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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 99 58 221 it is the complementary color RGB 156 197 34. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 99 58 221. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 99 58 221: RGB 104 58 216, RGB 121 76 235, RGB 138 94 254, RGB 155 112 255 and RGB 172 130 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 99 58 221. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 99 58 221: RGB 99 58 221, RGB 82 40 202, RGB 65 22 183, RGB 48 4 164 and RGB 31 0 145

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 55 / 74 / 0 / 13

HEX #633ADD

RGB 99 58 221

HSL 255.09, 0.71%, 0.55%

LAB 39.41, 57.11, -76.64

 

Complementary color

CMYK 21 / 0 / 83 / 23

HEX #9CC522

RGB 156 197 34

HSL 75.09, 0.71%, 0.45%

LAB 74.26, -34.25, 69.1

 

CMYK 52 / 73 / 0 / 15

HEX #683AD8

RGB 104 58 216

HSL 257.47, 0.67%, 0.54%

LAB 39.46, 56.44, -73.68

 

CMYK 49 / 68 / 0 / 8

HEX #794CEB

RGB 121 76 235

HSL 256.98, 0.8%, 0.61%

LAB 45.95, 55.31, -73.81

 

CMYK 46 / 63 / 0 / 0

HEX #8A5EFE

RGB 138 94 254

HSL 256.5, 0.99%, 0.68%

LAB 52.47, 54.06, -73.75

 

CMYK 39 / 56 / 0 / 0

HEX #9B70FF

RGB 155 112 255

HSL 258.04, 1%, 0.72%

LAB 57.82, 48.06, -65.56

 

CMYK 33 / 49 / 0 / 0

HEX #AC82FF

RGB 172 130 255

HSL 260.16, 1%, 0.75%

LAB 63.31, 42.14, -56.7

 

CMYK 55 / 74 / 0 / 13

HEX #633ADD

RGB 99 58 221

HSL 255.09, 0.71%, 0.55%

LAB 39.41, 57.11, -76.64

 

CMYK 59 / 80 / 0 / 21

HEX #5228CA

RGB 82 40 202

HSL 255.56, 0.67%, 0.47%

LAB 33.08, 58.03, -76.14

 

CMYK 64 / 88 / 0 / 28

HEX #4116B7

RGB 65 22 183

HSL 256.02, 0.79%, 0.4%

LAB 27.06, 58.14, -74.95

 

CMYK 71 / 98 / 0 / 36

HEX #3004A4

RGB 48 4 164

HSL 256.5, 0.95%, 0.33%

LAB 21.56, 56.88, -72.7

 

CMYK 79 / 100 / 0 / 43

HEX #1F0091

RGB 31 0 145

HSL 252.83, 1%, 0.28%

LAB 17.16, 52.51, -68.39

 

CMYK 55 / 74 / 0 / 13

HEX #633ADD

RGB 99 58 221

HSL 255.09, 0.71%, 0.55%

LAB 39.41, 57.11, -76.64

 

CMYK 43 / 74 / 0 / 13

HEX #7E3ADD

RGB 126 58 221

HSL 265.03, 0.71%, 0.55%

LAB 42.28, 61.13, -71.83

 

CMYK 31 / 74 / 0 / 13

HEX #993ADD

RGB 153 58 221

HSL 274.97, 0.71%, 0.55%

LAB 45.66, 65.73, -66.18

 

CMYK 19 / 74 / 0 / 13

HEX #B43ADD

RGB 180 58 221

HSL 284.91, 0.71%, 0.55%

LAB 49.44, 70.74, -59.89

 

CMYK 6 / 74 / 0 / 13

HEX #D03ADD

RGB 208 58 221

HSL 295.21, 0.71%, 0.55%

LAB 53.66, 76.23, -52.88

 

CMYK 55 / 74 / 0 / 13

HEX #633ADD

RGB 99 58 221

HSL 255.09, 0.71%, 0.55%

LAB 39.41, 57.11, -76.64

 

CMYK 53 / 76 / 0 / 93

HEX #080411

RGB 8 4 17

HSL 258.46, 0.62%, 0.04%

LAB 1.62, 3.06, -5.11

 

CMYK 56 / 74 / 0 / 73

HEX #1E1244

RGB 30 18 68

HSL 254.4, 0.58%, 0.17%

LAB 10, 21.09, -29.51

 

CMYK 55 / 74 / 0 / 53

HEX #351F77

RGB 53 31 119

HSL 255, 0.59%, 0.29%

LAB 20.32, 34.34, -46.67

 

CMYK 55 / 74 / 0 / 33

HEX #4C2DAA

RGB 76 45 170

HSL 254.88, 0.58%, 0.42%

LAB 30.2, 45.83, -61.98

 

CMYK 55 / 74 / 0 / 13

HEX #633ADD

RGB 99 58 221

HSL 255.09, 0.71%, 0.55%

LAB 39.41, 57.11, -76.64

 

CMYK 0 / 74 / 33 / 13

HEX #DD3A94

RGB 221 58 148

HSL 326.87, 0.71%, 0.55%

LAB 52.44, 69.02, -12.21

 

CMYK 62 / 0 / 74 / 13

HEX #53DD3A

RGB 83 221 58

HSL 110.8, 0.71%, 0.55%

LAB 78.38, -65.66, 64.73

 

CMYK 55 / 74 / 0 / 13

HEX #633ADD

RGB 99 58 221

HSL 255.09, 0.71%, 0.55%

LAB 39.41, 57.11, -76.64

 

CMYK 0 / 55 / 74 / 13

HEX #DD633A

RGB 221 99 58

HSL 15.09, 0.71%, 0.55%

LAB 56.68, 45.24, 45.56

 

CMYK 74 / 0 / 55 / 13

HEX #3ADD63

RGB 58 221 99

HSL 135.09, 0.71%, 0.55%

LAB 78.18, -66.06, 47.63

 

CMYK 55 / 74 / 0 / 13

HEX #633ADD

RGB 99 58 221

HSL 255.09, 0.71%, 0.55%

LAB 39.41, 57.11, -76.64

 

CMYK 0 / 74 / 33 / 13

HEX #DD3A94

RGB 221 58 148

HSL 326.87, 0.71%, 0.55%

LAB 52.44, 69.02, -12.21

 

CMYK 19 / 0 / 74 / 13

HEX #B4DD3A

RGB 180 221 58

HSL 75.09, 0.71%, 0.55%

LAB 82.77, -34.74, 70.5

 

CMYK 74 / 0 / 40 / 13

HEX #3ADD84

RGB 58 221 132

HSL 147.24, 0.71%, 0.55%

LAB 78.62, -60.87, 32.09

 

CMYK 55 / 74 / 0 / 13

HEX #633ADD

RGB 99 58 221

HSL 255.09, 0.71%, 0.55%

LAB 39.41, 57.11, -76.64

 

CMYK 0 / 74 / 55 / 13

HEX #DD3A63

RGB 221 58 99

HSL 344.91, 0.71%, 0.55%

LAB 51.04, 64.54, 15.21

 

CMYK 19 / 0 / 74 / 13

HEX #B4DD3A

RGB 180 221 58

HSL 75.09, 0.71%, 0.55%

LAB 82.77, -34.74, 70.5

 

CMYK 74 / 0 / 19 / 13

HEX #3ADDB4

RGB 58 221 180

HSL 164.91, 0.71%, 0.55%

LAB 79.56, -50.68, 8.35

 

Description

Color code: RGB 99 58 221 | qconv.com Color code: RGB 99 58 221 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 99 red, 58 green and 221 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
99 58 221 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 55 cyan, 74 magenta, none yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
55% 74% 0% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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