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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 9 225 131 it is the complementary color RGB 246 30 124. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 9 225 131. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 9 225 131: RGB 14 225 126, RGB 31 243 145, RGB 48 255 164, RGB 65 255 183 and RGB 82 255 202

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 9 225 131. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 9 225 131: RGB 9 225 131, RGB 0 207 112, RGB 0 189 93, RGB 0 171 74 and RGB 0 153 55

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 96 / 0 / 42 / 12

HEX #09E183

RGB 9 225 131

HSL 153.89, 0.92%, 0.46%

LAB 79.36, -66.34, 33.47

 

Complementary color

CMYK 0 / 88 / 50 / 4

HEX #F61E7C

RGB 246 30 124

HSL 333.89, 0.92%, 0.54%

LAB 54, 79.43, 4.97

 

CMYK 94 / 0 / 44 / 12

HEX #0EE17E

RGB 14 225 126

HSL 151.85, 0.88%, 0.47%

LAB 79.3, -67.08, 35.91

 

CMYK 87 / 0 / 40 / 5

HEX #1FF391

RGB 31 243 145

HSL 152.26, 0.9%, 0.54%

LAB 85.22, -68.83, 34.17

 

CMYK 81 / 0 / 36 / 0

HEX #30FFA4

RGB 48 255 164

HSL 153.62, 1%, 0.59%

LAB 89.31, -68.09, 30.14

 

CMYK 75 / 0 / 28 / 0

HEX #41FFB7

RGB 65 255 183

HSL 157.26, 1%, 0.63%

LAB 89.89, -62.47, 21.35

 

CMYK 68 / 0 / 21 / 0

HEX #52FFCA

RGB 82 255 202

HSL 161.62, 1%, 0.66%

LAB 90.59, -56.07, 12.63

 

CMYK 96 / 0 / 42 / 12

HEX #09E183

RGB 9 225 131

HSL 153.89, 0.92%, 0.46%

LAB 79.36, -66.34, 33.47

 

CMYK 100 / 0 / 46 / 19

HEX #00CF70

RGB 0 207 112

HSL 152.46, 1%, 0.41%

LAB 73.41, -64.03, 35.33

 

CMYK 100 / 0 / 51 / 26

HEX #00BD5D

RGB 0 189 93

HSL 149.52, 1%, 0.37%

LAB 67.42, -61.3, 37.26

 

CMYK 100 / 0 / 57 / 33

HEX #00AB4A

RGB 0 171 74

HSL 145.96, 1%, 0.34%

LAB 61.33, -58.38, 39.16

 

CMYK 100 / 0 / 64 / 40

HEX #009937

RGB 0 153 55

HSL 141.57, 1%, 0.3%

LAB 55.13, -55.21, 40.92

 

CMYK 96 / 0 / 42 / 12

HEX #09E183

RGB 9 225 131

HSL 153.89, 0.92%, 0.46%

LAB 79.36, -66.34, 33.47

 

CMYK 96 / 0 / 27 / 12

HEX #09E1A4

RGB 9 225 164

HSL 163.06, 0.92%, 0.46%

LAB 79.95, -59.54, 17.27

 

CMYK 96 / 0 / 11 / 12

HEX #09E1C8

RGB 9 225 200

HSL 173.06, 0.92%, 0.46%

LAB 80.78, -50.57, -0.56

 

CMYK 96 / 5 / 0 / 12

HEX #09D6E1

RGB 9 214 225

HSL 183.06, 0.92%, 0.46%

LAB 78.22, -38.59, -17.71

 

CMYK 96 / 21 / 0 / 12

HEX #09B2E1

RGB 9 178 225

HSL 193.06, 0.92%, 0.46%

LAB 67.53, -21.03, -34.08

 

CMYK 96 / 0 / 42 / 12

HEX #09E183

RGB 9 225 131

HSL 153.89, 0.92%, 0.46%

LAB 79.36, -66.34, 33.47

 

