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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 99 61 79 it is the complementary color RGB 156 194 176. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 99 61 79. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 99 61 79: RGB 104 61 74, RGB 121 79 93, RGB 138 97 112, RGB 155 115 131 and RGB 172 133 150

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 99 61 79. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 99 61 79: RGB 99 61 79, RGB 82 43 60, RGB 65 25 41, RGB 48 7 22 and RGB 31 0 3

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 38 / 20 / 61

HEX #633D4F

RGB 99 61 79

HSL 331.58, 0.24%, 0.31%

LAB 30.77, 19.57, -3.92

 

Complementary color

CMYK 20 / 0 / 9 / 24

HEX #9CC2B0

RGB 156 194 176

HSL 151.58, 0.24%, 0.69%

LAB 75.32, -16.32, 4.87

 

CMYK 0 / 41 / 29 / 59

HEX #683D4A

RGB 104 61 74

HSL 341.86, 0.26%, 0.32%

LAB 31.29, 20.76, 0.16

 

CMYK 0 / 35 / 23 / 53

HEX #794F5D

RGB 121 79 93

HSL 340, 0.21%, 0.39%

LAB 38.63, 19.84, -0.9

 

CMYK 0 / 30 / 19 / 46

HEX #8A6170

RGB 138 97 112

HSL 338.05, 0.17%, 0.46%

LAB 45.8, 19.04, -1.8

 

CMYK 0 / 26 / 15 / 39

HEX #9B7383

RGB 155 115 131

HSL 336, 0.17%, 0.53%

LAB 52.81, 18.33, -2.6

 

CMYK 0 / 23 / 13 / 33

HEX #AC8596

RGB 172 133 150

HSL 333.85, 0.19%, 0.6%

LAB 59.66, 17.7, -3.32

 

CMYK 0 / 38 / 20 / 61

HEX #633D4F

RGB 99 61 79

HSL 331.58, 0.24%, 0.31%

LAB 30.77, 19.57, -3.92

 

CMYK 0 / 48 / 27 / 68

HEX #522B3C

RGB 82 43 60

HSL 333.85, 0.31%, 0.25%

LAB 23.16, 20.51, -2.86

 

CMYK 0 / 62 / 37 / 75

HEX #411929

RGB 65 25 41

HSL 336, 0.44%, 0.18%

LAB 15.38, 21.49, -1.39

 

CMYK 0 / 85 / 54 / 81

HEX #300716

RGB 48 7 22

HSL 338.05, 0.75%, 0.11%

LAB 7.57, 22.11, 0.97

 

CMYK 0 / 100 / 90 / 88

HEX #1F0003

RGB 31 0 3

HSL 354.19, 1%, 0.06%

LAB 2.69, 12.22, 3.02

 

CMYK 0 / 38 / 20 / 61

HEX #633D4F

RGB 99 61 79

HSL 331.58, 0.24%, 0.31%

LAB 30.77, 19.57, -3.92

 

CMYK 0 / 39 / 27 / 62

HEX #623C48

RGB 98 60 72

HSL 341.05, 0.24%, 0.31%

LAB 30.15, 18.58, -0.3

 

CMYK 0 / 39 / 34 / 62

HEX #623C41

RGB 98 60 65

HSL 352.11, 0.24%, 0.31%

LAB 29.94, 17.47, 3.95

 

CMYK 0 / 39 / 39 / 62

HEX #623C3C

RGB 98 60 60

HSL 0, 0.24%, 0.31%

LAB 29.8, 16.75, 7.02

 

CMYK 0 / 32 / 39 / 62

HEX #62433C

RGB 98 67 60

HSL 11.05, 0.24%, 0.31%

LAB 31.66, 12.39, 9.62

 

CMYK 0 / 38 / 20 / 61

HEX #633D4F

RGB 99 61 79

HSL 331.58, 0.24%, 0.31%

LAB 30.77, 19.57, -3.92

 

CMYK 0 / 39 / 20 / 41

HEX #965C78

RGB 150 92 120

HSL 331.03, 0.24%, 0.47%

LAB 46.3, 27.82, -5.73

 

CMYK 0 / 38 / 20 / 21

HEX #C97CA0

RGB 201 124 160

HSL 331.95, 0.42%, 0.64%

LAB 61.11, 34.82, -6.55

 

CMYK 0 / 38 / 20 / 1

HEX #FC9BC9

RGB 252 155 201

HSL 331.55, 0.94%, 0.8%

LAB 75.05, 42.13, -8.17

 

CMYK 0 / 38 / 21 / 81

HEX #301E26

RGB 48 30 38

HSL 333.33, 0.23%, 0.15%

LAB 13.81, 10.31, -1.85

 

CMYK 0 / 38 / 20 / 61

HEX #633D4F

RGB 99 61 79

HSL 331.58, 0.24%, 0.31%

LAB 30.77, 19.57, -3.92

 

CMYK 0 / 11 / 39 / 62

HEX #62573C

RGB 98 87 60

HSL 42.63, 0.24%, 0.31%

LAB 37.37, 0.03, 17.35

 

CMYK 39 / 5 / 0 / 62

HEX #3C5D62

RGB 60 93 98

HSL 187.89, 0.24%, 0.31%

LAB 37.25, -10.55, -6.68

 

CMYK 0 / 38 / 20 / 61

HEX #633D4F

RGB 99 61 79

HSL 331.58, 0.24%, 0.31%

LAB 30.77, 19.57, -3.92

 

CMYK 20 / 0 / 39 / 62

HEX #4E623C

RGB 78 98 60

HSL 91.58, 0.24%, 0.31%

LAB 39.04, -15.18, 19.22

 

CMYK 39 / 20 / 0 / 62

HEX #3C4E62

RGB 60 78 98

HSL 211.58, 0.24%, 0.31%

LAB 32.46, -1.39, -13.92

 

CMYK 0 / 38 / 20 / 61

HEX #633D4F

RGB 99 61 79

HSL 331.58, 0.24%, 0.31%

LAB 30.77, 19.57, -3.92

 

CMYK 0 / 11 / 39 / 62

HEX #62573C

RGB 98 87 60

HSL 42.63, 0.24%, 0.31%

LAB 37.37, 0.03, 17.35

 

CMYK 39 / 0 / 19 / 62

HEX #3C624F

RGB 60 98 79

HSL 150, 0.24%, 0.31%

LAB 38.31, -18.27, 6.59

 

CMYK 39 / 29 / 0 / 62

HEX #3C4662

RGB 60 70 98

HSL 224.21, 0.24%, 0.31%

LAB 29.97, 3.77, -17.76

 

CMYK 0 / 38 / 20 / 61

HEX #633D4F

RGB 99 61 79

HSL 331.58, 0.24%, 0.31%

LAB 30.77, 19.57, -3.92

 

CMYK 1 / 0 / 39 / 62

HEX #61623C

RGB 97 98 60

HSL 61.58, 0.24%, 0.31%

LAB 40.58, -6.94, 21.52

 

CMYK 39 / 0 / 19 / 62

HEX #3C624F

RGB 60 98 79

HSL 150, 0.24%, 0.31%

LAB 38.31, -18.27, 6.59

 

CMYK 39 / 39 / 0 / 62

HEX #3C3C62

RGB 60 60 98

HSL 240, 0.24%, 0.31%

LAB 26.95, 10.42, -22.47

 

Description

Color code: RGB 99 61 79 | qconv.com Color code: RGB 99 61 79 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 99 red, 61 green and 79 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
99 61 79 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 38 magenta, 20 yellow and 61 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 38% 20% 61% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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