, 0.4

LABA 61.51, -5.29, -49.57, 0.4

 

CMYK 40 / 15 / 0 / 6

HEX #008AD966

RGBA 0 138 217 0.4

HSLA 201.84, 1%, 0.43%, 0.4

LABA 55.26, -1.99, -48.9, 0.4

 

CMYK 40 / 16 / 0 / 9

HEX #0078C666

RGBA 0 120 198 0.4

HSLA 203.64, 1%, 0.39%, 0.4

LABA 48.9, 1.49, -48.27, 0.4

 

CMYK 40 / 17 / 0 / 12

HEX #0066B366

RGBA 0 102 179 0.4

HSLA 205.81, 1%, 0.35%, 0.4

LABA 42.4, 5.17, -47.66, 0.4

 

CMYK 40 / 13 / 0 / 0

HEX #00AEFF66

RGBA 0 174 255 0.4

HSLA 199.06, 1%, 0.5%, 0.4

LABA 67.64, -8.46, -50.25, 0.4

 

CMYK 40 / 19 / 0 / 0

HEX #0083FF66

RGBA 0 131 255 0.4

HSLA 209.18, 1%, 0.5%, 0.4

LABA 55.54, 16.92, -69.6, 0.4

 

CMYK 40 / 26 / 0 / 0

HEX #0059FF66

RGBA 0 89 255 0.4

HSLA 219.06, 1%, 0.5%, 0.4

LABA 44.75, 43.37, -87.19, 0.4

 

CMYK 40 / 33 / 0 / 0

HEX #002EFF66

RGBA 0 46 255 0.4

HSLA 229.18, 1%, 0.5%, 0.4

LABA 36.32, 66.99, -101.16, 0.4

 

CMYK 40 / 39 / 0 / 0

HEX #0004FF66

RGBA 0 4 255 0.4

HSLA 239.06, 1%, 0.5%, 0.4

LABA 32.5, 78.6, -107.54, 0.4

 

CMYK 40 / 13 / 0 / 0

HEX #00AEFF66

RGBA 0 174 255 0.4

HSLA 199.06, 1%, 0.5%, 0.4

LABA 67.64, -8.46, -50.25, 0.4

 

CMYK 40 / 13 / 0 / 32

HEX #00233366

RGBA 0 35 51 0.4

HSLA 198.82, 1%, 0.1%, 0.4

LABA 12.23, -5.29, -13.98, 0.4

 

CMYK 40 / 13 / 0 / 24

HEX #00466666

RGBA 0 70 102 0.4

HSLA 198.82, 1%, 0.2%, 0.4

LABA 27.68, -6.22, -24.07, 0.4

 

CMYK 40 / 13 / 0 / 16

HEX #00689966

RGBA 0 104 153 0.4

HSLA 199.22, 1%, 0.3%, 0.4

LABA 41.53, -6.56, -33.68, 0.4

 

CMYK 40 / 13 / 0 / 8

HEX #008BCC66

RGBA 0 139 204 0.4

HSLA 199.12, 1%, 0.4%, 0.4

LABA 54.89, -7.52, -42.17, 0.4

 

CMYK 40 / 13 / 0 / 0

HEX #00AEFF66

RGBA 0 174 255 0.4

HSLA 199.06, 1%, 0.5%, 0.4

LABA 67.64, -8.46, -50.25, 0.4

 

CMYK 19 / 40 / 0 / 0

HEX #8300FF66

RGBA 131 0 255 0.4

HSLA 270.82, 1%, 0.5%, 0.4

LABA 41.29, 83.41, -92.66, 0.4

 

CMYK 0 / 3 / 40 / 0

HEX #FFE90066

RGBA 255 233 0 0.4

HSLA 54.82, 1%, 0.5%, 0.4

LABA 91.48, -10.92, 90.38, 0.4

Pantone® 803 C

CMYK 40 / 13 / 0 / 0

HEX #00AEFF66

RGBA 0 174 255 0.4

HSLA 199.06, 1%, 0.5%, 0.4

LABA 67.64, -8.46, -50.25, 0.4

 

CMYK 0 / 40 / 13 / 0

HEX #FF00AE66

RGBA 255 0 174 0.4

HSLA 319.06, 1%, 0.5%, 0.4

LABA 56.4, 88.51, -20.94, 0.4

 

CMYK 13 / 0 / 40 / 0

HEX #AEFF0066

RGBA 174 255 0 0.4

HSLA 79.06, 1%, 0.5%, 0.4

LABA 91.92, -53.06, 88.25, 0.4

 

CMYK 40 / 13 / 0 / 0

HEX #00AEFF66

RGBA 0 174 255 0.4

HSLA 199.06, 1%, 0.5%, 0.4

LABA 67.64, -8.46, -50.25, 0.4

 

CMYK 19 / 40 / 0 / 0

HEX #8300FF66

RGBA 131 0 255 0.4

HSLA 270.82, 1%, 0.5%, 0.4

LABA 41.29, 83.41, -92.66, 0.4

 

CMYK 0 / 27 / 40 / 0

HEX #FF500066

RGBA 255 80 0 0.4

HSLA 18.82, 1%, 0.5%, 0.4

LABA 58.97, 63.95, 69.63, 0.4

 

CMYK 21 / 0 / 40 / 0

HEX #7BFF0066

RGBA 123 255 0 0.4

HSLA 91.06, 1%, 0.5%, 0.4

LABA 89.73, -69.17, 85.61, 0.4

 

CMYK 40 / 13 / 0 / 0

HEX #00AEFF66

RGBA 0 174 255 0.4

HSLA 199.06, 1%, 0.5%, 0.4

LABA 67.64, -8.46, -50.25, 0.4

 

CMYK 7 / 40 / 0 / 0

HEX #D000FF66

RGBA 208 0 255 0.4

HSLA 288.94, 1%, 0.5%, 0.4

LABA 52.54, 91.53, -73.78, 0.4

 

CMYK 0 / 27 / 40 / 0

HEX #FF500066

RGBA 255 80 0 0.4

HSLA 18.82, 1%, 0.5%, 0.4

LABA 58.97, 63.95, 69.63, 0.4

 

CMYK 33 / 0 / 40 / 0

HEX #2EFF0066

RGBA 46 255 0 0.4

HSLA 109.18, 1%, 0.5%, 0.4

LABA 88.02, -83.64, 83.52, 0.4

 

Description

Color code: RGBA 0 174 255 0.4 | qconv.com Color code: RGBA 0 174 255 0.4 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, none red, 174 green and 255 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
0 174 255 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 40 cyan, 13 magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
40% 13% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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PANTONE® to HKS®

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Sherwin Williams® to HKS®

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NCS® to HKS®

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NCS® to PANTONE®

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