CMYK 95 / 0 / 43 / 92

HEX #01150C

RGB 1 21 12

HSL 153, 0.91%, 0.04%

LAB 5.14, -7.95, 2.58

 

CMYK 96 / 0 / 42 / 72

HEX #03482A

RGB 3 72 42

HSL 153.91, 0.92%, 0.15%

LAB 26.22, -28.06, 12.55

 

CMYK 96 / 0 / 41 / 52

HEX #057B48

RGB 5 123 72

HSL 154.07, 0.92%, 0.25%

LAB 45.17, -41.71, 19.92

 

CMYK 96 / 0 / 42 / 32

HEX #07AE65

RGB 7 174 101

HSL 153.77, 0.92%, 0.35%

LAB 62.72, -54.49, 27.16

 

CMYK 96 / 0 / 42 / 12

HEX #09E183

RGB 9 225 131

HSL 153.89, 0.92%, 0.46%

LAB 79.36, -66.34, 33.47

 

CMYK 96 / 72 / 0 / 12

HEX #093FE1

RGB 9 63 225

HSL 225, 0.92%, 0.46%

LAB 36.08, 48.58, -84.58

 

CMYK 0 / 82 / 96 / 12

HEX #E12909

RGB 225 41 9

HSL 8.89, 0.92%, 0.46%

LAB 49.02, 67.18, 59.54

 

CMYK 96 / 0 / 42 / 12

HEX #09E183

RGB 9 225 131

HSL 153.89, 0.92%, 0.46%

LAB 79.36, -66.34, 33.47

 

CMYK 43 / 96 / 0 / 12

HEX #8009E1

RGB 128 9 225

HSL 273.06, 0.92%, 0.46%

LAB 38.24, 75.94, -80.75

 

CMYK 0 / 43 / 96 / 12

HEX #E18009

RGB 225 128 9

HSL 33.06, 0.92%, 0.46%

LAB 62.9, 30.89, 68

 

CMYK 96 / 0 / 42 / 12

HEX #09E183

RGB 9 225 131

HSL 153.89, 0.92%, 0.46%

LAB 79.36, -66.34, 33.47

 

CMYK 96 / 72 / 0 / 12

HEX #093FE1

RGB 9 63 225

HSL 225, 0.92%, 0.46%

LAB 36.08, 48.58, -84.58

 

CMYK 0 / 96 / 53 / 12

HEX #E1096A

RGB 225 9 106

HSL 333.06, 0.92%, 0.46%

LAB 48.57, 75.77, 7.6

 

CMYK 0 / 24 / 96 / 12

HEX #E1AB09

RGB 225 171 9

HSL 45, 0.92%, 0.46%

LAB 72.99, 8.02, 75

 

CMYK 96 / 0 / 42 / 12

HEX #09E183

RGB 9 225 131

HSL 153.89, 0.92%, 0.46%

LAB 79.36, -66.34, 33.47

 

CMYK 91 / 96 / 0 / 12

HEX #1409E1

RGB 20 9 225

HSL 243.06, 0.92%, 0.46%

LAB 28.85, 70.59, -96.6

 

CMYK 0 / 96 / 53 / 12

HEX #E1096A

RGB 225 9 106

HSL 333.06, 0.92%, 0.46%

LAB 48.57, 75.77, 7.6

 

CMYK 5 / 0 / 96 / 12

HEX #D6E109

RGB 214 225 9

HSL 63.06, 0.92%, 0.46%

LAB 86.09, -24.13, 84.21

 

Description

Color code: RGB 9 225 131 | qconv.com Color code: RGB 9 225 131 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 9 red, 225 green and 131 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
9 225 131 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 96 cyan, none magenta, 42 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
96% 0% 42% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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RAL® to PANTONE®

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RAL® to Sherwin Williams®

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HKS® to Sherwin Williams®

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PANTONE® to HKS®

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PANTONE® to Sherwin Williams®

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Sherwin Williams® to CMYK

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Sherwin Williams® to HKS®

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NCS® to HKS®

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NCS® to PANTONE®

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