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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 99 83 22 it is the complementary color RGB 156 172 233. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 99 83 22. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 99 83 22: RGB 104 83 17, RGB 121 101 36, RGB 138 119 55, RGB 155 137 74 and RGB 172 155 93

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 99 83 22. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 99 83 22: RGB 99 83 22, RGB 82 65 3, RGB 65 47 0, RGB 48 29 0 and RGB 31 11 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 16 / 78 / 61

HEX #635316

RGB 99 83 22

HSL 47.53, 0.64%, 0.24%

LAB 35.79, -0.64, 36.21

 

Complementary color

CMYK 33 / 26 / 0 / 9

HEX #9CACE9

RGB 156 172 233

HSL 227.53, 0.64%, 0.76%

LAB 71.18, 8.55, -32.39

 

CMYK 0 / 20 / 84 / 59

HEX #685311

RGB 104 83 17

HSL 45.52, 0.72%, 0.24%

LAB 36.31, 1.61, 38.95

 

CMYK 0 / 17 / 70 / 53

HEX #796524

RGB 121 101 36

HSL 45.88, 0.54%, 0.31%

LAB 43.51, 0.17, 38.42

 

CMYK 0 / 14 / 60 / 46

HEX #8A7737

RGB 138 119 55

HSL 46.27, 0.43%, 0.38%

LAB 50.54, -0.91, 37.28

 

CMYK 0 / 12 / 52 / 39

HEX #9B894A

RGB 155 137 74

HSL 46.67, 0.35%, 0.45%

LAB 57.42, -1.76, 35.98

 

CMYK 0 / 10 / 46 / 33

HEX #AC9B5D

RGB 172 155 93

HSL 47.09, 0.32%, 0.52%

LAB 64.16, -2.44, 34.67

 

CMYK 0 / 16 / 78 / 61

HEX #635316

RGB 99 83 22

HSL 47.53, 0.64%, 0.24%

LAB 35.79, -0.64, 36.21

 

CMYK 0 / 21 / 96 / 68

HEX #524103

RGB 82 65 3

HSL 47.09, 0.93%, 0.17%

LAB 28.33, 0.98, 36.26

 

CMYK 0 / 28 / 100 / 75

HEX #412F00

RGB 65 47 0

HSL 43.38, 1%, 0.13%

LAB 20.66, 3.37, 29.32

 

CMYK 0 / 40 / 100 / 81

HEX #301D00

RGB 48 29 0

HSL 36.25, 1%, 0.09%

LAB 12.65, 6.18, 18.91

 

CMYK 0 / 65 / 100 / 88

HEX #1F0B00

RGB 31 11 0

HSL 21.29, 1%, 0.06%

LAB 4.79, 7.39, 7.32

 

CMYK 0 / 16 / 78 / 61

HEX #635316

RGB 99 83 22

HSL 47.53, 0.64%, 0.24%

LAB 35.79, -0.64, 36.21

 

CMYK 0 / 4 / 78 / 61

HEX #646016

RGB 100 96 22

HSL 56.92, 0.64%, 0.24%

LAB 39.8, -7.82, 40.11

 

CMYK 9 / 0 / 78 / 61

HEX #5B6416

RGB 91 100 22

HSL 66.92, 0.64%, 0.24%

LAB 40.24, -14.38, 40.25

 

CMYK 22 / 0 / 78 / 61

HEX #4E6416

RGB 78 100 22

HSL 76.92, 0.64%, 0.24%

LAB 39.23, -20.36, 38.92

 

CMYK 35 / 0 / 78 / 61

HEX #416416

RGB 65 100 22

HSL 86.92, 0.64%, 0.24%

LAB 38.37, -25.95, 37.79

 

CMYK 0 / 16 / 78 / 61

HEX #635316

RGB 99 83 22

HSL 47.53, 0.64%, 0.24%

LAB 35.79, -0.64, 36.21

 

CMYK 0 / 16 / 78 / 41

HEX #967E21

RGB 150 126 33

HSL 47.69, 0.64%, 0.36%

LAB 53.51, -0.67, 50.59

 

CMYK 0 / 16 / 78 / 21

HEX #C9A92D

RGB 201 169 45

HSL 47.69, 0.63%, 0.48%

LAB 70.16, -0.65, 63.58

 

CMYK 0 / 16 / 78 / 1

HEX #FCD338

RGB 252 211 56

HSL 47.45, 0.97%, 0.6%

LAB 85.79, -0.16, 76.01

 

CMYK 0 / 17 / 77 / 81

HEX #30280B

RGB 48 40 11

HSL 47.03, 0.63%, 0.12%

LAB 16.36, -0.55, 19.22

 

CMYK 0 / 16 / 78 / 61

HEX #635316

RGB 99 83 22

HSL 47.53, 0.64%, 0.24%

LAB 35.79, -0.64, 36.21

 

CMYK 77 / 0 / 78 / 61

HEX #176416

RGB 23 100 22

HSL 119.23, 0.64%, 0.24%

LAB 36.66, -38.94, 35.52

 

CMYK 48 / 78 / 0 / 61

HEX #341664

RGB 52 22 100

HSL 263.08, 0.64%, 0.24%

LAB 16.62, 33.36, -40.37

 

CMYK 0 / 16 / 78 / 61

HEX #635316

RGB 99 83 22

HSL 47.53, 0.64%, 0.24%

LAB 35.79, -0.64, 36.21

 

CMYK 78 / 0 / 17 / 61

HEX #166453

RGB 22 100 83

HSL 166.92, 0.64%, 0.24%

LAB 37.68, -27.44, 3.05

 

CMYK 17 / 78 / 0 / 61

HEX #531664

RGB 83 22 100

HSL 286.92, 0.64%, 0.24%

LAB 21.33, 39.87, -32.52

 

CMYK 0 / 16 / 78 / 61

HEX #635316

RGB 99 83 22

HSL 47.53, 0.64%, 0.24%

LAB 35.79, -0.64, 36.21

 

CMYK 77 / 0 / 78 / 61

HEX #176416

RGB 23 100 22

HSL 119.23, 0.64%, 0.24%

LAB 36.66, -38.94, 35.52

 

CMYK 78 / 61 / 0 / 61

HEX #162764

RGB 22 39 100

HSL 226.92, 0.64%, 0.24%

LAB 18.11, 17.03, -38.06

 

CMYK 1 / 78 / 0 / 61

HEX #631664

RGB 99 22 100

HSL 299.23, 0.64%, 0.24%

LAB 24.15, 43.59, -27.85

 

CMYK 0 / 16 / 78 / 61

HEX #635316

RGB 99 83 22

HSL 47.53, 0.64%, 0.24%

LAB 35.79, -0.64, 36.21

 

CMYK 78 / 0 / 56 / 61

HEX #16642C

RGB 22 100 44

HSL 136.92, 0.64%, 0.24%

LAB 36.87, -36.35, 25.06

 

CMYK 78 / 61 / 0 / 61

HEX #162764

RGB 22 39 100

HSL 226.92, 0.64%, 0.24%

LAB 18.11, 17.03, -38.06

 

CMYK 0 / 78 / 22 / 61

HEX #64164E

RGB 100 22 78

HSL 316.92, 0.64%, 0.24%

LAB 23.11, 40.17, -14.85

 

Description

Color code: RGB 99 83 22 | qconv.com Color code: RGB 99 83 22 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 99 red, 83 green and 22 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
99 83 22 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 16 magenta, 78 yellow and 61 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 16% 78% 61% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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